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Get Tickets to The Bluestone and never miss your favorite artist again. Tickets From country and electronic to Indie Rock.  THE Bluestone brings quality entertainment to the stage every time. We’re working hard to bring you the best  concerts and special events in Columbus, Ohio. Keep an eye on our tickets and events calendar and check back often for concert updates. Just click on an event to purchase tickets

https://www.ticketmaster.com/the-bluestone-tickets-columbus/venue/41852

 

Dec
18
Fri
WCOL Winter Wonder Jam 2015 featuring: EASTON CORBIN
Dec 18 @ 7:00 pm
WCOL Winter Wonder Jam 2015 will feature “Take it On Back” artist, EASTON CORBIN

Opening artists: CAM and Dallas Smith

Doors for the show will open at 7pm

Tickets just $30 in advance and $35 day of show

Tickets go on-sale at 10am on Friday, November 20th

This show is Sold Out!

 

Don’t miss any upcoming shows, purchase your tickets in advance at www.LIVEatTheBluestone.com

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Nov
10
Thu
LOCASH at The Bluestone @ The Bluestone
Nov 10 @ 7:00 pm

LOCASH will be performing live at The Bluestone on Thursday, November 10th, 2016

Opening Artist: TBA

Doors for the show will open at 7pm

Tickets: $20 in advance (day of show price will increase to $25 )

PURCHASE HERE

(Tickets on-sale Friday, October 7th, at 10am)

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VIP OPPORTUNITY AVAILABLE

VIP TABLE PURCHASE DOES NOT INCLUDE ADMISSION TICKETS TO THE SHOW.  

Admission tickets must be purchased separately.

  • Loft Lower Tier: $250 (seats four people-no exceptions)
  • Prime view of the stage!
  • Includes first bucket of Miller or Coors Light
  • VIP Server
  • Exclusive Private Bar access
  • Loft Upper Tier: $200 (seats four people-no exceptions)
  • Includes first bucket of Miller or Coors Light
  • VIP Server
  • Private Bar Access
  • May have an obstructed view

*All VIP tables located in the loft area

t’s an exciting time to be LOCASH these days. That might very well be one of the biggest understatements in Nashville these days. Already in their career, the duo of Preston Brust and Chris Lucas have enjoyed hit singles, sold-out concert appearances here and abroad, and have tasted the top of the chart as two of Nashville’s quickest-rising songwriters. But, to quote the old saying… You Ain’t Seen Nothing Yet.

Recently signing with Reviver Records, the duo is joining forces with some of the biggest names on the Country Music business landscape. Brust says they could feel the team’s energy from the first meeting. “We haven’t felt an energy like this since the day we began our journey. This feels like it has all come together –the right label head, the right promo team, it finally feels like we’ve got all of our ducks in a row for the first time in our lives. We’ve been out there doing the grass roots thing for so long, and to feel it all come together, is so encouraging.

Dec
16
Fri
Chris Janson at WCOL Winter Wonder Jam 2016 @ The Bluestone
Dec 16 @ 8:00 pm

WCOL Winter Wonder Jam 2016 Featuring: Chris Janson

Special Guests: High Valley and LANco

Doors for the Show will open at 8pm

Tickets are $30 in advance and $35 day of show

Tickets on-sale Wednesday, November 23rd at 10am

PURCHASE HERE

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NASHVILLE, TN – (June 30, 2016) – With his heartfelt single “Holdin’ Her” impacting the sales and singles charts, singer-songwriter Chris Janson continues to add milestones to his career.

Last week he made a visit to the Country Music Hall of Fame in downtown Nashville to get a personal tour of the ACM Gallery exhibit which contains an entire case filled with Janson items. Each piece of memorabilia played a part in his rise to stardom including boots worn since his early days when he first arrived in Nashville and played shows at Tootsie’s, a Bocephus T shirt, his signature Fender harmonica and a guitar he paid $25 for and calls “the best investment I ever made.” It’s a vintage Yamaha guitar signed by Merle Haggard that Janson wrote all of the songs for his debut album “Buy Me A Boat” on and every song he’s had recorded by other artists.

