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Clayton Anderson will perform live at The Bluestone Friday, February 20th 2015!
Supporting Artist: Chris Cavanaugh and Carter Winter
Doors OPEN at 7PM ( All Ages Event )
( $5 Tickets Available At The Door )
Clayton Anderson
It all started with fun-fetti cake and karaoke birthday parties. Every year, Clayton Anderson wanted the same thing and insisted that his little sister do it also.
In college, Clayton decided to learn guitar because he thought it’d impress the ladies. Next thing he knew, he and his friends were playing local parties and bars. After he graduated, he won Kenny Chesney’s Next Big Star Competition. It was the boost of confidence he needed to leave his job at a mortgage company and move to Nashville.
Clayton’s first record in 2011, Torn Jeans & Tailgates climbed to #12 on the iTunes Country Chart, situating itself next to household names like Zac Brown, Brad Paisley, and Blake Shelton.
Clayton has been traveling across the country playing backrooms, side stages, and honky tonks from Michigan to Florida, each time gaining a few more fans and a better foothold on areas that aren’t traditional country strongholds. He’s opened for some of country’s biggest stars, the likes of Blake Shelton, Jason Aldean, Eric Church, Darius Rucker and even Mr. Party himself, Jimmy Buffett.
Even though he now spends most of his time on the road, Clayton makes a point to stay tied to home. He still keeps an Indiana phone number so his grandmother can call him, and he made sure he was home for the birth of his first niece.
Clayton writes and sings what he knows. He grew up in Bedford, a small town in southern Indiana. Clayton spent his summer days on Lake Monroe. He loved the Colts before they were good. Clayton pulls a lot of his musical inspiration from his home state’s pool of legends: John Mellencamp, Michael Jackson, John Hiatt, David Lee Roth, and Axl Rose.
Clayton knows he’s been very blessed. He says his success has been thanks to his supportive family, friends and incredible fans. His journey, like most, has been full of ups and downs, but he plans to always remember those who helped him along the way.
This new album is very personal for Clayton. He wrote or co-wrote almost all the songs on this project. Each track marks a different moment in his journey to “Right Where I Belong.”
Chris Cavanaugh
Chris Cavanaugh picked up the guitar when he was 12 years old and hasn’t set it down since. Not long after he started playing, with just a few chords and a song, Chris performed in the talent show at his middle school. When the song was over, everybody rose to their feet, and from that point on Chris knew what he wanted to do for the rest of his life…
Cavanaugh grew up listening to Garth Brooks, George Strait, and Brooks & Dunn. This influence and his love for music had Cavanaugh making the trip from his hometown of Springfield, Missouri to Tennessee just a few months after graduating high school. After spending a few years hanging out with writers and publishers he had no doubt that he wanted to make Tennessee his home. Shortly after graduating from Middle Tennessee State University Chris signed his first songwriting deal. Over the next few years Chris spent his time on music row honing his craft as a writer. During this time however, he says, “I always knew that deep down my ultimate passion was playing and performing, so I eventually had to get out and do something about it…I had to get on the road.” And so he did…
As of recently you can find Chris playing with his band throughout Missouri, Illinois, Indiana, and Ohio. When asked about his career so far, and the path he has taken to get to where he is, Chris says, “I think everything happens for a reason and I believe the time I spent in Nashville digging in and learning how to write songs has built a platform for me and a body of work that I’ve been able to draw from when I go out on the road to play. I think if it’d happened any other way I wouldn’t have these songs…”
Chris Cavanaugh is making music about the land he’s from, writing about the people he knew, and playing for the people he knows. Chris did not wait for a record label to tell him what they think of his music. He’s taking that straight to the beer drinkers, farmers, housewives, and college kids and letting THEM decide. In the last year alone Cavanaugh has opened shows for Thompson Square, Lee Brice, Montgomery Gentry, and Eric Church. People are hearing Chris’ music, connecting to it, and believing…
Carter Winter
Ohio’s own Carter Winter is becoming one of the most sought after talents in the Midwest and is gaining national recognition along the way. Known for his true natural country vocal tone, a creative writing style and an incredible work ethic, Carter is definitely an artist to watch. Carter is humbled and appreciative of all of his support as the number of his fans grows after each show. He has played with a number of major label artists, including most recently a sold out Rhett, White, and Blue show with 4,000+ Attendees. When asked, “What do you want out of music, what do you want from a career?” He said, “I want to make people dance, I want to make a difference and most of all I want people to enjoy themselves.” We have no doubt he will do just that! Notable Performances Carter Winter has packed the house of many local bars and venues as well as in many other states. Notably, Carter has played a show at Nashville’s Bluebird Cafe. Carter has been support for a number of major label acts at sold out concert venues including most recently, a show with Thomas Rhett, The Cadillac Three and The Swon Brothers. Other names include – Easton Corbin, Jana Kramer, Frankie Ballard, and Brett Eldredge!
