The OFFICAL BLUESTONE TICKET BOX OFFICE
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https://www.ticketmaster.com/the-bluestone-tickets-columbus/venue/41852
Prime Social Group presents Hardwell, with Dyro, and Dannic, on April 13th, 2014. Doors 8PM. 18+
TICKET AVAILABILITY
General Admission
- $30
Sunday, 4/13 | Doors 8PM
*SOLD OUT*
It’s back and bigger than ever! WCOL Country Jam 2016 will take place once again at Legend Valley Music Center located near Buckeye Lake. (7585 Kindle Road Thornville, OH 43076).
Campgrounds will open Thursday, September 1st at 10am, all spaces are first come first serve! . All campers must have an admission ticket to the show.
This show is located at Legend Valley Music Center near Buckeye Lake
WWW.LEGENDVALLEYFESTIVALS.COM
Friday, September 2nd: Gates for the show will open at 5pm.
LINEUP:
CHRIS YOUNG JUSTIN MOORE
The Charlie Daniels Band
Cliff Cody
Saturday, September 3rd. Gates for the show will open at 4pm
LINEUP
HANK WILLIAMS JR
Chris Stapleton
Aaron Lewis
Kacey Musgraves
Maren Morris
*Artists Lineup Subject to Change
Two Day Admission Tickets ($92 during presale, after presale $125): Include admission into the concert venue Friday and Saturday. Tickets do not include re-entry (leaving the venue to go to campgrounds and back in venue) on the same day.
Friday GA Ticket ($65): Admission into concert Friday, September 2nd. Ticket does not include re-entry (leaving the venue to go to campgrounds and back in venue).
Saturday GA Ticket ($85): Admission into concert Saturday, September 3rd. Ticket does not include re-entry (leaving the venue to go to campgrounds and back in venue).
Friday Pit Pass ($125): Includes admission into the show and Pit Area located in front of the stage Friday, September 2nd Only. (see map). Pit Pass INCLUDES re-entry from Campgrounds to venue throughout the day unlimited times. Pit Pass print at home tickets will be redeemed on-site at the Box Office prior to entering the venue to receive your admission and pit pass wristband.
Saturday Pit Pass ($145): Includes admission into the show and Pit Area located in front of the stage Saturday, September 3rd Only. (see map). Pit Pass INCLUDES re-entry from Campgrounds to venue throughout the day unlimited times. Pit Pass print at home tickets will be redeemed on-site at the Box Office prior to entering the venue to receive your admission and pit pass wristband.
CAMPING INFORMATION
Spend the weekend with WCOL Country Jam 2016!
Campgrounds open Thursday, September 1st at 10am.
Get setup and start your weekend early! Join us at the Campground Pre-Party Thursday evening in the GA campgrounds
(Valid Camping Pass is required)
Don’t miss this one week only pre-sale offer!
Half price General Admission Camping with purchase of 2 day pass
PRE-SALE PRICING ONLY (March 11th-19th)
General Admission Tent Camping: $32 (after pre-sale $65)
General Admission RV Camping: $62 (after pre-sale $125)
Premium Tent Camping: $100
Premium RV Camping: $200
Only one Camping pass per vehicle is required
Camping passes are valid September 1st at 10am – September 4th at 12pm
Any vehicle staying overnight requires a camping pass
General Admission Tent Camping: $32 (after pre-sale $65) includes one 10×20 space to park one vehicle and one tent. Each space allows as many guests as you would like in that tent but each pass will only park one vehicle overnight. General Admission camping is located on the west side of State Route 13 (map link). You will receive a confirmation of your purchase right away, and Camping Passes will be sent to the mailing address you provide during checkout. Camping passes will ship approximately 2-3 weeks before the show.
General Admission RV/Camper Camping: $62 (after pre-sale $125) includes one 20×40 space to park one RV. Pull behind campers will be allowed one camper and one vehicle per camping space. Each space allows as many guests as you would like in that RV but each pass will only park one vehicle overnight. General Admission camping is located on the west side of State Route 13 (map link). You will receive a confirmation of your purchase right away, and Camping Passes will be sent to the mailing address you provide during checkout. Camping passes will ship approximately 2-3 weeks before the show.
Regular Camping Prices (begins March 20th)
General Admission Tent Camping: $65
General Admission RV Camping: $125
Premium Tent Camping: $100
Premium RV Camping: $200
Only one Camping pass per vehicle is required
Camping passes are valid September 1st at 10am – September 4th at 12pm
Any vehicle staying overnight requires a camping pass
General Admission Tent Camping: $65 includes one 10 x 20 space to park one vehicle and one tent. Each space allows as many guests as you would like in that tent but each pass will only park one vehicle overnight. General Admission camping is located on the west side of State Route 13 (map link). You will receive a confirmation of your purchase right away, and Camping Passes will be sent to the mailing address you provide during checkout. Camping passes will ship approximately 2-3 weeks before the show.
General Admission RV/Camper Camping: $125 includes one 20 x 40 space to park one RV. Pull behind campers will be allowed one camper and one vehicle per camping space. Each space allows as many guests as you would like in that RV but each pass will only park one vehicle overnight. General Admission camping is located on the west side of State Route 13 (map link). You will receive a confirmation of your purchase right away, and Camping Passes will be sent to the mailing address you provide during checkout. Camping passes will ship approximately 2-3 weeks before the show.
Premium Tent Camping: $100 includes one 10 x 20 space to park one vehicle and one tent. Each space allows as many guests as you would like in that tent but each pass will only park one vehicle overnight. Premium camping is located on the east side of State Route 13 (map link). You will receive a confirmation of your purchase right away, and Camping Passes will be sent to the mailing address you provide during checkout. Camping passes will ship approximately 2-3 weeks before the show.
Premium RV Camping: $200 includes one 20 x 40 space to park one RV. Pull behind campers will be allowed one camper and one vehicle per camping space. Each space allows as many guests as you would like in that RV but each pass will only park one vehicle overnight. Premium camping is located on the east side of State Route 13 (map link). You will receive a confirmation of your purchase right away, and Camping Passes will be sent to the mailing address you provide during checkout. Camping passes will ship approximately 2-3 weeks before the show.
Chris Young will be performing live at WCOL Country Jam 2016 on
Friday, September 2nd, 2016 at Legend Valley Music Center near Buckeye Lake
Gates for the show will open at 5pm.
