Tickets- Official Box Office

Tracy Lawrence will be performing live at The Bluestone on Sunday, March 15th.

Supporting Artist: Drew Baldridge and David Adam Byrnes

Doors OPEN at 7PM ( All Ages Event )

Tickets just $30 in advance and $35 day of show

Tracy Lawrence began writing music when he was just four years old.  After growing up and attending college in Arkansas, Lawrence moved to Nashville where he began performing at local clubs, eventually catching his big break and being signed to Atlantic Records.  Since then, Lawrence has been one of country music’s highest selling artists, releasing nine records and continuing to tour across the US for over 20 years.  With 13 million albums sold, 18 number one songs on the Billboard Country chart, this ACM and CMA award winning artist is sure to make The Bluestone his next conquered audience!

Drew Baldridge

With a voice as rich as the mid-western soil he was raised on, Patoka, IL native, Drew Baldridge’s music reflects small town life while living large on the simple things. Drew’s music is the soundtrack to life, be if a rowdy Friday night or a peaceful Sunday morning. His songs and performances transport listeners to their favorite memories all while making new ones. He has shared the stage with artist’s such as Alabama, Phil Vassar, Montgomery Gentry, and Justin Moore to name a few.

DAVID ADAMS BYRNES

“ Sherwood, Arkansas native David Adam Byrnes is rooted in the kind of tradition that audiences can’t deny. It’s in the 27-year-old’s genuine southern drawl, his natural gravitation toward a loud, rowdy honky-tonk stage – it’s in the unmistakable sincerity of his lyrics. With strong pride for his country and a loving devotion to his family, this good ole’ boy from The Natural State is just that – natural – and is poised to make a lasting impression on country music. Byrnes heard the call of Music City as a teenager and as the aspiring star’s work fruition arose on graduation day, Byrnes opened for one of the world’s honky-tonk masters, Hank Williams Jr., which inevitably mapped-out and fueled Byrnes’ journey to Nashville, Tennessee.

Soon after arriving, Byrnes’ talents landed him his first publishing/artist deal with Better AngelsMusic Group and led to the young star’s debut launch of his full-length album, Premium Country. The record’s flirtatious lead-off single, “Sweet Distraction” (Josh Thompson/Andi Zack), was released in late 2010 to select digital outlets and ranks as the highest charting debut indie single of 2010(Country Breakout Chart).

Fast-forward to 2015 and Byrnes’ devotion to his craft is as razor-sharp as ever. A staple of the JägerTour, he’s already opened for Chris Young, Mark Chesnutt, David Nail, Colt Ford, Justin Moore, DustinLynch, Outshyne and Thompson Square. Working hand in hand with manager Billy Holland, and some of Nashville’s finest songwriting talent.

VIP Opportunities Available: 

VIP TABLE PURCHASE DOES NOT INCLUDE ADMISSION TICKETS TO THE SHOW.  

Admission tickets must be purchased separately.

• Loft Lower Tier: $250 (seats four people-no exceptions)
• Prime view of stage!
• Includes six bottles of Miller or Coors Light
• VIP waitress
• Exclusive Private Bar access
• Buckets (six bottles) available for purchase all night for $24

• Loft Upper Tier: $200 (seats four people-no exceptions)
• Includes six bottles of Miller or Coors Light
• VIP waitress
• Private Bar Access
• Buckets (six bottles) available for purchase all night for $24
• May be Obstruction in View

*All VIP tables located in the loft area

Another WCOL Country Jam artist that is sure to impress attendees is Aaron Lewis. Raised in Massachusetts, Lewis is a founding member of the rock band Staind, collectively selling over fifteen million albums and with whom he still tours and records music with. Having performed music alone, even when in a band, Lewis began recording country music in 2010, with his first EP, Town Line, being released the following year. In 2012, he released his first full-length solo album, The Road, which featured the hit single “Grandaddy’s Gun”. Known for his passionate vocal delivery and poignant songwriting, Aaron Lewis will undoubtedly be a highlight of the festival. The two- day festival will be hosted at the historic Legend Valley Concert Venue and Campground located on Buckeye Lake, just thirty minutes east of downtown Columbus. 2015 will mark the 3rd year that WCOL Country Jam has taken place at the venue. The festival is packed with a multitude of country music acts from classic country, southern rock country, and modern country artists.

