The OFFICAL BLUESTONE TICKET BOX OFFICE
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The Charlie Daniels Band will be performing live at The Bluestone on Thursday, April 30th, at 7pm.
Opener: Cliff Cody and Wyatt McCubbin will be opening the show!
Tickets are $40 Pre-Sale and $45 day of show.
CMA and Grammy award-winning country band, The Charlie Daniels Band, will perform live at The Bluestone on Thursday, April 30th, 2015. Charlie Daniels Concert Tickets are available online at www.liveatthebluestone.com for just $40.00 in advance and $45.00 day of show. Doors for the show will open at 7pm, this is an all ages event.
Charlie Daniels, born and raised in North Carolina, began playing the fiddle and guitar in several bands throughout his young adult life. At the age of 21 he decided to pursue a professional career in music. Daniels assembled his first rock and roll group named, The Jaguars. There was very little success with The Jaguars but Daniels continued to write songs including, One of “It Hurts Me”, which was recorded by Elvis Presley in 1963. In the late 60’s Daniels opted out of The Jaguars and after much practice, became one of the best fiddlers in Nashville, TN. He would focus his fiddle playing on the current day hits, including a lot of top songs from Bob Dylan, his popularity soared.
Mid 70’s was the year for his new band, The Charlie Daniels Band. After a run with the Southern Rock style, Charlie then decided to lean more towards a country music band, ultimately it was a career changing choice. Shortly after this decision, the single, “The Devil Went Down to Georgia”, was released. It went straight to the number one spot and crossed over on to the pop charts at a number three spot. This song was named the Country Music Association’s Single of the Year. After this hit was released, their next album, Million Mile Reflections, became a multi-platinum success.
VIP Admission: VIP Tables do NOT include admission tickets to the show. Tickets must be purchased separately.
**VIP Tables for this show are sold out**
- Loft Lower Tier: $250 (seats four people-no exceptions)
- Prime view of stage
- Includes six bottles of Miller or Coors Light
- VIP waitress
- Exclusive Private Bar access
- Buckets (six bottles) available for purchase all night for $24
-
Loft Upper Tier: $200 (seats four people-no exceptions)
- Includes six bottles of Miller or Coors Light
- VIP waitress
- Private Bar Access
- Buckets (six bottles) available for purchase all night for $24
*All VIP tables located in the loft area
*Table purchases do NOT include admission into venue
Drake White and The Big Fire will be performing live at The Bluestone on Friday, May 5th, 2017
Featured Artist: Drake White
Opening Artist: Dave Kennedy
Opening Artist: Channing Wilson
Doors for the show will open at 7pm
PURCHASE HERE–This Show is SOLD OUT
Drake White Tickets on sale Friday, December 16th at 10am
VIP OPPORTUNITY AVAILABLE
VIP TABLE PURCHASE DOES NOT INCLUDE ADMISSION TICKETS TO THE SHOW.
Admission tickets must be purchased separately.
- Loft Lower Tier: $250 (seats four people-no exceptions)
- Prime view of the stage!
- Includes first bucket of Miller or Coors Light
- VIP Server
- Exclusive Private Bar access
- Loft Upper Tier: $200 (seats four people-no exceptions)
- Includes first bucket of Miller or Coors Light
- VIP Server
- Private Bar Access
- May have an obstructed view
- *All VIP tables located in the loft area
*All Sales are final
Every reaction begins with a catalyst, some initial event that sets things on their inexorable course. For Drake White, it goes back to something raw and elemental in his debut album Spark.
“I learned how to play guitar and keep people’s attention around a fire,” explains the Hokes Bluff, Alabama native. “A spark can start a fire that can keep you alive and sustain you. So this is the beginning for me. This is the first strike of the flint.”
The spirit of Spark comes from those simple, early days spent enjoying the outdoors among friends in the warm glow of a fire. And though he’s now a city dweller with all the complications and distractions that entails, White still seeks the freedom and deeper connections he felt when the chorus of nature and the strums of his guitar blended into one harmonious song — the kind of contentment he sings about in the swirling majesty of his single “Livin’ the Dream.” Drake White
“We grew up free. We grew up on 4-wheelers, riding through the backwoods,” he says. “We grew up hunting and fishing and being out in the Appalachian Mountains. People don’t understand how beautiful north Alabama is until you see it in person.”
Drake White
Save for “Livin’ the Dream,” White wrote or co-wrote the remaining 11 tracks on Spark, working with red-hot producers Ross Copperman and Jeremy Stover through the process. He also brought in his own band for a handful of tracks to capture the energy of his live shows.
The first sound on Spark — before the pulse-quickening “Heartbeat” kicks into gear — is the voice of White’s late grandfather speaking from the pulpit. Several of these ghostly transmissions from the past appear on Spark, all extolling the virtues of love, brotherhood and nature. It’s a touch of the surreal that nods at White’s fondness for Pink Floyd’s psychedelic masterpiece The Wall, but also a deeply personal gesture that matches his vision perfectly.
