Tickets- Official Box Office

Josh Abbott Band with Carly Pearce will be performing LIVE at The Bluestone on Thursday, March 10th

PURCHASE HERE

Tickets: $10

Doors for the show will open at 7pm

Opening artist: Sam Grow

This is an All Ages Event

VIP OPPORTUNITY AVAILABLE

VIP TABLE PURCHASE DOES NOT INCLUDE ADMISSION TICKETS TO THE SHOW.  

Admission tickets must be purchased separately.

• Loft Lower Tier: $250 (seats four people-no exceptions)
• Prime view of stage!
• Includes first bucket of Miller or Coors Light
• VIP Server
• Exclusive Private Bar access

• Loft Upper Tier: $200 (seats four people-no exceptions)
• Includes first bucket of Miller or Coors Light
• VIP Server
• Private Bar Access
• May be Obstruction in View

*All VIP tables located in the loft area

Josh Abbott Band

live at

 The Bluestone Thursday, November 16th

as part of their

“Until my Voice Runs Out tour”

Doors for the show will open at 7pm

Opening Artist: TBD

Tickets are $20 in advance and $25 day of show

PURCHASE HERE

RESERVED LOFT TABLE SEATING

RESERVED TABLE PURCHASE DOES NOT INCLUDE ADMISSION TICKETS TO THE SHOW.  

Admission tickets must be purchased separately

The loft is located on the second level of The Bluestone

• Loft Lower Tier: $250 (seats four people-no exceptions)
• Prime view of stage!
• Includes first bucket of Miller or Coors Light
• Server
• Exclusive Private Bar access

• Loft Upper Tier: $200 (seats four people-no exceptions)
• Includes first bucket of Miller or Coors Light
•  Server
• Private Bar Access
• May be Obstruction in View

*All Reserved tables located in the loft area

ALL SALES ARE FINAL

When Josh Abbott Band recorded “Ghosts” for its fourth album, Front Row Seat, Abbott expected to redo the vocals. The final chorus had some technical imperfections, and he figured he could improve on the performance once his heart settled down. Producer Dwight Baker, one-half of the Austinbased duo The Wind and The Wave, wouldn’t let Abbott retouch it.

“I was actually crying my eyes out during that last chorus, and that’s why there’s a couple of notes in the beginning of that section that don’t really explode like normal,” Abbott says. “Dwight was like, ‘We’re keeping that. That’s real.’”

Real is the operative word for Front Row Seat, a 16-track song cycle that represents the most ambitious and emotionally challenging project yet for JAB, a highly melodic six-piece ensemble that’s managed to keep a foot in both the Texas music scene and the national country world. The band won four times during the inaugural Texas Regional Radio Awards behind an upbeat brand of country that still leans on classic instrumentation – particularly banjo and fiddle – to effect a raucous, roof-raising attitude.

The band has lobbed three singles onto the Billboard Hot Country Songs chart – including “Oh, Tonight,” the first charted track to feature Grammy-winning Kacey Musgraves – and nabbed a Top 10 album with the 2012 release Small Town Family Dreams and reached No. 12 with the 2014 EP Tuesday Night.

But Front Row Seat steps beyond the band’s honky-tonk inclinations for a more personal journey as the album traverses the emotional course of Abbott’s first marriage and subsequent divorce. It was not his original intention to depict his private life in a public way, but as he wrote the songs for Front Row Seat, beginning before the split actually occurred, he naturally mined his emotional life for a set of songs that were profoundly honest and revealing. It was only as they began recording the material at Baker’s Matchbox Studios outside of Austin, that they realized they had the germ of a tangible plot.

“We started looking at the music we’d done and had a whole bunch of other songs that we really loved and we were like, ‘Man, we could put this together and make a really neat story out of it,” fiddler Preston Wait recalls. “Especially with the song ‘Front Row Seat,’ we basically just made it kind of like you’re watching a movie and it’s your front row seat to this life.”

Owing to that silver-screen character, JAB employed screenwriting technique by assembling the project with the five elements of plot structure: the exposition, or beginning; an inciting incident; the climax; a falling action (in this case, a breakup); and the resolution.

The story begins with “While I’m Young,” in which a college-aged Abbott lives a typically carefree existence, spending much of his discretionary income in bars and living for the moment, an ideal that’s captured authoritatively in the anthemic “Live It While You Got It.” As the album progresses, he meets a woman who commands his attention for more than one evening, finding himself by track 7, “Crazy Things,” mulling what it is that would make a woman who’s dang-near perfect fall for someone so flawed.