Two Day Admission Tickets available for just $92 during presale March 11th-19th (after presale $125)
PURCHASE TICKET
www.LEGENDVALLEYFESTIVALS.com
Justin Moore will be performing live at WCOL Country Jam 2016 on
Friday, September 2nd, 2016 at Legend Valley Music Center near Buckeye Lake
Gates for the show will open at 5pm.
Two Day Admission Tickets available for just $92 during presale March 11th-19th (after presale $125)
Friday Only Admission Tickets: $65
PURCHASE TICKETS
www.LEGENDVALLEYFESTIVALS.com
The Charlie Daniels Band will be performing live at WCOL Country Jam 2016 on
Friday, September 2nd, 2016 at Legend Valley Music Center near Buckeye Lake
Gates for the show will open at 5pm.
Two Day Admission Tickets available for just $92 during presale March 11th-19th (after presale $125)
Friday Only Admission Tickets: $65
PURCHASE TICKETS
www.LEGENDVALLEYFESTIVALS.com
It’s back and bigger than ever! WCOL Country Jam 2016 will take place once again at Legend Valley Music Center located near Buckeye Lake. (7585 Kindle Road Thornville, OH 43076).
Campgrounds will open Thursday, September 1st at 10am, all spaces are first come first serve! . All campers must have an admission ticket to the show.
Show Located at Legend Valley Music Center near Buckeye Lake
WWW.LEGENDVALLEYFESTIVALS.COM
Friday, September 2nd: Gates for the show will open at 5pm.
LINEUP:
ALL ARTISTS WILL BE PLAYING FULL SETS
CHRIS YOUNG JUSTIN MOORE
The Charlie Daniels Band
Cliff Cody
Saturday, September 3rd. Gates for the show will open at 4pm
LINEUP
HANK WILLIAMS JR
Chris Stapleton
Aaron Lewis
Kacey Musgraves
Maren Morris
*Artists Lineup Subject to Change
Two Day Admission Tickets ($92 during presale, after presale $125): Include admission into the concert venue Friday and Saturday. Tickets do not include re-entry (leaving the venue to go to campgrounds and back in venue) on the same day.
Friday GA Ticket ($65): Admission into concert Friday, September 2nd. Ticket does not include re-entry (leaving the venue to go to campgrounds and back in venue).
Saturday GA Ticket ($85): Admission into concert Saturday, September 3rd. Ticket does not include re-entry (leaving the venue to go to campgrounds and back in venue).
Friday Pit Pass ($125): Includes admission into the show and Pit Area located in front of the stage Friday, September 2nd Only. (see map). Pit Pass INCLUDES re-entry from Campgrounds to venue throughout the day unlimited times. Pit Pass print at home tickets will be redeemed on-site at the Box Office prior to entering the venue to receive your admission and pit pass wristband.
Saturday Pit Pass ($145): Includes admission into the show and Pit Area located in front of the stage Saturday, September 3rd Only. (see map). Pit Pass INCLUDES re-entry from Campgrounds to venue throughout the day unlimited times. Pit Pass print at home tickets will be redeemed on-site at the Box Office prior to entering the venue to receive your admission and pit pass wristband.
CAMPING INFORMATION
Spend the weekend with WCOL Country Jam 2016!
Campgrounds open Thursday, September 1st at 10am.
Get setup and start your weekend early! Join us at the Campground Pre-Party Thursday evening in the GA campgrounds
(Valid Camping Pass is required)
Don’t miss this one week only pre-sale offer!
Half price General Admission Camping with purchase of 2 day pass
PRE-SALE PRICING ONLY (March 11th-19th)
General Admission Tent Camping: $32 (after pre-sale $65)
General Admission RV Camping: $62 (after pre-sale $125)
Premium Tent Camping: $100
Premium RV Camping: $200
Only one Camping pass per vehicle is required
Camping passes are valid September 1st at 10am – September 4th at 12pm
Any vehicle staying overnight requires a camping pass
General Admission Tent Camping: $32 (after pre-sale $65) includes one 10×20 space to park one vehicle and one tent. Each space allows as many guests as you would like in that tent but each pass will only park one vehicle overnight. General Admission camping is located on the west side of State Route 13 (map link). You will receive a confirmation of your purchase right away, and Camping Passes will be sent to the mailing address you provide during checkout. Camping passes will ship approximately 2-3 weeks before the show.
General Admission RV/Camper Camping: $62 (after pre-sale $125) includes one 20×40 space to park one RV. Pull behind campers will be allowed one camper and one vehicle per camping space. Each space allows as many guests as you would like in that RV but each pass will only park one vehicle overnight. General Admission camping is located on the west side of State Route 13 (map link). You will receive a confirmation of your purchase right away, and Camping Passes will be sent to the mailing address you provide during checkout. Camping passes will ship approximately 2-3 weeks before the show.
Regular Camping Prices (begins March 20th)
General Admission Tent Camping: $65
General Admission RV Camping: $125
Premium Tent Camping: $100
Premium RV Camping: $200
Only one Camping pass per vehicle is required
Camping passes are valid September 1st at 10am – September 4th at 12pm
Any vehicle staying overnight requires a camping pass
General Admission Tent Camping: $65 includes one 10 x 20 space to park one vehicle and one tent. Each space allows as many guests as you would like in that tent but each pass will only park one vehicle overnight. General Admission camping is located on the west side of State Route 13 (map link). You will receive a confirmation of your purchase right away, and Camping Passes will be sent to the mailing address you provide during checkout. Camping passes will ship approximately 2-3 weeks before the show.
General Admission RV/Camper Camping: $125 includes one 20 x 40 space to park one RV. Pull behind campers will be allowed one camper and one vehicle per camping space. Each space allows as many guests as you would like in that RV but each pass will only park one vehicle overnight. General Admission camping is located on the west side of State Route 13 (map link). You will receive a confirmation of your purchase right away, and Camping Passes will be sent to the mailing address you provide during checkout. Camping passes will ship approximately 2-3 weeks before the show.
Premium Tent Camping: $100 includes one 10 x 20 space to park one vehicle and one tent. Each space allows as many guests as you would like in that tent but each pass will only park one vehicle overnight. Premium camping is located on the east side of State Route 13 (map link). You will receive a confirmation of your purchase right away, and Camping Passes will be sent to the mailing address you provide during checkout. Camping passes will ship approximately 2-3 weeks before the show.