( VIP OPPORTUNITIES AVAILABLE )
VIP TABLE PURCHASE DOES NOT INCLUDE ADMISSION TICKETS TO THE SHOW.
Admission tickets must be purchased separately.
- Loft Lower Tier: $250 (seats four people-no exceptions)
- Prime view of stage!
- Includes six bottles of Miller or Coors Light
- VIP waitress
- Exclusive Private Bar access
- Buckets (six bottles) available for purchase all night for $24
- Loft Upper Tier: $200 (seats four people-no exceptions)
- Includes six bottles of Miller or Coors Light
- VIP waitress
- Private Bar Access
- Buckets (six bottles) available for purchase all night for $24
- May be Obstruction in View
*All VIP tables located in the loft area
Russell Dickerson will be performing live at The Bluestone on Friday, February 17th, 2017
Doors for the show will open at 7pm
Opening artist: TBA
Tickets are $15
Tickets on-sale Friday, November 4th at 10am
PURCHASE TICKETS HERE
Josh Abbott Band
live at
The Bluestone Thursday, November 16th
as part of their
“Until my Voice Runs Out tour”
Doors for the show will open at 7pm
Opening Artist: TBD
Tickets are $20 in advance and $25 day of show
PURCHASE HERE
RESERVED LOFT TABLE SEATING
RESERVED TABLE PURCHASE DOES NOT INCLUDE ADMISSION TICKETS TO THE SHOW.
Admission tickets must be purchased separately
The loft is located on the second level of The Bluestone
- Loft Lower Tier: $250 (seats four people-no exceptions)
- Prime view of stage!
- Includes first bucket of Miller or Coors Light
- Server
- Exclusive Private Bar access
-
Loft Upper Tier: $200 (seats four people-no exceptions)
- Includes first bucket of Miller or Coors Light
- Server
- Private Bar Access
- May be Obstruction in View
*All Reserved tables located in the loft area
ALL SALES ARE FINAL
When Josh Abbott Band recorded “Ghosts” for its fourth album, Front Row Seat, Abbott expected to redo the vocals. The final chorus had some technical imperfections, and he figured he could improve on the performance once his heart settled down. Producer Dwight Baker, one-half of the Austinbased duo The Wind and The Wave, wouldn’t let Abbott retouch it.
“I was actually crying my eyes out during that last chorus, and that’s why there’s a couple of notes in the beginning of that section that don’t really explode like normal,” Abbott says. “Dwight was like, ‘We’re keeping that. That’s real.’”
Real is the operative word for Front Row Seat, a 16-track song cycle that represents the most ambitious and emotionally challenging project yet for JAB, a highly melodic six-piece ensemble that’s managed to keep a foot in both the Texas music scene and the national country world. The band won four times during the inaugural Texas Regional Radio Awards behind an upbeat brand of country that still leans on classic instrumentation – particularly banjo and fiddle – to effect a raucous, roof-raising attitude.
The band has lobbed three singles onto the Billboard Hot Country Songs chart – including “Oh, Tonight,” the first charted track to feature Grammy-winning Kacey Musgraves – and nabbed a Top 10 album with the 2012 release Small Town Family Dreams and reached No. 12 with the 2014 EP Tuesday Night.
But Front Row Seat steps beyond the band’s honky-tonk inclinations for a more personal journey as the album traverses the emotional course of Abbott’s first marriage and subsequent divorce. It was not his original intention to depict his private life in a public way, but as he wrote the songs for Front Row Seat, beginning before the split actually occurred, he naturally mined his emotional life for a set of songs that were profoundly honest and revealing. It was only as they began recording the material at Baker’s Matchbox Studios outside of Austin, that they realized they had the germ of a tangible plot.
“We started looking at the music we’d done and had a whole bunch of other songs that we really loved and we were like, ‘Man, we could put this together and make a really neat story out of it,” fiddler Preston Wait recalls. “Especially with the song ‘Front Row Seat,’ we basically just made it kind of like you’re watching a movie and it’s your front row seat to this life.”
Owing to that silver-screen character, JAB employed screenwriting technique by assembling the project with the five elements of plot structure: the exposition, or beginning; an inciting incident; the climax; a falling action (in this case, a breakup); and the resolution.
The story begins with “While I’m Young,” in which a college-aged Abbott lives a typically carefree existence, spending much of his discretionary income in bars and living for the moment, an ideal that’s captured authoritatively in the anthemic “Live It While You Got It.” As the album progresses, he meets a woman who commands his attention for more than one evening, finding himself by track 7, “Crazy Things,” mulling what it is that would make a woman who’s dang-near perfect fall for someone so flawed.
