The OFFICAL BLUESTONE TICKET BOX OFFICE
Get Tickets to The Bluestone and never miss your favorite artist again. Tickets From country and electronic to Indie Rock. THE Bluestone brings quality entertainment to the stage every time. We’re working hard to bring you the best concerts and special events in Columbus, Ohio. Keep an eye on our tickets and events calendar and check back often for concert updates. Just click on an event to purchase tickets
https://www.ticketmaster.com/the-bluestone-tickets-columbus/venue/41852
The American Advertising Federation of Columbus presents: Night of the Living Dead Battle of the Bands at The Bluestone on Thursday, October 24th. Featuring: DJ Kevy Kev, GSW – Black Box Warning, Ologie – Mummula, Inner Groove – Poor House Rockers, The Glen Echoes, and more.
TICKET AVAILABILITY
General Admission
- $20 “per zombie”
- Hideous Zombie Attire Expected! No Zombie Attire: $5 Surchage the door and Donated to the Columbus Coalition for the Homeless.
Thursday, 10/24| Doors at 7PM.
Academy of Country Music “New Artist of the Year” nominee Brett Eldredge, who gained mainstream popularity in 2013 with the huge success of his debut album, Bring You Back, including the number one single, “Don’t Ya.” will perform at The Bluestone April 17th, 2014. Cale Dodds will open the show. General admission tickets are $12. Doors open at 7PM.
TICKET AVAILABILITY
VIP Admission
- Loft Lower Tier: $250 (seats four people-no exceptions)
- Prime view of stage
- Includes six bottles of Miller or Coors Light
- VIP waitress
- Exclusive Private Bar access
- Buckets (six bottles) available for purchase all night for $24
-
Loft Upper Tier: $200 (seats four people-no exceptions)
- Includes six bottles of Miller or Coors Light
- VIP waitress
- Private Bar Access
- Buckets (six bottles) available for purchase all night for $24
*All VIP tables located in the loft area
*Table purchases do NOT include admission into venue
General Admission
- $12
- Standing Room Only
This event is open to all ages
Thursday, 4/17 | Doors 7PM
**THIS SHOW IS SOLD OUT**
WCOL Presents WOODYSTOCK 2014: A new 2-day country music festival featuring the biggest names in country music: Tim McGraw, Darius Rucker, Kip Moore, Little Big Town, Gloriana, Cassadee Pope, Love and Theft, Eric Pasay, Craig Campbell, and more to be announced! This event will be held at Legend Valley Concert Venue and Campground, on Buckeye Lake (the same location as Country Jam 2014). Tickets go on sale Friday, March 14th at 10AM. Get tickets and more information at www.WCOL.com
TICKET AVAILABILITY
General Admission Early Bird (Before May 1st)
- $100 2-day pass
- $100 RV/Camper Upgrade (Add-On)
Premium Admission Early Bird (Before May 1st)
- $145 2 day pass
- $100 RV/Camper Upgrade (Add-On)
VIP Tent Package
- $1280 2 day pass, includes 4 tickets
VIP RV/Camper Package
- $1380 for two day pass, includes 4 tickets
Brothers Osborne will be performing live at The Bluestone in Columbus, Ohio on Saturday, February 28th.
Opening Artist: TBD
Doors open at 7pm
All Ages Event
BUY TICKETS
TICKETS: $15 ADVANCED | $17 DAY OF SHOW
For John and TJ Osborne, getting into music was unavoidable. Growing up in the water town of Deale, Maryland, their close-nit-family of seven spent most nights not in front of the television, but writing and playing songs. The Brothers’ father had a shed behind their home that he used for small performances for friends and family. John and TJ could be caught listening in on their father’s playing or fetching beers for pocket change. Later their father would convert that shed into a home studio where their parents would write and record songs.
As the brothers aged, they formed a band with their ever eclectic father named “Deuce & a Quarter.” The band played cover songs from Lynyrd Skynyrd to Dwight Yoakem to Merle Haggard to Bob Seger. They performed at local venues in the town, but it was here that the Brothers got the taste for performing live.