Premium RV Camping: $200 includes one 20 x 40 space to park one RV. Pull behind campers will be allowed one camper and one vehicle per camping space. Each space allows as many guests as you would like in that RV but each pass will only park one vehicle overnight. Premium camping is located on the east side of State Route 13 (map link). You will receive a confirmation of your purchase right away, and Camping Passes will be sent to the mailing address you provide during checkout. Camping passes will ship approximately 2-3 weeks before the show.
Chris Stapleton will be performing live at WCOL Country Jam 2016 on
Saturday, September 3rd.
Gates for the show will open at 4pm.
Two Day Admission Tickets available for just $92 during presale March 11th-19th (after presale $125)
PURCHASE TICKETS
www.LEGENDVALLEYFESTIVALS.com
Hank Williams Jr. will be performing live at WCOL Country Jam 2016 at Legend Valley Music Center near Buckeye Lake on Saturday, September 3rd.
Gates for the show will open at 4pm.
Two Day Admission Tickets available for just $92 during presale March 11th-19th (after presale $125)
PURCHASE TICKETS
www.LEGENDVALLEYFESTIVALS.com
CAM will be performing live at The Bluestone on Thursday December 1st
Doors for the show will open at 7pm
Opening Artist: TBA
Tickets available for $15 in advance and will increase to $20 day of show
General Admission Tickets are standing room only!
PURCHASE TICKETS
CAM.
THE SIMPLE, THREE-LETTER NAME IS BOLD. AND THAT RINGS TRUE TO THE ART, AND THE HEART, OF ONE OF COUNTRY’S SHINING NEW ACTS.
THAT BOLDNESS IS EVIDENT IN NEARLY EVERY STEP SHE TAKES. CAM MAKES IT A HABIT TO WEAR EYE-CATCHING YELLOW EVERY TIME SHE GOES OUT IN PUBLIC. THE STRINGS AND ACOUSTIC GUITAR IN HER BREAKOUT #1 PLATINUM-CERTIFIED SMASH, THE GRAMMY AND ACM AWARDS NOMINATED “BURNING HOUSE,” ARE STIRRINGLY FRAGILE, A BRAVE COUNTERPOINT TO THE PARTY ATMOSPHERE OF MODERN COUNTRY. AND SHE SINGS WITH A DYNAMIC CLARITY THAT’S BOTH DISTINCTIVE AND FRIENDLY.
CAM BACKS UP THAT BOLDNESS WITH A FIRM DELIVERY, EMBEDDING HER MATERIAL WITH A RINGING CONVICTION THROUGHOUT THE 11 SONGS ON HER ARISTA NASHVILLE/RCA RECORDS FULL-LENGTH DEBUT, UNTAMED. RELEASED DECEMBER 11, 2015, HER NEW ALBUM BURST ONTO BILLBOARD’S TOP COUNTRY ALBUMS CHART AT #2 AND EARNED 2015’S BEST FIRST-WEEK ALBUM SALES BY A DEBUT COUNTRY ARTIST. WHETHER SHE’S SINGING ABOUT FRESH LOVE, BROKEN HEARTS OR DIFFICULT PERSONAL CROSSROADS, SHE’S CLEARLY LIVING THE EXPERIENCE FOR THE THREE OR FOUR MINUTES SHE’S IN IT. ACTUALLY, SHE’S RE-LIVING THE EXPERIENCE, BECAUSE THE EMOTIONS IN EVERY ONE OF HER SONGS COME UNAPOLOGETICALLY FROM HER SINGULAR INTERACTION WITH THE WORLD.
“THERE’S A LOT OF WORK INVOLVED IN BEING AN ARTIST, AND I’M SO HAPPY TO DO IT,” SHE SAYS. “BUT IF I’M GOING TO INVEST MY TIME IN THE WORK PART OF IT, THE MUSIC JUST HAS TO BE ME.”
THE “ME” THAT CAM PRESENTS TO THE WORLD IS MULTI-DIMENSIONAL. SHE’S POWERFULLY VULNERABLE IN “BURNING HOUSE,” FIERCE AND DEFIANT IN “RUNAWAY TRAIN,” EFFERVESCENT AND CAREFREE IN “MY MISTAKE.” AND THE EMOTIONS IN THE MATERIAL AREN’T THE ONLY THING THAT SEPARATES THOSE TITLES – EVERY SONG INCORPORATES A DIFFERENT SONIC PALETTE. WHILE ONE MIGHT RELY ON POLISHED POP INFLUENCES AND MELODY, ANOTHER YIELDS A PIANO BAR FEEL, ONE CLEVERLY INFUSES A BIT OF GREGORIAN CHANT, AND YET ANOTHER USES STEEL GUITAR TO CREATE A CLASSIC-COUNTRY MOOD.
THAT WIDE-RANGING ARTISTRY IS KEY IN CAM’S APPROACH. INSTEAD OF LIMITING HER CHOICES TO MAKE AN EASILY DEFINED PRODUCT, SHE’S PUT FAITH IN THE UNIQUENESS OF HER VOICE, ALLOWING THAT TO BE THE DEFINING CHARACTER OF A PLIABLE, ADVENTUROUS MUSICAL PERSONA.
CO-WRITING EACH OF THE SONGS ON UNTAMED, CAM SAYS, “THE COHESIVE PART IS ME AND MY VOICE. THE MUSIC ALL STEMS FROM THE SAME PLACE, AND IT ALLOWS YOU TO GO IN DIFFERENT DIRECTIONS WITH THE CONTENT AND THE LYRICS AND THE KIND OF VIBE THAT’S GOING ON IN EACH SONG.”
