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“Following the recent news that multi-award-winning country star Lauren Alaina is a contender on this season’s “Dancing with the Stars,” the platinum-selling singer’s That Girl Was Me Tour scheduled for this fall is shifting to a January start date. The That Girl Was Me Tour originally scheduled at The Bluestone on October 3rd 2019 is being rescheduled to February 1st 2020. ” If you have already purchased tickets, those tickets will be valid for the new date.
Lauren Alaina LIVE at The Bluestone on February 1st, 2020
Opening Artist: Filmore
Doors for the show will open at 7pm
Tickets are $20
This is an All Ages Show
Tickets on-sale NOW
PURCHASE HERE
Georgia native Lauren Alaina captured America’s hearts when she competed on Season 10 of American Idol. In 2017, Lauren followed up her No. 1 debuting first album, Wildflower, with the release of the critically-acclaimed Road Less Traveled. The album landed on multiple end-of-year “Best Of” lists including Billboard, Rolling Stone and Amazon, and it became the top-streamed female country album release of the year. Praised as “full of life lessons and uplift” (PEOPLE), the collection of 12 songs all written by the young star includes Lauren’s first No. 1 hit, title track “Road Less Traveled.”
The “sassy Southerner with killer pipes” (PARADE) has shared the stage with superstars including Alan Jackson, Carrie Underwood, Luke Bryan and Martina McBride. Lauren recently joined Cole Swindell on the Reason to Drink Tour and is currently on tour with Jason Aldean for this summer’s High Noon Neon Tour.
Top of the World Tour
LAUREN ALAINA
Presented by maurices
March 25, 2022 7 PM
at The Bluestone
Columbus, Ohio
Tickets $20
Artist Biography
Lauren Alaina | Sitting Pretty on Top of the World
Ten years into her Nashville career, Lauren Alaina is in the upper echelon of country music’s most authentic voices, beloved personalities, and open hearts. She’s earned a reputation as one of the genre’s most compelling storytellers by boldly incorporating her struggles and heartache into her critically acclaimed first two albums. Lauren’s third studio collection, Sitting Pretty on Top of the World, is an artful evolution of immaculately penned, unflinching reflections of the mountains and valleys on her journey.
Sitting Pretty on Top of the World opens with the telltale sound of a needle dropping down on a record, and with that, Lauren sets the tone for some of the most captivating music of her career. Lauren was inspired to lean into the tenets of classic country music for this project and on the albums lead track, “It Was Me,” she offers a timeless country ballad filled with heartsick self-reflection. Lauren’s voice emotionally soars through the aching, introspective lyrics: “It wasn’t you I didn’t love, it was me.”
“The other person isn’t always the bad guy,” Lauren concedes. “On ‘It Was Me,’ I’m taking full ownership of being in the wrong. It was really hard to admit that I was the one at fault and to realize that I didn’t love myself enough to allow someone else to love me.” But the vulnerable “It Was Me,” co-written with Hillary Lindsey, is a song Lauren considers to be one of the best she’s ever written.
Lauren takes pride in the exposed transparency of her songwriting on this project, and though most writing sessions took place via Zoom, Lauren was crafting verses and choruses alongside the likes of award-winning songwriters including Liz Rose, Lori McKenna, Hillary Lindsey, Emily Weisband, David Garcia, Jordan Reynolds, Ben Johnson and Kennedi Lykken. She co-wrote 14 of the album’s 15 songs, much of it inspired from recent life experiences including two impactful break-ups, the loss of her stepfather, and like much of the world, Lauren struggled with despondency as she adapted to life in the pandemic.
The album’s title track “On Top of the World” delves into the dark reality behind polished facades. Writing the song with Jordan Reynolds and Sasha Sloan after the pandemic forced her to stay home for the first time in a decade, Lauren, in a heightened emotional state, revealed how she felt enveloped in loneliness and sadness.
“I’ve been on the road and touring for 10 years and having that taken away so suddenly felt like an abrupt stop to everything I’ve been working for, and that was a really scary thing for me,” she says, “but the whole world stopped for everybody, and I needed to find new ways to connect with people.”
Lauren applies that same honest vulnerability throughout the album from the harrowing ballad “What Do You Think Of?” featuring Danish Pop Star Lukas Graham, to the pensive flow of “I’m Not Sad Anymore,” to the beautiful simplicity of “Good Ole Boy” with its scaled back production that truly allows Lauren’s vocals to shine.
