Tickets- Official Box Office

 The OFFICAL BLUESTONE TICKET BOX OFFICE

Get Tickets to The Bluestone and never miss your favorite artist again. Tickets From country and electronic to Indie Rock.  THE Bluestone brings quality entertainment to the stage every time. We’re working hard to bring you the best  concerts and special events in Columbus, Ohio. Keep an eye on our tickets and events calendar and check back often for concert updates. Just click on an event to purchase tickets

https://www.ticketmaster.com/the-bluestone-tickets-columbus/venue/41852

 

Feb
28
Sat
Brothers Osborne – The Bluestone
Feb 28 @ 7:00 pm

 Brothers Osborne will be performing live at The Bluestone in Columbus, Ohio on Saturday, February 28th.

 Opening Artist: TBD

 Doors open at 7pm

 All Ages Event

BUY TICKETS

Image and video hosting by TinyPic

 TICKETS: $15 ADVANCED | $17 DAY OF SHOW

For John and TJ Osborne, getting into music was unavoidable. Growing up in the water town of Deale, Maryland, their close-nit-family of seven spent most nights not in front of the television, but writing and playing songs. The Brothers’ father had a shed behind their home that he used for small performances for friends and family. John and TJ could be caught listening in on their father’s playing or fetching beers for pocket change. Later their father would convert that shed into a home studio where their parents would write and record songs.

As the brothers aged, they formed a band with their ever eclectic father named “Deuce & a Quarter.” The band played cover songs from Lynyrd Skynyrd to Dwight Yoakem to Merle Haggard to Bob Seger. They performed at local venues in the town, but it was here that the Brothers got the taste for performing live.

John (guitar) moved to Nashville first to play in other bands. Two years later, TJ (vocals/guitar) moved to Nashville. It was then they formed Brothers Osborne and began playing as many writer rounds as they could. In April 2011, Warner Chappell/King Pen Music offered them a publishing deal. A year later, Capitol Records offered them a record deal. The Brothers Osborne are currently in the studio finishing their debut album, an album they describe as “aggressive, bold and fragile at times.” More to come from Brothers Osborne in 2015.

 

VIP Opportunities Available: 

VIP TABLE PURCHASE DOES NOT INCLUDE ADMISSION TICKETS TO THE SHOW.  

Admission tickets must be purchased separately.

  • Loft Lower Tier (PRIME VIEW!): $250 (seats four people-no exceptions)
  • Prime view of stage!
  • Includes six bottles of Miller or Coors Light
  • VIP waitress
  • Exclusive Private Bar access
  • Buckets (six bottles) available for purchase all night for $24
Loft Upper Tier: $200 (seats four people-no exceptions)
  • Includes six bottles of Miller or Coors Light
  • VIP waitress
  • Private Bar Access
  • Buckets (six bottles) available for purchase all night for $24
  • May be Obstruction in View

*All VIP tables located in the loft area

Eventbrite - Brothers Osborne at The Bluestone

Sep
22
Fri
Country Rocker Brian Davis LIVE @ The Bluestone
Sep 22 @ 7:00 pm
Brian Davis

Brian Davis Sept 22 2017

Country Rocker Brian Davis

will be performing LIVE at The Bluestone on Friday, September 22nd

Opening Artist: TBA

Doors for the show will open at 7pm

Tickets are just $15 in advance and $20 day of show

Tickets on-sale Friday, May 5th at 10am

PURCHASE HERE

 

RESERVED LOFT TABLE SEATING

RESERVED TABLE PURCHASE DOES NOT INCLUDE ADMISSION TICKETS TO THE SHOW.  

Admission tickets must be purchased separately.

  • Loft Lower Tier: $250 (seats four people-no exceptions)
  • Prime view of stage!
  • Includes first bucket of Miller or Coors Light
  • Server
  • Exclusive Private Bar access
  • Loft Upper Tier: $200 (seats four people-no exceptions)
  • Includes first bucket of Miller or Coors Light
  •  Server
  • Private Bar Access
  • May be Obstruction in View

*All Reserved tables located in the loft area

ALL SALES ARE FINAL

How does a country boy from tiny Bilboa, North Carolina find himself an apprentice to one of the greatest songwriters in country music? Ever heard of Bilboa? Yes, it’s that small. But you’ve heard of Harlan Howard, right? “I Fall to Pieces?” THAT Harlan Howard.