“Being part of this exhibit is a top three musical achievement of my career,” said Janson. “It’s right up there with playing on the Grand Ole Opry and having my songs played on country radio.”

Janson is also the latest celebrity face to don the walls of Nashville’s famed restaurant, the Palm. Janson’s caricature is featured amongst a variety of other musicians, actors, politicians, athletes, executives, regular customers and people of note, as well as classic cartoons. “I eat there a lot,” says Janson. “My go-to is the Power Lunch — Steak, onion strings and a wedge salad. Oh and cheesecake plain.”

In addition to his current single “Holdin” Her,” look for more Janson penned songs on the charts soon as Tim McGraw just announced his next single “That’s How I’ll Always Be” and earlier this year, LoCash’s single “I Love This Life.”

Dec
8
Fri
Wcol Winter Wonder Jam MICHAEL RAY @ The Bluestone
Dec 8 @ 8:00 pm

Wcol Winter Wonder Jam with

Michael Ray as part of his “Get To you Tour”

Special Guests: Love and Theft, Devin Dawson

Doors for the show will open at 8pm

Tickets just $30 in advance, $35 day of show

Tickets On-Sale November 6th at 10am

PURCHASE HERE

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Michael Ray Roach (born April 29, 1988), best known as Michael Ray, is an American country music singer and songwriter. He is signed to Warner Music Nashville, for which he has released his debut single, “Kiss You in the Morning“. The song has reached No. 1 on Country Airplay. Before this single’s release, Ray was mentored by John Rich of Big & Rich on the singing competition The Next: Fame Is at Your Doorstep, which he won. He and Rich co-wrote Big & Rich’s 2015 single, “Run Away with You“.[1]

In March 2017, it was reported that Ray would put his acting chops to the test when he revealed that he landed a guest role on CMT’s show, Nashville.[2]

Love and Theft is an American country music group founded by Stephen Barker Liles, Eric Gunderson, and Brian Bandas, all three of whom alternated as lead singers and acoustic guiarists. Signed to Lyric Street Records subsidiary Carolwood Records in 2009, Love and Theft made their chart debut in early 2009 with the single “Runaway,” which reached the Top 10 on Billboard Hot Country Songs. The band’s debut album, World Wide Open, was released on August 25, 2009.

In 2011, following the departure of Bandas, Love and Theft continued as a duo consisting of Gunderson and Liles. The duo moved to RCA Records Nashville that year and released the single “Angel Eyes“, which became their first number 1 single. It and the Top 40 singles “Runnin’ Out of Air” and “If You Ever Get Lonely” all appear on their second, self-titled album.

Devin Dawson is an American country music singer-songwriter.

Devin Dawson first became famous after filming a mashup of Taylor Swift songs, which gained popularity on YouTube.[2][3][4] His debut single “All on Me” is also his first hit song.[2] With the help of producer Jay Joyce, he signed to Warner Bros. Records in 2017.[5] Dawson’s “All on Me” has charted on the Hot Country Songs and Country Airplay charts.

Dawson has also toured with Tim McGraw and Faith Hill.[6]

Feb
15
Fri
Love and Theft LIVE February 15th 2019 @ The Bluestone
Feb 15 @ 7:00 pm

Love and Theft will be performing LIVE at The Bluestone on Friday, February 15th, 2019

Doors for the show will open at 7pm

Opening Artists: Stevie Monce and Crawford & Power

Tickets are $15 in advance and $20 day of show

Tickets will go on-sale Friday, October 26th at 10am

PURCHASE HERE

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“We wanted to show a different side and make a record that sounds like us,” Stephen Barker Liles says of Love and Theft’s boundary-pushing new album Whiskey On My Breath. “Country music has always been about honest performances and songs that mean something, and that’s the kind of record that we wanted to make.”