ADVENTURE AND UNIQUENESS WERE PRACTICALLY BUILT IN TO CAM FROM THE OUTSET. CAMARON MARVEL OCHS WAS BORN IN THE WATERFRONT SOUTHERN CALIFORNIA TOWN OF HUNTINGTON BEACH, SHE SPENT BIG CHUNKS OF HER YOUTH AT HER GRANDPARENTS’ HORSE RANCH IN OCEANSIDE, WHERE THE TRACTOR WAS RED AND THE BARN WAS BLUE. HER GRANDFATHER WAS BOTH A COWBOY AND AN ENTREPRENEUR – HE STARTED HIS OWN BUSINESS, BUILDING WOODEN OFFICE DESKS – AND HER PARENTS WERE SIMILARLY NON-CONFORMIST. HER FATHER GREW UP IN A MILITARY FAMILY AND HAD THE GUTS TO MOVE OUT ON HIS OWN AT AGE 17, A TIME WHEN MOST KIDS ARE LOOKING TO DAD FOR A FEW EXTRA BUCKS TO PUT GAS IN THE CAR AND SEE A MOVIE. HER MOTHER HAD AN EXECUTIVE POSITION IN CONSTRUCTION MANAGEMENT AT A TIME WHEN THOSE JOBS WERE RESERVED ALMOST EXCLUSIVELY FOR MEN. IN TURN, THEIR INDEPENDENT, SELF-RELIANT STREAK WAS INSTILLED IN CAM, PARTICULARLY AFTER THE FAMILY RELOCATED TO NORTHERN CALIFORNIA.
“WE’D CLIMB REDWOOD TREES IN THE BACKYARD, AND I WOULD CLIMB SUPER HIGH AND GET STUCK,” SHE RECALLS WITH A LAUGH. “I’D ASK MY DAD TO HELP ME DOWN, AND HE’D SAY, ‘WELL, I CAN’T. YOU’VE GOT TO GET YOUR OWN SELF DOWN. BUT I’LL STAND HERE AND CHEER YOU ON.’”
THERE WAS PLENTY TO CHEER. FOR EIGHT YEARS, BEGINNING IN FOURTH GRADE, CAM WAS PART OF THE CONTRA COSTA CHILDREN’S CHOIR, WHICH SANG IN 14 DIFFERENT LANGUAGES. THE CHOIR TOURED INTERNATIONALLY, PERFORMING IN SUCH EXOTIC LOCATIONS AS CANTERBURY CATHEDRAL IN ENGLAND, NOTRE-DAME DE PARIS AND THE VATICAN.
THROUGH THAT PROCESS, CAM LEARNED MUSIC THEORY, HARMONY, STRUCTURE AND TONE. AND SHE LEARNED THE JOY OF BEING PART OF A TEAM.
“I LOVED SINGING IN GROUPS,” SHE SAYS. “I DON’T NECESSARILY LIKE TO BE THE CENTER OF ATTENTION.”
WHEN SHE HEADED OFF TO COLLEGE, CAM STUDIED PSYCHOLOGY RESEARCH AT THE UNIVERSITY OF CALIFORNIA, DAVIS. THE SCHOOL IS CENTERED IN FARMLAND OUTSIDE OF SACRAMENTO, PART OF THE SAME RING OF SMALL-TOWN SUBURBS THAT INCLUDES FOLSOM, A TOWN THAT WOULD BECOME VITAL TO THE LEGEND OF JOHNNY CASH.
THE SETTING WAS CRUCIAL. CAM HAD ALREADY BEGUN TO CONNECT TO DIVERSE BRANDS OF MUSIC – SHE WAS DRAWN TO STRONG, INDIE-ROCK FEMALES AND TO SINGER/SONGWRITERS IN HER CASUAL LISTENING AT THE SAME TIME SHE WAS SINGING CLASSICAL MUSIC WITH THE CHORAL GROUP. BUT COUNTRY MUSIC WAS A BIG PART OF THE SOCIAL SCENE AT DAVIS, AND IT BECAME AN IMPORTANT ELEMENT IN HER SELF-EXPRESSION.
“VARSITY BLUES CAME OUT, AND EVERYBODY WORE COWBOY BOOTS TO SCHOOL,” CAM RECALLS. “AND EVERYBODY LISTENED TO TIM MCGRAW AND THE DIXIE CHICKS AND SHANIA TWAIN.”
THAT INCLUDED CAM, WHO IDENTIFIED WITH THE VALUES OF HOME AND COMMUNITY THAT ARE CENTRAL TO THE GENRE. THAT EMOTIONAL CONNECTION WOULD PAY OFF WHEN SHE PURSUED MUSIC PROFESSIONALLY. WHILE LIVING IN LOS ANGELES, CAM MET A KINDRED SPIRIT IN UP-AND-COMING SONGWRITER/PRODUCER TYLER JOHNSON (TAYLOR SWIFT, P!NK). A SONGWRITING PARTNERSHIP WAS BEGUN, WITH PROMISING EARLY RESULTS – THEY CO-WROTE A SONG ON MILEY CYRUS’ ALBUM BANGERZ, AND CAM ALSO LANDED A SONG ON A PROJECT BY INDIE COUNTRY ACT MAGGIE ROSE.
CAM AND JOHNSON METICULOUSLY WROTE AND REWROTE THE MATERIAL FOR WEEKS AND MONTHS AT A TIME UNDER THE WATCHFUL EYE OF GRAMMY®-WINNING PRODUCER AND SONGWRITER JEFF BHASKER (FUN., MARK RONSON), WHO HELPED BRING HER TO THE INDUSTRY’S ATTENTION IN NEW YORK, EVEN WHILE SHE MADE ORGANIC INROADS IN MUSIC CITY.
IN A BIT OF A FLUKE, CAM’S MUSIC WAS DISCOVERED ONLINE BY NASHVILLE RADIO PROGRAMMER MICHAEL BRYAN, WHO STARTED PLAYING ONE OF HER SONGS, “DOWN THIS ROAD,” ON WSIX EVEN THOUGH SHE WAS UNSIGNED. WHILE THE ATTENTION WAS A BOON, WHEELS WERE ALREADY IN MOTION BEHIND THE SCENES WITH LABEL MEETINGS IN NASHVILLE WHEN BHASKER GOT CAM A MEETING IN NEW YORK WITH RCA RECORDS CHAIRMAN & CEO PETER EDGE AND PRESIDENT & COO TOM CORSON. BLOWN AWAY BY HER INCREDIBLE VOICE AND IRRESISTIBLE PERSONALITY AND CHARM, EDGE IMMEDIATELY CALLED SONY MUSIC’S CEO, DOUG MORRIS, WHO LIKEWISE FELL FOR HER UNDENIABLE TALENT WHEN SHE AUDITIONED FOR HIM. IN A RARE SITUATION, SHE’S NOW SIGNED TO BOTH THE COUNTRY (ARISTA NASHVILLE) AND POP (RCA RECORDS) LABELS – SHE SEES HERSELF AS A COUNTRY ACT, BUT IF HER MUSIC BREAKS OUT OF THE GENRE OR FINDS AN AUDIENCE OVERSEAS, THE POP DIVISION IS WAITING IN THE WINGS.