Brian Davis isn’t one to push himself or his music on someone. It just isn’t his style. Fortunately, what is his style is writing great rockers and party anthems full of hot screaming guitar, booming bass and thumping drums. Sometimes.

On the other hand, his style is also writing emotive ballads laden with picturesque lyrics that twist and turn phrases to carry the listener on a musical journey of their own or Brian’s life. Those…those are best interpreted by Brian’s pure masculine baritone and an acoustic guitar.

So, it’s really not a case of having to force himself on anyone. It’s more like, “If you build it, they will come.” If you write great songs, make great music and sing from your heart, they will come. And they have most definitely come. From playing all over his home state of North Carolina, to opening for pal and frequent co-writer Brantley Gilbert on the Hell On Wheels tour—last year and this year, Brian has taken his brand of rockin’ country music from a regional to a national level. His Tarheel fans are sitting back enjoying knowing that they saw the evolution of one of the hottest new artists in the format, while new fans are digging voraciously into his catalog that is already six albums deep.

Almost as if he could forecast the future when he recorded it, his newest album, Under the Influence, is almost a musical biography of Brian – both his life and the evolution of his music. “I’m really proud of it,” he beams. “We managed to put a lot of things that are extremely important to me on this record and tried to kind of balance it out. We’ve got things all the way from ‘Under the Influence,’ which people would assume, based on previous projects, that we were talking about going out and just getting hammered, but it’s not.”

Jun
29
Fri
Joe Diffie LIVE June, 29th @ The Bluestone
Jun 29 @ 7:00 pm

Joe Diffie LIVE at The Bluestone on June 29th, 2018

*Opening Artist: Dillon Carmichael and David Adam Byrnes

*Doors for the show will open at 7PM

*Tickets are $15 in advance and $20 day of show

Tickets On-Sale Now!

J_Diffie_11x web

Joe Diffie was regarded by many of his peers as one of the better vocalists in contemporary country, and lent his traditional sensibilities to humorous, rock-tinged novelties and plaintive ballads. Diffie was born in Tulsa, Oklahoma, in 1958 and grew up in a musical family, first performing in public at age four with his aunt’s country band. He played in a rock band during high school, and later moved on to a gospel quartet and, during college, a bluegrass band called the Special Edition. He worked on his songwriting and singing over the next few years while working in a foundry, and caught a break when his “Love on the Rocks” was recorded by Hank Thompson. When Randy Travis nearly recorded another of his songs, Diffie was convinced he had a shot in the business, and moved to Nashville in 1986. He took a job at the Gibson guitar plant while continuing to write songs, and became an in-demand demo singer as well. Holly Dunn’s 1989 recording of a Diffie collaboration, “There Goes My Heart Again,” proved a major hit, and Diffie found himself a hot commodity. He signed with Epic and released his debut album, A Thousand Winding Roads, in 1990. His first single, “Home,” went all the way to number one on the country charts, and “If the Devil Danced (In Empty Pockets)” duplicated that feat; meanwhile, two more singles from the album, “If You Want Me To” and “New Way (To Light Up an Old Flame),” reached number two.

Diffie became a regular hitmaker over the rest of the ’90s, and scored again with his sophomore LP, 1992’s Regular Joe; “Is It Cold in Here” and “Ships That Don’t Come In” both made the Top Five. Known primarily for his ballads at this point in his career, Diffie switched things up with 1993’s Honky Tonk Attitude, which emphasized his rambunctious, rocking side and sense of humor, and proved to be his biggest-selling album yet. The title track, “Prop Me Up Beside the Jukebox (If I Die),” and “John Deere Green” all went Top Five. Sticking with engaging humor as the selling point of his hugely popular follow-up, 1994’s Third Rock from the Sun, Diffie scored two number ones with the title track and “Pickup Man,” plus a Top Five hit in “So Help Me Girl.” 1995 brought a holiday album, Mr. Christmas, as well as a proper release in Life’s So Funny, which gave Diffie his fifth number one hit in “Bigger Than the Beatles.” 1997’s Twice Upon a Time saw his commercial momentum slipping a bit, and so Epic issued a Greatest Hits compilation the following year; its new song, “Texas Sized Heartache,” returned Diffie to the Top Five. 1999’s A Night to Remember was the most straight-ahead, traditional country record Diffie had yet recorded, and it gave him two Top Ten hits in the title cut and “It’s Always Somethin’.” He returned to his more established style for 2001’s In Another World, which found him transferred to Sony’s reactivated Monument subsidiary; its title track went Top Ten early the next year. Tougher Than Nails followed in 2004, then in 2010 Diffie returned to bluegrass for Homecoming: The Bluegrass Album, which was released by Rounder Records and was greeted by warm reviews.

