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Whiskey Myers
live at The Bluestone
Thursday, December 7th, 2017
Doors for the show will open at 7pm
Opening Artist: Goodbye June
Tickets are $15 in advance and $20 day of show
Tickets On-Sale Friday, June 9th at 10am
PURCHASE HERE
RESERVED LOFT TABLE SEATING
RESERVED TABLE PURCHASE DOES NOT INCLUDE ADMISSION TICKETS TO THE SHOW.
Admission tickets must be purchased separately.
- Loft Lower Tier: $250 (seats four people-no exceptions)
- Prime view of stage!
- Includes first bucket of Miller or Coors Light
- Server
- Exclusive Private Bar access
Loft Upper Tier: $200 (seats four people-no exceptions)
Includes first bucket of Miller or Coors Light
- Server
- Private Bar Access
- May be Obstruction in View
*All Reserved tables located in the loft area
ALL SALES ARE FINAL
It would be an understatement to say that a lot has happened since Whiskey Myers was last in the recording studio. Over two whirlwind years, the gritty Texas band hit #1 on the iTunes Country Chart with their breakout third album ‘Early Morning Shakes,’ earned raves everywhere from Rolling Stone to USA Today, and toured the US and UK relentlessly, slaying massive festival crowds and sharing stages with Lynyrd Skynyrd, Hank Williams Jr., Jamey Johnson, and more along the way. You’d be forgiven, then, for expecting things to work a little differently this time around when the band reunited with acclaimed producer Dave Cobb for their stellar new album, ‘Mud.’ But as it turns out, success doesn’t change a Southern gentleman, and they don’t come any more Southern than Whiskey Myers.
Fueled by larger-than-life performances honed tight from countless nights on the road, ‘Mud’ finds the band scaling new heights of songwriting and musicianship, with searing guitars, soulful vocals, and indelible hooks. While their approach to the music and humble, hard-working attitudes may not have altered, there have been developments in the Whiskey Myers world, most notably with the arrival of new faces. For the recording sessions, the band’s five founding members—Cody Cannon on lead vocals and guitar, Cody Tate and John Jeffers on guitars, Gary Brown on bass, and Jeff Hogg on drums—fleshed out their sound with the addition of fiddler/keyboard player Jon Knudson and percussionist Tony Kent, who are both now full-time members. “They bring a great energy, and I think it’s really helped our sound and makes the band more versatile,” explains Cannon. “There’s less room onstage now, but sometimes a family grows.”
Wcol Winter Wonder Jam with
Michael Ray as part of his “Get To you Tour”
Special Guests: Love and Theft, Devin Dawson
Doors for the show will open at 8pm
Tickets just $30 in advance, $35 day of show
Tickets On-Sale November 6th at 10am
PURCHASE HERE
Michael Ray Roach (born April 29, 1988), best known as Michael Ray, is an American country music singer and songwriter. He is signed to Warner Music Nashville, for which he has released his debut single, “Kiss You in the Morning“. The song has reached No. 1 on Country Airplay. Before this single’s release, Ray was mentored by John Rich of Big & Rich on the singing competition The Next: Fame Is at Your Doorstep, which he won. He and Rich co-wrote Big & Rich’s 2015 single, “Run Away with You“.[1]
In March 2017, it was reported that Ray would put his acting chops to the test when he revealed that he landed a guest role on CMT’s show, Nashville.[2]
Love and Theft is an American country music group founded by Stephen Barker Liles, Eric Gunderson, and Brian Bandas, all three of whom alternated as lead singers and acoustic guiarists. Signed to Lyric Street Records subsidiary Carolwood Records in 2009, Love and Theft made their chart debut in early 2009 with the single “Runaway,” which reached the Top 10 on Billboard Hot Country Songs. The band’s debut album, World Wide Open, was released on August 25, 2009.
In 2011, following the departure of Bandas, Love and Theft continued as a duo consisting of Gunderson and Liles. The duo moved to RCA Records Nashville that year and released the single “Angel Eyes“, which became their first number 1 single. It and the Top 40 singles “Runnin’ Out of Air” and “If You Ever Get Lonely” all appear on their second, self-titled album.
Devin Dawson is an American country music singer-songwriter.
