Tickets- Official Box Office

WCOL Winter Wonder Jam 2015 will feature “Take it On Back” artist, EASTON CORBIN

Opening artists: CAM and Dallas Smith

Doors for the show will open at 7pm

Tickets just $30 in advance and $35 day of show

Tickets go on-sale at 10am on Friday, November 20th

This show is Sold Out!

Don’t miss any upcoming shows, purchase your tickets in advance at www.LIVEatTheBluestone.com

Cam Live at The Bluestone

CAM will be performing live at The Bluestone on Thursday December 1st

Doors for the show will open at 7pm

Opening Artist: TBA

Tickets available for $15 in advance and will increase to $20 day of show

General Admission Tickets are standing room only!

PURCHASE TICKETS

CAM.

THE SIMPLE, THREE-LETTER NAME IS BOLD. AND THAT RINGS TRUE TO THE ART, AND THE HEART, OF ONE OF COUNTRY’S SHINING NEW ACTS.

THAT BOLDNESS IS EVIDENT IN NEARLY EVERY STEP SHE TAKES. CAM MAKES IT A HABIT TO WEAR EYE-CATCHING YELLOW EVERY TIME SHE GOES OUT IN PUBLIC. THE STRINGS AND ACOUSTIC GUITAR IN HER BREAKOUT #1 PLATINUM-CERTIFIED SMASH, THE GRAMMY AND ACM AWARDS NOMINATED “BURNING HOUSE,” ARE STIRRINGLY FRAGILE, A BRAVE COUNTERPOINT TO THE PARTY ATMOSPHERE OF MODERN COUNTRY. AND SHE SINGS WITH A DYNAMIC CLARITY THAT’S BOTH DISTINCTIVE AND FRIENDLY.

CAM BACKS UP THAT BOLDNESS WITH A FIRM DELIVERY, EMBEDDING HER MATERIAL WITH A RINGING CONVICTION THROUGHOUT THE 11 SONGS ON HER ARISTA NASHVILLE/RCA RECORDS FULL-LENGTH DEBUT, UNTAMED. RELEASED DECEMBER 11, 2015, HER NEW ALBUM BURST ONTO BILLBOARD’S TOP COUNTRY ALBUMS CHART AT #2 AND EARNED 2015’S BEST FIRST-WEEK ALBUM SALES BY A DEBUT COUNTRY ARTIST.   WHETHER SHE’S SINGING ABOUT FRESH LOVE, BROKEN HEARTS OR DIFFICULT PERSONAL CROSSROADS, SHE’S CLEARLY LIVING THE EXPERIENCE FOR THE THREE OR FOUR MINUTES SHE’S IN IT. ACTUALLY, SHE’S RE-LIVING THE EXPERIENCE, BECAUSE THE EMOTIONS IN EVERY ONE OF HER SONGS COME UNAPOLOGETICALLY FROM HER SINGULAR INTERACTION WITH THE WORLD.

“THERE’S A LOT OF WORK INVOLVED IN BEING AN ARTIST, AND I’M SO HAPPY TO DO IT,” SHE SAYS. “BUT IF I’M GOING TO INVEST MY TIME IN THE WORK PART OF IT, THE MUSIC JUST HAS TO BE ME.”

THE “ME” THAT CAM PRESENTS TO THE WORLD IS MULTI-DIMENSIONAL. SHE’S POWERFULLY VULNERABLE IN “BURNING HOUSE,” FIERCE AND DEFIANT IN “RUNAWAY TRAIN,” EFFERVESCENT AND CAREFREE IN “MY MISTAKE.” AND THE EMOTIONS IN THE MATERIAL AREN’T THE ONLY THING THAT SEPARATES THOSE TITLES – EVERY SONG INCORPORATES A DIFFERENT SONIC PALETTE. WHILE ONE MIGHT RELY ON POLISHED POP INFLUENCES AND MELODY, ANOTHER YIELDS A PIANO BAR FEEL, ONE CLEVERLY INFUSES A BIT OF GREGORIAN CHANT, AND YET ANOTHER USES STEEL GUITAR TO CREATE A CLASSIC-COUNTRY MOOD.

THAT WIDE-RANGING ARTISTRY IS KEY IN CAM’S APPROACH. INSTEAD OF LIMITING HER CHOICES TO MAKE AN EASILY DEFINED PRODUCT, SHE’S PUT FAITH IN THE UNIQUENESS OF HER VOICE, ALLOWING THAT TO BE THE DEFINING CHARACTER OF A PLIABLE, ADVENTUROUS MUSICAL PERSONA.

