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Platinum-selling country duo Love and Theft, composed of singer-songwriters Stephen Barker Liles and Eric Gunderson, will be at The Bluestone on Wednesday, November 20th, 2013. Blackjack Billy, Canaan Smith, and Lucy Hale will open the show.
TICKET AVAILABILITY
VIP Admission
- $150 per table (seats four people-no exceptions)
- Includes six bottles of Miller or Coors Light
- Private Bar Access
- Buckets (six bottles) available for purchase all night for $24
- All VIP tables located in the loft area
- Table purchases do NOT include admission into venue
General Admission
- $15
- Standing room only
This event is open to all ages
Wednesday, 11/20 | Doors at 7 P.M.
DAMN, GIRL! has moved to The Bluestone!
Join DJs Charles Erickson, Nathaniel Geographic and Donnie Mossman for your monthly fix of discofunk, interstellar hits, and dope jams that make you wanna get up and dance!
Doors for the show will open at 10pm with free Admission until 11pm.
Admission will be $5.00 after 11pm.
All Damn, Girl free admission cards will still be honored at the new venue.
Come out to The Bluestone THURSDAY* September 17th for the next Damn, Girl!
Join DJs Charles Erickson, Nathaniel Geographic and Donnie Mossman for our monthly party of eclectic dance music for all!
For our full calendar you can always check damngirlcolumbus.com/
<<<< IMPORTANT PARTY INFO, PLEASE READ >>>>
-As a thank you to our guests WE WILL BE GIVING AWAY TRAUMA TICKETS!! It will be a raffle style giveaway, winners notified through email (no need to be present when chosen.) Everyone will get a ticket and be entered to win just for coming to the party!
– Doors open at 10pm. FREE ADMISSION until 11pm. Admission will be $5 after 11pm
(All Damn, Girl free admission cards will still be honored at the new venue.)
– We are happy to announce that September Damn Girl being on a Thursday means we can offer FREE PARKING!
– The party is 21+ (sorry folks younger than that)
DAMN! Girl returns to The Bluestone on Thursday, December 17th.
FREE ADMISSION BEFORE 11pm
NYE 2017 with Love and Theft
TICKETS ON-SALE FRIDAY, NOVEMBER 18th at 10am Doors for the show will open at 8pm
The concert is an all ages event, VIP After-Party attendees must be ages 21+
PURCHASE TICKETS
General Admission Tickets: $45 Includes admission into the concert
After-Party Experience *Limited Availability: $99 Includes admission into the concert and admission into the after-party from 12am-2:30am (After-Party is ages 21+ only)
VIP Experience for Four (4)- Table in Loft with Prime View! *Limited Availability: $500 Includes Four admission tickets into the concert, VIP Table located in Loft with Prime View *seats 4*, Bottle of Champagne, Private VIP Bar, A dinner buffet served from 8pm-10pm, four admission tickets into the after-party from 12am-2:30am, Limited Edition Event Poster, NYE Favors
VIP Experience for Four (4) Table in Loft upper level, view of stage may be obstructed *Limited Availability: $450 Includes Four admission tickets into the concert, VIP Table located in Loft-view of stage may be obstructed *seats 4*, Bottle of Champagne, Private VIP Bar, A dinner buffet served from 8pm-10pm, four admission tickets into the after-party from 12am-2:30am, Limited Edition Event Poster, NYE Favors
VIP Suite for Ten (10): $1500 Includes ten admission tickets into the concert, VIP suite located in Loft, Bottle of Champagne, Private VIP Bar, A dinner buffet served from 8pm-10pm, Ten admission tickets into the after-party from 12am-2:30am, Limited Edition Poster, NYE Favors
Please Note: The concert is an all ages event. VIP After-Party attendees must be ages 21+
NYE 2017 Love and Theft
“We wanted to show a different side and make a record that sounds like us,” Stephen Barker Liles says of Love and Theft’s boundary-pushing new album Whiskey On My Breath. “Country music has always been about honest performances and songs that mean something, and that’s the kind of record that we wanted to make.”
“We’re at a different place, in our music and in our lives, than we were when we made our earlier records, and we wanted this album to reflect that,” agrees his longstanding musical partner Eric Gunderson. “We worked harder and more passionately on this record than anything we’ve ever done. The whole experience was refreshing and inspiring for us.”
