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Country Music’s Rising Star,
Tony Jackson will be performing LIVE at The Bluestone on Friday, June 23rd
Doors for the show will open at 7pm
Opening Artist: Wyatt McCubbin
Tickets are $10 in advance and $15 day of show
Tickets will go on-sale Friday, April 21st at 10am
PURCHASE HERE
RESERVED LOFT TABLE SEATING
RESERVED TABLE PURCHASE DOES NOT INCLUDE ADMISSION TICKETS TO THE SHOW.
Admission tickets must be purchased separately.
- Loft Lower Tier: $250 (seats four people-no exceptions)
- Prime view of stage!
- Includes first bucket of Miller or Coors Light
- Server
- Exclusive Private Bar access
-
Loft Upper Tier: $200 (seats four people-no exceptions)
- Includes first bucket of Miller or Coors Light
- Server
- Private Bar Access
- May be Obstruction in View
*All Reserved tables located in the loft area
ALL SALES ARE FINAL
Is it premature to see Hall of Fame material in a guy who’s just releasing his first album?
Not if that guy is Tony Jackson. To put it plainly, Jackson is one of the most gifted singers ever to grace country music. His video “The Grand Tour” ignited an unprecedented 10 million Facebook views and 200,000 shares in just over 3 short weeks!
The respect Jackson has already earned within the music community is evident throughout Tony Jackson, as the new album is titled. It features songs and/or performances by Rock and Roll Hall of Fame members John Sebastian, Steve Cropper and Dr. John “Mac” Rebennack, Country Music Hall of Famers Vince Gill, Bill Anderson and Conway Twitty and Nashville Songwriters Hall of Fame luminary Norro Wilson.
But it is ease with which Jackson makes every song—even the familiar ones—distinctly his own that sets him apart. Who else would dare to try and then succeed in bringing a fresh layer of emotional urgency to such a classic as George Jones’ “The Grand Tour” or Conway Twitty’s eternal “It’s Only Make Believe”?
On the first-time and lesser known songs, Jackson mints his own classics. With its sweeping steel guitar flourishes and ambient barroom clatter, he transforms John Sebastian and Phil Galdston’s “Last Call” into the sweetest, most affectionate separation ballad imaginable. With reverence and a twinkle in his eye, he enlists Sebastian and Vince Gill in revivifying (after 50 years) the Lovin’ Spoonful’s 1966 romp, “Nashville Cats.” “When asked if we should recut the song,” Sebastian begins, “I said absolutely but we have to get Vince Gill, Paul Franklin and today’s real Nashville Cats in on the session and fortunately it was preserved on video,” he beams.
After capturing perfectly, the excitement of new love in Bill Anderson’s “I Didn’t Wake Up This Morning,” he moves on to a memory-stirring homage to Merle Haggard, Hank Williams Jr. and Willie Nelson in “They Lived It Up,” a lyrical scrapbook from Anderson and Bobby Tomberlin.
Jackson shines as a keen-eyed songwriter in his own right with such memorable excursions as “Drink By Drink,” “Old Porch Swing” and “She’s Taking Me Home.”
From start to finish, Tony Jackson stands out as a “discovery” album, the kind you listen to with such delight that you have to recommend it to friends. And hundreds of thousands have done just that.
Jackson is currently a headliner on the Old Dominion Barn Dance in Richmond, Virginia, and is almost certainly the only major bank executive ever to abandon a prominent IT job in finance at a Fortune 500 company to embark on a career in country music. But he didn’t grow up a country fan.
The son of a Navy man, he led a base-to-base existence, at one point living with his family in Rota, Spain for three years. His early musical background was sketchy at best. “I sang ‘White Christmas’ in the Christmas play in the sixth grade,” he recalls. ‘Everybody seemed to love it, but I was a wreck. My mother forced me to sing in the church choir, but I was kind of buried in the voices along with everybody else.” This was basically his entire musical resume until ten or so years ago when a friend whose band had lost its lead singer asked Jackson to try out for the spot. “I did,” he says, “and I was hooked after that.”
Two weeks after graduating from high school, Jackson joined the Marines. “I told my dad I was joining because I was sick of taking orders,” he says with a wry grin. There was as much getting-ahead as gung-ho in Jackson’s enlistment. “I was a computer and electronics geek as a teenager,” he says. “When I talked to the recruiter, he told me the Marine Corps had just started a computer science school in Quantico, Virginia. Fortunately, I scored high enough on the entrance exam to go to that school.” It was a smart move. When he finished service, a prominent bank in Richmond snapped him up to work in its Information Technology division, initially assigning him the lowly chore of re-setting passwords. “I was way overqualified,” he says, “so I got promoted fast. I was a senior vice president by my early 30s.”