Devin Dawson first became famous after filming a mashup of Taylor Swift songs, which gained popularity on YouTube.[2][3][4] His debut single “All on Me” is also his first hit song.[2] With the help of producer Jay Joyce, he signed to Warner Bros. Records in 2017.[5] Dawson’s “All on Me” has charted on the Hot Country Songs and Country Airplay charts.
Dawson has also toured with Tim McGraw and Faith Hill.[6]
The Cadillac Three will be performing live at The Bluestone on March 8th, 2018
Opening Artist: Austin Jenckes
Doors for the show will open at 7pm
Tickets are $25 in advance and $30 day of show
This show is SOLD OUT!
PURCHASE HERE
The Cadillac Three LIVE at The Bluestone
THE CADILLAC THREE
It may be a ballsy move for The Cadillac Three to name their new album LEGACY, but if any country band has the shared history to lay claim to such a weighty title, it’s the longhaired trio of Nashville natives.
Singer-guitarist Jaren Johnston, drummer Neil Mason and lap-steel player Kelby Ray have known one another since they were teens and have been sharing stages together for nearly 15 years. This summer, they’ll headline their hometown’s most famous venue, the Ryman Auditorium, just a few blocks from where Johnston and Ray sat in high-school math class daydreaming about one day playing the legendary hall. Johnston’s connection to the Ryman goes back even further: his father has been a drummer at the Grand Ole Opry since Jaren was a child. And now he has a son of his own, who, like his old man, will be well-versed in all the sounds that make up both Music City and The Cadillac Three, from country and blues to rock & roll.
So, yeah, “legacy” looks good on this band.
“We’re trying to build something and do it our way, which is always harder,” says Johnston. “If you’re going to leave something that people are actually going to remember, you can’t take the easy way. So we took all of our history, mixed it with the energy of The Cadillac Three and put it into a record that makes sense of where we’ve been and where we’re going.”
After nearly a full year on the road in support of 2016’s BURY ME IN MY BOOTS, their first full-length album recorded for Big Machine Records, the group returns with a more mature perspective. Johnston, Mason and Ray have experienced a lot on tour, whether opening arenas across the country on Florida Georgia Line’s Dig Your Roots Tour or headlining their own consistently sold-out string of sweaty club and theater shows in the U.K. and Europe. As they prepare to head back in November for another big run, for The Cadillac Three, the old saying really is true: this band is huge overseas.
“Europe showed us that we should bet on ourselves. It was a big gamble the first time we went over there,” says Mason, “but the shows and the fans have continued to grow.”
“And going overseas reinforced that we wanted to get more music out more quickly,” adds Ray. “They go through singles really quickly over there. They want more, more, more and that encouraged us to go into the studio, knock this album out and keep going.”
All that travel, from city to state, country to continent, could decimate a lesser band, but it only served to creatively inspire the mighty TC3. They wrote many of the 11 songs that make upLEGACY on the road, cut the tracks on rare days off in Nashville and then recorded all of Johnston’s vocals – one of the most “country” voices in the genre – in the back lounge of their bus in between shows, adding a crackling sense of vitality to LEGACY. They also produced the album themselves.
“We knew what we wanted to do with this record. Instead of putting it together in bits and pieces, we started with a batch of songs and then picked a single,” Johnston says. “That’s how this shit should be done.”
That back-to-basics approach to making music yielded the band’s most infectious single to date: the woozy sing-along “Dang If We Didn’t.” Written, as is most of the album, by Johnston and Mason (here, with Jonathan Singleton; other times with songwriters like Laura Veltz and Angelo Petraglia), “Dang If We Didn’t” teases fans with its ambiguous title, before revealing what the guys actually did in the chorus: get drunk last night.
“When you’re a songwriter, you can be critical of song titles,” says Johnston. “But with ‘Dang If We Didn’t,’ I thought it was a little bit mysterious. It makes you wonder, ‘Dang if we didn’t do what?'”
“Eat pizza last night,” quips Mason. “It could be anything.”