Whiskey On My Breath—the duo’s third album—marks a significant creative statement for the two singer-songwriter-guitarists, whose resume already includes a long series of career highlights. Having already established themselves as one of country’s hottest young acts with such memorable hits as the #1 country smash “Angel Eyes” and the Top 10 hit “Runaway,” and their widely acclaimed albums World Wide Open and Love and Theft, the ACM/CMA/CMT-nominated twosome take their music to the next level on Whiskey On My Breath.
Russell Dickerson will be performing live at The Bluestone on Friday, February 17th, 2017
Doors for the show will open at 7pm
Opening artist: TBA
Tickets are $15
Tickets on-sale Friday, November 4th at 10am
PURCHASE TICKETS HERE
Josh Abbott Band
live at
The Bluestone Thursday, November 16th
as part of their
“Until my Voice Runs Out tour”
Doors for the show will open at 7pm
Opening Artist: TBD
Tickets are $20 in advance and $25 day of show
PURCHASE HERE
RESERVED LOFT TABLE SEATING
RESERVED TABLE PURCHASE DOES NOT INCLUDE ADMISSION TICKETS TO THE SHOW.
Admission tickets must be purchased separately
The loft is located on the second level of The Bluestone
- Loft Lower Tier: $250 (seats four people-no exceptions)
- Prime view of stage!
- Includes first bucket of Miller or Coors Light
- Server
- Exclusive Private Bar access
-
Loft Upper Tier: $200 (seats four people-no exceptions)
- Includes first bucket of Miller or Coors Light
- Server
- Private Bar Access
- May be Obstruction in View
*All Reserved tables located in the loft area
ALL SALES ARE FINAL
When Josh Abbott Band recorded “Ghosts” for its fourth album, Front Row Seat, Abbott expected to redo the vocals. The final chorus had some technical imperfections, and he figured he could improve on the performance once his heart settled down. Producer Dwight Baker, one-half of the Austinbased duo The Wind and The Wave, wouldn’t let Abbott retouch it.
“I was actually crying my eyes out during that last chorus, and that’s why there’s a couple of notes in the beginning of that section that don’t really explode like normal,” Abbott says. “Dwight was like, ‘We’re keeping that. That’s real.’”
Real is the operative word for Front Row Seat, a 16-track song cycle that represents the most ambitious and emotionally challenging project yet for JAB, a highly melodic six-piece ensemble that’s managed to keep a foot in both the Texas music scene and the national country world. The band won four times during the inaugural Texas Regional Radio Awards behind an upbeat brand of country that still leans on classic instrumentation – particularly banjo and fiddle – to effect a raucous, roof-raising attitude.
The band has lobbed three singles onto the Billboard Hot Country Songs chart – including “Oh, Tonight,” the first charted track to feature Grammy-winning Kacey Musgraves – and nabbed a Top 10 album with the 2012 release Small Town Family Dreams and reached No. 12 with the 2014 EP Tuesday Night.
But Front Row Seat steps beyond the band’s honky-tonk inclinations for a more personal journey as the album traverses the emotional course of Abbott’s first marriage and subsequent divorce. It was not his original intention to depict his private life in a public way, but as he wrote the songs for Front Row Seat, beginning before the split actually occurred, he naturally mined his emotional life for a set of songs that were profoundly honest and revealing. It was only as they began recording the material at Baker’s Matchbox Studios outside of Austin, that they realized they had the germ of a tangible plot.
“We started looking at the music we’d done and had a whole bunch of other songs that we really loved and we were like, ‘Man, we could put this together and make a really neat story out of it,” fiddler Preston Wait recalls. “Especially with the song ‘Front Row Seat,’ we basically just made it kind of like you’re watching a movie and it’s your front row seat to this life.”
Owing to that silver-screen character, JAB employed screenwriting technique by assembling the project with the five elements of plot structure: the exposition, or beginning; an inciting incident; the climax; a falling action (in this case, a breakup); and the resolution.
The story begins with “While I’m Young,” in which a college-aged Abbott lives a typically carefree existence, spending much of his discretionary income in bars and living for the moment, an ideal that’s captured authoritatively in the anthemic “Live It While You Got It.” As the album progresses, he meets a woman who commands his attention for more than one evening, finding himself by track 7, “Crazy Things,” mulling what it is that would make a woman who’s dang-near perfect fall for someone so flawed.
By the time the album concludes, his once-ideal relationship has turned sour, and the two are no longer one. The fracture becomes apparent through the resignation of “Born To Break Your Heart,” and he discovers in “Ghosts” that all the memories that once lived with such passion and revelry continue to haunt his memory, taunting him with whispers of a past he can never reclaim. As Front Row Seat closes with “Anonymity,” Abbott sings a spare dirge with acoustic guitar and fiddle, fantasizing that he could return to the start of the relationship and live it out right.
