ABOVE & BEYOND are set to perform LIVE at The Bluestone May, 17th 2015! 

CONNECTION. If one word sums up the phenomenon of Above & Beyond then that is surely it. Whether it’s the thousands of A&B fans singing their lyrics back at them at gigs from Beirut to Brixton, or the millions that tune in for their weekly Group Therapy radio show, connection – real human connection – is at the heart of all things that define Above & Beyond.

Much like acts like The Smiths or Joy Division before them, Above & Beyond find themselves embedded at the heart of their fans’ lives. Some walk down the wedding aisle to their songs, others ink their bodies with their lyrics, often a proud couple will choose to get engaged at one of their gigs. All that pledge their loyalty to them are moved in a way that goes beyond most electronic music out there.

Above & Beyond is Jono Grant, Tony McGuinness and Paavo Siljamaki and their story is one of constant movement. From their early days as hotly tipped producers to their current global standing, Jono, Tony and Paavo have remained as down-to-earth and determined as ever – always focused on the next goal. Over their 13-year history, this dedication has continually paid off.

The only dance act in history to win Essential Mix Of The Year twice (in 2004 and 2011), the London-based trio have remixed greats like Radiohead and Madonna, played to one million people on Barra Beach in Rio de Janeiro (New Year’s Eve in 2007) and even had their track “Buzz” chosen to soundtrack the launch of Richard Branson’s Virgin Galactic SpaceShipTwo in the Mojave desert. And as these landmarks rack up the non-stop pulse of their global touring keeps them connected to their growing international fanbase. Each week brings another crowd, another country and often another continent, while their weekly Group Therapy radio show now reaches over 30 million people worldwide.

A band first and foremost, Above & Beyond are songwriters as much as they are DJs and their second album “Group Therapy” has taken their sound to new heights. The follow-up to 2006’s widely acclaimed debut “Tri-State”, the album draws on musical reference points as diverse as French cosmic pop heroes Air, American singer-songwriter Jeff Buckley and soundtrack master Hans Zimmer. “We are always looking to explore new territory but try to operate in our own way rather than just trying to follow trends,” explains Jono. The combined result on “Group Therapy” was unmistakably Above & Beyond – a cohesive album that was described by Mixmag as “the artist album of the year”.

At the heart of the album’s allure, of course, were songs of loves lost, confused and found. “Songs have an impact which is quite unparalleled in art,” believes Tony. “Poetry can be powerful, great literature is another great informer and educator, but few of us can remember any significant words from the great books or poems we read. But something amazing happens when you put words to music.”

Featuring two BBC Radio 1 playlisted singles (“Sun & Moon” and “Thing Called Love”) and a Sirius BPM Chart #1, the album’s many songs have connected in a way that so few dance tracks – vocal or otherwise – ever manage. “Since releasing our Group Therapy Album in 2011, it’s brought us even closer to our audience around the world,” explains Paavo. “The one thing I didn’t expect to happen on the scale it has, is how people from around the world have shared their stories with us as they go through amazingly positive or incredibly difficult times in their lives. It’s really touched us all and feels like a driving force for new creativity.”

Since the release of Group Therapy, the intense atmosphere at Above & Beyond’s increasingly ambitious live performances has redrawn the parameters of the DJ set. While so many superstar DJs place themselves at the centre of the show, Above & Beyond’s focus is always on getting closer to their crowd and making them part of the action. Whether that is by bringing fans up on stage to press the play button on their CDJs or communicating with the fans via their visual screens, the effect is to make everyone in the room feel like they are part of an experience that is at once epic, immersive and interactive.

“Some time ago we realised that on the best nights we have it’s always a three way thing: us, the music and the people, and we see improving the communication between all three as helping a good party turn incredible“ explains Paavo. “The soundsystem, lights and visuals are all there to help people connect to the music, with each other and with us, better. A Group Therapy experience, ideally, is positive, uniting and life-affirming for all involved.”

Having celebrated TATW milestones in Moscow, Miami and Beirut, 2012 saw Above & Beyond call time on Trance Around The World, as they launched their new radio show Group Therapy at a spectacular live broadcast event at Jayamahal Palace in Bangalore, India. Evolving from the foundation built by TATW, Group Therapy is broadcast weekly to 30 million people worldwide, and features guest mixes from the biggest names in electronic music. This year Above & Beyond celebrate the 50th instalment of Group Therapy Radio with their biggest ever UK show at the historic home of broadcasting, Alexandra Palace.