“We’re at a different place, in our music and in our lives, than we were when we made our earlier records, and we wanted this album to reflect that,” agrees his longstanding musical partner Eric Gunderson. “We worked harder and more passionately on this record than anything we’ve ever done. The whole experience was refreshing and inspiring for us.”

Whiskey On My Breath—the duo’s third album—marks a significant creative statement for the two singer-songwriter-guitarists, whose resume already includes a long series of career highlights. Having already established themselves as one of country’s hottest young acts with such memorable hits as the #1 country smash “Angel Eyes” and the Top 10 hit “Runaway,” and their widely acclaimed albums World Wide Open and Love and Theft, the ACM/CMA/CMT-nominated twosome take their music to the next level on Whiskey On My Breath.

Jul
11
Thu
CANDLEBOX live July 11 @ The Bluestone
Jul 11 @ 7:00 pm

 CANDLEBOX live at The Bluestone on July 11th, 2019

Doors for the show will open at 7pm

This show is Ages 18+

Tickets will go on-sale Friday, March 8th at 10am

PURCHASE HERE 

 

Candlebox is an American rock band from Seattle, Washington. Since its formation in 1990, the group has released six studio albums, which have achieved multi-platinum and gold certification, as well as numerous charting singles, a compilation, and a CD+DVD.

Candlebox was the first successful act on Maverick Records, which went on to sign Alanis Morissette, Deftones and The Prodigy. They found immediate success with the release of their self-titled debut album in July 1993. It featured the band’s biggest hit songs, “Far Behind” and “You“, and was certified platinum by the RIAA four times.[5] Their next two albums, Lucy and Happy Pills, also sold well. After troubles with Maverick, Candlebox broke up in 2000 after an alleged attempt to be freed from their contract. The band reunited in 2006, and two years later, they released their fourth album Into the Sun, followed by an extensive tour. Their latest album, Disappearing in Airports was released April 22, 2016.

The band has toured or played selected shows with such bands as Living Colour, The Flaming Lips, Our Lady Peace, Rush, Henry Rollins, Aerosmith, Godsmack, Metallica, Radiohead, The Offspring, Sponge, Seaweed, Hinder, Suicidal Tendencies and Danzig.[6][7] They were also a featured band on the main-stage at Woodstock ’94 and made repeat live performances on Late Show with David Letterman.

Feb
1
Sat
Lauren Alaina LIVE February 1st, 2020 @ The Bluestone
Feb 1 @ 7:00 pm

“Following the recent news that multi-award-winning country star Lauren Alaina is a contender on this season’s “Dancing with the Stars,” the platinum-selling singer’s That Girl Was Me Tour scheduled for this fall is shifting to a January start date. The That Girl Was Me Tour originally scheduled at The Bluestone on October 3rd 2019 is being rescheduled to February 1st 2020. ”  If you have already purchased tickets, those tickets will be valid for the new date.

Lauren Alaina LIVE at The Bluestone on February 1st, 2020

Opening Artist: Filmore

Doors for the show will open at 7pm

Tickets are $20

This is an All Ages Show

Tickets on-sale NOW

PURCHASE HERE

Georgia native Lauren Alaina captured America’s hearts when she competed on Season 10 of American Idol. In 2017, Lauren followed up her No. 1 debuting first album, Wildflower, with the release of the critically-acclaimed Road Less Traveled. The album landed on multiple end-of-year “Best Of” lists including Billboard, Rolling Stone and Amazon, and it became the top-streamed female country album release of the year. Praised as “full of life lessons and uplift” (PEOPLE), the collection of 12 songs all written by the young star includes Lauren’s first No. 1 hit, title track “Road Less Traveled.”

