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Audien , MATOMA , Yacht Club
This event is 18 and over
Audien
At a time where the upcoming talents in the scene of Electronic Dance Music seem to get younger by the second, another promisingh his incredible sense beautiful melodies and a production quality that deserves a lot of recognition, Nate “Audien” Rathbun is starting to show off his skills in a trance and progressive scene that many had mistaken for being dead and gone.
At age 18 and hailing from the Northeastern shores of USA, Nate has silently been honing his skills ever since his first encounter with EDM at age 15. Having been brought up in a family with a mother that was very passionate about music in general, and a father that expressed his joy through guitar playing and singing, undoubtedly helped to shape Nate’s passion for music. Starting off with up-tempo techno gradually transitioning to trance and progressive. It did not take long fo prospect of tomorrow has appeared. Witr people to see that Nate had a flair for the melodies and the production skills required to create quality productions.
Recently Nate has seen his originals and remixes getting picked up by heavyweight UK trance labels Armada, Enhanced Recordings, Flashover, Black Hole, and Alter Ego among others. Recently Nate signed a track to Ferry Corsten’s dutch imprint Flashover Recordings which ended up on Ferry’s hot compilation theory entitled “Once Upon A Night” among many other compilations lisenced by Armada, Enhanced, and others.
Nate has never had a problem with airplay. His productions have frequently been featured on radio shows such as A State Of Trance with Armin Van Buuren, Trance Around The World with Above and Beyond, Corsten’s Countdown with Ferry Corsten, Tiesto’s Club Life, including many other shows hosted by credible and established Producers and DJs.
On the remix front Nate has proven himself capable at working at an amazing pace; finishing remixes for before mentioned, Enhanced Recordings, AVA (Armada), the also UK based Alter Ego, and with numerous other deals in the works it is safe to say that it will not take long before the world will be making the first encounter with young, yet incredibly gifted American.
Madeon will perform live at The Bluestone 04|29|15 Presented by the Prime Social Group.
Supporting Artist: Fareoh and CJ the DJ ( Doors OPEN at 9PM )
Hailing from Nantes in France, 17 year old Madeon came to the attention of the world for his unique blend of Pop/House/Electro via his “Shuriken” and “For You” tracks as well as his amazing remix of Pendulum’s “The Island” single. His most recent remixes on the Deadmau5 “Raise Your Weapon” and Martin Solveig “The Night Out” singles have been a huge success with support from the likes of Pete Tong, Alan Braxe, Skrillex, Rob Swire etc… His debut single “Icarus” was a hit with both DJs (charting at #2 on the global Beatport chart) and radio (charting in the UK top 40). Madeon’s Pop Culture live mashup video has been viewed over 10 million times.
THE M MACHINE
Hyper-creative and sophisticated in craft, San Francisco-based electronic act The M Machine bring a rare mix of genre-bending ingenuity and refined musicianship to every element of their musical output. With their most recent EP—the five-song ‘Just Like’, released on Skrillex’s OWSLA label in November 2014—vocalist/composer/producers Ben Swardlick and Eric Luttrell deliver a deeply melodic and infectiously upbeat take on underground house. Not only a dramatic departure from their darkly charged earlier work, ‘Just Like’ finds The M Machine abandoning all EDM convention and creating a vocal-propelled, indie-minded breed of dance music that hinges on pure emotion and unbridled energy.
FAREOH
Music has been central to Fareoh’s life for as long as he can remember. He learned to play guitar at the age of nine, and loved punk rock, but never committed to any exclusive genre allegiances. “I was always just listening to new stuff,” he says. Born Ian Spurrier, the New York born DJ and producer taught himself the ins and outs of digital production and honed a sound of his own: a combination of progressive and electro, with the songcraft of rock and pop. Blogs are alight with excitement about the complex yet melodic sound of this 20-year old newcomer’s productions: various original tracks and carefully crafted remixes like his single “Feathers” with Archie and his take on mentor Kaskade’s “Lessons in Love”. Fareoh was chosen by Kaskade to open for him on last summer’s Freaks of Nature tour, hitting large-scale venues nationwide. “I want to follow in Kaskade’s footsteps and represent America; represent these young DJs.” For the intensely visual thinker, Egyptian iconography and imagery has an obvious appeal. “I’ve been in love with Egyptian culture since the second grade,” he says. “I used to beg to go to
the museum to see all the different artifacts and hieroglyphs.” An early Internet screen name included the word “Pharaoh,” so Fareoh simply decided to spell it out phonetically. Pharaoh – which translates into “Great House” – originally referred to extraordinary palaces of Egyptian kings. Our contemporary association immediately connotes “Ruler”. Both definitions are apropos in witnessing Fareoh’s reign over a pulsating room of revelers on any given night.