MANY OF HER SONGS WENT THROUGH MAJOR REVISIONS EVEN AFTER SHE SIGNED HER DEAL, A REFLECTION OF CAM’S EVOLUTION AS AN ARTIST AND HER DOGGED PURSUIT OF A DISTINCTIVE SOUND. AS THE ARRANGEMENTS OR INSTRUMENTATION CHANGED, THE LYRICS INVARIABLY GOT TWEAKED, TOO. SHE WAS PRESENT FOR EVERY NUANCE, ENSURING THAT THE END RESULTS REFLECTED HER REALITY.
“IT WAS VERY IMPORTANT FOR ME TO KNOW EVERYTHING THAT WAS INVOLVED IN MY MUSIC,” SHE SAYS. “I’M THERE FOR ALL THE PRODUCTION THAT HAPPENS, I SIGN OFF ON ALL THE MIXES, I’M THERE FOR THE RECORDING. THE PEOPLE THAT ARE WORKING WITH ME ARE INCREDIBLE, SO I’M NOT DRIVING EVERY ASPECT OF IT, BUT I’M THERE INSPIRING IT.”
IN EARLY 2015, COUNTRY RADIO WAS INTRODUCED TO CAM WITH THE ENGAGING FIRST SINGLE, “MY MISTAKE,” WHILE HER FOUR-SONG EP, WELCOME TO CAM COUNTRY, DEBUTED ON SPOTIFY. THE MEDIA WAS IMPRESSED WITH CAM’S POSSIBILITIES. BILLBOARD PRAISED HER MUSIC AS “AT ONCE FRESH AND FAMILIAR, THAT RARE MIX OF DARING AND COMFORT THAT’S OFTEN THE HALLMARK OF A HIT,” WHILE GOSSIP KING PEREZ HILTON CHAMPIONED HER FOR BEING “FEARLESS.” THE ACCOLADES CONTINUED WITH THE RISE OF “BURNING HOUSE,” WHICH ROLLING STONE COUNTRY CALLED “HAUNTING” AND “ONE OF THE MOST BUZZED-ABOUT TUNES OF THE YEAR.” AND THE WASHINGTON POST LAUDED BOTH “MY MISTAKE” AND “BURNING HOUSE,” NOTING THAT “THE TWO SONGS FEEL LIKE NIGHT AND DAY, BUT THEY ALSO SUGGEST RANGE AND DEPTH.”
SINCE JULY 6, 2015, THE OFFICIAL RADIO IMPACT DATE OF “BURNING HOUSE, NOT ONLY HAS CAM BECOME THE ONLY COUNTRY FEMALE TO ACHIEVE MORE THAN 1 MILLION DOWNLOADS OF A SINGLE THIS PAST YEAR, BUT, ADDITIONALLY, BOTH HER BREAKTHROUGH HIT AND DEBUT DISC MADE MULTIPLE “BEST OF 2015” CRITICS’ LISTS, INCLUDING ROLLING STONE, ENTERTAINMENT WEEKLY, THE WASHINGTON POST, ASSOCIATED PRESS, NASHVILLE SCENE, AMONG OTHERS. CAM ALSO BECAME THE MOST-NOMINATED FEMALE AT THE 2016 ACM AWARDS WITH SIX TOTAL NODS, AND, SHE RECEIVED A 2016 GRAMMY NOMINATIONFOR “BEST COUNTRY SOLO PERFORMANCE” FOR “BURNING HOUSE” AND 2016 AMERICAN COUNTRY COUNTDOWN AWARDS NOMINATIONS FOR “FEMALE VOCALIST OF THE YEAR” AND “BREAKTHROUGH FEMALE VOCALIST OF THE YEAR.” HER CAREER IS SHOWING PROMISE.
PROMISE IS PART OF CAM’S CHARM. EVEN IN “BURNING HOUSE,” A SPARE SONG ABOUT A CRUMBLING RELATIONSHIP, ONE CAN SENSE AN UNDERLYING POSITIVITY: HER PERSISTENCE AND HER DETERMINATION TO MEND A DEVASTATING FRACTURE.
IT’S A RARE GIFT, AND IT’S REFLECTED IN HER BOLD PENCHANT FOR YELLOW. SHE SPRINKLES THAT COLOR INTO SHOES, DRESSES, BRACELETS – SOMETIMES A COMBINATION OF ALL OF THEM – AS SHE VISUALLY CAPTURES HER INNER GLOW. THAT GOLDEN SIGNATURE LOOK WAS DEVELOPED OUT OF A CONVERSATION WITH HER MANAGER, LINDSAY MARIAS. CAM HAD RAISED A FAIR AMOUNT OF MONEY THROUGH A KICKSTARTER CAMPAIGN AND WAS USING SOME OF THAT REVENUE TO FUND A VIDEO. WORKING LATE AT NIGHT DURING THE PRODUCTION, CAM MADE SOME COFFEE TO GET A LIFT, AND AS SHE GRABBED A CUP, SHE PURPOSELY CHOSE A YELLOW ONE OFF THE SHELF.
“I REALLY NEEDED THIS BRIGHT MOMENT TO BE ABLE TO JUST CONNECT WITH PEOPLE THROUGH THE VIDEO,” SHE EXPLAINS. “LINDSAY WAS THERE WITH ME, AND SHE SAID, ‘YOU ARE YELLOW.’ IT’S SO CHEERY AND FRIENDLY AND RELATABLE, AND ALL THOSE ADJECTIVES FIT SO WELL WITH ME AS A PERSON AND WHAT MY MUSIC IS ABOUT, SO IT JUST ALL CLICKED. THEN THE MORE WE INCORPORATED YELLOW, I STAND OUT IN PICTURES. PEOPLE SEND ME YELLOW THINGS, AND EVEN IF I’M TIRED OR IF IT’S A SUPER-COLD, SNOWY DAY, YELLOW LIFTS PEOPLE’S SPIRITS. IT KIND OF DOES HALF THE WORK FOR YOU.”
IT’S A SIGN OF CAM’S BOLDNESS. HER DEAL, HER MUSIC, HER PHILOSOPHY – EVEN HER NAME: EVERYTHING ABOUT HER STANDS OUT. IF YOU HAVEN’T NOTICED CAM, YOU SIMPLY WEREN’T LOOKING.