Diffie had a bit of an unexpected revival in early 2013, when his name provided the chorus of Jason Aldean’s party-hearty hit “1994.” Later that year, Diffie set out on the road with fellow country singers Sammy Kershaw and Aaron Tippin on a tour called All in the Same Boat; the trio released an accompanying album of the same name in May. ~ Steve Huey, Rovi

 

Ticket Button

 

Feb
1
Sat
Lauren Alaina LIVE February 1st, 2020 @ The Bluestone
Feb 1 @ 7:00 pm

“Following the recent news that multi-award-winning country star Lauren Alaina is a contender on this season’s “Dancing with the Stars,” the platinum-selling singer’s That Girl Was Me Tour scheduled for this fall is shifting to a January start date. The That Girl Was Me Tour originally scheduled at The Bluestone on October 3rd 2019 is being rescheduled to February 1st 2020. ”  If you have already purchased tickets, those tickets will be valid for the new date.

Lauren Alaina LIVE at The Bluestone on February 1st, 2020

Opening Artist: Filmore

Doors for the show will open at 7pm

Tickets are $20

This is an All Ages Show

Tickets on-sale NOW

PURCHASE HERE

Georgia native Lauren Alaina captured America’s hearts when she competed on Season 10 of American Idol. In 2017, Lauren followed up her No. 1 debuting first album, Wildflower, with the release of the critically-acclaimed Road Less Traveled. The album landed on multiple end-of-year “Best Of” lists including Billboard, Rolling Stone and Amazon, and it became the top-streamed female country album release of the year. Praised as “full of life lessons and uplift” (PEOPLE), the collection of 12 songs all written by the young star includes Lauren’s first No. 1 hit, title track “Road Less Traveled.”

The “sassy Southerner with killer pipes” (PARADE) has shared the stage with superstars including Alan Jackson, Carrie Underwood, Luke Bryan and Martina McBride. Lauren recently joined Cole Swindell on the Reason to Drink Tour and is currently on tour with Jason Aldean for this summer’s High Noon Neon Tour.

 

 

Mar
18
Fri
Mammoth WVH & Dirty Honey Live March, 18 2022 @ The Bluestone
Mar 18 @ 6:30 pm – 11:45 pm

Mammoth WVH & Dirty Honey Live March 18th, 2022 6:30 PM

The Bluestone
Columbus, Ohio

https://www.ticketmaster.com/event/05005B5B9DE84DB9

WRKZ presents Mammoth WVH & Dirty Honey in Columbus, OH at The Bluestone March 18th, 2022.

Tickets on sale Friday, November 5th at 10 AM!

About Mammoth WVH

Official Website: www.mammothwvh.com

Official Facebook Page:www.facebook.com/MammothWVH

Official Twitter: www.twitter.com/MammothWVH @MammothWVH

Official Instagram: www.instagram.com/mammothwvh @mammothwvh

Official YouTube Channel:www.youtube.com/MammothWVH

First impressions last a lifetime. Wolfgang Van Halen has prepared a lifetime to make his first impression. The songwriter, vocalist, and multi-instrumentalist worked tirelessly towards the introduction of MAMMOTH [Explorer1], his self-titled 2021 debut album. Playing every instrument and singing each and every note, his music presents a personal and powerful perspective, balancing memorable hooks and tight technicality. As many times as audiences have experienced his talent alongside the likes of Tremonti,Clint Lowery, and of course, Van Halen, they meet Wolf as an individual for the very first time now.

“You only have one chance to make a first impression, and I wanted to do so to the best of my abilities,” he affirms. “Throughout the whole process, I was finding who I am musically and by the end, I got a pretty good handle on a sound I can claim for myself.”