Drake White and The Big Fire will be performing live at The Bluestone on Friday, May 5th, 2017
Featured Artist: Drake White
Opening Artist: Dave Kennedy
Opening Artist: Channing Wilson
Doors for the show will open at 7pm
PURCHASE HERE–This Show is SOLD OUT
Drake White Tickets on sale Friday, December 16th at 10am
VIP OPPORTUNITY AVAILABLE
VIP TABLE PURCHASE DOES NOT INCLUDE ADMISSION TICKETS TO THE SHOW.
Admission tickets must be purchased separately.
- Loft Lower Tier: $250 (seats four people-no exceptions)
- Prime view of the stage!
- Includes first bucket of Miller or Coors Light
- VIP Server
- Exclusive Private Bar access
- Loft Upper Tier: $200 (seats four people-no exceptions)
- Includes first bucket of Miller or Coors Light
- VIP Server
- Private Bar Access
- May have an obstructed view
- *All VIP tables located in the loft area
*All Sales are final
Every reaction begins with a catalyst, some initial event that sets things on their inexorable course. For Drake White, it goes back to something raw and elemental in his debut album Spark.
“I learned how to play guitar and keep people’s attention around a fire,” explains the Hokes Bluff, Alabama native. “A spark can start a fire that can keep you alive and sustain you. So this is the beginning for me. This is the first strike of the flint.”
The spirit of Spark comes from those simple, early days spent enjoying the outdoors among friends in the warm glow of a fire. And though he’s now a city dweller with all the complications and distractions that entails, White still seeks the freedom and deeper connections he felt when the chorus of nature and the strums of his guitar blended into one harmonious song — the kind of contentment he sings about in the swirling majesty of his single “Livin’ the Dream.” Drake White
“We grew up free. We grew up on 4-wheelers, riding through the backwoods,” he says. “We grew up hunting and fishing and being out in the Appalachian Mountains. People don’t understand how beautiful north Alabama is until you see it in person.”
Drake White
Save for “Livin’ the Dream,” White wrote or co-wrote the remaining 11 tracks on Spark, working with red-hot producers Ross Copperman and Jeremy Stover through the process. He also brought in his own band for a handful of tracks to capture the energy of his live shows.
The first sound on Spark — before the pulse-quickening “Heartbeat” kicks into gear — is the voice of White’s late grandfather speaking from the pulpit. Several of these ghostly transmissions from the past appear on Spark, all extolling the virtues of love, brotherhood and nature. It’s a touch of the surreal that nods at White’s fondness for Pink Floyd’s psychedelic masterpiece The Wall, but also a deeply personal gesture that matches his vision perfectly.
“I went through about five or six sermons of my grandfather and picked out certain little snippets,” he says. “I just think they kind of fit. They’re weird and people are asking what they are. And that was my point: to get people talking about it.”
White has his own message of finding some harmony amid the demands of modern life, one that goes down easy in the uplifting, Zac Brown Band-assisted Southern rock anthem “Back to Free” and the cautionary-but soulful “I Need Real.” It’s a simple message of not letting oneself be swallowed up by technology and seeking out honest, genuine connections with others.
“When I’m at home, my wife and I keep our phones in the bedroom,” says White. “We listen to records. We hardly turn the TV on, unless it’s time for Game of Thrones. Before social networking was a smartphone app, we did it around a fire. That goes way back.”
With his gospel-derived, passionate delivery, White seems to have inherited his grandfather’s ability to touch crowds with a sermon — his divine vocal improvisations at the end of the honky-tonk flavored “Story” will undoubtedly get butts out of seats. White stresses that he isn’t a preacher, but doesn’t see a problem with putting his own methods for surviving the world out there.
“Some of the best songs, like Buffalo Springfield’s “For What It’s Worth” or anything by Bob Marley, have a little bit of preachin’,” he says. “I never want to come across too preachy, but instead I’m saying, ‘Hey man, this is my life, and this is what I do to be happy and I’m figuring it out just like you.’” Drake White
Spark covers an entire spectrum of emotions beyond these statements of character and self-definition. In “Making Me Look Good Again,” White cruises on an R&B-style groove to express his gratitude for his better half, while “Waiting on the Whiskey to Work” finds him embodying a man spun out on love and heartbreak. Then in the tropically-themed “Equator,” he flies south to give his nomadic side a little time to play.
