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 The OFFICAL BLUESTONE TICKET BOX OFFICE

Get Tickets to The Bluestone and never miss your favorite artist again. Tickets From country and electronic to Indie Rock.  THE Bluestone brings quality entertainment to the stage every time. We’re working hard to bring you the best  concerts and special events in Columbus, Ohio. Keep an eye on our tickets and events calendar and check back often for concert updates. Just click on an event to purchase tickets

https://www.ticketmaster.com/the-bluestone-tickets-columbus/venue/41852

 

Agenda
Agenda
February 2018 – March 2022 Feb 2018 – Mar 2022
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Feb
9
Fri
SOLD OUT -Eli Young Band & LOCASH LIVE at The Bluestone @ The Bluestone
Feb 9 @ 7:00 pm

Eli Young Band and LOCASH will be performing LIVE at The Bluestone

Friday, February 9th, 2018

Special Guest: Muscadine Bloodline

Doors for the show will open at 7pm

Tickets are $40 in advance and $45 day of show

THIS SHOW IS SOLD OUT

PURCHASE HERE

LOCASH Meet & Greet Upgrade (Ticket to Show Not Included)

    • Exclusive meet & greet with LOCASH
    • Personal photograph with LOCASH
    • Private and intimate acoustic performance by LOCASH
    • Q&A session
    • Autographed tour poster
    • Exclusive LOCASH merchandise item
    • Official meet & greet laminate
    • Limited availability

To purchase, click here: http://future-beat.com/event.cfm?id=274095&cart

For questions, please contact info@future-beat.com

 

Eli Young Band

Eli Young Band Will Perform Live at The Bluestone

This is an All Ages Show

 Three Great Artist one Night of Music!!

Eli Young Band

Somewhere in the midst of 10,000 towns, along a lonely highway between packing clubs in their native Texas years ago and more recently performing stadiums on one of country music’s hottest tours, the Eli Young Band became more than a band. They became a brotherhood. Camaraderie and creativity fused into an intoxicating cocktail that has propelled the talented foursome to the vanguard of contemporary country music.

With three No. 1 hits under their belt as well as a Grammy nomination and an Academy of Country Music Award for Song of the Year for their hit “Crazy Girl,” the Eli Young Band approached their second Republic Nashville album, 10,000 Towns, with a sense of confidence and purpose. “We were genuinely excited about making this new record,” says bassist Jon Jones. “People talk about the sophomore record being really tough to make and in a lot of ways this felt like our sophomore record even though it’s technically our fifth record as a band.”

“We learned over the progression of those records our strong points in the studio, and we were confident,” adds drummer Chris Thompson, “We knew what we wanted and how to get what we wanted.”

LOCASH

It’s an exciting time to be LOCASH these days. That might very well be one of the biggest understatements in Nashville. Already in their career, the duo of Preston Brust and Chris Lucas have enjoyed hit singles, sold-out concert appearances here and abroad, and have tasted the top of the chart as two of Nashville’s quickest-rising songwriters. But, to quote the old saying… You Ain’t Seen Nothing Yet.

Recently signed to Reviver Records, the duo is joining forces with some of the biggest names on the Country Music business landscape. Brust says they could feel the team’s energy from the first meeting. “We haven’t felt an energy like this since the day we began our journey. This feels like it has all come together –the right label head, the right promo team, it finally feels like we’ve got all of our ducks in a row for the first time in our lives. We’ve been out there doing the grass roots thing for so long, and to feel it all come together, is so encouraging.

Musidine Bloodline

Unapologetically Alabama.  There’s a new force making major waves in country music. Natives of Mobile Alabama, Gary Stanton and Charlie Muncaster came together to form Muscadine Bloodline in early 2016.  With three single releases under their belt and a schedule full of shows spanning from coast to coast, they’ve hit the ground running from day 1. Nashville took notice the first time these two stepped on the stage and it’s no surprise the rest of the music world is quickly catching on. Charlie’s [contemporary] vocals complimented by Gary’s harmonies and masterful guitar licks, MB is a powerfully refreshing mix of talent, passion and unfiltered authenticity.  Infamously undaunted by the big stage, their sound intertwines the brash irreverence of early southern rockers with the seductive quality of 90s country love songs. Captivating hooks heard in songs like “Porch Swing Angel” and the aggressively anthemic “Shut Your Mouth” stand as a testament to MB’s wide ranging music-making capability. Every song and every show is a moving experience but at the same time, unmistakably Muscadine Bloodline.

Get your tickets now!