“This whole thing [album] is about loving yourself and being brave and being strong,” Lauren says. “I was faced with all these trials, and I hope people feel themselves in these songs. I think we all live the same stories with different characters. And maybe people realize new beginnings can be good.”
“Getting Good,” a duet with Trisha Yearwood, is the only song Lauren didn’t write on the album. Penned by Weisband, the song is a poignant truth-telling about choosing to be happy. Drawn to the concept, Lauren says, “Life is all about perspective, and you sometimes you have to shift your perspective.”
Lauren punctuates the lovelorn with the playful yet forthright “When the Party’s Over” and with the propulsive yet nostalgic “Run.” She also teamed up with Emily Weisband and the album’s producer Paul DiGiovanni to write the lighthearted, here-for-the-fun, rebound tune, “Getting Over Him,” featuring country star Jon Pardi. Lauren rounds out the album with the beautifully hopeful “Change My Mind,” which she co-wrote with Seth Ennis and Cameron Bedell.
Then with the familiar crackle of a vinyl record nearing its end, the album comes to a close. A journey from start to finish. Lauren explores life in these unique times and Sitting Pretty on Top of the World is the salve and the soundtrack for anyone traversing their own personal quest for hope and new beginnings.
Eli Young Band
January 26, 2023 at 8 PM
Doors Open 7 PM
at The Bluestone
Columbus, Ohio
Artist Biography
by Mark Deming
Fusing a young man’s take on heartland rock with the tougher side of Texas country music and the cocky enthusiasm of alt-country firebrands, the Eli Young Band have become a potent draw in the Southwest on the strength of local airplay and extensive touring. The Eli Young Band’s story began when Mike Eli and James Young both enrolled at the University of North Texas and found themselves sharing a dorm room as freshmen. Both played guitar, and the two new friends started writing and singing songs together. Under the name Eli & Young, they began playing acoustic shows at local bars and coffee houses, and in time they expanded the band into a full electric quartet with the addition of fellow students Jon Jones on bass and Chris Thompson on drums, thus giving rise to the Eli Young Band.
The group became a potent local draw, and in 2003 opened a show for rising star Miranda Lambert. Producer Frank Liddell saw the show and was impressed enough to offer the band a deal with his independent label, Carnival Recording Co. The Eli Young Band’s debut album, Level, appeared in 2005, and the songs “That’s the Way” and “When It Rains” began scoring significant airplay in the Lone Star State. The Eli Young Band’s enthusiastic live show helped them draw a large and loyal audience in the Southwest, where they were able to fill 2,000-seat venues as a headliner, and they toured the country as an opener for the likes of Pat Green, Cross Canadian Ragweed, and Jack Ingram.
In 2006, the group’s live show was captured for posterity on the concert recording Live at the Jolly Fox, taped during a gig at a club in Huntsville, Texas. The Eli Young Band then landed a deal with the Universal-distributed Republic Records; a video for a new recording of “When It Rains” subsequently received extensive play on Country Music Television, and the group’s first album for Republic, Jet Black & Jealous, was released September 2008, with “When It Rains” and two other songs from the album, “Always the Love Songs” and “Radio Waves,” becoming Top 40 hits.
The follow-up album, Life at Best, delivered another hit, the Liz Rose– and Lee Brice-penned “Crazy Girl.” The album was well-received by fans and critics alike, and the following year the Eli Young Band were nominated for a host of awards, including a clutch of Academy of Country Music Awards where they took home the Song of the Year accolade for “Crazy Girl.” They were also up for Grammys for Best Duo/Group Performance and Best Country Song. They soon returned to the studio to record sessions for their fifth album, and in 2013 the fruits of their labor appeared in the shape of the “Drunk Last Night” single, which raced to number one in the U.S. Country Airplay chart. Building on this success, they headed out on tour before announcing that 10,000 Towns was set to be released in 2014; it was preceded by the second single “Dust.” An EP called Turn It On was released in the spring of 2015. For 2017’s Fingerprints, the Eli Young Band signed with the Big Machine subsidiary Valory; the record entered the Billboard country charts at 17.
In March 2019, Big Machine released the compilation This Is Eli Young Band: Greatest Hits.
