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92.3 WCOL’S Winter Wonder Jam is Friday, December 20th at the Bluestone. Spend the evening with Chris Cagle and special guests Drake White & the Fire, and Kristy Lee Cook, all on the Franklin Equipment main stage.
TICKET AVAILABILITY
General Admission
- $20
- Standing room only
This event is open to all ages
Friday, 12/20 | Doors at 7PM
*THIS EVENT IS SOLD OUT*
“Lights of My Hometown” singer Brian Davis will perform live on April 4th, 2014. Doors 7PM. Cliff Cody and David Byrnes will open the show.
TICKET AVAILABILITY
VIP Admission
- Loft Lower Tier: $125 (seats four people-no exceptions)
- Prime view of stage
- Includes six bottles of Miller or Coors Light
- VIP waitress
- Exclusive Private Bar access
- Buckets (six bottles) available for purchase all night for $24
-
Loft Upper Tier: $100 (seats four people-no exceptions)
- Includes six bottles of Miller or Coors Light
- VIP waitress
- Private Bar Access
- Buckets (six bottles) available for purchase all night for $24
*All VIP tables located in the loft area
*Table purchases do NOT include admission into venue
General Admission
- $7 Advance
- $10 Day of Show
- Standing room only
This event is open to all ages
Friday, 4/04 | Doors at 7PM
IGNYTE EVENTS presents: DOWNLINK and DIESELBOY at The Bluestone on Saturday, March 14th.
Outshyne at The Bluestone September, 11th 2015
Supporting Artist: TBA
Doors OPEN at 7PM ( All Ages Event )
Outshyne is a country band who hales from South Carolina. Their music has a country feel with rock overtones. Originally formed in 2007, of high school friends playing after work. In 2010 they turned their passion for music into a full time endeavor, doing 150-180 dates a year. Since then their success keeps growing!
They have opened for country music superstars including, Jake Owen, Eric Church, Lee Brice, Colt Ford, Joe Nichols, Gary Allen, and Justin Moore to name a few, Waylon sang the National Anthem at the Nascar Sprint Cup in Darlington, SC in 2013, raised over $130,000 for Saint Jude Children’s Research Hospital, and played on the Hard Rock stage for CMA Fest.
Their first single “Dirt Road Romance“, written by friends Florida Georgia Line and Albis Albritton, went to #29 on the Music Row Chart and #46 on the Billboard Indicator Chart. The album titled “Starting Over” was produced by Grammy nominated Chip Matthews and hit song writer Jeffrey Steele, and debuted #11 on iTunes the day it was released.
The bands second single “Moonlight Crush” is currently at #24 on the Music Row Chart and #40 on the Billboard Indicator, and is being played on Sirius/XM “the Highway”. The two singles combined have over 100,000 downloads and over 1 million youtube views.
In January, 2014, Outshyne signed with Sony Red, and are featured on CMT’s website.
Be sure to go get their singles “Night With Your Name On It” & “Whiskey Whispers” from iTunes, Amazon or any other digital market.
Drake White and The Big Fire will be performing live at The Bluestone on Friday, May 5th, 2017
Featured Artist: Drake White
Opening Artist: Dave Kennedy
Opening Artist: Channing Wilson
Doors for the show will open at 7pm
PURCHASE HERE–This Show is SOLD OUT
Drake White Tickets on sale Friday, December 16th at 10am
VIP OPPORTUNITY AVAILABLE
VIP TABLE PURCHASE DOES NOT INCLUDE ADMISSION TICKETS TO THE SHOW.
Admission tickets must be purchased separately.
- Loft Lower Tier: $250 (seats four people-no exceptions)
- Prime view of the stage!
- Includes first bucket of Miller or Coors Light
- VIP Server
- Exclusive Private Bar access
- Loft Upper Tier: $200 (seats four people-no exceptions)
- Includes first bucket of Miller or Coors Light
- VIP Server
- Private Bar Access
- May have an obstructed view
- *All VIP tables located in the loft area
*All Sales are final
Every reaction begins with a catalyst, some initial event that sets things on their inexorable course. For Drake White, it goes back to something raw and elemental in his debut album Spark.
“I learned how to play guitar and keep people’s attention around a fire,” explains the Hokes Bluff, Alabama native. “A spark can start a fire that can keep you alive and sustain you. So this is the beginning for me. This is the first strike of the flint.”
The spirit of Spark comes from those simple, early days spent enjoying the outdoors among friends in the warm glow of a fire. And though he’s now a city dweller with all the complications and distractions that entails, White still seeks the freedom and deeper connections he felt when the chorus of nature and the strums of his guitar blended into one harmonious song — the kind of contentment he sings about in the swirling majesty of his single “Livin’ the Dream.” Drake White
“We grew up free. We grew up on 4-wheelers, riding through the backwoods,” he says. “We grew up hunting and fishing and being out in the Appalachian Mountains. People don’t understand how beautiful north Alabama is until you see it in person.”
Drake White
Save for “Livin’ the Dream,” White wrote or co-wrote the remaining 11 tracks on Spark, working with red-hot producers Ross Copperman and Jeremy Stover through the process. He also brought in his own band for a handful of tracks to capture the energy of his live shows.