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Categories: Country Tags: concert country country concert country music Eli Young Band EYB LoCash Muscadine bloodline ohio the bluestone WCOL
Sep
28
Fri
Muscadine Bloodline LIVE September, 28th @ The Bluestone
Sep 28 @ 7:00 pm

Muscadine Bloodline LIVE at The Bluestone on September 28th, 2018!

Opening Artist: Brandon Ray and Jordan Fletcher

*Doors for the show will open at 7PM

*Tickets are $10 in advance and $15 day of show

Tickets On-Sale NOW!

tickets The Bluestone - Columbus Ohio

 

 

MB_11x copy

Biography  

Hailing from Mobile, Alabama and based in Nashville, Tennessee, the contemporary country duo Muscadine Bloodline certainly sounds southern but they don’t necessarily seem beholden to either hometown. At times, the pair of Charlie Muncaster and Gary Stanton can recall the plainspoken sound of Texas Red Dirt country; sometimes they kick up a bit of Southern rock, and sometimes they have the polished songcraft synonymous with the Music City. All of this is evident on their eponymous 2017 debut EP.

The EP Muscadine Bloodline followed just a year after Muncaster and Stanton formed the group. The two singer/songwriters grew up in Mobile, but they didn’t meet until they were both actively pursuing musical careers as adults. Stanton crossed Muncaster’s path when the former was looking for an opening act and they soon started jamming, then decided to form a band. They headed to Nashville and quickly released three singles in 2016 — “Southern Boy Cure,” “Porch Swing Angel,” and “Shut Your Mouth” — before cutting the Muscadine Bloodline EP with producer Luke Laird. The EP appeared early in 2017. ~ Stephen Thomas Erlewine, Rovi

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Categories: Country Tags: bluestone Columbus columbus concerts concert tickets country concert live music Muscadine bloodline ohio country the bluestone thebluestone
Sep
12
Thu
Muscadine Bloodline LIVE @ The Bluestone
Sep 12 @ 7:00 pm

Muscadine Bloodline will be performing LIVE at The Bluestone September 12th, 2019

Doors for the show will open at 7pm

Opening Artist: Tyler Booth

Tickets are $10 in advance and $15 day of show

Tickets will go on-sale Friday, August 2nd at 10am

PURCHASE HERE

 

There’s a new force making major waves in country music, Muscadine Bloodline. Proud natives of Mobile Alabama, Gary Stanton and Charlie Muncaster started Muscadine Bloodline in early 2016. From the first time they took stage, Nashville started talking… so now, with two Billboard charting critically acclaimed EP’s under their belt, it’s no surprise the rest of the music world is quickly catching on. The duo’s reputation for high-energy live experiences has resulted in a schedule full of shows spanning from coast to coast. Charlie’s contemporary vocals complimented by Gary’s harmonies and masterful guitar licks make MB a powerfully refreshing mix of talent, passion and unfiltered authenticity. Infamously undaunted by the big stage, their sound intertwines the brash irreverence of early southern rockers with the seductive quality of 90s country love songs. Captivating hooks heard in songs like “Movin’ On” and the aggressively anthemic “WD-40” stand as a testament to MB’s wide ranging music-making capability. Every song and every show is a moving experience but at the same time, unmistakably Muscadine Bloodline.

 

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Tags: bluestone columbus concerts country music Muscadine bloodline the bluestone tickets
Mar
18
Fri
Mammoth WVH & Dirty Honey Live March, 18 2022 @ The Bluestone
Mar 18 @ 6:30 pm – 11:45 pm

Mammoth WVH & Dirty Honey Live March 18th, 2022 6:30 PM

The Bluestone
Columbus, Ohio

https://www.ticketmaster.com/event/05005B5B9DE84DB9

WRKZ presents Mammoth WVH & Dirty Honey in Columbus, OH at The Bluestone March 18th, 2022.

Tickets on sale Friday, November 5th at 10 AM!

About Mammoth WVH

Official Website: www.mammothwvh.com

Official Facebook Page:www.facebook.com/MammothWVH

Official Twitter: www.twitter.com/MammothWVH @MammothWVH

Official Instagram: www.instagram.com/mammothwvh @mammothwvh

Official YouTube Channel:www.youtube.com/MammothWVH

First impressions last a lifetime. Wolfgang Van Halen has prepared a lifetime to make his first impression. The songwriter, vocalist, and multi-instrumentalist worked tirelessly towards the introduction of MAMMOTH [Explorer1], his self-titled 2021 debut album. Playing every instrument and singing each and every note, his music presents a personal and powerful perspective, balancing memorable hooks and tight technicality. As many times as audiences have experienced his talent alongside the likes of Tremonti,Clint Lowery, and of course, Van Halen, they meet Wolf as an individual for the very first time now.