Granger Smith and Earl Dibbles Jr.
will be performing live at The Bluestone on Thursday, March 16th
Doors for the show will open at 7pm
Opening Artist: TBA
Tickets are $20 in advance and $25 day of show
Tickets will go on-sale Friday, February 3rd at 10am
PURCHASE HERE
RESERVED LOFT TABLE SEATING
RESERVED TABLE PURCHASE DOES NOT INCLUDE ADMISSION TICKETS TO THE SHOW.
Admission tickets must be purchased separately.
- Loft Lower Tier: $250 (seats four people-no exceptions)
- Prime view of stage!
- Includes first bucket of Miller or Coors Light
- Server
- Exclusive Private Bar access
-
Loft Upper Tier: $200 (seats four people-no exceptions)
- Includes first bucket of Miller or Coors Light
- Server
- Private Bar Access
- May be Obstruction in View
*All Reserved tables located in the loft area
My name is Granger Smith. Sometimes long, fancy industry bios are helpful, but other times you just need to hear from the guy actually living it, so here’s my story.
I was born and raised Texan, and I’m proud of that. I grew up along with two brothers, a couple of yellow labrador retrievers and parents that stayed together because they loved each other. My life changed when I was 14 years old and decided I would teach myself to play guitar. This was motivated by two things: I thought the guitar would make girls pay attention to me, and George Strait played one. By the time I turned 15, I was performing weekends on small town stages in North Texas, and doing my best as a fan club member to attend every George Strait concert within driving distance. Playing high school football was an important rite of passage for me, along with hunting and fishing, but the dream of a music career consumed me. At age 19, I was satisfied with enough songs I had written to make an album. As a freshman at Texas A&M, I was able to scrape together some studio money by pre-selling the album to friends around campus. For being just a kid, that album did pretty well. It landed me a songwriting deal with EMI Music Publishing in Nashville, and the following year, I took the leap to Tennessee.
Whiskey Myers
live at The Bluestone
Thursday, December 7th, 2017
Doors for the show will open at 7pm
Opening Artist: Goodbye June
Tickets are $15 in advance and $20 day of show
Tickets On-Sale Friday, June 9th at 10am
PURCHASE HERE
RESERVED LOFT TABLE SEATING
RESERVED TABLE PURCHASE DOES NOT INCLUDE ADMISSION TICKETS TO THE SHOW.
Admission tickets must be purchased separately.
- Loft Lower Tier: $250 (seats four people-no exceptions)
- Prime view of stage!
- Includes first bucket of Miller or Coors Light
- Server
- Exclusive Private Bar access
Loft Upper Tier: $200 (seats four people-no exceptions)
Includes first bucket of Miller or Coors Light
- Server
- Private Bar Access
- May be Obstruction in View
*All Reserved tables located in the loft area
ALL SALES ARE FINAL
It would be an understatement to say that a lot has happened since Whiskey Myers was last in the recording studio. Over two whirlwind years, the gritty Texas band hit #1 on the iTunes Country Chart with their breakout third album ‘Early Morning Shakes,’ earned raves everywhere from Rolling Stone to USA Today, and toured the US and UK relentlessly, slaying massive festival crowds and sharing stages with Lynyrd Skynyrd, Hank Williams Jr., Jamey Johnson, and more along the way. You’d be forgiven, then, for expecting things to work a little differently this time around when the band reunited with acclaimed producer Dave Cobb for their stellar new album, ‘Mud.’ But as it turns out, success doesn’t change a Southern gentleman, and they don’t come any more Southern than Whiskey Myers.
Fueled by larger-than-life performances honed tight from countless nights on the road, ‘Mud’ finds the band scaling new heights of songwriting and musicianship, with searing guitars, soulful vocals, and indelible hooks. While their approach to the music and humble, hard-working attitudes may not have altered, there have been developments in the Whiskey Myers world, most notably with the arrival of new faces. For the recording sessions, the band’s five founding members—Cody Cannon on lead vocals and guitar, Cody Tate and John Jeffers on guitars, Gary Brown on bass, and Jeff Hogg on drums—fleshed out their sound with the addition of fiddler/keyboard player Jon Knudson and percussionist Tony Kent, who are both now full-time members. “They bring a great energy, and I think it’s really helped our sound and makes the band more versatile,” explains Cannon. “There’s less room onstage now, but sometimes a family grows.”
Prime Social Group Presents: HIPPIE SABOTAGE live at The Bluestone on Wednesday, March 6th, 2019
Doors for the show will open at 8pm
Opening Support: Sebastian Paul
This show is ages 18+
Tickets on-Sale Friday, November 16th at 10am
PURCHASE HERE
Jimmie Allen
Down Home Tour
presented by 92.3 WCOL
w/ special guest Neon Union
March 11, 2022 at 7 PM
at The Bluestone
Columbus, Ohio
JIMMIE ALLEN
Official Website: https://www.jimmieallenmusic.com/ [jimmieallenmusic.com]
Official Facebook Page: https://www.facebook.com/jimmieallenmusic
Official Twitter: https://twitter.com/jimmieallen/ @JimmieAllen
Official Instagram: https://www.instagram.com/jimmieallen/ @jimmieallen
Official YouTube Channel: https://www.youtube.com/jimmieallen
NEON UNION
Official Website: https://www.neonunionmusic.com/ [neonunionmusic.com]
Official Facebook Page: https://www.facebook.com/Neon-Union-Music-108322624961837
Official Twitter: https://twitter.com/neonunionmusic @neonunionmusic
Official Instagram: https://www.instagram.com/neonunionmusic/@neonunionmusic
Artist Biography
For multi-platinum selling, trailblazing Country star and current GRAMMY Award nominee Jimmie Allen, a simple phrase sums up his view on life and music: Never give up.
A native of Southern Delaware – the “slower, lower” part of the state, he explains – Allen has carried that mantra with him through good times and bad, whether than meant living in his car or receiving his first ACM nomination for New Male Artist of the Year in 2019, a CMA Awards nomination for New Artist of the Year in 2020, subsequently winning the ACM Award for New Male Artist of the Year – the first Black artist to win that category since its inception, and a win with which he hopes “open[s] some doors for more Black artists to have success in country and more Black artists to feel comfortable enough to do country if that’s what they want to do” – as well as the CMA New Artist of the Year Award in 2021. GRAMMY.com has hailed Allen as one of “5 Black Artists Rewriting Country Music.” His current nomination for Best New Artist at the 64th Annual GRAMMY Awards in 2022 is his first ever GRAMMY nomination; he is also the only Country nominee in an all-genre category.