His father often played guitar against his mother’s pregnant belly, and Wolf absorbed those vibrations from the womb. At the age of 10, his Pop gave him a drum kit for his birthday. To this day, Wolf considers himself “a drummer before anything else.” As he developed as a musician, he learned how to play guitar in order to perform “316” —which his father penned for him —at a 6th-grade talent show.

It may come as a surprise, but outside of his father teaching him one drumbeat from an AC/DC song, Wolfgang taught himself every instrument. “My dad wasn’t the best teacher,” he laughs. “I would ask him to play something, and then he would just proceed to be Eddie Van Halen. He would look at me and say, ‘Do that.’ to which I would laugh and sarcastically reply, ‘Sure thing, no problem.’”

In the summer of 2006 when he was 15 years old, Wolf grabbed a bass and began noodling. While at the legendary 5150 Studios, his impromptu woodshedding inspired Eddie and Uncle Alex. Endless family jam sessions followed. By summer’s end, Wolfgang phoned David Lee Roth’s manager and by winter Roth showed up for rehearsal. They rocked “On Fire,” and “That’s how the 2007 tour began,” says Wolf.

Not only did Wolf canvas the world with Van Halen while in high school, but he also held down the low end on 2012’s A Different Kind of Truth—which debuted at #2 on the Billboard Top 200. When not on tour with Van Halen, he cut bass for Tremonti’s critically acclaimed Cauterize [2015] and Dust [2016] in addition to joining the band on the road. In 2019, Wolf handled drums and also played bass on half of the 10 songs for Clint Lowery’s solo debut, God Bless The Renegades.

In the midst of all this, at the beginning of 2015, Wolf broke ground on what would become MAMMOTH with producer Michael “Elvis” Baskette [Alter Bridge, Slash] behind the board. Wolf began to embrace his voice, inspired by everyone from his father, to bands like AC/DC,Foo Fighters, Nine Inch Nails, TOOL, and Jimmy Eat World. “I’ve been singing my whole life, but it wasn’t until MAMMOTH that I really found my voice. Elvis was great, and he helped me gain the confidence to become a lead vocalist.”

“The name Mammoth is really special to me.” says Wolf. “Not only was it the name of Van Halen before it became Van Halen, but my father was also the lead singer. Ever since my dad told me this, I always thought that when I grew up, I’d call my own band Mammoth, because I loved the name so much. I’m so thankful that my father was able to listen to, and enjoy the music I made. I’m really proud of the work I’ve done and nothing made me happier than seeing how proud he was that I was continuing the family legacy.”

About Dirty Honey

Official Website: https://www.dirtyhoney.com/

Official Facebook Page: https://www.facebook.com/DirtyHoneyMusic/

Official Twitter:  https://twitter.com/dirtyhoneyband @DirtyHoneyBand

Official Instagram: https://www.instagram.com/dirtyhoneyband/@dirtyhoneyband

Official YouTube Channel: https://www.youtube.com/channel/UCsxtEOcwpVO9Rnw93Fuv2pQ