“American Slang” rivals “Dang If We Didn’t” in its grandeur. It’s a huge song, akin to Tom Petty’s “Free Fallin'” or The Cadillac Three’s own “Graffiti,” off BURY ME IN MY BOOTS. Lori McKenna (Little Big Town’s “Girl Crush”) began writing the tune with the intention of having The Cadillac Three finish it. “We are vampires on Hollywood Boulevard / angels and sinners of our hometown streets,” go the lyrics, painting a picture of life’s rebels, before a massive country-radio chorus kicks in: “We are the back roads, dirty water shore banks…we are born and raised on American slang.”
The constant throughout LEGACY, however, lies in the players: as on all three of The Cadillac Three’s albums, only Johnston, Mason and Ray are the musicians. There’s no guest keyboard player, no second percussionist and certainly no bassist. Ray holds down the low end on his lap steel.
Especially on the standout LEGACY track “Take Me to the Bottom,” which features Johnston reaching high for a breathtaking falsetto. “‘Take Me to the Bottom’ has the best bass sound of anything I’ve ever done,” says Ray, who also keeps things greasy on the intense “Tennessee.” A thrashing love song, it evokes the stomp of ZZ Top – a favorite of TC3 – and features a lyrical shout-out to progressive country hero Sturgill Simpson, a kindred spirit of the band.
No matter the influence, though, the trio stays faithful to their own unique sound throughout LEGACY. “Hank & Jesus” glides along with Tennessee twang; “Demolition Man” is distinguished by the space between the notes; and the swaggering “Cadillacin'” is a band anthem. “We don’t put anything on our albums that we can’t re-create live,” says Mason. “If there is a TC3 rule, it’s that: keep it honest.”
Honesty, or authenticity, is a favorite buzzword around Nashville. But few artists come to it as naturally as The Cadillac Three. These guys couldn’t fake it if they tried. In the album’s title track, they offer a heart-on-the-sleeve testimony to what’s really important at the end of one’s days: love and a family tree.
When Mason and Ray heard “Legacy,” co-written by Johnston, they flipped, and pushed for it to be the title of the record. “We’re far enough along in our careers where doing an album called LEGACY doesn’t feel presumptuous to me,” says Mason.
Not when you run through The Cadillac Three’s milestones. It’s all there, from boundary-pushing albums, Grammy-nominated No. 1 songwriting across genres and fan-favorite singles to sold-out club shows and massive festival gigs alongside Aerosmith.
“With this album, we’re continuing to build this thing we’ve created. We’re touring nonstop, headlining shows in the U.K., playing the Ryman, and putting out a new record,” says Johnston. “Shit, that’s a pretty good legacy so far.”
Aaron Lewis at The Bluestone Two Nights, BACK TO BACK!
*August 23rd, 2018 and August 24th, 2018 (SOLD OUT)
*Opening Artist: Travis Marvin
*Doors for the show will open at 7pm each night
*Tickets are $35 in advance and $40 day of show
(Ticket is only valid for admission for the date printed on the ticket)
Tickets are on-sale NOW!
PURCHASE THURSDAY, AUGUST 23rd TICKET HERE
Lewis has been performing solo acoustic shows since he was 17 and still does today. He has written and performed many songs that have never been officially released such as “Angel”, “Something Like Me”, “Bonghits for Breakfast” (originally performed with J-CAT), and “Sleeping at the Wheel”.
In July 2010, Lewis finished recording a country music EP entitled Town Line that was released March 1, 2011 on Stroudavarious Records. It features seven tracks including three versions of the first single “Country Boy” featuring George Jones, Charlie Daniels, and Chris Young, as well as the songs “Massachusetts”, “Vicious Circles”, “The Story Never Ends”, and a re-recording of “Tangled Up in You” originally from The Illusion of Progress.[5] Lewis said in a July 2011 interview that he was introduced to country music as a child by his grandfather, but his interest was recently rekindled when he toured with fellow rock turned occasional country singer Kid Rock.[6]
Lewis performing at the House of Blues in Cleveland in 2013
Lewis released his first full solo album, The Road, in November 2012. Its debut single, “Endless Summer”, has also made the country charts. Lewis wrote every song on the 10 track collection, except for “Granddaddy’s Gun” which was penned by Dallas Davidson, Rhett Akins and Bobby Pinson, marking the first time Lewis has recorded outside material for an album.[7] In an interview with Broadway’s Electric Barnyard, Lewis said he recorded “Granddaddy’s Gun” as both a compliment to a friend, and because he was pressed for time.[8]
Lewis wrote songs for his second solo album whilst touring in support of The Road, often performing the unreleased material in his live sets.[9][10] The album, dubbed Sinner, was mostly recorded in a single 18 hour session, with many tracks done in one take. Aaron’s daughter Zoe also provides guest vocals on one song.[11] It was released on September 16, 2016, with the lead single, “That Ain’t Country”, released on 17 June. Country artist Willie Nelson is featured on the album’s title track as well.