With the 2018 release of his debut album Mercury Lane – named in tribute to the street he grew up on and the origin of his incredible journey – on BBR Music Group’s Stoney Creek Records, a lifetime of never giving up brought him full circle.
“I didn’t quit, I never will,” he says. “Stuff ain’t easy, and you shouldn’t quit either. There’s a big difference between busting your ass and sitting on it.”
For Allen, musical dreams and a love of true-to-themselves artists like Alan Jackson, Aaron Tippin, Montgomery Gentry, and Jason Aldean brought him all the way to Nashville and beyond, –from traveling around the world to places like Japan, Germany and the UK; to performing a tribute at the Kennedy Center Honors for Garth Brooks, the national anthem at the Indy 500, returning to American Idol as a mentor after being cut from the same competition a decade ago, and other once-in-a-lifetime moments.
But it was actually a nightmare which turned this promising singer into the artist he is today. After a series of bad breaks Allen was forced to live in his car, too proud to ask for a bail out. For months he worked multiple jobs and finally saved enough for an apartment, but hit then another snag – country music wasn’t ready for him.
“People were just trying to help,” he says now. “But they wanted me to change my sound and told me I had to lose my boots. The turning point came when I stopped listening, and finally let my music be a natural reflection of who I am.”
Since then Allen has been following his own compass, and it’s leading somewhere special. In 2017, he caught his big break and signed a record deal with BBR Music Group/Stoney Creek Records and a team who embraced his individuality.
“I don’t regret the hard times,” he explains about his trials. “I think each thing you do adds a layer, whether it’s a layer of toughness, perseverance, motivation, or just a layer of wisdom. At the end of the day you come back to what you know, and what’s embedded in you.”
What’s embedded in Allen is a powerful, soulful sense of groove – “If my body don’t move in the first four seconds, it ain’t for me,” he says – a love of deep messages and a knack for razor-sharp hooks.
Those driving forces formed the bedrock of Mercury Lane – a cutting-edge mix of country, rock, R&B, and pop, produced by Ash Bowers and Eric Torres, that received critical acclaim, with Rolling Stone raving that it “challenges the narrowly defined model of what constitutes a next big thing in country music” and The New York Times hailing it one of 2018’s strongest, calling it a “conventional country album, filled with songs about the small details.”
With Mercury Lane, Allen made history as the first Black artist to launch a career with two consecutive No. 1 hits on country radio, with “Best Shot” claiming the No. 1 spot for three weeks and his second single “Make Me Want To” hitting the top spot in March 2020.Allen’s hard-earned dreams are finally becoming reality, but he shows no signs of limiting himself.
He followed up the success of Mercury Lane with his July 2020 collaboration project, Bettie James, that has amassed171+ million streams and has further established Allen as Country’s next superstar. The star-studded seven-track project combined his deep love of family and genre-spanning taste in music. Named in honor of Allen’s late grandmother, Bettie Snead, who passed away in 2014 and his late father, James Allen, who passed away in 2019, Allen hand selected artist that touched the life of Allen, his grandmother and father in some way, allowing their legacies to weave seamlessly throughout Bettie James. The wide array of hitmakers include Brad Paisley, Charley Pride, Darius Rucker, Mickey Guyton, Nelly, Noah Cyrus, The Oak Ridge Boys, Rita Wilson, Tauren Wells and Tim McGraw.
“My dad and grandmom were two completely different people, but both played a huge part in my life,” Allen says of the motivation for the project. “Since they died, I have been wanting to leave trails of their legacies throughout my music.”
The result is a musical composition of love, heartbreak, perseverance, hope and faith. Jimmie’s current single “Freedom Was A Highway” pairs Allen with his friend and Country music superstar Paisley for a breezy, windows down track that joins Allen’s distinctively breezy grooves with a Paisley signature guitar solo.
Bettie James received a slew of critical acclaim for not only the music, but the historic nature of various collaborations, and the project’s subsequent place in country music history. NPR calls the project an “announcement of [Allen’s] arrival” and a “huge step for country” while Billboard hails it “a powerful statement from a developing voice.” The EP appeared on several “Best of 2020” lists including Billboard, Rolling Stone and Sounds Like Nashville.
Rolling Stone describes “Why Things Happen” – which brings together three generations of Black country artists in Allen, Darius Rucker and Charley Pride – as “part polemic, part proclamation, and part prayer… opening up space for the artists to bear witness.”
Reflecting on Allen’s wide-ranging musical sensibilities, Music Row notes of the project: “While some artists still in the early sunrise of their careers, with a handful of hits to their credit, would be focused solely on extending their chart successes, it’s clear that Allen’s goals for his music are loftier than mere chart hits and No. 1 parties—he’s striving for music that testifies to his full spectrum of creative abilities.”
Allen, who has an incredible knack for connecting with people of all backgrounds and interests, enjoyed collaborating with other artists so much while making his monumentally successful predecessor that he didn’t want to stop – so instead, in trademark Allen fashion, he kept going. The result: Bettie James Gold Edition. Released June 25, 2021, the 16-track album doubles down on Allen’s expansive love for music across genres, with nine brand new collaborations with Babyface, Breland, Keith Urban, LANCO, Lathan Warlick, Lindsay Ell, Little Big Town, LOCASH, Monica, Neon Union, Pitbull, teamwork. and Vikina.
As Hits Daily Double notes, for Allen, “it’s about being grounded in the genre’s traditions and protecting the roots as much as it’s about creating a future for country music that’s more expansive and inclusive.”
“When it comes to music I love, I don’t really get wrapped up in boundaries or genres. After we finished Bettie James, I was like man, there’s so much music out there that I love, so many artists that I love, and I just wasn’t done making collaborations,” Allen says of the impetus for Bettie James Gold Edition; a sentiment that Billboard echoes, applauding that the album “broadens country’s borders.”
Beyond the music, Allen has also established Bettie James Fest in their honor. Consistently vocal about his deep reverence for his family, hometown, and home state, the inaugural sold out event took place August 7, 2021 in Allen’s hometown of Milton, DE.