“This record is about balance. It’s me asking, where’s that boy I used to be? Oh yeah, we gotta go get him back,” he says. “We gotta go on a hike or camping or grab my wife and go to some foreign country. I gotta feel alive. I gotta go out there and do that.” Drake White
Long a respected live entertainer with his (appropriately named) band the Big Fire, White’s climb to the limelight hasn’t been a straight or uncomplicated one. Rather than blowing up right away with a big debut single, he’s toiled on the road for years, giving jaw-dropping performances night after night and making believers one show at a time. “There are many different paths.
Drake White and The Big Fire live at The Bluestone on August 2nd, 2018!
*Opening Artist: Stevie Monce
*Doors for the show will open at 7PM
*Tickets are $15 in advance and $20 day of show
Tickets On-Sale Friday, May 11th at 10AM
PURCHASE TICKETS HERE
Born in Hokes Bluff, Alabama, country singer and songwriter Drake White’s mix of country, blues, funk, rock & roll, and reggae and his energetic, foot-stomping live shows eventually led him to Nashville and beyond. Growing up, he sang in the choir at his local church, and after getting a guitar at the age of 14 from a neighbor down the road who played bluegrass, he began writing and playing songs, continuing to do so while attending Gadsen State Community College and then Auburn University, earning a degree in building science even as he played in the local venues at night. After graduation, White took a job with a general contractor in Nashville, working by day and playing the song rounds at night, developing, with his band the Big Fire, a crackling and energetic stage presence that often found him freestyling lyrics in the middle of songs. He caught the eye of producer Jeremy Stover and was soon signed to MCA Nashville, turned his attention full-time to music, and released a debut single, “Simple Life,” on the label early in 2013. A year later, White signed with Big Machine affiliate Dot Records, resulting in a pair of 2015 singles, “It Feels Good” and “Livin’ the Dream.” In August 2016, Dot released White’s debut album, Spark. ~ Steve Leggett, Rovi
Ashley McBryde live at The Bluestone on November 8th, 2018 as part of her “Girl Going Nowhere Tour” performing live at The Bluestone on November 8th, 2018!
*Opening Artist: Dee White
*Doors will OPEN at 7PM
*Tickets are $15 in advance and $20 day of show
Tickets On-Sale Friday, May 25th 10AM!
Ashley McBryde Biography…
“I hear the crowd, I look around, and I can’t find one empty chair. Not bad for a girl going nowhere” sings Ashley McBryde on “Girl Goin’ Nowhere,” the seminal title track from her forthcoming LP. They’re words built from experience: over the course of her life, McBryde’s been finding her own way to fill those seats and sway those hearts since the very first time her teacher told her that her dreams of writing songs in Nashville would never see the light of day. Every time she was brought down, she persevered; trusting her timeless tone and keen, unwavering eye for the truth. It paid off. In April, Eric Church brought her on stage and called her a “whiskey-drinking badass,” confessing that he’s a massive fan. The rest of the world is quickly catching on, too.
Dubbed as one of Rolling Stone’s “Artists You Need To Know,” citing she’s “an Arkansas red-clay badass, with the swagger of Hank Jr. and the songwriting of Miranda Lambert,” McBryde fearlessly lays it all on the line, and it’s that honest all-in approach that has led to NPR critic Ann Powers to ask if McBryde could be “among the first post-Stapleton country stars?” McBryde’s album will showcase an artistic vision that will prove her to be one of the genre’s keenest working storytellers, bringing unwavering honesty back into a pop-preoccupied genre. Pulling tales from every corner of her human experience, McBryde sings with fire and fury, laughing and swigging that brown stuff along the way.
McBryde was raised in Mammoth Spring, Arkansas. At three, she’d secretly pluck her father’s guitar like an upright bass, and after about the 17th time being caught, her father bought her a guitar of her own. When she was twelve, she played her parents and grandparents her very first composition. It was at Arkansas State when, while a member of the marching band, McBryde finally started sharing her voice with others, and finally moved to Nashville in 2007 where steadily worked a circuit of dive bars, biker hangouts, and colorful joints fighting to have her songs heard.
Her first EP, the self-released 2016 Jalopies and Expensive Guitars was just a taste of what McBryde can do, and, on her full-length debut, she will meld her songwriting chops with the vision of producer Jay Joyce, peppering her tales with a touch of guitar-driven rock fury. McBryde isn’t afraid to tell the truth, get raw and real and use the spirits of country, folk and rock when it serves her greater purpose. And that’s to tell the stories that shake us, make us and tell us a little more about what it’s like to be human.