Mitchell Tenpenny LIVE at The Bluestone on Friday, December 21st, 2018
Doors for the show will open at 7pm
Opening Artist: Ross Ellis
Tickets are $21 in advance
THIS SHOW IS SOLD OUT
Every ticket for this show includes a physical CD of Mitchell Tenpenny’s forthcoming album, Telling All My Secrets. You will receive an email with instructions on how to redeem this offer approximately 7 days after your ticket purchase.
PURCHASE HERE
Mitchell Tenpenny is an industry insider/outlier. Someone who has a local’s appreciation for the origins of Nashville and keen focus on what happens outside of Music City.
The rugged individualist operates with complete confidence and comfort in the space between contradictory themes. He is a creative thinker with a keen business sense. He is fiercely competitive, but is equally vocal proponent for his industry colleagues. He finds inspiration in music as diverse as Michael Jackson and the Oak Ridge Boys.
And none of that seems the least bit unusual or out of whack to the Nashville native with an industry pedigree (his grandmother was industry legend Donna Hilley who shaped the musical landscape of country music as CEO of Sony/ATV Music Publishing). He lives his life and his budding musical career on both ends of the spectrum.
He’s authentic thanks in large part to Tenpenny’s fearless skill as a songwriter, which includes a Top 5 hit for Granger Smith, “If the Boot Fits,” and time spent opening for a variety of influential artists including Smith, Dustin Lynch (Ride of Die Tour), Maren Morris (Renegade Revival Run), Jake Owen, Brett Young, Lynyrd Skynyrd, Dustin Lynch, Gary Allan, and others.
Country Fuzz presents: The Cadillac Three LIVE in Concert February 13th
Doors for the show will open at 7pm
Opening Artist: TBA
Tickets are just $27.50 in Advance and $32.50 day of show
Tickets will go on-sale Friday, November 22nd at 10am
PURCHASE HERE
Singer-guitarist Jaren Johnston, drummer Neil Mason and lap-steel player Kelby Ray have known one another since they were teens and have been sharing stages together for nearly 15 years. This summer, they’ll headline their hometown’s most famous venue, the Ryman Auditorium, just a few blocks from where Johnston and Ray sat in high-school math class daydreaming about one day playing the legendary hall. Johnston’s connection to the Ryman goes back even further: his father has been a drummer at the Grand Ole Opry since Jaren was a child. And now he has a son of his own, who, like his old man, will be well-versed in all the sounds that make up both Music City and The Cadillac Three, from country and blues to rock & roll.
So, yeah, “legacy” looks good on this band.
Tracy Lawrence will be performing LIVE at The Bluestone
Special guest Tyler Booth
November 19th, 2021
Presale $25 Day of show $30
Doors at 7 PM
If you purchased tickets for the previous show and did not receive a refund, your ticket will be good for the new date.
Tracy Lawrence
In 1994, Lawrence contributed the Top Ten hit “Renegades, Rebels and Rogues” to the soundtrack of the movie version of Maverick and also released his third album, I See It Now. “Texas Tornado” became his sixth number one hit, and three more singles — the title track, “As Any Fool Can See,” and “If the World Had a Front Porch” — all went to number two. Somewhat lost in all the success was Lawrence‘s arrest that same year on a weapons charge, but it didn’t slow his career momentum at all. He tossed off the Live and Unplugged set in 1995, which compiled acoustic tracks and concert performances with his backing band Little Elvis. In 1996, he returned with the proper follow-up album Time Marches On. The title track was a huge hit, topping the country charts, and “If You Love Me,” “Stars Over Texas,” and “Is That a Tear” all went Top Five. His hit streak continued with 1997’s The Coast Is Clear, which contained two more Top Five singles in the title track and “Better Man, Better Off.”
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