Allen is currently featured in The Country Music Hall of Fame® and Museum’s annual American Currents: State of the Music exhibit with his friend and fellow country artist Darius Rucker. The exhibit’s Unbroken Circle illustrates the connection between country music’s past and present by pairing artists with those who have influenced them or share musical perspectives. The exhibit runs through February 2022.
Additionally, he is a member of the 2021 Artists Committee for the 44th Kennedy Center Honors.
Much like his approach to music, Allen’s other creative pursuits know no boundaries.
Allen’s debut picture book, My Voice Is a Trumpet, was published July 13, 2021 with Flamingo Books, an imprint of Penguin Young Readers. Illustrated by veteran illustrator Cathy Ann Johnson, the book is a powerful story about speaking up for what you believe in,
at any age. The book has received a starred review from School Library Journal, who hails that “the rhythm and flow of words perfectly match the art while advising readers to choose love and use their voices in a powerful song.”
“It’s very important to me that kids learn at a young age that they have a voice, and that it is powerful. It is up to us as adults to teach them to use their voice to encourage and show love,” Allen says of his first ever book. “Being a father of two kids, I try to encourage them to be themselves and love everyone around them. I’m hoping this book inspires at least one child and they always remember their voice is a trumpet.”
Allen also serves as Executive Music Producer for Netflix’s series Titletown High, which premiered globally on August 27. His song “Big In A Small Town” is the theme song for the series, which follows a Georgia town where football rules and winning is paramount, a champion high school team tackles rivalries, romance and real life as they work toward the ultimate goal: a state title. Full of high stakes sports action and relatable teenage drama, Titletown High delivers a complex portrait of the most unique football culture in America.
He most recently competed for the coveted mirrorball trophy as a contestant on Dancing With The Stars’ landmark 30thseason on ABC in the fall of 2021, reaching the quarterfinals with his pro partner Emma Slater.
As Allen’s rising star power shows no signs of slowing down, he remains unapologetically himself and proof of what can happen when you never give up.
For more information on Allen, visit www.jimmieallenmusic.com or follow him on Instagram, Twitter and Facebook.
Mammoth WVH & Dirty Honey Live March 18th, 2022 6:30 PM
The Bluestone
Columbus, Ohio
https://www.ticketmaster.com/event/05005B5B9DE84DB9
WRKZ presents Mammoth WVH & Dirty Honey in Columbus, OH at The Bluestone March 18th, 2022.
Tickets on sale Friday, November 5th at 10 AM!
About Mammoth WVH
Official Website: www.mammothwvh.com
Official Facebook Page:www.facebook.com/MammothWVH
Official Twitter: www.twitter.com/MammothWVH @MammothWVH
Official Instagram: www.instagram.com/mammothwvh @mammothwvh
Official YouTube Channel:www.youtube.com/MammothWVH
First impressions last a lifetime. Wolfgang Van Halen has prepared a lifetime to make his first impression. The songwriter, vocalist, and multi-instrumentalist worked tirelessly towards the introduction of MAMMOTH [Explorer1], his self-titled 2021 debut album. Playing every instrument and singing each and every note, his music presents a personal and powerful perspective, balancing memorable hooks and tight technicality. As many times as audiences have experienced his talent alongside the likes of Tremonti,Clint Lowery, and of course, Van Halen, they meet Wolf as an individual for the very first time now.
“You only have one chance to make a first impression, and I wanted to do so to the best of my abilities,” he affirms. “Throughout the whole process, I was finding who I am musically and by the end, I got a pretty good handle on a sound I can claim for myself.”
His father often played guitar against his mother’s pregnant belly, and Wolf absorbed those vibrations from the womb. At the age of 10, his Pop gave him a drum kit for his birthday. To this day, Wolf considers himself “a drummer before anything else.” As he developed as a musician, he learned how to play guitar in order to perform “316” —which his father penned for him —at a 6th-grade talent show.
It may come as a surprise, but outside of his father teaching him one drumbeat from an AC/DC song, Wolfgang taught himself every instrument. “My dad wasn’t the best teacher,” he laughs. “I would ask him to play something, and then he would just proceed to be Eddie Van Halen. He would look at me and say, ‘Do that.’ to which I would laugh and sarcastically reply, ‘Sure thing, no problem.’”
In the summer of 2006 when he was 15 years old, Wolf grabbed a bass and began noodling. While at the legendary 5150 Studios, his impromptu woodshedding inspired Eddie and Uncle Alex. Endless family jam sessions followed. By summer’s end, Wolfgang phoned David Lee Roth’s manager and by winter Roth showed up for rehearsal. They rocked “On Fire,” and “That’s how the 2007 tour began,” says Wolf.
Not only did Wolf canvas the world with Van Halen while in high school, but he also held down the low end on 2012’s A Different Kind of Truth—which debuted at #2 on the Billboard Top 200. When not on tour with Van Halen, he cut bass for Tremonti’s critically acclaimed Cauterize [2015] and Dust [2016] in addition to joining the band on the road. In 2019, Wolf handled drums and also played bass on half of the 10 songs for Clint Lowery’s solo debut, God Bless The Renegades.
In the midst of all this, at the beginning of 2015, Wolf broke ground on what would become MAMMOTH with producer Michael “Elvis” Baskette [Alter Bridge, Slash] behind the board. Wolf began to embrace his voice, inspired by everyone from his father, to bands like AC/DC,Foo Fighters, Nine Inch Nails, TOOL, and Jimmy Eat World. “I’ve been singing my whole life, but it wasn’t until MAMMOTH that I really found my voice. Elvis was great, and he helped me gain the confidence to become a lead vocalist.”
“The name Mammoth is really special to me.” says Wolf. “Not only was it the name of Van Halen before it became Van Halen, but my father was also the lead singer. Ever since my dad told me this, I always thought that when I grew up, I’d call my own band Mammoth, because I loved the name so much. I’m so thankful that my father was able to listen to, and enjoy the music I made. I’m really proud of the work I’ve done and nothing made me happier than seeing how proud he was that I was continuing the family legacy.”
About Dirty Honey
Official Website: https://www.dirtyhoney.com/
Official Facebook Page: https://www.facebook.com/DirtyHoneyMusic/
Official Twitter: https://twitter.com/dirtyhoneyband @DirtyHoneyBand
Official Instagram: https://www.instagram.com/dirtyhoneyband/@dirtyhoneyband
Official YouTube Channel: https://www.youtube.com/channel/UCsxtEOcwpVO9Rnw93Fuv2pQ