Tickets- Official Box Office

 The OFFICAL BLUESTONE TICKET BOX OFFICE

Get Tickets to The Bluestone and never miss your favorite artist again. Tickets From country and electronic to Indie Rock.  THE Bluestone brings quality entertainment to the stage every time. We’re working hard to bring you the best  concerts and special events in Columbus, Ohio. Keep an eye on our tickets and events calendar and check back often for concert updates. Just click on an event to purchase tickets

https://www.ticketmaster.com/the-bluestone-tickets-columbus/venue/41852

 

Feb
20
Fri
Clayton Anderson – The Bluestone
Feb 20 @ 7:00 pm

Clayton Anderson will perform live at The Bluestone Friday, February 20th 2015!

Supporting Artist: Chris Cavanaugh and Carter Winter

Doors OPEN at 7PM ( All Ages Event )

( $5 Tickets Available At The Door )

BS Website Clayton Anderson

Clayton Anderson

It all started with fun-fetti cake and karaoke birthday parties. Every year, Clayton Anderson wanted the same thing and insisted that his little sister do it also.

In college, Clayton decided to learn guitar because he thought it’d impress the ladies. Next thing he knew, he and his friends were playing local parties and bars. After he graduated, he won Kenny Chesney’s Next Big Star Competition. It was the boost of confidence he needed to leave his job at a mortgage company and move to Nashville.

Clayton’s first record in 2011, Torn Jeans & Tailgates climbed to #12 on the iTunes Country Chart, situating itself next to household names like Zac Brown, Brad Paisley, and Blake Shelton.

Clayton has been traveling across the country playing backrooms, side stages, and honky tonks from Michigan to Florida, each time gaining a few more fans and a better foothold on areas that aren’t traditional country strongholds. He’s opened for some of country’s biggest stars, the likes of Blake Shelton, Jason Aldean, Eric Church, Darius Rucker and even Mr. Party himself, Jimmy Buffett.

 Even though he now spends most of his time on the road, Clayton makes a point to stay tied to home. He still keeps an Indiana phone number so his grandmother can call him, and he made sure he was home for the birth of his first niece.

 Clayton writes and sings what he knows. He grew up in Bedford, a small town in southern Indiana. Clayton spent his summer days on Lake Monroe. He loved the Colts before they were good. Clayton pulls a lot of his musical inspiration from his home state’s pool of legends: John Mellencamp, Michael Jackson, John Hiatt, David Lee Roth, and Axl Rose.

 Clayton knows he’s been very blessed. He says his success has been thanks to his supportive family, friends and incredible fans. His journey, like most, has been full of ups and downs, but he plans to always remember those who helped him along the way.

 This new album is very personal for Clayton. He wrote or co-wrote almost all the songs on this project.  Each track marks a different moment in his journey to “Right Where I Belong.”

Chris Cavanaugh

Chris Cavanaugh picked up the guitar when he was 12 years old and hasn’t set it down since.  Not long after he started playing, with just a few chords and a song, Chris performed in the talent show at his middle school.  When the song was over, everybody rose to their feet, and from that point on Chris knew what he wanted to do for the rest of his life…

Cavanaugh grew up listening to Garth Brooks, George Strait, and Brooks & Dunn. This influence and his love for music had Cavanaugh making the trip from his hometown of Springfield, Missouri to Tennessee just a few months after graduating high school. After spending a few years hanging out with writers and publishers he had no doubt that he wanted to make Tennessee his home. Shortly after graduating from Middle Tennessee State University Chris signed his first songwriting deal. Over the next few years Chris spent his time on music row honing his craft as a writer.  During this time however, he says, “I always knew that deep down my ultimate passion was playing and performing, so I eventually had to get out and do something about it…I had to get on the road.” And so he did…

As of recently you can find Chris playing with his band throughout Missouri, Illinois, Indiana, and Ohio. When asked about his career so far, and the path he has taken to get to where he is, Chris says, “I think everything happens for a reason and I believe the time I spent in Nashville digging in and learning how to write songs has built a platform for me and a body of work that I’ve been able to draw from when I go out on the road to play. I think if it’d happened any other way I wouldn’t have these songs…”

Chris Cavanaugh is making music about the land he’s from, writing about the people he knew, and playing for the people he knows. Chris did not wait for a record label to tell him what they think of his music. He’s taking that straight to the beer drinkers, farmers, housewives, and college kids and letting THEM decide. In the last year alone Cavanaugh has opened shows for Thompson Square, Lee Brice, Montgomery Gentry, and Eric Church.  People are hearing Chris’ music, connecting to it, and believing…

Carter Winter

Ohio’s own Carter Winter is becoming one of the most sought after talents in the Midwest and is gaining national recognition along the way. Known for his true natural country vocal tone, a creative writing style and an incredible work ethic, Carter is definitely an artist to watch. Carter is humbled and appreciative of all of his support as the number of his fans grows after each show. He has played with a number of major label artists, including most recently a sold out Rhett, White, and Blue show with 4,000+ Attendees. When asked, “What do you want out of music, what do you want from a career?” He said, “I want to make people dance, I want to make a difference and most of all I want people to enjoy themselves.” We have no doubt he will do just that! Notable Performances Carter Winter has packed the house of many local bars and venues as well as in many other states. Notably, Carter has played a show at Nashville’s Bluebird Cafe. Carter has been support for a number of major label acts at sold out concert venues including most recently, a show with Thomas Rhett, The Cadillac Three and The Swon Brothers. Other names include – Easton CorbinJana KramerFrankie Ballard, and Brett Eldredge!