In the summer of 2013 Jono, Tony & Paavo launched another bold musical project, Above & Beyond Acoustic. Rewriting a selection of their back catalogue for a 15 piece ensemble, complete with a full string section, a harp and even a broom, they sold out three intimate shows at the impressive Porchester Hall in London, and in October 2013 will bring Above & Beyond Acoustic to Los Angeles.

Throughout this process, Above & Beyond have continued to release forward-thinking instrumental club music – such as their own tech-fused rollercoaster “Walter White” – on their renowned Anjunabeats label. An essential part of their story, the label is now in its 13th year and has helped to nurture artists like the London-based innovator Mat Zo, the eclectic genius Andrew Bayer and Russian star Arty. Independently spirited but run with ambitious vision, the label has grown like a family.“Dance music tends to be very short term, but we aim to release records that will leave a lasting impression on people and are listened to in years to come” explains Jono. “We try to operate in our own way rather than trying to follow trends.”

Like just about everything they turn their attentions to, it is a labour of love as well as a collaboration of the trio’s energies. De La Soul weren’t wrong. Three really is the magic number: and in Above & Beyond’s case the magic is spreading faster than ever before.

www.aboveandbeyond.nu/
https://soundcloud.com/aboveandbeyond

SUPPORT TBA

TICKETS ON SALE TUESDAY APRIL 14TH AT 1PM
www.discodonniepresents.com

https://www.facebook.com/ddpworldwide
www.mybestfriendsparty.com
www.facebook.com/mybestfriendsparty@

Chris Young will be performing live at WCOL Country Jam 2016 on

Friday, September 2nd, 2016 at Legend Valley Music Center near Buckeye Lake

 Gates for the show will open at 5pm.

Two Day Admission Tickets available for just $92 during presale March 11th-19th (after presale $125)

PURCHASE TICKET

www.LEGENDVALLEYFESTIVALS.com

Justin Moore will be performing live at WCOL Country Jam 2016 on

Friday, September 2nd, 2016 at Legend Valley Music Center near Buckeye Lake

 Gates for the show will open at 5pm.

Two Day Admission Tickets available for just $92 during presale March 11th-19th (after presale $125)

Friday Only Admission Tickets: $65

PURCHASE TICKETS

www.LEGENDVALLEYFESTIVALS.com

The Charlie Daniels Band will be performing live at WCOL Country Jam 2016 on

Friday, September 2nd, 2016 at Legend Valley Music Center near Buckeye Lake

 Gates for the show will open at 5pm.

Two Day Admission Tickets available for just $92 during presale March 11th-19th (after presale $125)

Friday Only Admission Tickets: $65

PURCHASE TICKETS

www.LEGENDVALLEYFESTIVALS.com

Chris Stapleton will be performing live at WCOL Country Jam 2016 on

Saturday, September 3rd.

 Gates for the show will open at 4pm.

Two Day Admission Tickets available for just $92 during presale March 11th-19th (after presale $125)

PURCHASE TICKETS 

www.LEGENDVALLEYFESTIVALS.com

Hank Williams Jr. will be performing live at WCOL Country Jam 2016 at Legend Valley Music Center near Buckeye Lake on Saturday, September 3rd.

 Gates for the show will open at 4pm.

Two Day Admission Tickets available for just $92 during presale March 11th-19th (after presale $125)

PURCHASE TICKETS

www.LEGENDVALLEYFESTIVALS.com

Drake White and The Big Fire will be performing live at The Bluestone on Friday, May 5th, 2017

Featured Artist: Drake White

Opening Artist: Dave Kennedy

Opening Artist: Channing Wilson

Doors for the show will open at 7pm

PURCHASE HERE–This Show is SOLD OUT

Drake White Tickets on sale Friday, December 16th at 10am

VIP OPPORTUNITY AVAILABLE

VIP TABLE PURCHASE DOES NOT INCLUDE ADMISSION TICKETS TO THE SHOW.  

Admission tickets must be purchased separately.

• Loft Lower Tier: $250 (seats four people-no exceptions)
• Prime view of the stage!
• Includes first bucket of Miller or Coors Light
• VIP Server
• Exclusive Private Bar access

• Loft Upper Tier: $200 (seats four people-no exceptions)
• Includes first bucket of Miller or Coors Light
• VIP Server
• Private Bar Access
• May have an obstructed view
• *All VIP tables located in the loft area

*All Sales are final

Every reaction begins with a catalyst, some initial event that sets things on their inexorable course. For Drake White, it goes back to something raw and elemental in his debut album Spark.