John (guitar) moved to Nashville first to play in other bands. Two years later, TJ (vocals/guitar) moved to Nashville. It was then they formed Brothers Osborne and began playing as many writer rounds as they could. In April 2011, Warner Chappell/King Pen Music offered them a publishing deal. A year later, Capitol Records offered them a record deal. The Brothers Osborne are currently in the studio finishing their debut album, an album they describe as “aggressive, bold and fragile at times.” More to come from Brothers Osborne in 2015.
VIP Opportunities Available:
VIP TABLE PURCHASE DOES NOT INCLUDE ADMISSION TICKETS TO THE SHOW.
Admission tickets must be purchased separately.
- Loft Lower Tier (PRIME VIEW!): $250 (seats four people-no exceptions)
- Prime view of stage!
- Includes six bottles of Miller or Coors Light
- VIP waitress
- Exclusive Private Bar access
- Buckets (six bottles) available for purchase all night for $24
- Includes six bottles of Miller or Coors Light
- VIP waitress
- Private Bar Access
- Buckets (six bottles) available for purchase all night for $24
- May be Obstruction in View
*All VIP tables located in the loft area
Russell Dickerson will be performing live at The Bluestone on Friday, February 17th, 2017
Doors for the show will open at 7pm
Opening artist: TBA
Tickets are $15
Tickets on-sale Friday, November 4th at 10am
PURCHASE TICKETS HERE
Country Rocker Brian Davis
will be performing LIVE at The Bluestone on Friday, September 22nd
Opening Artist: TBA
Doors for the show will open at 7pm
Tickets are just $15 in advance and $20 day of show
Tickets on-sale Friday, May 5th at 10am
PURCHASE HERE
RESERVED LOFT TABLE SEATING
RESERVED TABLE PURCHASE DOES NOT INCLUDE ADMISSION TICKETS TO THE SHOW.
Admission tickets must be purchased separately.
- Loft Lower Tier: $250 (seats four people-no exceptions)
- Prime view of stage!
- Includes first bucket of Miller or Coors Light
- Server
- Exclusive Private Bar access
-
Loft Upper Tier: $200 (seats four people-no exceptions)
- Includes first bucket of Miller or Coors Light
- Server
- Private Bar Access
- May be Obstruction in View
*All Reserved tables located in the loft area
ALL SALES ARE FINAL
How does a country boy from tiny Bilboa, North Carolina find himself an apprentice to one of the greatest songwriters in country music? Ever heard of Bilboa? Yes, it’s that small. But you’ve heard of Harlan Howard, right? “I Fall to Pieces?” THAT Harlan Howard.
Brian Davis isn’t one to push himself or his music on someone. It just isn’t his style. Fortunately, what is his style is writing great rockers and party anthems full of hot screaming guitar, booming bass and thumping drums. Sometimes.
On the other hand, his style is also writing emotive ballads laden with picturesque lyrics that twist and turn phrases to carry the listener on a musical journey of their own or Brian’s life. Those…those are best interpreted by Brian’s pure masculine baritone and an acoustic guitar.
So, it’s really not a case of having to force himself on anyone. It’s more like, “If you build it, they will come.” If you write great songs, make great music and sing from your heart, they will come. And they have most definitely come. From playing all over his home state of North Carolina, to opening for pal and frequent co-writer Brantley Gilbert on the Hell On Wheels tour—last year and this year, Brian has taken his brand of rockin’ country music from a regional to a national level. His Tarheel fans are sitting back enjoying knowing that they saw the evolution of one of the hottest new artists in the format, while new fans are digging voraciously into his catalog that is already six albums deep.
Almost as if he could forecast the future when he recorded it, his newest album, Under the Influence, is almost a musical biography of Brian – both his life and the evolution of his music. “I’m really proud of it,” he beams. “We managed to put a lot of things that are extremely important to me on this record and tried to kind of balance it out. We’ve got things all the way from ‘Under the Influence,’ which people would assume, based on previous projects, that we were talking about going out and just getting hammered, but it’s not.”