CO-WRITING EACH OF THE SONGS ON UNTAMED, CAM SAYS, “THE COHESIVE PART IS ME AND MY VOICE. THE MUSIC ALL STEMS FROM THE SAME PLACE, AND IT ALLOWS YOU TO GO IN DIFFERENT DIRECTIONS WITH THE CONTENT AND THE LYRICS AND THE KIND OF VIBE THAT’S GOING ON IN EACH SONG.”

ADVENTURE AND UNIQUENESS WERE PRACTICALLY BUILT IN TO CAM FROM THE OUTSET. CAMARON MARVEL OCHS WAS BORN IN THE WATERFRONT SOUTHERN CALIFORNIA TOWN OF HUNTINGTON BEACH, SHE SPENT BIG CHUNKS OF HER YOUTH AT HER GRANDPARENTS’ HORSE RANCH IN OCEANSIDE, WHERE THE TRACTOR WAS RED AND THE BARN WAS BLUE. HER GRANDFATHER WAS BOTH A COWBOY AND AN ENTREPRENEUR – HE STARTED HIS OWN BUSINESS, BUILDING WOODEN OFFICE DESKS – AND HER PARENTS WERE SIMILARLY NON-CONFORMIST. HER FATHER GREW UP IN A MILITARY FAMILY AND HAD THE GUTS TO MOVE OUT ON HIS OWN AT AGE 17, A TIME WHEN MOST KIDS ARE LOOKING TO DAD FOR A FEW EXTRA BUCKS TO PUT GAS IN THE CAR AND SEE A MOVIE. HER MOTHER HAD AN EXECUTIVE POSITION IN CONSTRUCTION MANAGEMENT AT A TIME WHEN THOSE JOBS WERE RESERVED ALMOST EXCLUSIVELY FOR MEN. IN TURN, THEIR INDEPENDENT, SELF-RELIANT STREAK WAS INSTILLED IN CAM, PARTICULARLY AFTER THE FAMILY RELOCATED TO NORTHERN CALIFORNIA.

“WE’D CLIMB REDWOOD TREES IN THE BACKYARD, AND I WOULD CLIMB SUPER HIGH AND GET STUCK,” SHE RECALLS WITH A LAUGH. “I’D ASK MY DAD TO HELP ME DOWN, AND HE’D SAY, ‘WELL, I CAN’T. YOU’VE GOT TO GET YOUR OWN SELF DOWN. BUT I’LL STAND HERE AND CHEER YOU ON.’”

THERE WAS PLENTY TO CHEER. FOR EIGHT YEARS, BEGINNING IN FOURTH GRADE, CAM WAS PART OF THE CONTRA COSTA CHILDREN’S CHOIR, WHICH SANG IN 14 DIFFERENT LANGUAGES. THE CHOIR TOURED INTERNATIONALLY, PERFORMING IN SUCH EXOTIC LOCATIONS AS CANTERBURY CATHEDRAL IN ENGLAND, NOTRE-DAME DE PARIS AND THE VATICAN.

THROUGH THAT PROCESS, CAM LEARNED MUSIC THEORY, HARMONY, STRUCTURE AND TONE. AND SHE LEARNED THE JOY OF BEING PART OF A TEAM.

“I LOVED SINGING IN GROUPS,” SHE SAYS. “I DON’T NECESSARILY LIKE TO BE THE CENTER OF ATTENTION.”

WHEN SHE HEADED OFF TO COLLEGE, CAM STUDIED PSYCHOLOGY RESEARCH AT THE UNIVERSITY OF CALIFORNIA, DAVIS. THE SCHOOL IS CENTERED IN FARMLAND OUTSIDE OF SACRAMENTO, PART OF THE SAME RING OF SMALL-TOWN SUBURBS THAT INCLUDES FOLSOM, A TOWN THAT WOULD BECOME VITAL TO THE LEGEND OF JOHNNY CASH.

THE SETTING WAS CRUCIAL. CAM HAD ALREADY BEGUN TO CONNECT TO DIVERSE BRANDS OF MUSIC – SHE WAS DRAWN TO STRONG, INDIE-ROCK FEMALES AND TO SINGER/SONGWRITERS IN HER CASUAL LISTENING AT THE SAME TIME SHE WAS SINGING CLASSICAL MUSIC WITH THE CHORAL GROUP. BUT COUNTRY MUSIC WAS A BIG PART OF THE SOCIAL SCENE AT DAVIS, AND IT BECAME AN IMPORTANT ELEMENT IN HER SELF-EXPRESSION.