The “sassy Southerner with killer pipes” (PARADE) has shared the stage with superstars including Alan Jackson, Carrie Underwood, Luke Bryan and Martina McBride. Lauren recently joined Cole Swindell on the Reason to Drink Tour and is currently on tour with Jason Aldean for this summer’s High Noon Neon Tour.

 

 

Feb
13
Thu
Country Fuzz Presents: The Cadillac Three Concert @ The Bluestone
Feb 13 @ 7:00 pm
Country Fuzz Presents: The Cadillac Three Concert @ The Bluestone

Country Fuzz presents: The Cadillac Three LIVE in Concert February 13th

Doors for the show will open at 7pm

Opening Artist: TBA

Tickets are just $27.50 in Advance and $32.50 day of show

Tickets will go on-sale Friday, November 22nd at 10am

PURCHASE HERE

 

It may be a ballsy move for The Cadillac Three to name their new album LEGACY, but if any country band has the shared history to lay claim to such a weighty title, it’s the longhaired trio of Nashville natives.

Singer-guitarist Jaren Johnston, drummer Neil Mason and lap-steel player Kelby Ray have known one another since they were teens and have been sharing stages together for nearly 15 years. This summer, they’ll headline their hometown’s most famous venue, the Ryman Auditorium, just a few blocks from where Johnston and Ray sat in high-school math class daydreaming about one day playing the legendary hall. Johnston’s connection to the Ryman goes back even further: his father has been a drummer at the Grand Ole Opry since Jaren was a child. And now he has a son of his own, who, like his old man, will be well-versed in all the sounds that make up both Music City and The Cadillac Three, from country and blues to rock & roll.

So, yeah, “legacy” looks good on this band.

 

Mar
18
Fri
Mammoth WVH & Dirty Honey Live March, 18 2022 @ The Bluestone
Mar 18 @ 6:30 pm – 11:45 pm

Mammoth WVH & Dirty Honey Live March 18th, 2022 6:30 PM

The Bluestone
Columbus, Ohio

https://www.ticketmaster.com/event/05005B5B9DE84DB9

WRKZ presents Mammoth WVH & Dirty Honey in Columbus, OH at The Bluestone March 18th, 2022.

Tickets on sale Friday, November 5th at 10 AM!

About Mammoth WVH

Official Website: www.mammothwvh.com

Official Facebook Page:www.facebook.com/MammothWVH

Official Twitter: www.twitter.com/MammothWVH @MammothWVH

Official Instagram: www.instagram.com/mammothwvh @mammothwvh

Official YouTube Channel:www.youtube.com/MammothWVH

First impressions last a lifetime. Wolfgang Van Halen has prepared a lifetime to make his first impression. The songwriter, vocalist, and multi-instrumentalist worked tirelessly towards the introduction of MAMMOTH [Explorer1], his self-titled 2021 debut album. Playing every instrument and singing each and every note, his music presents a personal and powerful perspective, balancing memorable hooks and tight technicality. As many times as audiences have experienced his talent alongside the likes of Tremonti,Clint Lowery, and of course, Van Halen, they meet Wolf as an individual for the very first time now.

“You only have one chance to make a first impression, and I wanted to do so to the best of my abilities,” he affirms. “Throughout the whole process, I was finding who I am musically and by the end, I got a pretty good handle on a sound I can claim for myself.”

His father often played guitar against his mother’s pregnant belly, and Wolf absorbed those vibrations from the womb. At the age of 10, his Pop gave him a drum kit for his birthday. To this day, Wolf considers himself “a drummer before anything else.” As he developed as a musician, he learned how to play guitar in order to perform “316” —which his father penned for him —at a 6th-grade talent show.

It may come as a surprise, but outside of his father teaching him one drumbeat from an AC/DC song, Wolfgang taught himself every instrument. “My dad wasn’t the best teacher,” he laughs. “I would ask him to play something, and then he would just proceed to be Eddie Van Halen. He would look at me and say, ‘Do that.’ to which I would laugh and sarcastically reply, ‘Sure thing, no problem.’”