“You only have one chance to make a first impression, and I wanted to do so to the best of my abilities,” he affirms. “Throughout the whole process, I was finding who I am musically and by the end, I got a pretty good handle on a sound I can claim for myself.”

His father often played guitar against his mother’s pregnant belly, and Wolf absorbed those vibrations from the womb. At the age of 10, his Pop gave him a drum kit for his birthday. To this day, Wolf considers himself “a drummer before anything else.” As he developed as a musician, he learned how to play guitar in order to perform “316” —which his father penned for him —at a 6th-grade talent show.

It may come as a surprise, but outside of his father teaching him one drumbeat from an AC/DC song, Wolfgang taught himself every instrument. “My dad wasn’t the best teacher,” he laughs. “I would ask him to play something, and then he would just proceed to be Eddie Van Halen. He would look at me and say, ‘Do that.’ to which I would laugh and sarcastically reply, ‘Sure thing, no problem.’”

In the summer of 2006 when he was 15 years old, Wolf grabbed a bass and began noodling. While at the legendary 5150 Studios, his impromptu woodshedding inspired Eddie and Uncle Alex. Endless family jam sessions followed. By summer’s end, Wolfgang phoned David Lee Roth’s manager and by winter Roth showed up for rehearsal. They rocked “On Fire,” and “That’s how the 2007 tour began,” says Wolf.

Not only did Wolf canvas the world with Van Halen while in high school, but he also held down the low end on 2012’s A Different Kind of Truth—which debuted at #2 on the Billboard Top 200. When not on tour with Van Halen, he cut bass for Tremonti’s critically acclaimed Cauterize [2015] and Dust [2016] in addition to joining the band on the road. In 2019, Wolf handled drums and also played bass on half of the 10 songs for Clint Lowery’s solo debut, God Bless The Renegades.

In the midst of all this, at the beginning of 2015, Wolf broke ground on what would become MAMMOTH with producer Michael “Elvis” Baskette [Alter Bridge, Slash] behind the board. Wolf began to embrace his voice, inspired by everyone from his father, to bands like AC/DC,Foo Fighters, Nine Inch Nails, TOOL, and Jimmy Eat World. “I’ve been singing my whole life, but it wasn’t until MAMMOTH that I really found my voice. Elvis was great, and he helped me gain the confidence to become a lead vocalist.”

“The name Mammoth is really special to me.” says Wolf. “Not only was it the name of Van Halen before it became Van Halen, but my father was also the lead singer. Ever since my dad told me this, I always thought that when I grew up, I’d call my own band Mammoth, because I loved the name so much. I’m so thankful that my father was able to listen to, and enjoy the music I made. I’m really proud of the work I’ve done and nothing made me happier than seeing how proud he was that I was continuing the family legacy.”

About Dirty Honey

Official Website: https://www.dirtyhoney.com/

Official Facebook Page: https://www.facebook.com/DirtyHoneyMusic/

Official Twitter:  https://twitter.com/dirtyhoneyband @DirtyHoneyBand

Official Instagram: https://www.instagram.com/dirtyhoneyband/@dirtyhoneyband

Official YouTube Channel: https://www.youtube.com/channel/UCsxtEOcwpVO9Rnw93Fuv2pQ