By the time the album concludes, his once-ideal relationship has turned sour, and the two are no longer one. The fracture becomes apparent through the resignation of “Born To Break Your Heart,” and he discovers in “Ghosts” that all the memories that once lived with such passion and revelry continue to haunt his memory, taunting him with whispers of a past he can never reclaim. As Front Row Seat closes with “Anonymity,” Abbott sings a spare dirge with acoustic guitar and fiddle, fantasizing that he could return to the start of the relationship and live it out right.
Mammoth WVH & Dirty Honey Live March 18th, 2022 6:30 PM
The Bluestone
Columbus, Ohio
https://www.ticketmaster.com/event/05005B5B9DE84DB9
WRKZ presents Mammoth WVH & Dirty Honey in Columbus, OH at The Bluestone March 18th, 2022.
Tickets on sale Friday, November 5th at 10 AM!
About Mammoth WVH
Official Website: www.mammothwvh.com
Official Facebook Page:www.facebook.com/MammothWVH
Official Twitter: www.twitter.com/MammothWVH @MammothWVH
Official Instagram: www.instagram.com/mammothwvh @mammothwvh
Official YouTube Channel:www.youtube.com/MammothWVH
First impressions last a lifetime. Wolfgang Van Halen has prepared a lifetime to make his first impression. The songwriter, vocalist, and multi-instrumentalist worked tirelessly towards the introduction of MAMMOTH [Explorer1], his self-titled 2021 debut album. Playing every instrument and singing each and every note, his music presents a personal and powerful perspective, balancing memorable hooks and tight technicality. As many times as audiences have experienced his talent alongside the likes of Tremonti,Clint Lowery, and of course, Van Halen, they meet Wolf as an individual for the very first time now.
“You only have one chance to make a first impression, and I wanted to do so to the best of my abilities,” he affirms. “Throughout the whole process, I was finding who I am musically and by the end, I got a pretty good handle on a sound I can claim for myself.”
His father often played guitar against his mother’s pregnant belly, and Wolf absorbed those vibrations from the womb. At the age of 10, his Pop gave him a drum kit for his birthday. To this day, Wolf considers himself “a drummer before anything else.” As he developed as a musician, he learned how to play guitar in order to perform “316” —which his father penned for him —at a 6th-grade talent show.
It may come as a surprise, but outside of his father teaching him one drumbeat from an AC/DC song, Wolfgang taught himself every instrument. “My dad wasn’t the best teacher,” he laughs. “I would ask him to play something, and then he would just proceed to be Eddie Van Halen. He would look at me and say, ‘Do that.’ to which I would laugh and sarcastically reply, ‘Sure thing, no problem.’”
In the summer of 2006 when he was 15 years old, Wolf grabbed a bass and began noodling. While at the legendary 5150 Studios, his impromptu woodshedding inspired Eddie and Uncle Alex. Endless family jam sessions followed. By summer’s end, Wolfgang phoned David Lee Roth’s manager and by winter Roth showed up for rehearsal. They rocked “On Fire,” and “That’s how the 2007 tour began,” says Wolf.
Not only did Wolf canvas the world with Van Halen while in high school, but he also held down the low end on 2012’s A Different Kind of Truth—which debuted at #2 on the Billboard Top 200. When not on tour with Van Halen, he cut bass for Tremonti’s critically acclaimed Cauterize [2015] and Dust [2016] in addition to joining the band on the road. In 2019, Wolf handled drums and also played bass on half of the 10 songs for Clint Lowery’s solo debut, God Bless The Renegades.
In the midst of all this, at the beginning of 2015, Wolf broke ground on what would become MAMMOTH with producer Michael “Elvis” Baskette [Alter Bridge, Slash] behind the board. Wolf began to embrace his voice, inspired by everyone from his father, to bands like AC/DC,Foo Fighters, Nine Inch Nails, TOOL, and Jimmy Eat World. “I’ve been singing my whole life, but it wasn’t until MAMMOTH that I really found my voice. Elvis was great, and he helped me gain the confidence to become a lead vocalist.”
“The name Mammoth is really special to me.” says Wolf. “Not only was it the name of Van Halen before it became Van Halen, but my father was also the lead singer. Ever since my dad told me this, I always thought that when I grew up, I’d call my own band Mammoth, because I loved the name so much. I’m so thankful that my father was able to listen to, and enjoy the music I made. I’m really proud of the work I’ve done and nothing made me happier than seeing how proud he was that I was continuing the family legacy.”
About Dirty Honey
Official Website: https://www.dirtyhoney.com/
Official Facebook Page: https://www.facebook.com/DirtyHoneyMusic/
Official Twitter: https://twitter.com/dirtyhoneyband @DirtyHoneyBand
Official Instagram: https://www.instagram.com/dirtyhoneyband/@dirtyhoneyband
Official YouTube Channel: https://www.youtube.com/channel/UCsxtEOcwpVO9Rnw93Fuv2pQ