“I learned how to play guitar and keep people’s attention around a fire,” explains the Hokes Bluff, Alabama native. “A spark can start a fire that can keep you alive and sustain you. So this is the beginning for me. This is the first strike of the flint.”

The spirit of Spark comes from those simple, early days spent enjoying the outdoors among friends in the warm glow of a fire. And though he’s now a city dweller with all the complications and distractions that entails, White still seeks the freedom and deeper connections he felt when the chorus of nature and the strums of his guitar blended into one harmonious song — the kind of contentment he sings about in the swirling majesty of his single “Livin’ the Dream.” Drake White

“We grew up free. We grew up on 4-wheelers, riding through the backwoods,” he says. “We grew up hunting and fishing and being out in the Appalachian Mountains. People don’t understand how beautiful north Alabama is until you see it in person.”

Drake White

Save for “Livin’ the Dream,” White wrote or co-wrote the remaining 11 tracks on Spark, working with red-hot producers Ross Copperman and Jeremy Stover through the process. He also brought in his own band for a handful of tracks to capture the energy of his live shows.

The first sound on Spark — before the pulse-quickening “Heartbeat” kicks into gear — is the voice of White’s late grandfather speaking from the pulpit. Several of these ghostly transmissions from the past appear on Spark, all extolling the virtues of love, brotherhood and nature. It’s a touch of the surreal that nods at White’s fondness for Pink Floyd’s psychedelic masterpiece The Wall, but also a deeply personal gesture that matches his vision perfectly.

“I went through about five or six sermons of my grandfather and picked out certain little snippets,” he says. “I just think they kind of fit. They’re weird and people are asking what they are. And that was my point: to get people talking about it.”

White has his own message of finding some harmony amid the demands of modern life, one that goes down easy in the uplifting, Zac Brown Band-assisted Southern rock anthem “Back to Free” and the cautionary-but soulful “I Need Real.” It’s a simple message of not letting oneself be swallowed up by technology and seeking out honest, genuine connections with others.

“When I’m at home, my wife and I keep our phones in the bedroom,” says White. “We listen to records. We hardly turn the TV on, unless it’s time for Game of Thrones. Before social networking was a smartphone app, we did it around a fire. That goes way back.”

With his gospel-derived, passionate delivery, White seems to have inherited his grandfather’s ability to touch crowds with a sermon — his divine vocal improvisations at the end of the honky-tonk flavored “Story” will undoubtedly get butts out of seats. White stresses that he isn’t a preacher, but doesn’t see a problem with putting his own methods for surviving the world out there.

“Some of the best songs, like Buffalo Springfield’s “For What It’s Worth” or anything by Bob Marley, have a little bit of preachin’,” he says. “I never want to come across too preachy, but instead I’m saying, ‘Hey man, this is my life, and this is what I do to be happy and I’m figuring it out just like you.’” Drake White

Spark covers an entire spectrum of emotions beyond these statements of character and self-definition. In “Making Me Look Good Again,” White cruises on an R&B-style groove to express his gratitude for his better half, while “Waiting on the Whiskey to Work” finds him embodying a man spun out on love and heartbreak. Then in the tropically-themed “Equator,” he flies south to give his nomadic side a little time to play.

“This record is about balance. It’s me asking, where’s that boy I used to be? Oh yeah, we gotta go get him back,” he says. “We gotta go on a hike or camping or grab my wife and go to some foreign country. I gotta feel alive. I gotta go out there and do that.” Drake White

Long a respected live entertainer with his (appropriately named) band the Big Fire, White’s climb to the limelight hasn’t been a straight or uncomplicated one. Rather than blowing up right away with a big debut single, he’s toiled on the road for years, giving jaw-dropping performances night after night and making believers one show at a time. “There are many different paths.

Whiskey Myers

live at The Bluestone

Thursday, December 7th, 2017

Doors for the show will open at 7pm

Opening Artist: Goodbye June

Tickets are $15 in advance and $20 day of show

 Tickets On-Sale Friday, June 9th at 10am

PURCHASE HERE

RESERVED LOFT TABLE SEATING

RESERVED TABLE PURCHASE DOES NOT INCLUDE ADMISSION TICKETS TO THE SHOW.  

Admission tickets must be purchased separately.