Some musicians take a while to build an audience and connect with fans. For the Los Angeles-based quartet Dirty Honey, success came right out of the gate. Released in March 2019, the band’s debut single, “When I’m Gone,” became the first song by an unsigned artist to reach No. 1 on Billboard’s Mainstream Rock chart. Their second single, “Rolling 7s,” went into the Top 5 and was still headed up when COVID changed everything. That same year, Dirty Honey opened for The Who, Guns ’N Roses, Slash, and Alter Bridge and was the “do-not-miss-band” at major rock festivals such as Welcome to Rockville, Rocklahoma, Louder Than Life, Heavy MTL, and Epicenter. On its first U.S. headline tour in January and February 2020, the band sold out every date.
When it came time to record its self-titled full-length debut album, the band—vocalist Marc LaBelle, guitarist John Notto, bassist Justin Smolian, and drummer Corey Coverstone—wasn’t about to mess with what was already working. Teaming up with producer Nick DiDia (Rage Against the Machine, Pearl Jam), who also produced the band’s 2019 self-titled EP, Dirty Honey again captured the lightning-in-a-bottle dynamics and energy of their live sound.
“As a guitarist, I’m always inspired by the everlasting pursuit of the perfect riff,” says Notto. “I also wanted to extend the artistic statement that we had already made. We weren’t looking to sound different, or prove our growth, necessarily. It was more about, ‘Oh, you thought that was good? Hold my beer.'”
“Because of the pandemic,” added drummer Coverstone, “we had a lot more time to write and prepare, which was great. It meant that we were able to workshop the songs a lot more, and I thinkit really made a difference.”
Dirty Honey’s album indeed builds on the band’s output to date, with airtight song writing that plays up their strengths: sexy, bluesy, nasty rock’n’roll, melodic hard rock, and soulful 70s blues-rock. On “The Wire,”LaBelle reaffirms his status as one of contemporary rock’s best vocalists, while “Another Last Time” is a raunchy, timeless ballad about a toxic relationship that you just can’t stop saying goodbye to. “Tied Up” and the album’s lead single “California Dreamin,’’ both feature smoking guitar solos bookended by massive riffs and hooks.
“‘California Dreaming’ was the last song we wrote,” said bassist Justin Smolian. “We finished it about two weeks before we recorded it, so the song was still so new, and we were trying out different things,so every take was a little different. But there was that one where we just captured it, and it was magic.”
Although each band member started playing music as kids—at the age of eight, Notto’s parents even bought him a red-and-white Stratocaster—each one brings eclectic influences to Dirty Honey’s sound. For example, drummer Coverstone has studied with jazz and L.A. session drummers but loves heavy metal; Notto grew up listening to ’70s funk and R&B as well as rock ‘n’ roll,and bassist Smolian has a bachelor of music in classical guitar and loves Tom Petty and The Beach Boys.
LaBelle meanwhile,takes cues from hissongwriting idols (to name a few, Robert Plant, Steven Tyler, Mick Jagger, Chris Robinson, and the late Chris Cornell) when coming up with lyrics. As a result, the songs on the Dirty Honey albumhint at life’s ebbs and flows—shattering heartbreak, romantic connection, intense soul-searching—while giving listeners space to draw their own conclusions.
“Sometimes,if you just let lyrics pass behind your ears, they sound like cool shit is being said,” LaBelle says. “And then once you dive in, you realize, ‘Oh, that’s really thoughtful.’ But it still doesn’t have a meaning that’s easy to pinpoint. There’s an overarching idea that is really cool, but it’s not necessarily on-the-nose.”
Although the Dirty Honey album may sound effortless, its genesis had a bumpy start. The day before the band members were due to fly to Australia to track the album, Los Angeles entered lockdown due to the COVID-19 pandemic, and traveling was off the table. However, Dirty Honey was still eager to work with DiDia, so they devised a Plan B: recording the full-length in a Los Angeles studio with one of DiDia’s long-time engineers, and the producer beamed into the proceedings via the magic of modern technology.
“He was able to listen to what we were laying down in real-time, through this app,” says LaBelle. It was like he was in the room with us. It was surprisingly seamless the way it all went down.”
Having to switch gears delayed the start of recording slightly, although this extra time ended up being a boon. Dirty Honey rented a rehearsal space and demoed the album’s songs in advance, meaning the tracks were in good shape when DiDia came onboard. Notto mixed and recorded these workshopped tracks himself, which helped him rediscover one of Dirty Honey’s biggest strengths: being well-rehearsed while not overpolishing their work.
“I’ve learned just a little bit more about what people might mean when they say, magic—you know, ‘This one has the magic,'” he says. “We would do two and three different demos of a song, so there would be a few versions. On a few occasions, the version that people kept going back to was the sloppiest, if you look at it from a performance standpoint.”
LaBelle agrees. “It’s just about getting the performance right and not thinking about it too much. I never like to be perfect in the studio. None of the stuff that I really liked as a kid was. I don’t really see myself getting away from that too much in the future just because I think you lose the soul if you do it too many times, if it’s too perfect.”
Notto also admits that the creative process isn’t necessarily always all fun and games. But for him and the rest of Dirty Honey, pushing through those tough times and coming out stronger on the other side is worth it. “When you finally come through on those moments, that’s where the real magiccomes in,” he says. “What makes all of our songs fun to play and listen to is we don’t allow ourselves to stop short of getting the best possible results out of each one of them.”