The first sound on Spark — before the pulse-quickening “Heartbeat” kicks into gear — is the voice of White’s late grandfather speaking from the pulpit. Several of these ghostly transmissions from the past appear on Spark, all extolling the virtues of love, brotherhood and nature. It’s a touch of the surreal that nods at White’s fondness for Pink Floyd’s psychedelic masterpiece The Wall, but also a deeply personal gesture that matches his vision perfectly.
“I went through about five or six sermons of my grandfather and picked out certain little snippets,” he says. “I just think they kind of fit. They’re weird and people are asking what they are. And that was my point: to get people talking about it.”
White has his own message of finding some harmony amid the demands of modern life, one that goes down easy in the uplifting, Zac Brown Band-assisted Southern rock anthem “Back to Free” and the cautionary-but soulful “I Need Real.” It’s a simple message of not letting oneself be swallowed up by technology and seeking out honest, genuine connections with others.
“When I’m at home, my wife and I keep our phones in the bedroom,” says White. “We listen to records. We hardly turn the TV on, unless it’s time for Game of Thrones. Before social networking was a smartphone app, we did it around a fire. That goes way back.”
With his gospel-derived, passionate delivery, White seems to have inherited his grandfather’s ability to touch crowds with a sermon — his divine vocal improvisations at the end of the honky-tonk flavored “Story” will undoubtedly get butts out of seats. White stresses that he isn’t a preacher, but doesn’t see a problem with putting his own methods for surviving the world out there.
“Some of the best songs, like Buffalo Springfield’s “For What It’s Worth” or anything by Bob Marley, have a little bit of preachin’,” he says. “I never want to come across too preachy, but instead I’m saying, ‘Hey man, this is my life, and this is what I do to be happy and I’m figuring it out just like you.’” Drake White
Spark covers an entire spectrum of emotions beyond these statements of character and self-definition. In “Making Me Look Good Again,” White cruises on an R&B-style groove to express his gratitude for his better half, while “Waiting on the Whiskey to Work” finds him embodying a man spun out on love and heartbreak. Then in the tropically-themed “Equator,” he flies south to give his nomadic side a little time to play.
“This record is about balance. It’s me asking, where’s that boy I used to be? Oh yeah, we gotta go get him back,” he says. “We gotta go on a hike or camping or grab my wife and go to some foreign country. I gotta feel alive. I gotta go out there and do that.” Drake White
Long a respected live entertainer with his (appropriately named) band the Big Fire, White’s climb to the limelight hasn’t been a straight or uncomplicated one. Rather than blowing up right away with a big debut single, he’s toiled on the road for years, giving jaw-dropping performances night after night and making believers one show at a time. “There are many different paths.
Aaron Lewis will be performing at The Bluestone Two Nights, BACK TO BACK!
*August 23rd, 2018 and August 24th, 2018 (SOLD OUT)
*Opening Artist: Travis Marvin
*Doors for the show will open at 7pm each night
*Tickets are $35 in advance and $40 day of show
(Ticket is only valid for admission for the date printed on the ticket)
Tickets are on-sale Friday, May 4th at 10am
PURCHASE THURSDAY, AUGUST 23rd TICKET HERE
PURCHASE FRIDAY, AUGUST 24th TICKET HERE
SOLD OUT
Lewis has been performing solo acoustic shows since he was 17 and still does today. He has written and performed many songs that have never been officially released such as “Angel”, “Something Like Me”, “Bonghits for Breakfast” (originally performed with J-CAT), and “Sleeping at the Wheel”.
In July 2010, Lewis finished recording a country music EP entitled Town Line that was released March 1, 2011 on Stroudavarious Records. It features seven tracks including three versions of the first single “Country Boy” featuring George Jones, Charlie Daniels, and Chris Young, as well as the songs “Massachusetts”, “Vicious Circles”, “The Story Never Ends”, and a re-recording of “Tangled Up in You” originally from The Illusion of Progress.[5] Lewis said in a July 2011 interview that he was introduced to country music as a child by his grandfather, but his interest was recently rekindled when he toured with fellow rock turned occasional country singer Kid Rock.[6]
Lewis released his first full solo album, The Road, in November 2012. Its debut single, “Endless Summer”, has also made the country charts. Lewis wrote every song on the 10 track collection, except for “Granddaddy’s Gun” which was penned by Dallas Davidson, Rhett Akins and Bobby Pinson, marking the first time Lewis has recorded outside material for an album.[7] In an interview with Broadway’s Electric Barnyard, Lewis said he recorded “Granddaddy’s Gun” as both a compliment to a friend, and because he was pressed for time.[8]
Lewis wrote songs for his second solo album whilst touring in support of The Road, often performing the unreleased material in his live sets.[9][10] The album, dubbed Sinner, was mostly recorded in a single 18 hour session, with many tracks done in one take. Aaron’s daughter Zoe also provides guest vocals on one song.[11] It was released on September 16, 2016, with the lead single, “That Ain’t Country”, released on 17 June. Country artist Willie Nelson is featured on the album’s title track as well.