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Mammoth WVH & Dirty Honey Live March 18th, 2022 6:30 PM
The Bluestone
Columbus, Ohio
https://www.ticketmaster.com/event/05005B5B9DE84DB9
WRKZ presents Mammoth WVH & Dirty Honey in Columbus, OH at The Bluestone March 18th, 2022.
Tickets on sale Friday, November 5th at 10 AM!
About Mammoth WVH
Official Website: www.mammothwvh.com
Official Facebook Page:www.facebook.com/MammothWVH
Official Twitter: www.twitter.com/MammothWVH @MammothWVH
Official Instagram: www.instagram.com/mammothwvh @mammothwvh
Official YouTube Channel:www.youtube.com/MammothWVH
First impressions last a lifetime. Wolfgang Van Halen has prepared a lifetime to make his first impression. The songwriter, vocalist, and multi-instrumentalist worked tirelessly towards the introduction of MAMMOTH [Explorer1], his self-titled 2021 debut album. Playing every instrument and singing each and every note, his music presents a personal and powerful perspective, balancing memorable hooks and tight technicality. As many times as audiences have experienced his talent alongside the likes of Tremonti,Clint Lowery, and of course, Van Halen, they meet Wolf as an individual for the very first time now.
“You only have one chance to make a first impression, and I wanted to do so to the best of my abilities,” he affirms. “Throughout the whole process, I was finding who I am musically and by the end, I got a pretty good handle on a sound I can claim for myself.”
His father often played guitar against his mother’s pregnant belly, and Wolf absorbed those vibrations from the womb. At the age of 10, his Pop gave him a drum kit for his birthday. To this day, Wolf considers himself “a drummer before anything else.” As he developed as a musician, he learned how to play guitar in order to perform “316” —which his father penned for him —at a 6th-grade talent show.
It may come as a surprise, but outside of his father teaching him one drumbeat from an AC/DC song, Wolfgang taught himself every instrument. “My dad wasn’t the best teacher,” he laughs. “I would ask him to play something, and then he would just proceed to be Eddie Van Halen. He would look at me and say, ‘Do that.’ to which I would laugh and sarcastically reply, ‘Sure thing, no problem.’”
In the summer of 2006 when he was 15 years old, Wolf grabbed a bass and began noodling. While at the legendary 5150 Studios, his impromptu woodshedding inspired Eddie and Uncle Alex. Endless family jam sessions followed. By summer’s end, Wolfgang phoned David Lee Roth’s manager and by winter Roth showed up for rehearsal. They rocked “On Fire,” and “That’s how the 2007 tour began,” says Wolf.
Not only did Wolf canvas the world with Van Halen while in high school, but he also held down the low end on 2012’s A Different Kind of Truth—which debuted at #2 on the Billboard Top 200. When not on tour with Van Halen, he cut bass for Tremonti’s critically acclaimed Cauterize [2015] and Dust [2016] in addition to joining the band on the road. In 2019, Wolf handled drums and also played bass on half of the 10 songs for Clint Lowery’s solo debut, God Bless The Renegades.
In the midst of all this, at the beginning of 2015, Wolf broke ground on what would become MAMMOTH with producer Michael “Elvis” Baskette [Alter Bridge, Slash] behind the board. Wolf began to embrace his voice, inspired by everyone from his father, to bands like AC/DC,Foo Fighters, Nine Inch Nails, TOOL, and Jimmy Eat World. “I’ve been singing my whole life, but it wasn’t until MAMMOTH that I really found my voice. Elvis was great, and he helped me gain the confidence to become a lead vocalist.”
“The name Mammoth is really special to me.” says Wolf. “Not only was it the name of Van Halen before it became Van Halen, but my father was also the lead singer. Ever since my dad told me this, I always thought that when I grew up, I’d call my own band Mammoth, because I loved the name so much. I’m so thankful that my father was able to listen to, and enjoy the music I made. I’m really proud of the work I’ve done and nothing made me happier than seeing how proud he was that I was continuing the family legacy.”