( VIP OPPORTUNITIES AVAILABLE )

VIP TABLE PURCHASE DOES NOT INCLUDE ADMISSION TICKETS TO THE SHOW.  

Admission tickets must be purchased separately.

  • Loft Lower Tier: $250 (seats four people-no exceptions)
  • Prime view of stage!
  • Includes six bottles of Miller or Coors Light
  • VIP waitress
  • Exclusive Private Bar access
  • Buckets (six bottles) available for purchase all night for $24
  • Loft Upper Tier: $200 (seats four people-no exceptions)
  • Includes six bottles of Miller or Coors Light
  • VIP waitress
  • Private Bar Access
  • Buckets (six bottles) available for purchase all night for $24
  • May be Obstruction in View

*All VIP tables located in the loft area

May
1
Fri
IGNYTE EVENTS presents – BLACK TIGER SEX MACHINE, BUKU, and MIJA – The Bluestone
May 1 @ 9:00 pm

IGNYTE EVENTS presents: BLACK TIGER SEX MACHINE, BUKU, and MIJA live at The Bluestone!

BUY TICKETS

 

 Black Tiger Sex Machine

With Support From –

Attak

Thunder St Clair

Get Dangerous

Burgle

French Toast

Culmination

Vexxe

Visuals By VJ Vendetta

btsWEB

May
17
Sun
Above & Beyond @ The Bluestone
May 17 @ 8:00 pm

ABOVE & BEYOND are set to perform LIVE at The Bluestone May, 17th 2015! buy-tickets-now-gold

 

640CONNECTION. If one word sums up the phenomenon of Above & Beyond then that is surely it. Whether it’s the thousands of A&B fans singing their lyrics back at them at gigs from Beirut to Brixton, or the millions that tune in for their weekly Group Therapy radio show, connection – real human connection – is at the heart of all things that define Above & Beyond.

Much like acts like The Smiths or Joy Division before them, Above & Beyond find themselves embedded at the heart of their fans’ lives. Some walk down the wedding aisle to their songs, others ink their bodies with their lyrics, often a proud couple will choose to get engaged at one of their gigs. All that pledge their loyalty to them are moved in a way that goes beyond most electronic music out there.

Above & Beyond is Jono Grant, Tony McGuinness and Paavo Siljamaki and their story is one of constant movement. From their early days as hotly tipped producers to their current global standing, Jono, Tony and Paavo have remained as down-to-earth and determined as ever – always focused on the next goal. Over their 13-year history, this dedication has continually paid off.

The only dance act in history to win Essential Mix Of The Year twice (in 2004 and 2011), the London-based trio have remixed greats like Radiohead and Madonna, played to one million people on Barra Beach in Rio de Janeiro (New Year’s Eve in 2007) and even had their track “Buzz” chosen to soundtrack the launch of Richard Branson’s Virgin Galactic SpaceShipTwo in the Mojave desert. And as these landmarks rack up the non-stop pulse of their global touring keeps them connected to their growing international fanbase. Each week brings another crowd, another country and often another continent, while their weekly Group Therapy radio show now reaches over 30 million people worldwide.

A band first and foremost, Above & Beyond are songwriters as much as they are DJs and their second album “Group Therapy” has taken their sound to new heights. The follow-up to 2006’s widely acclaimed debut “Tri-State”, the album draws on musical reference points as diverse as French cosmic pop heroes Air, American singer-songwriter Jeff Buckley and soundtrack master Hans Zimmer. “We are always looking to explore new territory but try to operate in our own way rather than just trying to follow trends,” explains Jono. The combined result on “Group Therapy” was unmistakably Above & Beyond – a cohesive album that was described by Mixmag as “the artist album of the year”.

At the heart of the album’s allure, of course, were songs of loves lost, confused and found. “Songs have an impact which is quite unparalleled in art,” believes Tony. “Poetry can be powerful, great literature is another great informer and educator, but few of us can remember any significant words from the great books or poems we read. But something amazing happens when you put words to music.”

Featuring two BBC Radio 1 playlisted singles (“Sun & Moon” and “Thing Called Love”) and a Sirius BPM Chart #1, the album’s many songs have connected in a way that so few dance tracks – vocal or otherwise – ever manage. “Since releasing our Group Therapy Album in 2011, it’s brought us even closer to our audience around the world,” explains Paavo. “The one thing I didn’t expect to happen on the scale it has, is how people from around the world have shared their stories with us as they go through amazingly positive or incredibly difficult times in their lives. It’s really touched us all and feels like a driving force for new creativity.”