In the summer of 2006 when he was 15 years old, Wolf grabbed a bass and began noodling. While at the legendary 5150 Studios, his impromptu woodshedding inspired Eddie and Uncle Alex. Endless family jam sessions followed. By summer’s end, Wolfgang phoned David Lee Roth’s manager and by winter Roth showed up for rehearsal. They rocked “On Fire,” and “That’s how the 2007 tour began,” says Wolf.

Not only did Wolf canvas the world with Van Halen while in high school, but he also held down the low end on 2012’s A Different Kind of Truth—which debuted at #2 on the Billboard Top 200. When not on tour with Van Halen, he cut bass for Tremonti’s critically acclaimed Cauterize [2015] and Dust [2016] in addition to joining the band on the road. In 2019, Wolf handled drums and also played bass on half of the 10 songs for Clint Lowery’s solo debut, God Bless The Renegades.

In the midst of all this, at the beginning of 2015, Wolf broke ground on what would become MAMMOTH with producer Michael “Elvis” Baskette [Alter Bridge, Slash] behind the board. Wolf began to embrace his voice, inspired by everyone from his father, to bands like AC/DC,Foo Fighters, Nine Inch Nails, TOOL, and Jimmy Eat World. “I’ve been singing my whole life, but it wasn’t until MAMMOTH that I really found my voice. Elvis was great, and he helped me gain the confidence to become a lead vocalist.”

“The name Mammoth is really special to me.” says Wolf. “Not only was it the name of Van Halen before it became Van Halen, but my father was also the lead singer. Ever since my dad told me this, I always thought that when I grew up, I’d call my own band Mammoth, because I loved the name so much. I’m so thankful that my father was able to listen to, and enjoy the music I made. I’m really proud of the work I’ve done and nothing made me happier than seeing how proud he was that I was continuing the family legacy.”

About Dirty Honey

Official Website: https://www.dirtyhoney.com/

Official Facebook Page: https://www.facebook.com/DirtyHoneyMusic/

Official Twitter:  https://twitter.com/dirtyhoneyband @DirtyHoneyBand

Official Instagram: https://www.instagram.com/dirtyhoneyband/@dirtyhoneyband

Official YouTube Channel: https://www.youtube.com/channel/UCsxtEOcwpVO9Rnw93Fuv2pQ