• Loft Lower Tier: $250 (seats four people-no exceptions)
• Prime view of stage!
• Includes first bucket of Miller or Coors Light
• Server
• Exclusive Private Bar access
  Loft Upper Tier: $200 (seats four people-no exceptions)

  Includes first bucket of Miller or Coors Light

• Server
• Private Bar Access

• May be Obstruction in View

*All Reserved tables located in the loft area

ALL SALES ARE FINAL

It would be an understatement to say that a lot has happened since Whiskey Myers was last in the recording studio. Over two whirlwind years, the gritty Texas band hit #1 on the iTunes Country Chart with their breakout third album ‘Early Morning Shakes,’ earned raves everywhere from Rolling Stone to USA Today, and toured the US and UK relentlessly, slaying massive festival crowds and sharing stages with Lynyrd Skynyrd, Hank Williams Jr., Jamey Johnson, and more along the way. You’d be forgiven, then, for expecting things to work a little differently this time around when the band reunited with acclaimed producer Dave Cobb for their stellar new album, ‘Mud.’ But as it turns out, success doesn’t change a Southern gentleman, and they don’t come any more Southern than Whiskey Myers.

Fueled by larger-than-life performances honed tight from countless nights on the road, ‘Mud’ finds the band scaling new heights of songwriting and musicianship, with searing guitars, soulful vocals, and indelible hooks. While their approach to the music and humble, hard-working attitudes may not have altered, there have been developments in the Whiskey Myers world, most notably with the arrival of new faces. For the recording sessions, the band’s five founding members—Cody Cannon on lead vocals and guitar, Cody Tate and John Jeffers on guitars, Gary Brown on bass, and Jeff Hogg on drums—fleshed out their sound with the addition of fiddler/keyboard player Jon Knudson and percussionist Tony Kent, who are both now full-time members. “They bring a great energy, and I think it’s really helped our sound and makes the band more versatile,” explains Cannon. “There’s less room onstage now, but sometimes a family grows.”

Monster Energy Presents the Official Rock on the Range Pre Party at The Bluestone featuring Paradise Kitty with Special Guests Brandon & Dan of Atreyu and Cadaver Dogs.

Doors 7PM

18+

Proceeds Benefit F*ck Cancer

Drake White and The Big Fire live at The Bluestone on August 2nd, 2018!

*Opening Artist: Stevie Monce

*Doors for the show will open at 7PM

*Tickets are $15 in advance and $20 day of show

Tickets On-Sale Friday, May 11th at 10AM

PURCHASE TICKETS HERE

Born in Hokes Bluff, Alabama, country singer and songwriter Drake White’s mix of country, blues, funk, rock & roll, and reggae and his energetic, foot-stomping live shows eventually led him to Nashville and beyond. Growing up, he sang in the choir at his local church, and after getting a guitar at the age of 14 from a neighbor down the road who played bluegrass, he began writing and playing songs, continuing to do so while attending Gadsen State Community College and then Auburn University, earning a degree in building science even as he played in the local venues at night. After graduation, White took a job with a general contractor in Nashville, working by day and playing the song rounds at night, developing, with his band the Big Fire, a crackling and energetic stage presence that often found him freestyling lyrics in the middle of songs. He caught the eye of producer Jeremy Stover and was soon signed to MCA Nashville, turned his attention full-time to music, and released a debut single, “Simple Life,” on the label early in 2013. A year later, White signed with Big Machine affiliate Dot Records, resulting in a pair of 2015 singles, “It Feels Good” and “Livin’ the Dream.” In August 2016, Dot released White’s debut album, Spark. ~ Steve Leggett, Rovi

Drake White will return to The Bluestone on March 21st, 2019

Doors for the show will open at 7pm

Opening Artist: Jordan Brooker

Tickets are $20 in advance

THIS SHOW IS SOLD OUT!

PURCHASE HERE

Drake White at The Bluestone

To listen to Drake White’s music is to fully experience the soul and rhythm of his upbringing in the Appalachian foothills of Northeastern Alabama. The undeniable sound of his soulful voice has whipped concert audiences across the country into a frenzy as Drake and his band, The Big Fire, raise the roof and summon spirits to life onstage. It’s equal parts Baptist tent revival and amped-up southern rock festival. As you watch Drake crank the energy level up higher and higher throughout the night, you feel as if you’d walked in on a live gospel album backed up by all-stars from The Allman Brothers and Lynyrd Skynyrd. Of course those acts hit musical pay dirt recording in Muscle Shoals, Alabama in the late ‘60s and ‘70s, a little over two hours west of Drake’s tiny hometown of Hokes Bluff.