It was while in the Marines that he first started paying serious attention to country music. “My mother listened only to gospel,” he says. “My dad was into jazz, hip hop, R&B, new jack swing—stuff like that. But Armed Forces Radio played everything. When I was living in Spain—when I was 10 to 13—Randy Travis came over there on a USO tour. Some friends and I were out there early when they were setting up the stage, and we actually got to talk to him before we realized he was the guy who’d be performing later. He was really cool to us. In the Marine Corps, when my friends and I played music for each other, we were all homesick. So when you’d listen to these country songs that talked about family and home and heartbreak, it would really grab you.”
Aaron Watson will be performing live at The Bluestone on Thursday, October 5th
Doors for the show will open at 7pm
Opening Artists: Jon Wolfe and Dave Kennedy
Tickets are $15 in advance and $20 day of show
Tickets go on-sale Friday, June 2nd at 10am
PURCHASE HERE
RESERVED LOFT TABLE SEATING
RESERVED TABLE PURCHASE DOES NOT INCLUDE ADMISSION TICKETS TO THE SHOW.
Admission tickets must be purchased separately.
- Loft Lower Tier: $250 (seats four people-no exceptions)
- Prime view of stage!
- Includes first bucket of Miller or Coors Light
- Server
- Exclusive Private Bar access
-
Loft Upper Tier: $200 (seats four people-no exceptions)
- Includes first bucket of Miller or Coors Light
- Server
- Private Bar Access
- May be Obstruction in View
*All Reserved tables located in the loft area
ALL SALES ARE FINAL
SIRIUSXM Presents High Valley at The Bluestone
XM Highway Finds Tour ft: HIGH VALLEY
http://www.highvalleymusic.com
on Thursday, November 2nd
Doors for the show will open at 7pm
Opening Artist: Adam Doleac
Tickets $15
Tickets will go on-sale Friday, September 8th at 10am
PURCHASE HERE
RESERVED LOFT TABLE SEATING
RESERVED TABLE PURCHASE DOES NOT INCLUDE ADMISSION TICKETS TO THE SHOW.
Admission tickets must be purchased separately.
- Loft Lower Tier: $250 (seats four people-no exceptions)
- Prime view of stage!
- Includes first bucket of Miller or Coors Light
- Server
- Exclusive Private Bar access
-
Loft Upper Tier: $200 (seats four people-no exceptions)
- Includes first bucket of Miller or Coors Light
- Server
- Private Bar Access
- May be Obstruction in View
*All Reserved tables located in the loft area
ALL SALES ARE FINAL
High Valley keeps in line with traditional country sounds while they explore Americana, rock and pop influences in their major-label debut album, Dear Life. Tracks of inspiration, desires of the heart and their journey as musicians make up the record. The 11-track project experiments with a variety of beats and guitar picking that keep the music interesting while they share their pitch-perfect harmonies.
Production elements blend genres to create foot-tapping beats and melodies that replay through your head all day. High Valley make their own sound that will stand out on country radio while staying in touch with country roots that serve as each tune’s platform.
The Canadian country group’s lead single, “Make You Mine,” has the most interesting sound on the album. It sticks out among the rest and will draw intrigued listeners into explore what other stories the duo has to offer.
“Dear Life,” the title track, shares feelings about making choices while growing up. Its message will resonate with much of their audience and may be representative where they are in their own life. It follows similar patterns as surrounding tracks, including heavy drums that bring the song to life.
“The Only” and “She’s With Me” have comparable themes of adoration. Their obvious pop influences match the song’s tone with complimenting faster-tempo beats. The featured repetitive hooks just about guarantee them stuck in your head all day as you fight the urge to dance along.
Americana influence is heaviest in the No. 8 title, “I Be U Be.” The back-and forth nature of the song has hints of tribal elements as strong imagery describes an ideal love scenario. Just as many other included tracks, “I Be U Be” stays clear of electric guitar solos and focuses on percussion and diction, a factor that might become a signature in their career.
The closing track, “Young Forever” has a similar vibe that compares to Billy Currington’s “We Are Tonight.” The embrace-the-moment trend adds a brightness to the album that contributes to its already high-spirited qualities.
Emotional tracks intertwined with flirty fun songs lead to this diverse album. Dear Life is an exciting piece of art that serves as a solid platform for the bright career they have ahead of them.
http://www.soundslikenashville.com/reviews/album-review-high-valleys-dear-life/