Some musicians take a while to build an audience and connect with fans. For the Los Angeles-based quartet Dirty Honey, success came right out of the gate. Released in March 2019, the band’s debut single, “When I’m Gone,” became the first song by an unsigned artist to reach No. 1 on Billboard’s Mainstream Rock chart. Their second single, “Rolling 7s,” went into the Top 5 and was still headed up when COVID changed everything. That same year, Dirty Honey opened for The Who, Guns ’N Roses, Slash, and Alter Bridge and was the “do-not-miss-band” at major rock festivals such as Welcome to Rockville, Rocklahoma, Louder Than Life, Heavy MTL, and Epicenter. On its first U.S. headline tour in January and February 2020, the band sold out every date.
When it came time to record its self-titled full-length debut album, the band—vocalist Marc LaBelle, guitarist John Notto, bassist Justin Smolian, and drummer Corey Coverstone—wasn’t about to mess with what was already working. Teaming up with producer Nick DiDia (Rage Against the Machine, Pearl Jam), who also produced the band’s 2019 self-titled EP, Dirty Honey again captured the lightning-in-a-bottle dynamics and energy of their live sound.
“As a guitarist, I’m always inspired by the everlasting pursuit of the perfect riff,” says Notto. “I also wanted to extend the artistic statement that we had already made. We weren’t looking to sound different, or prove our growth, necessarily. It was more about, ‘Oh, you thought that was good? Hold my beer.'”
“Because of the pandemic,” added drummer Coverstone, “we had a lot more time to write and prepare, which was great. It meant that we were able to workshop the songs a lot more, and I thinkit really made a difference.”
Dirty Honey’s album indeed builds on the band’s output to date, with airtight song writing that plays up their strengths: sexy, bluesy, nasty rock’n’roll, melodic hard rock, and soulful 70s blues-rock. On “The Wire,”LaBelle reaffirms his status as one of contemporary rock’s best vocalists, while “Another Last Time” is a raunchy, timeless ballad about a toxic relationship that you just can’t stop saying goodbye to. “Tied Up” and the album’s lead single “California Dreamin,’’ both feature smoking guitar solos bookended by massive riffs and hooks.
“‘California Dreaming’ was the last song we wrote,” said bassist Justin Smolian. “We finished it about two weeks before we recorded it, so the song was still so new, and we were trying out different things,so every take was a little different. But there was that one where we just captured it, and it was magic.”
Although each band member started playing music as kids—at the age of eight, Notto’s parents even bought him a red-and-white Stratocaster—each one brings eclectic influences to Dirty Honey’s sound. For example, drummer Coverstone has studied with jazz and L.A. session drummers but loves heavy metal; Notto grew up listening to ’70s funk and R&B as well as rock ‘n’ roll,and bassist Smolian has a bachelor of music in classical guitar and loves Tom Petty and The Beach Boys.
LaBelle meanwhile,takes cues from hissongwriting idols (to name a few, Robert Plant, Steven Tyler, Mick Jagger, Chris Robinson, and the late Chris Cornell) when coming up with lyrics. As a result, the songs on the Dirty Honey albumhint at life’s ebbs and flows—shattering heartbreak, romantic connection, intense soul-searching—while giving listeners space to draw their own conclusions.
“Sometimes,if you just let lyrics pass behind your ears, they sound like cool shit is being said,” LaBelle says. “And then once you dive in, you realize, ‘Oh, that’s really thoughtful.’ But it still doesn’t have a meaning that’s easy to pinpoint. There’s an overarching idea that is really cool, but it’s not necessarily on-the-nose.”
Although the Dirty Honey album may sound effortless, its genesis had a bumpy start. The day before the band members were due to fly to Australia to track the album, Los Angeles entered lockdown due to the COVID-19 pandemic, and traveling was off the table. However, Dirty Honey was still eager to work with DiDia, so they devised a Plan B: recording the full-length in a Los Angeles studio with one of DiDia’s long-time engineers, and the producer beamed into the proceedings via the magic of modern technology.
“He was able to listen to what we were laying down in real-time, through this app,” says LaBelle. It was like he was in the room with us. It was surprisingly seamless the way it all went down.”
Having to switch gears delayed the start of recording slightly, although this extra time ended up being a boon. Dirty Honey rented a rehearsal space and demoed the album’s songs in advance, meaning the tracks were in good shape when DiDia came onboard. Notto mixed and recorded these workshopped tracks himself, which helped him rediscover one of Dirty Honey’s biggest strengths: being well-rehearsed while not overpolishing their work.
“I’ve learned just a little bit more about what people might mean when they say, magic—you know, ‘This one has the magic,'” he says. “We would do two and three different demos of a song, so there would be a few versions. On a few occasions, the version that people kept going back to was the sloppiest, if you look at it from a performance standpoint.”
LaBelle agrees. “It’s just about getting the performance right and not thinking about it too much. I never like to be perfect in the studio. None of the stuff that I really liked as a kid was. I don’t really see myself getting away from that too much in the future just because I think you lose the soul if you do it too many times, if it’s too perfect.”
Notto also admits that the creative process isn’t necessarily always all fun and games. But for him and the rest of Dirty Honey, pushing through those tough times and coming out stronger on the other side is worth it. “When you finally come through on those moments, that’s where the real magiccomes in,” he says. “What makes all of our songs fun to play and listen to is we don’t allow ourselves to stop short of getting the best possible results out of each one of them.”

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Tags: bluestone central ohio Columbus columbus concerts concert concert tickets concerts Dirty honey live music Live Nation mammoth WVH Metal rock the bluestone tickets wrkz young guns tour
February 2018 – March 2022 Feb 2018 – Mar 2022