Some musicians take a while to build an audience and connect with fans. For the Los Angeles-based quartet Dirty Honey, success came right out of the gate. Released in March 2019, the band’s debut single, “When I’m Gone,” became the first song by an unsigned artist to reach No. 1 on Billboard’s Mainstream Rock chart. Their second single, “Rolling 7s,” went into the Top 5 and was still headed up when COVID changed everything. That same year, Dirty Honey opened for The Who, Guns ’N Roses, Slash, and Alter Bridge and was the “do-not-miss-band” at major rock festivals such as Welcome to Rockville, Rocklahoma, Louder Than Life, Heavy MTL, and Epicenter. On its first U.S. headline tour in January and February 2020, the band sold out every date.
When it came time to record its self-titled full-length debut album, the band—vocalist Marc LaBelle, guitarist John Notto, bassist Justin Smolian, and drummer Corey Coverstone—wasn’t about to mess with what was already working. Teaming up with producer Nick DiDia (Rage Against the Machine, Pearl Jam), who also produced the band’s 2019 self-titled EP, Dirty Honey again captured the lightning-in-a-bottle dynamics and energy of their live sound.
“As a guitarist, I’m always inspired by the everlasting pursuit of the perfect riff,” says Notto. “I also wanted to extend the artistic statement that we had already made. We weren’t looking to sound different, or prove our growth, necessarily. It was more about, ‘Oh, you thought that was good? Hold my beer.'”
“Because of the pandemic,” added drummer Coverstone, “we had a lot more time to write and prepare, which was great. It meant that we were able to workshop the songs a lot more, and I thinkit really made a difference.”
Dirty Honey’s album indeed builds on the band’s output to date, with airtight song writing that plays up their strengths: sexy, bluesy, nasty rock’n’roll, melodic hard rock, and soulful 70s blues-rock. On “The Wire,”LaBelle reaffirms his status as one of contemporary rock’s best vocalists, while “Another Last Time” is a raunchy, timeless ballad about a toxic relationship that you just can’t stop saying goodbye to. “Tied Up” and the album’s lead single “California Dreamin,’’ both feature smoking guitar solos bookended by massive riffs and hooks.
“‘California Dreaming’ was the last song we wrote,” said bassist Justin Smolian. “We finished it about two weeks before we recorded it, so the song was still so new, and we were trying out different things,so every take was a little different. But there was that one where we just captured it, and it was magic.”
Although each band member started playing music as kids—at the age of eight, Notto’s parents even bought him a red-and-white Stratocaster—each one brings eclectic influences to Dirty Honey’s sound. For example, drummer Coverstone has studied with jazz and L.A. session drummers but loves heavy metal; Notto grew up listening to ’70s funk and R&B as well as rock ‘n’ roll,and bassist Smolian has a bachelor of music in classical guitar and loves Tom Petty and The Beach Boys.
LaBelle meanwhile,takes cues from hissongwriting idols (to name a few, Robert Plant, Steven Tyler, Mick Jagger, Chris Robinson, and the late Chris Cornell) when coming up with lyrics. As a result, the songs on the Dirty Honey albumhint at life’s ebbs and flows—shattering heartbreak, romantic connection, intense soul-searching—while giving listeners space to draw their own conclusions.
“Sometimes,if you just let lyrics pass behind your ears, they sound like cool shit is being said,” LaBelle says. “And then once you dive in, you realize, ‘Oh, that’s really thoughtful.’ But it still doesn’t have a meaning that’s easy to pinpoint. There’s an overarching idea that is really cool, but it’s not necessarily on-the-nose.”
Although the Dirty Honey album may sound effortless, its genesis had a bumpy start. The day before the band members were due to fly to Australia to track the album, Los Angeles entered lockdown due to the COVID-19 pandemic, and traveling was off the table. However, Dirty Honey was still eager to work with DiDia, so they devised a Plan B: recording the full-length in a Los Angeles studio with one of DiDia’s long-time engineers, and the producer beamed into the proceedings via the magic of modern technology.
“He was able to listen to what we were laying down in real-time, through this app,” says LaBelle. It was like he was in the room with us. It was surprisingly seamless the way it all went down.”
Having to switch gears delayed the start of recording slightly, although this extra time ended up being a boon. Dirty Honey rented a rehearsal space and demoed the album’s songs in advance, meaning the tracks were in good shape when DiDia came onboard. Notto mixed and recorded these workshopped tracks himself, which helped him rediscover one of Dirty Honey’s biggest strengths: being well-rehearsed while not overpolishing their work.
“I’ve learned just a little bit more about what people might mean when they say, magic—you know, ‘This one has the magic,'” he says. “We would do two and three different demos of a song, so there would be a few versions. On a few occasions, the version that people kept going back to was the sloppiest, if you look at it from a performance standpoint.”
LaBelle agrees. “It’s just about getting the performance right and not thinking about it too much. I never like to be perfect in the studio. None of the stuff that I really liked as a kid was. I don’t really see myself getting away from that too much in the future just because I think you lose the soul if you do it too many times, if it’s too perfect.”
Notto also admits that the creative process isn’t necessarily always all fun and games. But for him and the rest of Dirty Honey, pushing through those tough times and coming out stronger on the other side is worth it. “When you finally come through on those moments, that’s where the real magiccomes in,” he says. “What makes all of our songs fun to play and listen to is we don’t allow ourselves to stop short of getting the best possible results out of each one of them.”