Wcol Winter Wonder Jam with
Michael Ray as part of his “Get To you Tour”
Special Guests: Love and Theft, Devin Dawson
Doors for the show will open at 8pm
Tickets just $30 in advance, $35 day of show
Tickets On-Sale November 6th at 10am
PURCHASE HERE
Michael Ray Roach (born April 29, 1988), best known as Michael Ray, is an American country music singer and songwriter. He is signed to Warner Music Nashville, for which he has released his debut single, “Kiss You in the Morning“. The song has reached No. 1 on Country Airplay. Before this single’s release, Ray was mentored by John Rich of Big & Rich on the singing competition The Next: Fame Is at Your Doorstep, which he won. He and Rich co-wrote Big & Rich’s 2015 single, “Run Away with You“.[1]
In March 2017, it was reported that Ray would put his acting chops to the test when he revealed that he landed a guest role on CMT’s show, Nashville.[2]
Love and Theft is an American country music group founded by Stephen Barker Liles, Eric Gunderson, and Brian Bandas, all three of whom alternated as lead singers and acoustic guiarists. Signed to Lyric Street Records subsidiary Carolwood Records in 2009, Love and Theft made their chart debut in early 2009 with the single “Runaway,” which reached the Top 10 on Billboard Hot Country Songs. The band’s debut album, World Wide Open, was released on August 25, 2009.
In 2011, following the departure of Bandas, Love and Theft continued as a duo consisting of Gunderson and Liles. The duo moved to RCA Records Nashville that year and released the single “Angel Eyes“, which became their first number 1 single. It and the Top 40 singles “Runnin’ Out of Air” and “If You Ever Get Lonely” all appear on their second, self-titled album.
Devin Dawson is an American country music singer-songwriter.
Devin Dawson first became famous after filming a mashup of Taylor Swift songs, which gained popularity on YouTube.[2][3][4] His debut single “All on Me” is also his first hit song.[2] With the help of producer Jay Joyce, he signed to Warner Bros. Records in 2017.[5] Dawson’s “All on Me” has charted on the Hot Country Songs and Country Airplay charts.
Dawson has also toured with Tim McGraw and Faith Hill.[6]
Columbus BrewGrass Festival will take place at The Bluestone
March 2nd and March 3rd
Doors open at 6pm
Ages 18+
Tickets On-Sale Now
PURCHASE HERE
The Cadillac Three will be performing live at The Bluestone on March 8th, 2018
Opening Artist: Austin Jenckes
Doors for the show will open at 7pm
Tickets are $25 in advance and $30 day of show
This show is SOLD OUT!
PURCHASE HERE
The Cadillac Three LIVE at The Bluestone
THE CADILLAC THREE
It may be a ballsy move for The Cadillac Three to name their new album LEGACY, but if any country band has the shared history to lay claim to such a weighty title, it’s the longhaired trio of Nashville natives.
Singer-guitarist Jaren Johnston, drummer Neil Mason and lap-steel player Kelby Ray have known one another since they were teens and have been sharing stages together for nearly 15 years. This summer, they’ll headline their hometown’s most famous venue, the Ryman Auditorium, just a few blocks from where Johnston and Ray sat in high-school math class daydreaming about one day playing the legendary hall. Johnston’s connection to the Ryman goes back even further: his father has been a drummer at the Grand Ole Opry since Jaren was a child. And now he has a son of his own, who, like his old man, will be well-versed in all the sounds that make up both Music City and The Cadillac Three, from country and blues to rock & roll.
So, yeah, “legacy” looks good on this band.
“We’re trying to build something and do it our way, which is always harder,” says Johnston. “If you’re going to leave something that people are actually going to remember, you can’t take the easy way. So we took all of our history, mixed it with the energy of The Cadillac Three and put it into a record that makes sense of where we’ve been and where we’re going.”
After nearly a full year on the road in support of 2016’s BURY ME IN MY BOOTS, their first full-length album recorded for Big Machine Records, the group returns with a more mature perspective. Johnston, Mason and Ray have experienced a lot on tour, whether opening arenas across the country on Florida Georgia Line’s Dig Your Roots Tour or headlining their own consistently sold-out string of sweaty club and theater shows in the U.K. and Europe. As they prepare to head back in November for another big run, for The Cadillac Three, the old saying really is true: this band is huge overseas.
“Europe showed us that we should bet on ourselves. It was a big gamble the first time we went over there,” says Mason, “but the shows and the fans have continued to grow.”