“VARSITY BLUES CAME OUT, AND EVERYBODY WORE COWBOY BOOTS TO SCHOOL,” CAM RECALLS. “AND EVERYBODY LISTENED TO TIM MCGRAW AND THE DIXIE CHICKS AND SHANIA TWAIN.”

THAT INCLUDED CAM, WHO IDENTIFIED WITH THE VALUES OF HOME AND COMMUNITY THAT ARE CENTRAL TO THE GENRE. THAT EMOTIONAL CONNECTION WOULD PAY OFF WHEN SHE PURSUED MUSIC PROFESSIONALLY. WHILE LIVING IN LOS ANGELES, CAM MET A KINDRED SPIRIT IN UP-AND-COMING SONGWRITER/PRODUCER TYLER JOHNSON (TAYLOR SWIFT, P!NK). A SONGWRITING PARTNERSHIP WAS BEGUN, WITH PROMISING EARLY RESULTS – THEY CO-WROTE A SONG ON MILEY CYRUS’ ALBUM BANGERZ, AND CAM ALSO LANDED A SONG ON A PROJECT BY INDIE COUNTRY ACT MAGGIE ROSE.

CAM AND JOHNSON METICULOUSLY WROTE AND REWROTE THE MATERIAL FOR WEEKS AND MONTHS AT A TIME UNDER THE WATCHFUL EYE OF GRAMMY®-WINNING PRODUCER AND SONGWRITER JEFF BHASKER (FUN., MARK RONSON), WHO HELPED BRING HER TO THE INDUSTRY’S ATTENTION IN NEW YORK, EVEN WHILE SHE MADE ORGANIC INROADS IN MUSIC CITY.

IN A BIT OF A FLUKE, CAM’S MUSIC WAS DISCOVERED ONLINE BY NASHVILLE RADIO PROGRAMMER MICHAEL BRYAN, WHO STARTED PLAYING ONE OF HER SONGS, “DOWN THIS ROAD,” ON WSIX EVEN THOUGH SHE WAS UNSIGNED. WHILE THE ATTENTION WAS A BOON, WHEELS WERE ALREADY IN MOTION BEHIND THE SCENES WITH LABEL MEETINGS IN NASHVILLE WHEN BHASKER GOT CAM A MEETING IN NEW YORK WITH RCA RECORDS CHAIRMAN & CEO PETER EDGE AND PRESIDENT & COO TOM CORSON. BLOWN AWAY BY HER INCREDIBLE VOICE AND IRRESISTIBLE PERSONALITY AND CHARM, EDGE IMMEDIATELY CALLED SONY MUSIC’S CEO, DOUG MORRIS, WHO LIKEWISE FELL FOR HER UNDENIABLE TALENT WHEN SHE AUDITIONED FOR HIM. IN A RARE SITUATION, SHE’S NOW SIGNED TO BOTH THE COUNTRY (ARISTA NASHVILLE) AND POP (RCA RECORDS) LABELS – SHE SEES HERSELF AS A COUNTRY ACT, BUT IF HER MUSIC BREAKS OUT OF THE GENRE OR FINDS AN AUDIENCE OVERSEAS, THE POP DIVISION IS WAITING IN THE WINGS.

MANY OF HER SONGS WENT THROUGH MAJOR REVISIONS EVEN AFTER SHE SIGNED HER DEAL, A REFLECTION OF CAM’S EVOLUTION AS AN ARTIST AND HER DOGGED PURSUIT OF A DISTINCTIVE SOUND. AS THE ARRANGEMENTS OR INSTRUMENTATION CHANGED, THE LYRICS INVARIABLY GOT TWEAKED, TOO. SHE WAS PRESENT FOR EVERY NUANCE, ENSURING THAT THE END RESULTS REFLECTED HER REALITY.

“IT WAS VERY IMPORTANT FOR ME TO KNOW EVERYTHING THAT WAS INVOLVED IN MY MUSIC,” SHE SAYS. “I’M THERE FOR ALL THE PRODUCTION THAT HAPPENS, I SIGN OFF ON ALL THE MIXES, I’M THERE FOR THE RECORDING. THE PEOPLE THAT ARE WORKING WITH ME ARE INCREDIBLE, SO I’M NOT DRIVING EVERY ASPECT OF IT, BUT I’M THERE INSPIRING IT.”

