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The Third Annual A.D Farrow Co.-Harley Davidson Easyriders After Party will feature headliner DAVID ALLAN COE, with special guests Cliff Cody and Mark Pennington. Tickets are $15 advance and $20 day of show. Doors open at 8PM.
VIP Admission (limited tables available)
- $125 front row
- $100 second row
- $100 third row
- Tables seat up to four guests (no exceptions)
- Tables do not include admission into venue
General Admission
- $15 Advance
- $20 Day of Show
- $50 Meet and Greet Passes (Limited number available)
- Standing room only
Saturday, 2/8 | Doors 8PM
Audien , MATOMA , Yacht Club
This event is 18 and over
Audien
At a time where the upcoming talents in the scene of Electronic Dance Music seem to get younger by the second, another promisingh his incredible sense beautiful melodies and a production quality that deserves a lot of recognition, Nate “Audien” Rathbun is starting to show off his skills in a trance and progressive scene that many had mistaken for being dead and gone.
At age 18 and hailing from the Northeastern shores of USA, Nate has silently been honing his skills ever since his first encounter with EDM at age 15. Having been brought up in a family with a mother that was very passionate about music in general, and a father that expressed his joy through guitar playing and singing, undoubtedly helped to shape Nate’s passion for music. Starting off with up-tempo techno gradually transitioning to trance and progressive. It did not take long fo prospect of tomorrow has appeared. Witr people to see that Nate had a flair for the melodies and the production skills required to create quality productions.
Recently Nate has seen his originals and remixes getting picked up by heavyweight UK trance labels Armada, Enhanced Recordings, Flashover, Black Hole, and Alter Ego among others. Recently Nate signed a track to Ferry Corsten’s dutch imprint Flashover Recordings which ended up on Ferry’s hot compilation theory entitled “Once Upon A Night” among many other compilations lisenced by Armada, Enhanced, and others.
Nate has never had a problem with airplay. His productions have frequently been featured on radio shows such as A State Of Trance with Armin Van Buuren, Trance Around The World with Above and Beyond, Corsten’s Countdown with Ferry Corsten, Tiesto’s Club Life, including many other shows hosted by credible and established Producers and DJs.
On the remix front Nate has proven himself capable at working at an amazing pace; finishing remixes for before mentioned, Enhanced Recordings, AVA (Armada), the also UK based Alter Ego, and with numerous other deals in the works it is safe to say that it will not take long before the world will be making the first encounter with young, yet incredibly gifted American.
Russell Dickerson will be performing live at The Bluestone on Friday, February 17th, 2017
Doors for the show will open at 7pm
Opening artist: TBA
Tickets are $15
Tickets on-sale Friday, November 4th at 10am
PURCHASE TICKETS HERE
Ashley McBryde live at The Bluestone on November 8th, 2018 as part of her “Girl Going Nowhere Tour” performing live at The Bluestone on November 8th, 2018!
*Opening Artist: Dee White
*Doors will OPEN at 7PM
*Tickets are $15 in advance and $20 day of show
Tickets On-Sale Friday, May 25th 10AM!
Ashley McBryde Biography…
“I hear the crowd, I look around, and I can’t find one empty chair. Not bad for a girl going nowhere” sings Ashley McBryde on “Girl Goin’ Nowhere,” the seminal title track from her forthcoming LP. They’re words built from experience: over the course of her life, McBryde’s been finding her own way to fill those seats and sway those hearts since the very first time her teacher told her that her dreams of writing songs in Nashville would never see the light of day. Every time she was brought down, she persevered; trusting her timeless tone and keen, unwavering eye for the truth. It paid off. In April, Eric Church brought her on stage and called her a “whiskey-drinking badass,” confessing that he’s a massive fan. The rest of the world is quickly catching on, too.
Dubbed as one of Rolling Stone’s “Artists You Need To Know,” citing she’s “an Arkansas red-clay badass, with the swagger of Hank Jr. and the songwriting of Miranda Lambert,” McBryde fearlessly lays it all on the line, and it’s that honest all-in approach that has led to NPR critic Ann Powers to ask if McBryde could be “among the first post-Stapleton country stars?” McBryde’s album will showcase an artistic vision that will prove her to be one of the genre’s keenest working storytellers, bringing unwavering honesty back into a pop-preoccupied genre. Pulling tales from every corner of her human experience, McBryde sings with fire and fury, laughing and swigging that brown stuff along the way.
McBryde was raised in Mammoth Spring, Arkansas. At three, she’d secretly pluck her father’s guitar like an upright bass, and after about the 17th time being caught, her father bought her a guitar of her own. When she was twelve, she played her parents and grandparents her very first composition. It was at Arkansas State when, while a member of the marching band, McBryde finally started sharing her voice with others, and finally moved to Nashville in 2007 where steadily worked a circuit of dive bars, biker hangouts, and colorful joints fighting to have her songs heard.
Her first EP, the self-released 2016 Jalopies and Expensive Guitars was just a taste of what McBryde can do, and, on her full-length debut, she will meld her songwriting chops with the vision of producer Jay Joyce, peppering her tales with a touch of guitar-driven rock fury. McBryde isn’t afraid to tell the truth, get raw and real and use the spirits of country, folk and rock when it serves her greater purpose. And that’s to tell the stories that shake us, make us and tell us a little more about what it’s like to be human.
