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Aaron Lewis will be performing at The Bluestone Two Nights, BACK TO BACK!
*August 23rd, 2018 and August 24th, 2018 (SOLD OUT)
*Opening Artist: Travis Marvin
*Doors for the show will open at 7pm each night
*Tickets are $35 in advance and $40 day of show
(Ticket is only valid for admission for the date printed on the ticket)
Tickets are on-sale Friday, May 4th at 10am
PURCHASE THURSDAY, AUGUST 23rd TICKET HERE
PURCHASE FRIDAY, AUGUST 24th TICKET HERE
SOLD OUT
Lewis has been performing solo acoustic shows since he was 17 and still does today. He has written and performed many songs that have never been officially released such as “Angel”, “Something Like Me”, “Bonghits for Breakfast” (originally performed with J-CAT), and “Sleeping at the Wheel”.
In July 2010, Lewis finished recording a country music EP entitled Town Line that was released March 1, 2011 on Stroudavarious Records. It features seven tracks including three versions of the first single “Country Boy” featuring George Jones, Charlie Daniels, and Chris Young, as well as the songs “Massachusetts”, “Vicious Circles”, “The Story Never Ends”, and a re-recording of “Tangled Up in You” originally from The Illusion of Progress.[5] Lewis said in a July 2011 interview that he was introduced to country music as a child by his grandfather, but his interest was recently rekindled when he toured with fellow rock turned occasional country singer Kid Rock.[6]
Lewis performing at the House of Blues in Cleveland in 2013
Lewis released his first full solo album, The Road, in November 2012. Its debut single, “Endless Summer”, has also made the country charts. Lewis wrote every song on the 10 track collection, except for “Granddaddy’s Gun” which was penned by Dallas Davidson, Rhett Akins and Bobby Pinson, marking the first time Lewis has recorded outside material for an album.[7] In an interview with Broadway’s Electric Barnyard, Lewis said he recorded “Granddaddy’s Gun” as both a compliment to a friend, and because he was pressed for time.[8]
Lewis wrote songs for his second solo album whilst touring in support of The Road, often performing the unreleased material in his live sets.[9][10] The album, dubbed Sinner, was mostly recorded in a single 18 hour session, with many tracks done in one take. Aaron’s daughter Zoe also provides guest vocals on one song.[11] It was released on September 16, 2016, with the lead single, “That Ain’t Country”, released on 17 June. Country artist Willie Nelson is featured on the album’s title track as well.
Cody Johnson will be performing LIVE at The Bluestone on March 1st, 2019
Doors for the show will open at 7pm
Opening Artist: Randall King
Tickets are $20 in advance
THIS SHOW IS SOLD OUT
PURCHASE HERE
It’s Cody Johnson’s time.
After landing two releases in the Top 10 of Billboard’s country albums chart on his own CoJo label and selling 74,000 tickets for a single show, to earn recognition as the only unsigned artist in history to sell out NRG Stadium at RodeoHouston, one of Texas’ most-sought-after talents finally agreed to sign with a major label. Warner Music Nashville won a Music Row sweepstakes and enticed Johnson – who’d turned down several majors before – to join the team and take a shot at turning a concert success story into one with multimedia, national hit-making cred.
Johnson’s passionate, rowdy concerts have already drawn comparisons to Garth Brooks, and the music from his previous albums – inspired by ‘90s country foundations, but built for the 21st century – has made him a familiar presence on Texas and Oklahoma red-dirt radio.
Johnson’s introductory Warner project, Ain’t Nothin’ to It, ups the ante. After writing the bulk of his previous material, he put out word in Nashville that he was open to songs from other sources, and the results were astonishing. A-list writers – including Chris Stapleton, Radney Foster and Brothers Osborne guitarist John Osborne – came to the table with songs that suited Johnson’s life and disposition. Music fans who are just now coming to the table will get a quick understanding of Johnson, from the rowdy troublemaker in the swampy “Doubt Me Now” to the devoted family man in the title track to the self-penned ex-bull rider in “Dear Rodeo” to the devoted Christian in “His Name Is Jesus.”