By the time the album concludes, his once-ideal relationship has turned sour, and the two are no longer one. The fracture becomes apparent through the resignation of “Born To Break Your Heart,” and he discovers in “Ghosts” that all the memories that once lived with such passion and revelry continue to haunt his memory, taunting him with whispers of a past he can never reclaim. As Front Row Seat closes with “Anonymity,” Abbott sings a spare dirge with acoustic guitar and fiddle, fantasizing that he could return to the start of the relationship and live it out right.

3LAU will be performing LIVE at The Bluestone April 12, 2018!

Prime Social Group Presents…
3LAU
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The Bluestone || Columbus, OH
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Thursday, April 12 || Doors 8PM || Ages: 18+
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Support: TBA

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3LAU approaches electronic dance music from many unconventional angles. The artist, multi-instrumentalist, producer, and entrepreneur born Justin Blau usually begins his compositions on the piano.

“I like to create the framework for a song traditionally and then add the electronic elements later.” It’s a style he’s been cultivating since childhood. Commencing piano lessons at the age of three, he’ll tell you that he couldn’t go to sleep without classical music as a kid. His tastes began to veer towards the likes of Radiohead and Sigur Ros in high school as he taught himself guitar, bass, and drums. During his sophomore year of college, he took a trip to Sweden and fell in love with electronic dance music. Upon returning home, 3LAU began creating.

Taking a leave from college in his junior year, he became a favorite on the club scene through relentless touring, initially turning heads with his innovative mashups. His 2014 original single “How You Love Me” [feat. Bright Lights] dominated radio and closed out 2014 as SiriusXM BPM’s “Most Played Record of the Year.” More recently, Justin realized that he wanted to do more with music, so he launched Blume—the “first not-for-profit dance music label and philanthropic movement.”

With over 5 original releases through BLUME, 3LAU was able to raise 200,000 for Pencils of Promise in 2016, and in 2017 he continues to give to different charities with each new release. For both 3LAU and BLUME it’s just the beginning.

Cody Johnson will be performing LIVE at The Bluestone on March 1st, 2019

Doors for the show will open at 7pm

Opening Artist: Randall King

Tickets are $20 in advance

THIS SHOW IS SOLD OUT

PURCHASE HERE

It’s Cody Johnson’s time.

After landing two releases in the Top 10 of Billboard’s country albums chart on his own CoJo label and selling 74,000 tickets for a single show, to earn recognition as the only unsigned artist in history to sell out NRG Stadium at RodeoHouston, one of Texas’ most-sought-after talents finally agreed to sign with a major label. Warner Music Nashville won a Music Row sweepstakes and enticed Johnson – who’d turned down several majors before – to join the team and take a shot at turning a concert success story into one with multimedia, national hit-making cred.

Johnson’s passionate, rowdy concerts have already drawn comparisons to Garth Brooks, and the music from his previous albums – inspired by ‘90s country foundations, but built for the 21^st century – has made him a familiar presence on Texas and Oklahoma red-dirt radio.

Johnson’s introductory Warner project, Ain’t Nothin’ to It, ups the ante. After writing the bulk of his previous material, he put out word in Nashville that he was open to songs from other sources, and the results were astonishing. A-list writers – including Chris Stapleton, Radney Foster and Brothers Osborne guitarist John Osborne – came to the table with songs that suited Johnson’s life and disposition. Music fans who are just now coming to the table will get a quick understanding of Johnson, from the rowdy troublemaker in the swampy “Doubt Me Now” to the devoted family man in the title track to the self-penned ex-bull rider in “Dear Rodeo” to the devoted Christian in “His Name Is Jesus.”

Jameson Rodgers LIVE at The Bluestone on Friday, September 20th, 2019

Doors for the show will open at 7pm

Opening Artist: Ray Fulcher

Tickets are $10 each

PURCHASE HERE

Jameson Rodgers Live at The Bluestone

Raised in Batesville, Mississippi, singer-songwriter Jameson Rodgers brings together electrified rock & roll and Country songwriting on his new self-titled EP, released in January of 2018, with songs featured on Spotify’s New Boots and Wild Country playlists as well as Sirius XM’s On The Horizon. In 2018, Rodgers also received the AIMP Nashville Rising Artist-Writer of the Year nomination for the third annual AIMP (Association of Independent Music Publishers) Nashville Awards. The former college baseball player, who landed a publishing deal with Combustion Music in 2014, scored his first songwriting cuts with Florida Georgia Lines “Wish You Were On It” and “Talk You Out Of It” in addition to co-writing Chris Lane’s new single “I Don’t Know About You.” His debut EP, released in 2016, features the streaming hit “Midnight Daydream.” In addition to opening shows for Sam Hunt and Old Dominion, Rodgers has been selling out clubs throughout the south and Midwest this year. He is currently on the Luke Combs Beer Never Broke My Heart Tour that kicked off in January.