Josh Abbott Band
live at
The Bluestone Thursday, November 16th
as part of their
“Until my Voice Runs Out tour”
Doors for the show will open at 7pm
Opening Artist: TBD
Tickets are $20 in advance and $25 day of show
PURCHASE HERE
RESERVED LOFT TABLE SEATING
RESERVED TABLE PURCHASE DOES NOT INCLUDE ADMISSION TICKETS TO THE SHOW.
Admission tickets must be purchased separately
The loft is located on the second level of The Bluestone
- Loft Lower Tier: $250 (seats four people-no exceptions)
- Prime view of stage!
- Includes first bucket of Miller or Coors Light
- Server
- Exclusive Private Bar access
-
Loft Upper Tier: $200 (seats four people-no exceptions)
- Includes first bucket of Miller or Coors Light
- Server
- Private Bar Access
- May be Obstruction in View
*All Reserved tables located in the loft area
ALL SALES ARE FINAL
When Josh Abbott Band recorded “Ghosts” for its fourth album, Front Row Seat, Abbott expected to redo the vocals. The final chorus had some technical imperfections, and he figured he could improve on the performance once his heart settled down. Producer Dwight Baker, one-half of the Austinbased duo The Wind and The Wave, wouldn’t let Abbott retouch it.
“I was actually crying my eyes out during that last chorus, and that’s why there’s a couple of notes in the beginning of that section that don’t really explode like normal,” Abbott says. “Dwight was like, ‘We’re keeping that. That’s real.’”
Real is the operative word for Front Row Seat, a 16-track song cycle that represents the most ambitious and emotionally challenging project yet for JAB, a highly melodic six-piece ensemble that’s managed to keep a foot in both the Texas music scene and the national country world. The band won four times during the inaugural Texas Regional Radio Awards behind an upbeat brand of country that still leans on classic instrumentation – particularly banjo and fiddle – to effect a raucous, roof-raising attitude.
The band has lobbed three singles onto the Billboard Hot Country Songs chart – including “Oh, Tonight,” the first charted track to feature Grammy-winning Kacey Musgraves – and nabbed a Top 10 album with the 2012 release Small Town Family Dreams and reached No. 12 with the 2014 EP Tuesday Night.
But Front Row Seat steps beyond the band’s honky-tonk inclinations for a more personal journey as the album traverses the emotional course of Abbott’s first marriage and subsequent divorce. It was not his original intention to depict his private life in a public way, but as he wrote the songs for Front Row Seat, beginning before the split actually occurred, he naturally mined his emotional life for a set of songs that were profoundly honest and revealing. It was only as they began recording the material at Baker’s Matchbox Studios outside of Austin, that they realized they had the germ of a tangible plot.
“We started looking at the music we’d done and had a whole bunch of other songs that we really loved and we were like, ‘Man, we could put this together and make a really neat story out of it,” fiddler Preston Wait recalls. “Especially with the song ‘Front Row Seat,’ we basically just made it kind of like you’re watching a movie and it’s your front row seat to this life.”
Owing to that silver-screen character, JAB employed screenwriting technique by assembling the project with the five elements of plot structure: the exposition, or beginning; an inciting incident; the climax; a falling action (in this case, a breakup); and the resolution.
The story begins with “While I’m Young,” in which a college-aged Abbott lives a typically carefree existence, spending much of his discretionary income in bars and living for the moment, an ideal that’s captured authoritatively in the anthemic “Live It While You Got It.” As the album progresses, he meets a woman who commands his attention for more than one evening, finding himself by track 7, “Crazy Things,” mulling what it is that would make a woman who’s dang-near perfect fall for someone so flawed.
By the time the album concludes, his once-ideal relationship has turned sour, and the two are no longer one. The fracture becomes apparent through the resignation of “Born To Break Your Heart,” and he discovers in “Ghosts” that all the memories that once lived with such passion and revelry continue to haunt his memory, taunting him with whispers of a past he can never reclaim. As Front Row Seat closes with “Anonymity,” Abbott sings a spare dirge with acoustic guitar and fiddle, fantasizing that he could return to the start of the relationship and live it out right.