“And going overseas reinforced that we wanted to get more music out more quickly,” adds Ray. “They go through singles really quickly over there. They want more, more, more and that encouraged us to go into the studio, knock this album out and keep going.”
All that travel, from city to state, country to continent, could decimate a lesser band, but it only served to creatively inspire the mighty TC3. They wrote many of the 11 songs that make upLEGACY on the road, cut the tracks on rare days off in Nashville and then recorded all of Johnston’s vocals – one of the most “country” voices in the genre – in the back lounge of their bus in between shows, adding a crackling sense of vitality to LEGACY. They also produced the album themselves.
“We knew what we wanted to do with this record. Instead of putting it together in bits and pieces, we started with a batch of songs and then picked a single,” Johnston says. “That’s how this shit should be done.”
That back-to-basics approach to making music yielded the band’s most infectious single to date: the woozy sing-along “Dang If We Didn’t.” Written, as is most of the album, by Johnston and Mason (here, with Jonathan Singleton; other times with songwriters like Laura Veltz and Angelo Petraglia), “Dang If We Didn’t” teases fans with its ambiguous title, before revealing what the guys actually did in the chorus: get drunk last night.
“When you’re a songwriter, you can be critical of song titles,” says Johnston. “But with ‘Dang If We Didn’t,’ I thought it was a little bit mysterious. It makes you wonder, ‘Dang if we didn’t do what?'”
“Eat pizza last night,” quips Mason. “It could be anything.”
“American Slang” rivals “Dang If We Didn’t” in its grandeur. It’s a huge song, akin to Tom Petty’s “Free Fallin'” or The Cadillac Three’s own “Graffiti,” off BURY ME IN MY BOOTS. Lori McKenna (Little Big Town’s “Girl Crush”) began writing the tune with the intention of having The Cadillac Three finish it. “We are vampires on Hollywood Boulevard / angels and sinners of our hometown streets,” go the lyrics, painting a picture of life’s rebels, before a massive country-radio chorus kicks in: “We are the back roads, dirty water shore banks…we are born and raised on American slang.”
The constant throughout LEGACY, however, lies in the players: as on all three of The Cadillac Three’s albums, only Johnston, Mason and Ray are the musicians. There’s no guest keyboard player, no second percussionist and certainly no bassist. Ray holds down the low end on his lap steel.
Especially on the standout LEGACY track “Take Me to the Bottom,” which features Johnston reaching high for a breathtaking falsetto. “‘Take Me to the Bottom’ has the best bass sound of anything I’ve ever done,” says Ray, who also keeps things greasy on the intense “Tennessee.” A thrashing love song, it evokes the stomp of ZZ Top – a favorite of TC3 – and features a lyrical shout-out to progressive country hero Sturgill Simpson, a kindred spirit of the band.
No matter the influence, though, the trio stays faithful to their own unique sound throughout LEGACY. “Hank & Jesus” glides along with Tennessee twang; “Demolition Man” is distinguished by the space between the notes; and the swaggering “Cadillacin'” is a band anthem. “We don’t put anything on our albums that we can’t re-create live,” says Mason. “If there is a TC3 rule, it’s that: keep it honest.”
Honesty, or authenticity, is a favorite buzzword around Nashville. But few artists come to it as naturally as The Cadillac Three. These guys couldn’t fake it if they tried. In the album’s title track, they offer a heart-on-the-sleeve testimony to what’s really important at the end of one’s days: love and a family tree.
When Mason and Ray heard “Legacy,” co-written by Johnston, they flipped, and pushed for it to be the title of the record. “We’re far enough along in our careers where doing an album called LEGACY doesn’t feel presumptuous to me,” says Mason.
Not when you run through The Cadillac Three’s milestones. It’s all there, from boundary-pushing albums, Grammy-nominated No. 1 songwriting across genres and fan-favorite singles to sold-out club shows and massive festival gigs alongside Aerosmith.
“With this album, we’re continuing to build this thing we’ve created. We’re touring nonstop, headlining shows in the U.K., playing the Ryman, and putting out a new record,” says Johnston. “Shit, that’s a pretty good legacy so far.”
Love and Theft will be performing LIVE at The Bluestone on Friday, February 15th, 2019
Doors for the show will open at 7pm
Opening Artists: Stevie Monce and Crawford & Power
Tickets are $15 in advance and $20 day of show
Tickets will go on-sale Friday, October 26th at 10am
PURCHASE HERE
“We wanted to show a different side and make a record that sounds like us,” Stephen Barker Liles says of Love and Theft’s boundary-pushing new album Whiskey On My Breath. “Country music has always been about honest performances and songs that mean something, and that’s the kind of record that we wanted to make.”