“I went through about five or six sermons of my grandfather and picked out certain little snippets,” he says. “I just think they kind of fit. They’re weird and people are asking what they are. And that was my point: to get people talking about it.”
White has his own message of finding some harmony amid the demands of modern life, one that goes down easy in the uplifting, Zac Brown Band-assisted Southern rock anthem “Back to Free” and the cautionary-but soulful “I Need Real.” It’s a simple message of not letting oneself be swallowed up by technology and seeking out honest, genuine connections with others.
“When I’m at home, my wife and I keep our phones in the bedroom,” says White. “We listen to records. We hardly turn the TV on, unless it’s time for Game of Thrones. Before social networking was a smartphone app, we did it around a fire. That goes way back.”
With his gospel-derived, passionate delivery, White seems to have inherited his grandfather’s ability to touch crowds with a sermon — his divine vocal improvisations at the end of the honky-tonk flavored “Story” will undoubtedly get butts out of seats. White stresses that he isn’t a preacher, but doesn’t see a problem with putting his own methods for surviving the world out there.
“Some of the best songs, like Buffalo Springfield’s “For What It’s Worth” or anything by Bob Marley, have a little bit of preachin’,” he says. “I never want to come across too preachy, but instead I’m saying, ‘Hey man, this is my life, and this is what I do to be happy and I’m figuring it out just like you.’” Drake White
Spark covers an entire spectrum of emotions beyond these statements of character and self-definition. In “Making Me Look Good Again,” White cruises on an R&B-style groove to express his gratitude for his better half, while “Waiting on the Whiskey to Work” finds him embodying a man spun out on love and heartbreak. Then in the tropically-themed “Equator,” he flies south to give his nomadic side a little time to play.
“This record is about balance. It’s me asking, where’s that boy I used to be? Oh yeah, we gotta go get him back,” he says. “We gotta go on a hike or camping or grab my wife and go to some foreign country. I gotta feel alive. I gotta go out there and do that.” Drake White
Long a respected live entertainer with his (appropriately named) band the Big Fire, White’s climb to the limelight hasn’t been a straight or uncomplicated one. Rather than blowing up right away with a big debut single, he’s toiled on the road for years, giving jaw-dropping performances night after night and making believers one show at a time. “There are many different paths.
*SOLD OUT* Aaron Lewis “Sinner Tour” at The Bluestone
DUE TO POPULAR DEMAND, WE’VE ADDED A SECOND SHOW!
**NEW MEET AND GREET PACKAGE AVAILABLE NOW**- Does NOT include Admission to the show
PURCHASE HERE
Opening Artist: Travis Marvin
Doors open at 7pm
Tickets are $35
THIS SHOW IS SOLD OUT
PURCHASE HERE
RESERVED LOFT TABLE SEATING
RESERVED TABLE PURCHASE DOES NOT INCLUDE ADMISSION TICKETS TO THE SHOW.
Admission tickets must be purchased separately.
- Loft Lower Tier: $250 (seats four people-no exceptions)
- Prime view of stage!
- Includes first bucket of Miller or Coors Light
- Server
- Exclusive Private Bar access
-
Loft Upper Tier: $200 (seats four people-no exceptions)
- Includes first bucket of Miller or Coors Light
- Server
- Private Bar Access
- May be Obstruction in View
*All Reserved tables located in the loft area
ALL SALES ARE FINAL
Grammy nominated and multi-platinum artist, Aaron Lewis is set to release his sophomore solo album later this year on Big Machine Label Group’s DOT Records.
The former Staind front man first made his country debut in 2011 with certified gold single “Country Boy” followed by the release of his first full length solo album, The Road. “Country Boy” featured Charlie Daniels on fiddle and a booming verse from George Jones as well as Chris Young striking a balance between classic and modern country.
Lewis’ introspective, personal and relatable lyrics are proof that country music is about lifestyle and values, not necessarily where you were raised. And as Country Weekly exclaims “…make no mistake, he is a truck-drivin’, gun-totin’ country boy.” Lewis attributes country as something that has always inspired him. Growing up in rural Vermont the singer/songwriter spent summers with his WWII veteran grandfather hunting and fishing. During that time, he developed a love for the land, the woods, and the simple life, which still permeates everything he does.
And there was one specific soundtrack to those times. “I was raised on Country music,” Lewis says. “My grandfather listened to Merle Haggard, Hank Williams, Hank Jr., and all of the greats.”
And those influences are evident on stage in his new songs and in Staind hits he often performs such as “Outside,” “It’s Been Awhile,” and “So Far Away.”
Aaron Lewis “Sinner Tour” at The Bluestone
**NEW MEET AND GREET PACKAGE AVAILABLE ** Does NOT include Admission to the Show
PURCHASE YOUR MEET AND GREET HERE
Opening Artist: Travis Marvin
Doors open at 7pm
Tickets are $35
Tickets on Sale Friday, April 7th at 10am
PURCHASE HERE
RESERVED LOFT TABLE SEATING
RESERVED TABLE PURCHASE DOES NOT INCLUDE ADMISSION TICKETS TO THE SHOW.
Admission tickets must be purchased separately.