About Dirty Honey
Official Website: https://www.dirtyhoney.com/
Official Facebook Page: https://www.facebook.com/DirtyHoneyMusic/
Official Twitter: https://twitter.com/dirtyhoneyband @DirtyHoneyBand
Official Instagram: https://www.instagram.com/dirtyhoneyband/@dirtyhoneyband
Official YouTube Channel: https://www.youtube.com/channel/UCsxtEOcwpVO9Rnw93Fuv2pQ
Whitey Morgan and the 78’s
with Alex Williams
April 10, 2022 7 PM
at The Bluestone
Columbus, Ohio
About Whitey Morgan:
In a career spanning 15 years, Morgan has released five studio albums and a live recording from his hometown of Flint, Michigan. Additionally, he has toured relentlessly averaging over 125 shows annually. Rolling Stone has described him as a “Waylon Jennings acolyte.. modern day outlaw [with a] hard hitting blue-collar brand of music” while NPR Music hailed, “Staying close to the sound and subject matter of classic outlaw artists like Waylon Jennings, Merle Haggard and David Allan Coe, Morgan is poised to lead this hand-worn brand of country to the next generation.” His most recent LP, Sonic Ranch (2015), was released to critical acclaim and praised by Detroit Free Press as, “a bold well-crafted album that doesn’t forsake the gritty undercurrent running through Morgan’s stuff.”
Whitey Morgan and the 78’s anticipated new album, self-produced by Morgan, was recorded in the Neve Room at famed Sonic Ranch Studios in Tornillo, Texas. Featured on the record are collaborations with acclaimed songwriters Travis Meadows and Ward Davis plus a cover of ZZ Top’s “Just Got Paid.” Alongside Morgan, the 78’s consist of Brett Robinson (pedal steel guitar), Joey Spina (guitar), Alex Lyon (bass) and Eric Savage (drums).
Of the recording, Morgan shares, “It’s not like my vision happened overnight. I’ve been chipping away at it forever. It’s slowly evolving and it’s going in a little bit different direction. It’s not so straightforward anymore. This record definitely has a wider path, it’s broader, but it still sounds like a Whitey Morgan record.” With grandparents from Tennessee and Kentucky and hometown roots in Flint, Michigan, Morgan’s family geography has factored into his approach to music.
Iration
May 15, 2022 6 PM
at The Bluestone
Columbus, Ohio
Bio: Iration has a natural affinity for reggae and island sounds. Their love and appreciation for music spans across a wide range of styles and genres including rock, pop, R&B and funk. Over the past 15 years, the celebrated five-piece – Micah Pueschel [Lead Vocals / Guitar], Adam Taylor [Bass], Joe Dickens [Drums], Cayson Peterson [Keyboard / Synth] and Micah Brown [Guitar / Vocals] – have perfected their distinct hybrid style of music, blending all influences together as evidenced on their seventh, and most recent, full-length album Coastin’ [Three Prong Records). A record about being thankful for the moments that we have.
Iration has been touring nationally since 2008, performing at festivals nationwide from Lollapalooza to Sunfest and Hangout, closing stages at festivals like Bottlerock and Outside Lands. The Hawaiian-bred musicians look forward to spreading their original sound and ‘Aloha spirit’ all the while never forgetting to get a surf in when possible.
Matt Stell
w/ George Birge
November 17, 2022 8 PM
Doors Open 7 PM
at The Bluestone
Columbus, Ohio
About Matt Stell:
THE COUNTRY MUSIC INDUSTRY HAS LONG BEEN FILLED WITH ITS SHARE OF CHARACTERS. FROM WILLIE TO HANK AND DOLLY TO WAYLON, EVERY LEGEND STARTS OUT AS JUST ANOTHER ARTIST THAT DOESN’T FIT EASILY INTO SOME PREDETERMINED BOX. AND AS HARD AS COUNTRY MUSIC MAY TRY TO FIT MATT STELL INTO ONE OF THOSE TRIED AND TRUE BOXES, IT’S DARN NEAR IMPOSSIBLE.
Heck, he’s 6’7.