“We’re at a different place, in our music and in our lives, than we were when we made our earlier records, and we wanted this album to reflect that,” agrees his longstanding musical partner Eric Gunderson. “We worked harder and more passionately on this record than anything we’ve ever done. The whole experience was refreshing and inspiring for us.”
Whiskey On My Breath—the duo’s third album—marks a significant creative statement for the two singer-songwriter-guitarists, whose resume already includes a long series of career highlights. Having already established themselves as one of country’s hottest young acts with such memorable hits as the #1 country smash “Angel Eyes” and the Top 10 hit “Runaway,” and their widely acclaimed albums World Wide Open and Love and Theft, the ACM/CMA/CMT-nominated twosome take their music to the next level on Whiskey On My Breath.
Country Fuzz presents: The Cadillac Three LIVE in Concert February 13th
Doors for the show will open at 7pm
Opening Artist: TBA
Tickets are just $27.50 in Advance and $32.50 day of show
Tickets will go on-sale Friday, November 22nd at 10am
PURCHASE HERE
Singer-guitarist Jaren Johnston, drummer Neil Mason and lap-steel player Kelby Ray have known one another since they were teens and have been sharing stages together for nearly 15 years. This summer, they’ll headline their hometown’s most famous venue, the Ryman Auditorium, just a few blocks from where Johnston and Ray sat in high-school math class daydreaming about one day playing the legendary hall. Johnston’s connection to the Ryman goes back even further: his father has been a drummer at the Grand Ole Opry since Jaren was a child. And now he has a son of his own, who, like his old man, will be well-versed in all the sounds that make up both Music City and The Cadillac Three, from country and blues to rock & roll.
So, yeah, “legacy” looks good on this band.
Love and Theft
Stevie Monce and Christian Kaser
Live in concert July 9th, 2021
At The Bluestone Columbus, Ohio
Tickets on sale May 7th, 2021
VIP Meet and Greets available
Love and Theft at The Bluestone
A pop-country act built around the striking harmonies of Eric Gunderson and Stephen Barker Liles, Love and Theft came together in Nashville in 2006. Initially, vocalists and songwriters Gunderson, Liles, and Brian Bandas took turns singing leads, while the other two sang gorgeous backing harmonies. Versatile, bright-sounding, and with a clear sense of pop-country arrangement, Love and Theft‘s live shows brought them an enthusiastic fan base. After playing a showcase for ASCAP representatives, Love and Theft were offered a deal with the Disney-affiliated country label Lyric Street Records. Working with producers Jeff Coplan and Robert Ellis Orrall, the trio released its debut album, World Wide Open, on CarolWood Records (a Lyric Street affiliate) in mid-2009. The album’s first single, “Runaway,” peaked at number ten on the country singles chart, while the album also cracked the country Top Ten. However, Lyric Street and CarolWood were closed by Disney in April 2010, and the group went looking for a new label. Bandas left the band in 2011, and Gunderson and Liles continued on as a duo. The two-piece Love and Theft were signed to RCA Nashville later that same year. A single from the duo, “Angel Eyes,” was a major country hit, rising to number one on the C&W singles charts, while the subsequent album, simply called Love and Theft, went to number four on the country albums survey. However, Love and Theft had completed most of their third album when they fell into disputes with RCA Nashville, and they parted ways with the label. Launching their own Hate & Purchase Music, Love and Theft self-released Whiskey on My Breath in February 2015. The album’s title track rose to 31 on the country singles chart, and in 2016 the duo signed with Curb Records, which soon reissued Whiskey on My Breath.
Love and Theft
w/ Carter Winter
February 16, 2024 7 PM
The Bluestone
583 East Broad Street
Columbus, Ohio
Love and Theft
An American country music duo, is composed of Stephen Barker Liles and Eric Gunderson, both of whom sing lead vocals and play guitar. originally formed as a trio, along with Brian Bandas (who also sang lead and played guitar), in Nashville, Tennessee, in 2006. Signed to Lyric Street Records subsidiary Carolwood Records in 2009, Love and Theft made its chart debut in early 2009 with the single “Runaway”, which has reached Top 10 on Billboard Hot Country Songs. The band’s debut album, World Wide Open, was released on August 25, 2009.
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Due to unforeseen circumstances, The NYE 2024 party with Love and Theft will be moving to February 16, 2024, at 7 PM
If you purchased tickets, they will be honored on February 16, 2024