- Loft Lower Tier: $250 (seats four people-no exceptions)
- Prime view of stage!
- Includes first bucket of Miller or Coors Light
- Server
- Exclusive Private Bar access
-
Loft Upper Tier: $200 (seats four people-no exceptions)
- Includes first bucket of Miller or Coors Light
- Server
- Private Bar Access
- May be Obstruction in View
*All Reserved tables located in the loft area
ALL SALES ARE FINAL
Grammy nominated and multi-platinum artist, Aaron Lewis is set to release his sophomore solo album later this year on Big Machine Label Group’s DOT Records.
The former Staind front man first made his country debut in 2011 with certified gold single “Country Boy” followed by the release of his first full length solo album, The Road. “Country Boy” featured Charlie Daniels on fiddle and a booming verse from George Jones as well as Chris Young striking a balance between classic and modern country.
Lewis’ introspective, personal and relatable lyrics are proof that country music is about lifestyle and values, not necessarily where you were raised. And as Country Weekly exclaims “…make no mistake, he is a truck-drivin’, gun-totin’ country boy.” Lewis attributes country as something that has always inspired him. Growing up in rural Vermont the singer/songwriter spent summers with his WWII veteran grandfather hunting and fishing. During that time, he developed a love for the land, the woods, and the simple life, which still permeates everything he does.
And there was one specific soundtrack to those times. “I was raised on Country music,” Lewis says. “My grandfather listened to Merle Haggard, Hank Williams, Hank Jr., and all of the greats.”
And those influences are evident on stage in his new songs and in Staind hits he often performs such as “Outside,” “It’s Been Awhile,” and “So Far Away.”
William Michael Morgan at The Bluestone on Friday, August 17th, 2018
*Doors open at 7pm
*Opening Artist: Maggie Baugh
*Tickets are $15 in advance and $20 day of show
Tickets On-Sale NOW!
The New York Times declares “…in the emergent field of gentleman country — an antidote to the bros of the last few years — William Michael Morgan stands tall.” The praise continues with his debut album VINYL, being hailed as a “sturdy, reflective debut album….a throwback to the temperate wisdom of midcareer George Strait.” The record, which opened in the Top 5 on Billboard’s Country Albums Chart, has landed him on countless year-end best album lists, including Rolling Stone, iTunes and Saving Country Music. His breakout mega-hit “I Met A Girl” has earned top song of the year nods from Billboard and NPR. The song topped charts and has garnered over a billion audience impressions, including over 25 million on-demand streams. Morgan recently released the title track as his third single. The tune harkens back to yesteryear with a modern twist.
Prime Social Group Presents
BREAKAWAY AFTER PARTY
RL Grime
AGES: 21+ // ALL SALES FINAL // NO REFUNDS // NO RE-ENTRY
NOTE: *There is a $5 CASH OR CREDIT cover charge collected at the door for attendees under 21.*
Ticket Prices:
$27-$32 GA
$55-$65 VIP
Included in this total ticket price is a 5% arts and culture fee on the base ticket as required by the City of Columbus. This fee supports exemplary artists, arts and cultural organizations and programs that educate and engage audiences of all ages throughout greater Columbus. For more information on this click here.
Tickets: After completing your purchase on TIXR, you will receive an email confirmation with your attached PDF ticket(s). You may print your PDF ticket OR download your PDF ticket to your mobile device to be admitted into the event, and you MUST bring A VALID PHOTO IDENTIFICATION as well. The name on the tickets do not have to match the ID so long as the barcode is scannable. PSG is not responsible if ticket(s) cannot be scanned and the order is under a different name than the person presenting the ticket.
All Patrons must present a “Legal ID” for alcohol Purchases. Fake IDs will be confiscated. Presenting a fake ID is a crime and punishable by law.
This ticket is a revocable license and may be taken up and admission refused upon refunding the purchase price appearing hereon and is grounds for seizure and cancellation without compensation. Holder of this ticket (“Holder”) voluntarily assumes all risks and danger incidental to the game or event for which this ticket is issued whether occurring prior to, during, or after same, including, but not limited to, contracting, and/or spreading the COVID-19 virus, and agrees that the organization, venue, presenter, agents, participants, or players are not responsible or liable for any injuries, sickness, or death resulting from such causes. Holder acknowledges that the COVID-19 pandemic remains a threat to individual and public health, COVID-19 is a highly contagious disease transmitted through human contact and respiratory droplets (including through the air and via common surfaces) and it is possible that Holder may contract COVID-19 while at the game or event for which this ticket is issued. Holder agrees by use of this ticket not to transmit or aid in transmitting any description, account, picture, or reproduction of the game or event to which this ticket is issued. Breach of the foregoing will automatically terminate this license. Holder agrees that the license comprised by this ticket may be removed and Holder may be ejected from the game or event for which this ticket is issued in the event that Holder violates any law, ordinance, or venue regulation. Holder grants permission to the organization sponsoring the game or event for which this ticket is issued to utilize Holder’s image or likeness in connection with any video or other transmission or reproduction of the event to which this ticket relates.