But more so than the massive physique that helped Stell become a collegiate basketball standout, the Platinum certified singer has proven via the songs he sings and the shows he puts on that he is far too powerful of an artist to ever fit into some sort of singular category. In fact, to describe Stell in a few words would be a complete disservice to the man he is and the artist he looks to become as he releases his new EP Better Than That on October 16.
“If you cut a groove too deep, it’s hard to get out of it,” he remarks with a chuckle. “I’ve never wanted to be some one-dimensional artist, and with this new EP, I think I’m determined to show that there is much more to me than just a guy who can sing a love song.”
Indeed, the Arkansas native comes from a long line of self proclaimed badasses. He can spin a romantic verse as easy as he can rock out an anthem. He can overanalyze a word as easily as he can let the melody ride a lyrical wave. And yes, he gets as much enjoyment out of discovering a hook in the writing room as he does hooking a fish.
“When you step out into that river and the salmon are still swimming upstream like they have for thousands of years, it’s a real cathartic, therapeutic thing for me,” he says of a recent fishing trip to Alaska. “It’s a great reset.”
In everything he does, it’s evident that Stell is reflective and adventurous and funny and pretty damn smart. And if he’s being totally honest with himself, he’s never been one to love a love song.
Yep, you heard that right.
Granted, it was in fact a love song that catapulted Stell to country music success in 2019 via his massive hit “Prayed for You,” a life-changer of a song that spent two weeks at the number one spot. As the only debut single to top Billboard’s Country Airplay chart in 2019, and one of NSAI’s “10 Songs We Wish We’d Written,” the hit has gone on to rack up some impressive stats with over 270 million streams, his first RIAA Platinum certification and more than 20 million views of its official music video to date.
But there’s a catch.
“If the only thing you’ve heard is ‘Prayed for You,’ you would have a different idea of who I really am,” Stell explains. “Knowing that you are making music that means something to people is the ultimate compliment, but there is so much more to me.”
A few more of the many facets of Stell are currently on display via his current top 10 and rising single “Everywhere But On,” a song that Stell calls ‘autobiographical’ in the way that it tells the story of a man trying to escape the memories of a long lost love.
“Having two songs on the radio is an incredible thing, but what’s even more incredible is finding your own voice and your own identity,” he says.
Stell showcased a whole bunch of identities in another Better Than That EP standout – “If I Was a Bar.” At a time when some of his fellow artists were perfectly content in simply sitting down with their guitar and playing their songs during the pandemic that Stell lovingly refers to as a ‘damn biological hurricane,’ Stell and his rather relentless work ethic turned out a music video that had him playing thirteen different roles in the span of a 3-plus minute song.
“I threw every stitch of clothing I have ever owned into my truck for that video shoot,” laughs Stell of the somewhat restrictive project. “Sometimes creativity benefits from constraints.”
Yet, there were few constraints on Stell’s songwriting during the creation of the new Better Than That EP, which was co-produced by Stell alongside Ash Bowers. Via songs co-written by Stell such as “I Love You Too,” “Chase It Down” and the title track “Better Than That,” the listener can still hear Stell’s distinctive way of wrapping a lyric around a memory and the twist he can put on a phrase.
“Songwriting is a craft that can get better the more time you put into it,” remarks Stell, as he laments to himself about how much he hates clichés.
But for the first time in his still evolving career, Stell relied on outside writers on three of the eight tracks of the Better Than That EP in an effort to fill in the blanks of the overall project.
One of those cuts is “Sadie,” a melodic brain-buster of a song that offers ‘a sparse lyric but one in which every word means something.’ Another outside cut is “Look At Me Now,” perhaps one of the most earth-shattering love songs in recent memory. Yes, the guy who says love songs aren’t his thing just might make history with yet another love song.
But before Stell looks too far into the future, he finds his soul planted deeply in the present. He is praying for the day he can plug his amp back in and jump on the bus with his band and play these new songs for a live crowd.
This new chapter in his journey leaves Stell with a whole bunch more ammunition in the writing room and a unique vantage point to view the characters in his songs…and the character he might ultimately turn out to be.