Mar
25
Fri
Lauren Alaina’s TOP OF THE WORLD TOUR March 25, 2022 @ The Bluestone
Mar 25 @ 7:00 pm – 11:45 pm

Top of the World Tour

LAUREN ALAINA

Presented by maurices

March 25, 2022 7 PM

at The Bluestone

Columbus, Ohio

Tickets $20

Artist Biography

Lauren Alaina | Sitting Pretty on Top of the World

Ten years into her Nashville career, Lauren Alaina is in the upper echelon of country music’s most authentic voices, beloved personalities, and open hearts. She’s earned a reputation as one of the genre’s most compelling storytellers by boldly incorporating her struggles and heartache into her critically acclaimed first two albums. Lauren’s third studio collection, Sitting Pretty on Top of the World, is an artful evolution of immaculately penned, unflinching reflections of the mountains and valleys on her journey.

Sitting Pretty on Top of the World opens with the telltale sound of a needle dropping down on a record, and with that, Lauren sets the tone for some of the most captivating music of her career. Lauren was inspired to lean into the tenets of classic country music for this project and on the albums lead track, “It Was Me,” she offers a timeless country ballad filled with heartsick self-reflection. Lauren’s voice emotionally soars through the aching, introspective lyrics: “It wasn’t you I didn’t love, it was me.”

“The other person isn’t always the bad guy,” Lauren concedes. “On ‘It Was Me,’ I’m taking full ownership of being in the wrong. It was really hard to admit that I was the one at fault and to realize that I didn’t love myself enough to allow someone else to love me.” But the vulnerable “It Was Me,” co-written with Hillary Lindsey, is a song Lauren considers to be one of the best she’s ever written.

Lauren takes pride in the exposed transparency of her songwriting on this project, and though most writing sessions took place via Zoom, Lauren was crafting verses and choruses alongside the likes of award-winning songwriters including Liz Rose, Lori McKenna, Hillary Lindsey, Emily Weisband, David Garcia, Jordan Reynolds, Ben Johnson and Kennedi Lykken. She co-wrote 14 of the album’s 15 songs, much of it inspired from recent life experiences including two impactful break-ups, the loss of her stepfather, and like much of the world, Lauren struggled with despondency as she adapted to life in the pandemic.

The album’s title track “On Top of the World” delves into the dark reality behind polished facades. Writing the song with Jordan Reynolds and Sasha Sloan after the pandemic forced her to stay home for the first time in a decade, Lauren, in a heightened emotional state, revealed how she felt enveloped in loneliness and sadness.

“I’ve been on the road and touring for 10 years and having that taken away so suddenly felt like an abrupt stop to everything I’ve been working for, and that was a really scary thing for me,” she says, “but the whole world stopped for everybody, and I needed to find new ways to connect with people.”

Lauren applies that same honest vulnerability throughout the album from the harrowing ballad “What Do You Think Of?” featuring Danish Pop Star Lukas Graham, to the pensive flow of “I’m Not Sad Anymore,” to the beautiful simplicity of “Good Ole Boy” with its scaled back production that truly allows Lauren’s vocals to shine.

“This whole thing [album] is about loving yourself and being brave and being strong,” Lauren says. “I was faced with all these trials, and I hope people feel themselves in these songs. I think we all live the same stories with different characters. And maybe people realize new beginnings can be good.”

“Getting Good,” a duet with Trisha Yearwood, is the only song Lauren didn’t write on the album. Penned by Weisband, the song is a poignant truth-telling about choosing to be happy. Drawn to the concept, Lauren says, “Life is all about perspective, and you sometimes you have to shift your perspective.”

Lauren punctuates the lovelorn with the playful yet forthright “When the Party’s Over” and with the propulsive yet nostalgic “Run.”  She also teamed up with Emily Weisband and the album’s producer Paul DiGiovanni to write the lighthearted, here-for-the-fun, rebound tune, “Getting Over Him,” featuring country star Jon Pardi. Lauren rounds out the album with the beautifully hopeful “Change My Mind,” which she co-wrote with Seth Ennis and Cameron Bedell.

Then with the familiar crackle of a vinyl record nearing its end, the album comes to a close. A journey from start to finish. Lauren explores life in these unique times and Sitting Pretty on Top of the World is the salve and the soundtrack for anyone traversing their own personal quest for hope and new beginnings.