The same fire that drives Drake to pour his entire being in to those performances also demands that he continue exploring and refining that country soul sound, which the world first heard on his debut album, 2016’s SPARK (Big Machine Label Group). In the spirit of propelling his music forward, Drake teamed up with a crew of Nashville’s most creative musicians in an effort to, as he says, “Bridge that gap between Nashville and Muscle Shoals.” It’s in the crossroads of those two musical worlds that you’ll find Drake White’s new five-song EP, PIECES (BMLG Records) . The new project is helmed by hit producer busbee, best known in country circles for his work with Maren Morris and Keith Urban.

Drake White

The OPTIMYSTIC Tour

October 22, 2021

Doors 7 PM

The Bluestone

583 East Broad Street

Columbus, Ohio 43215

Drake White Live at The Bluestone October 22, 2021

To listen to Drake White’s music is to fully experience the soul and rhythm of his upbringing in the Appalachian foothills of Northeastern Alabama. The undeniable sound of his soulful voice has whipped concert audiences across the country into a frenzy as Drake and his band, The Big Fire, raise the roof and summon spirits to life on stage. It’s equal parts Baptist tent revival and amped-up southern rock festival. As you watch Drake crank the energy level up higher and higher throughout the night, you feel as if you’d walked in on a live gospel album backed up by all-stars from The Allman Brothers and Lynyrd Skynyrd. Of course, those acts hit musical pay dirt recording in Muscle Shoals, Alabama in the late ‘60s and ‘70s, a little over two hours west of Drake’s tiny hometown of Hokes Bluff.

The same fire that drives Drake to pour his entire being in to those performances also demands that he continue exploring and refining that country soul sound, which the world first heard on his debut album, 2016’s SPARK (Big Machine Label Group). In the spirit of propelling his music forward, Drake teamed up with a crew of Nashville’s most creative musicians, too, as he says, “Bridge that gap between Nashville and Muscle Shoals.” It’s at the crossroads of those two musical worlds that you’ll find Drake White’s new five-song EP, PIECES (BMLG Records). The new project is helmed by hit producer Busbee, best known in country circles for his work with Maren Morris and Keith Urban.

This ticket is a revocable license and may be taken up and admission refused upon refunding the purchase price appearing hereon and is grounds for seizure and cancellation without compensation. Holder of this ticket (“Holder”) voluntarily assumes all risks and danger incidental to the game or event for which this ticket is issued whether occurring prior to, during, or after same, including, but not limited to, contracting, and/or spreading the COVID-19 virus, and agrees that the organization, venue, presenter, agents, participants, or players are not responsible or liable for any injuries, sickness, or death resulting from such causes. Holder acknowledges that the COVID-19 pandemic remains a threat to individual and public health, COVID-19 is a highly contagious disease transmitted through human contact and respiratory droplets (including through the air and via common surfaces) and it is possible that Holder may contract COVID-19 while at the game or event for which this ticket is issued. Holder agrees by use of this ticket not to transmit or aid in transmitting any description, account, picture, or reproduction of the game or event to which this ticket is issued. Breach of the foregoing will automatically terminate this license. Holder agrees that the license comprised by this ticket may be removed and Holder may be ejected from the game or event for which this ticket is issued in the event that Holder violates any law, ordinance, or venue regulation. Holder grants permission to the organization sponsoring the game or event for which this ticket is issued to utilize Holder’s image or likeness in connection with any video or other transmission or reproduction of the event to which this ticket relates.

Mammoth WVH & Dirty Honey Live March 18th, 2022 6:30 PM

The Bluestone

Columbus, Ohio

https://www.ticketmaster.com/event/05005B5B9DE84DB9

WRKZ presents Mammoth WVH & Dirty Honey in Columbus, OH at The Bluestone March 18th, 2022.

Tickets on sale Friday, November 5th at 10 AM!

About Mammoth WVH

Official Website: www.mammothwvh.com

Official Facebook Page:www.facebook.com/MammothWVH

Official Twitter: www.twitter.com/MammothWVH @MammothWVH

Official Instagram: www.instagram.com/mammothwvh @mammothwvh

Official YouTube Channel:www.youtube.com/MammothWVH

First impressions last a lifetime. Wolfgang Van Halen has prepared a lifetime to make his first impression. The songwriter, vocalist, and multi-instrumentalist worked tirelessly towards the introduction of MAMMOTH [Explorer1], his self-titled 2021 debut album. Playing every instrument and singing each and every note, his music presents a personal and powerful perspective, balancing memorable hooks and tight technicality. As many times as audiences have experienced his talent alongside the likes of Tremonti,Clint Lowery, and of course, Van Halen, they meet Wolf as an individual for the very first time now.