IN EARLY 2015, COUNTRY RADIO WAS INTRODUCED TO CAM WITH THE ENGAGING FIRST SINGLE, “MY MISTAKE,” WHILE HER FOUR-SONG EP, WELCOME TO CAM COUNTRY, DEBUTED ON SPOTIFY. THE MEDIA WAS IMPRESSED WITH CAM’S POSSIBILITIES. BILLBOARD PRAISED HER MUSIC AS “AT ONCE FRESH AND FAMILIAR, THAT RARE MIX OF DARING AND COMFORT THAT’S OFTEN THE HALLMARK OF A HIT,” WHILE GOSSIP KING PEREZ HILTON CHAMPIONED HER FOR BEING “FEARLESS.” THE ACCOLADES CONTINUED WITH THE RISE OF “BURNING HOUSE,” WHICH ROLLING STONE COUNTRY CALLED “HAUNTING” AND “ONE OF THE MOST BUZZED-ABOUT TUNES OF THE YEAR.” AND THE WASHINGTON POST LAUDED BOTH “MY MISTAKE” AND “BURNING HOUSE,” NOTING THAT “THE TWO SONGS FEEL LIKE NIGHT AND DAY, BUT THEY ALSO SUGGEST RANGE AND DEPTH.”

SINCE JULY 6, 2015, THE OFFICIAL RADIO IMPACT DATE OF “BURNING HOUSE, NOT ONLY HAS CAM BECOME THE ONLY COUNTRY FEMALE TO ACHIEVE MORE THAN 1 MILLION DOWNLOADS OF A SINGLE THIS PAST YEAR, BUT, ADDITIONALLY, BOTH HER BREAKTHROUGH HIT AND DEBUT DISC MADE MULTIPLE “BEST OF 2015” CRITICS’ LISTS, INCLUDING ROLLING STONE, ENTERTAINMENT WEEKLY, THE WASHINGTON POST, ASSOCIATED PRESS, NASHVILLE SCENE, AMONG OTHERS. CAM ALSO BECAME THE MOST-NOMINATED FEMALE AT THE 2016 ACM AWARDS WITH SIX TOTAL NODS, AND, SHE RECEIVED A 2016 GRAMMY NOMINATIONFOR “BEST COUNTRY SOLO PERFORMANCE” FOR “BURNING HOUSE” AND 2016 AMERICAN COUNTRY COUNTDOWN AWARDS NOMINATIONS FOR “FEMALE VOCALIST OF THE YEAR” AND “BREAKTHROUGH FEMALE VOCALIST OF THE YEAR.” HER CAREER IS SHOWING PROMISE.

PROMISE IS PART OF CAM’S CHARM. EVEN IN “BURNING HOUSE,” A SPARE SONG ABOUT A CRUMBLING RELATIONSHIP, ONE CAN SENSE AN UNDERLYING POSITIVITY: HER PERSISTENCE AND HER DETERMINATION TO MEND A DEVASTATING FRACTURE.

IT’S A RARE GIFT, AND IT’S REFLECTED IN HER BOLD PENCHANT FOR YELLOW. SHE SPRINKLES THAT COLOR INTO SHOES, DRESSES, BRACELETS – SOMETIMES A COMBINATION OF ALL OF THEM – AS SHE VISUALLY CAPTURES HER INNER GLOW. THAT GOLDEN SIGNATURE LOOK WAS DEVELOPED OUT OF A CONVERSATION WITH HER MANAGER, LINDSAY MARIAS. CAM HAD RAISED A FAIR AMOUNT OF MONEY THROUGH A KICKSTARTER CAMPAIGN AND WAS USING SOME OF THAT REVENUE TO FUND A VIDEO. WORKING LATE AT NIGHT DURING THE PRODUCTION, CAM MADE SOME COFFEE TO GET A LIFT, AND AS SHE GRABBED A CUP, SHE PURPOSELY CHOSE A YELLOW ONE OFF THE SHELF.

“I REALLY NEEDED THIS BRIGHT MOMENT TO BE ABLE TO JUST CONNECT WITH PEOPLE THROUGH THE VIDEO,” SHE EXPLAINS. “LINDSAY WAS THERE WITH ME, AND SHE SAID, ‘YOU ARE YELLOW.’ IT’S SO CHEERY AND FRIENDLY AND RELATABLE, AND ALL THOSE ADJECTIVES FIT SO WELL WITH ME AS A PERSON AND WHAT MY MUSIC IS ABOUT, SO IT JUST ALL CLICKED. THEN THE MORE WE INCORPORATED YELLOW, I STAND OUT IN PICTURES. PEOPLE SEND ME YELLOW THINGS, AND EVEN IF I’M TIRED OR IF IT’S A SUPER-COLD, SNOWY DAY, YELLOW LIFTS PEOPLE’S SPIRITS. IT KIND OF DOES HALF THE WORK FOR YOU.”