Since the release of Group Therapy, the intense atmosphere at Above & Beyond’s increasingly ambitious live performances has redrawn the parameters of the DJ set. While so many superstar DJs place themselves at the centre of the show, Above & Beyond’s focus is always on getting closer to their crowd and making them part of the action. Whether that is by bringing fans up on stage to press the play button on their CDJs or communicating with the fans via their visual screens, the effect is to make everyone in the room feel like they are part of an experience that is at once epic, immersive and interactive.

“Some time ago we realised that on the best nights we have it’s always a three way thing: us, the music and the people, and we see improving the communication between all three as helping a good party turn incredible“ explains Paavo. “The soundsystem, lights and visuals are all there to help people connect to the music, with each other and with us, better. A Group Therapy experience, ideally, is positive, uniting and life-affirming for all involved.”

Having celebrated TATW milestones in Moscow, Miami and Beirut, 2012 saw Above & Beyond call time on Trance Around The World, as they launched their new radio show Group Therapy at a spectacular live broadcast event at Jayamahal Palace in Bangalore, India. Evolving from the foundation built by TATW, Group Therapy is broadcast weekly to 30 million people worldwide, and features guest mixes from the biggest names in electronic music. This year Above & Beyond celebrate the 50th instalment of Group Therapy Radio with their biggest ever UK show at the historic home of broadcasting, Alexandra Palace.

In the summer of 2013 Jono, Tony & Paavo launched another bold musical project, Above & Beyond Acoustic. Rewriting a selection of their back catalogue for a 15 piece ensemble, complete with a full string section, a harp and even a broom, they sold out three intimate shows at the impressive Porchester Hall in London, and in October 2013 will bring Above & Beyond Acoustic to Los Angeles.

Throughout this process, Above & Beyond have continued to release forward-thinking instrumental club music – such as their own tech-fused rollercoaster “Walter White” – on their renowned Anjunabeats label. An essential part of their story, the label is now in its 13th year and has helped to nurture artists like the London-based innovator Mat Zo, the eclectic genius Andrew Bayer and Russian star Arty. Independently spirited but run with ambitious vision, the label has grown like a family.“Dance music tends to be very short term, but we aim to release records that will leave a lasting impression on people and are listened to in years to come” explains Jono. “We try to operate in our own way rather than trying to follow trends.”

Like just about everything they turn their attentions to, it is a labour of love as well as a collaboration of the trio’s energies. De La Soul weren’t wrong. Three really is the magic number: and in Above & Beyond’s case the magic is spreading faster than ever before.

 

www.aboveandbeyond.nu/
https://soundcloud.com/aboveandbeyond

SUPPORT TBA

TICKETS ON SALE TUESDAY APRIL 14TH AT 1PM
www.discodonniepresents.com

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www.mybestfriendsparty.com
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Oct
17
Wed
Billy F. Gibbons Featuring Matt Sorum and Austin Hanks @ The Bluestone
Oct 17 @ 7:00 pm – 11:00 pm

The Big Bad Blues Tour: Billy F. Gibbons Featuring Matt Sorum and Austin Hanks.

Opener is Benton Blount
$34.50 in advance, $39.50 day of show on Sale Tuesday Aug. 14 2018 www.liveatthebluestone.com or www.Eventbrite.com

tickets The Bluestone - Columbus Ohio

Bluestone Tickets

Ticket purchase includes free album download. Instructions for download will be emailed to all ticket buyers approximately 2 weeks after ticket purchase. Questions about album download can be directed to: help@musicredemptions.com

Billy F. Gibbons

Billy F. Gibbons at The Bluestone

Price $275.00 Per Package (Limited amount)

(1) General Admission Ticket

– Meet & Greet with Billy Gibbons

– Photo Opportunity with Billy Gibbons

– A Copy of “Big Bad Blues” CD

– Billy Gibbons Tote Bag – exclusive to VIP Packages

– Billy Gibbons Guitar Pick Set

– Commemorative Meet & Greet Laminate

Billy F. Gibbons Premium VIP Package

Selling Price $150.00 Per Package (Limited amount)

(1) General Admission Ticket

– A Copy of “Big Bad Blues” CD

– Billy Gibbons Tote Bag – exclusive to VIP Packages

– Billy Gibbons Guitar Pick Set

– Commemorative Meet & Greet Laminate

Billy Gibbons had plenty of help getting the blues for his upcoming second solo album, The Big Bad Blues; both from his assortment of musical collaborators and, on the track “Missin’ Yo’ Kissin’,” from Gilligan Stillwater, the woman he affectionately (and legally) calls Miz Gibbons.

“That was a gift,” the ZZ Top mainstay tells Billboard about the track, whose lyric video premieres exclusively below. “We had gotten maybe five (songs) recorded, and my lovely sweetheart Gilligan was scribbling away on the couch. I was, ‘Omigod, she’s reading the Chanel catalog. Hide the credit card!’ Then she took a break and the engineers kinda glanced over the scribbling and said, ‘Hey man, this looks pretty good. This could be nice and bluesy if we put something to it,’ which we did.

“Of course, I was like, ‘Why does that say ‘Missin’ Yo’ Kissin’?’ I hope she’s writing it about ME!'”