The OFFICAL BLUESTONE TICKET BOX OFFICE
Get Tickets to The Bluestone and never miss your favorite artist again. Tickets From country and electronic to Indie Rock. THE Bluestone brings quality entertainment to the stage every time. We’re working hard to bring you the best concerts and special events in Columbus, Ohio. Keep an eye on our tickets and events calendar and check back often for concert updates. Just click on an event to purchase tickets
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*Event can sell out
TRAUMA: A Halloween Fetish Party
Spend 3 unforgettable nights with us at The Bluestone!
TRAUMA 2016
October 27th – Noire
October 28th – Ancient Civilizations
October 29th – Intergalactic
3 Nights. 3 Themes.
Costumes are mandatory.
Themes are optional.
Doors open each night at 8pm and acts start promptly at 8pm
PURCHASE TICKETS HERE
SEE LIVE:
Anna and the Annadroids
Visceral Suspensions
DJ PUSH/ Columbus/ Push Productions
House of Bacchus
Guilty Pleasures
Bondage by Kevin
Zoo Trippin’
Stacia Gorsuch
Debra Shade
LethalFX
BondageNexus
BortmasPhoto
Shawndy Spider Throat
Fantastical Faces -Body Art
Rhythmic illusions fire Tribe
ElectroCult Circus
Rendezvous Hair Salon
Curse of Cassandra
Snap/Trulie
Cannibal Arts
Civilian
Mythic Moves
Aria/ In:Direct Audio
Hawstyle/ Columbus/ Push Production
Secret Sauce/ Cleveland/ Columbus/ Squared/ Fresh Air Resources
sKewn/ Columbus/ Push Prductions/ RANO
Jed James/Columbus/ Midwest Fresh
Titonton Duvanté/Columbus/Residual/
Mike Donovan/ Dayton/ Volume/ Featherwate
Complicity/Columbus/Toledo
DJ PSYCHO/ Detroit/ Detroit Techno Militia/ Bessie’s Boy/ Scratch Pilots
Kate Westfall
For More info on all the performers for #TRAUMA2016 visit:
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Ashley McBryde live at The Bluestone on November 8th, 2018 as part of her “Girl Going Nowhere Tour” performing live at The Bluestone on November 8th, 2018!
*Opening Artist: Dee White
*Doors will OPEN at 7PM
*Tickets are $15 in advance and $20 day of show
Tickets On-Sale Friday, May 25th 10AM!
Ashley McBryde Biography…
“I hear the crowd, I look around, and I can’t find one empty chair. Not bad for a girl going nowhere” sings Ashley McBryde on “Girl Goin’ Nowhere,” the seminal title track from her forthcoming LP. They’re words built from experience: over the course of her life, McBryde’s been finding her own way to fill those seats and sway those hearts since the very first time her teacher told her that her dreams of writing songs in Nashville would never see the light of day. Every time she was brought down, she persevered; trusting her timeless tone and keen, unwavering eye for the truth. It paid off. In April, Eric Church brought her on stage and called her a “whiskey-drinking badass,” confessing that he’s a massive fan. The rest of the world is quickly catching on, too.
Dubbed as one of Rolling Stone’s “Artists You Need To Know,” citing she’s “an Arkansas red-clay badass, with the swagger of Hank Jr. and the songwriting of Miranda Lambert,” McBryde fearlessly lays it all on the line, and it’s that honest all-in approach that has led to NPR critic Ann Powers to ask if McBryde could be “among the first post-Stapleton country stars?” McBryde’s album will showcase an artistic vision that will prove her to be one of the genre’s keenest working storytellers, bringing unwavering honesty back into a pop-preoccupied genre. Pulling tales from every corner of her human experience, McBryde sings with fire and fury, laughing and swigging that brown stuff along the way.
McBryde was raised in Mammoth Spring, Arkansas. At three, she’d secretly pluck her father’s guitar like an upright bass, and after about the 17th time being caught, her father bought her a guitar of her own. When she was twelve, she played her parents and grandparents her very first composition. It was at Arkansas State when, while a member of the marching band, McBryde finally started sharing her voice with others, and finally moved to Nashville in 2007 where steadily worked a circuit of dive bars, biker hangouts, and colorful joints fighting to have her songs heard.
Her first EP, the self-released 2016 Jalopies and Expensive Guitars was just a taste of what McBryde can do, and, on her full-length debut, she will meld her songwriting chops with the vision of producer Jay Joyce, peppering her tales with a touch of guitar-driven rock fury. McBryde isn’t afraid to tell the truth, get raw and real and use the spirits of country, folk and rock when it serves her greater purpose. And that’s to tell the stories that shake us, make us and tell us a little more about what it’s like to be human.