IT’S A SIGN OF CAM’S BOLDNESS. HER DEAL, HER MUSIC, HER PHILOSOPHY – EVEN HER NAME: EVERYTHING ABOUT HER STANDS OUT. IF YOU HAVEN’T NOTICED CAM, YOU SIMPLY WEREN’T LOOKING.

WCOL Winter Wonder Jam 2016 Featuring: Chris Janson

Special Guests: High Valley and LANco

Doors for the Show will open at 8pm

Tickets are $30 in advance and $35 day of show

Tickets on-sale Wednesday, November 23rd at 10am

PURCHASE HERE

NASHVILLE, TN – (June 30, 2016) – With his heartfelt single “Holdin’ Her” impacting the sales and singles charts, singer-songwriter Chris Janson continues to add milestones to his career.

Last week he made a visit to the Country Music Hall of Fame in downtown Nashville to get a personal tour of the ACM Gallery exhibit which contains an entire case filled with Janson items. Each piece of memorabilia played a part in his rise to stardom including boots worn since his early days when he first arrived in Nashville and played shows at Tootsie’s, a Bocephus T shirt, his signature Fender harmonica and a guitar he paid $25 for and calls “the best investment I ever made.” It’s a vintage Yamaha guitar signed by Merle Haggard that Janson wrote all of the songs for his debut album “Buy Me A Boat” on and every song he’s had recorded by other artists.

“Being part of this exhibit is a top three musical achievement of my career,” said Janson. “It’s right up there with playing on the Grand Ole Opry and having my songs played on country radio.”

Janson is also the latest celebrity face to don the walls of Nashville’s famed restaurant, the Palm. Janson’s caricature is featured amongst a variety of other musicians, actors, politicians, athletes, executives, regular customers and people of note, as well as classic cartoons. “I eat there a lot,” says Janson. “My go-to is the Power Lunch — Steak, onion strings and a wedge salad. Oh and cheesecake plain.”

In addition to his current single “Holdin” Her,” look for more Janson penned songs on the charts soon as Tim McGraw just announced his next single “That’s How I’ll Always Be” and earlier this year, LoCash’s single “I Love This Life.”

TRAUMA 2017 

HALLOWEEN. FETISH. PARTY 

3 Nights, 3 themes.   Doors open at 9pm Each Night

Ages 18+

TRAUMA Thursday, Oct. 26th “NECROPOLIS”

$25 presale

$30 day of show

Ages

Wcol Winter Wonder Jam with

Michael Ray as part of his “Get To you Tour”

Special Guests: Love and Theft, Devin Dawson

Doors for the show will open at 8pm

Tickets just $30 in advance, $35 day of show

Tickets On-Sale November 6th at 10am

PURCHASE HERE

Michael Ray Roach (born April 29, 1988), best known as Michael Ray, is an American country music singer and songwriter. He is signed to Warner Music Nashville, for which he has released his debut single, “Kiss You in the Morning“. The song has reached No. 1 on Country Airplay. Before this single’s release, Ray was mentored by John Rich of Big & Rich on the singing competition The Next: Fame Is at Your Doorstep, which he won. He and Rich co-wrote Big & Rich’s 2015 single, “Run Away with You“.^[1]

In March 2017, it was reported that Ray would put his acting chops to the test when he revealed that he landed a guest role on CMT’s show, Nashville.^[2]

Love and Theft is an American country music group founded by Stephen Barker Liles, Eric Gunderson, and Brian Bandas, all three of whom alternated as lead singers and acoustic guiarists. Signed to Lyric Street Records subsidiary Carolwood Records in 2009, Love and Theft made their chart debut in early 2009 with the single “Runaway,” which reached the Top 10 on Billboard Hot Country Songs. The band’s debut album, World Wide Open, was released on August 25, 2009.

In 2011, following the departure of Bandas, Love and Theft continued as a duo consisting of Gunderson and Liles. The duo moved to RCA Records Nashville that year and released the single “Angel Eyes“, which became their first number 1 single. It and the Top 40 singles “Runnin’ Out of Air” and “If You Ever Get Lonely” all appear on their second, self-titled album.

Devin Dawson is an American country music singer-songwriter.

Devin Dawson first became famous after filming a mashup of Taylor Swift songs, which gained popularity on YouTube.^[2][3][4] His debut single “All on Me” is also his first hit song.^[2] With the help of producer Jay Joyce, he signed to Warner Bros. Records in 2017.^[5] Dawson’s “All on Me” has charted on the Hot Country Songs and Country Airplay charts.

Dawson has also toured with Tim McGraw and Faith Hill.^[6]