“You only have one chance to make a first impression, and I wanted to do so to the best of my abilities,” he affirms. “Throughout the whole process, I was finding who I am musically and by the end, I got a pretty good handle on a sound I can claim for myself.”

His father often played guitar against his mother’s pregnant belly, and Wolf absorbed those vibrations from the womb. At the age of 10, his Pop gave him a drum kit for his birthday. To this day, Wolf considers himself “a drummer before anything else.” As he developed as a musician, he learned how to play guitar in order to perform “316” —which his father penned for him —at a 6th-grade talent show.

It may come as a surprise, but outside of his father teaching him one drumbeat from an AC/DC song, Wolfgang taught himself every instrument. “My dad wasn’t the best teacher,” he laughs. “I would ask him to play something, and then he would just proceed to be Eddie Van Halen. He would look at me and say, ‘Do that.’ to which I would laugh and sarcastically reply, ‘Sure thing, no problem.’”

In the summer of 2006 when he was 15 years old, Wolf grabbed a bass and began noodling. While at the legendary 5150 Studios, his impromptu woodshedding inspired Eddie and Uncle Alex. Endless family jam sessions followed. By summer’s end, Wolfgang phoned David Lee Roth’s manager and by winter Roth showed up for rehearsal. They rocked “On Fire,” and “That’s how the 2007 tour began,” says Wolf.

Not only did Wolf canvas the world with Van Halen while in high school, but he also held down the low end on 2012’s A Different Kind of Truth—which debuted at #2 on the Billboard Top 200. When not on tour with Van Halen, he cut bass for Tremonti’s critically acclaimed Cauterize [2015] and Dust [2016] in addition to joining the band on the road. In 2019, Wolf handled drums and also played bass on half of the 10 songs for Clint Lowery’s solo debut, God Bless The Renegades.

In the midst of all this, at the beginning of 2015, Wolf broke ground on what would become MAMMOTH with producer Michael “Elvis” Baskette [Alter Bridge, Slash] behind the board. Wolf began to embrace his voice, inspired by everyone from his father, to bands like AC/DC,Foo Fighters, Nine Inch Nails, TOOL, and Jimmy Eat World. “I’ve been singing my whole life, but it wasn’t until MAMMOTH that I really found my voice. Elvis was great, and he helped me gain the confidence to become a lead vocalist.”

“The name Mammoth is really special to me.” says Wolf. “Not only was it the name of Van Halen before it became Van Halen, but my father was also the lead singer. Ever since my dad told me this, I always thought that when I grew up, I’d call my own band Mammoth, because I loved the name so much. I’m so thankful that my father was able to listen to, and enjoy the music I made. I’m really proud of the work I’ve done and nothing made me happier than seeing how proud he was that I was continuing the family legacy.”

About Dirty Honey

Official Website: https://www.dirtyhoney.com/

Official Facebook Page: https://www.facebook.com/DirtyHoneyMusic/

Official Twitter:  https://twitter.com/dirtyhoneyband @DirtyHoneyBand

Official Instagram: https://www.instagram.com/dirtyhoneyband/@dirtyhoneyband

Official YouTube Channel: https://www.youtube.com/channel/UCsxtEOcwpVO9Rnw93Fuv2pQ

Drake White

w/ Morgan Myles

April 21, 2023 7 PM

Doors Open 7 PM

at The Bluestone

Columbus, Ohio

To listen to Drake White’s music is to fully experience the soul and rhythm of his upbringing in the Appalachian foothills of Northeastern Alabama. The undeniable sound of his soulful voice has whipped concert audiences across the country into a frenzy as Drake and his band, The Big Fire, raise the roof and summon spirits to life onstage. It’s equal parts Baptist tent revival and amped-up southern rock festival. As you watch Drake crank the energy level up higher and higher throughout the night, you feel as if you’d walked in on a live gospel album backed up by all-stars from The Allman Brothers and Lynyrd Skynyrd. Of course those acts hit musical pay dirt recording in Muscle Shoals, Alabama in the late ‘60s and ‘70s, a little over two hours west of Drake’s tiny hometown of Hokes Bluff.