The two- day festival will be hosted at the historic Legend Valley Concert Venue and Campground located on Buckeye Lake, just thirty minutes east of downtown Columbus. 2015 will mark the 3rd year that WCOL Country Jam has taken place at the venue. The festival is packed with a multitude of country music acts from classic country, southern rock country, and modern country artists.

General Admission tickets are currently available. There are several camping options available to patrons. Tickets and camping passes are on-sale now and available at www.LegendValleyFestivals.com. Camping passes are sold separately.

The WCOL Country Jam is a country festival that has occurred annually for the last 10 years. In 2013, WCOL and Bluestone Promotions formed a partnership to bring the show to the Legend Valley Music Center, a historic venue located near Buckeye Lake in Thornville, Ohio. Previous years included performers Hank Williams Jr., Dierks Bentley, Gary Allan and Tim McGraw. The venue boasts acres of campgrounds and a large field with great views of the stage. Legend Valley Music Center has functioned as a music venue since the early 1970’s, but has undergone some name changes since that time. LVMC has hosted a multitude of artists including: The Charlie Daniels Band, The Allman Brothers, Grateful Dead, Alabama, Journey, and Jimmy Buffett.

Russell Dickerson will be performing live at The Bluestone on Friday, February 17th, 2017

Doors for the show will open at 7pm

Opening artist: TBA

Tickets are $15

Tickets on-sale Friday, November 4th at 10am

PURCHASE TICKETS HERE

Josh Abbott Band

live at

 The Bluestone Thursday, November 16th

as part of their

“Until my Voice Runs Out tour”

Doors for the show will open at 7pm

Opening Artist: TBD

Tickets are $20 in advance and $25 day of show

PURCHASE HERE

RESERVED LOFT TABLE SEATING

RESERVED TABLE PURCHASE DOES NOT INCLUDE ADMISSION TICKETS TO THE SHOW.  

Admission tickets must be purchased separately

The loft is located on the second level of The Bluestone

• Loft Lower Tier: $250 (seats four people-no exceptions)
• Prime view of stage!
• Includes first bucket of Miller or Coors Light
• Server
• Exclusive Private Bar access

• Loft Upper Tier: $200 (seats four people-no exceptions)
• Includes first bucket of Miller or Coors Light
•  Server
• Private Bar Access
• May be Obstruction in View

*All Reserved tables located in the loft area

ALL SALES ARE FINAL

When Josh Abbott Band recorded “Ghosts” for its fourth album, Front Row Seat, Abbott expected to redo the vocals. The final chorus had some technical imperfections, and he figured he could improve on the performance once his heart settled down. Producer Dwight Baker, one-half of the Austinbased duo The Wind and The Wave, wouldn’t let Abbott retouch it.

“I was actually crying my eyes out during that last chorus, and that’s why there’s a couple of notes in the beginning of that section that don’t really explode like normal,” Abbott says. “Dwight was like, ‘We’re keeping that. That’s real.’”

Real is the operative word for Front Row Seat, a 16-track song cycle that represents the most ambitious and emotionally challenging project yet for JAB, a highly melodic six-piece ensemble that’s managed to keep a foot in both the Texas music scene and the national country world. The band won four times during the inaugural Texas Regional Radio Awards behind an upbeat brand of country that still leans on classic instrumentation – particularly banjo and fiddle – to effect a raucous, roof-raising attitude.

The band has lobbed three singles onto the Billboard Hot Country Songs chart – including “Oh, Tonight,” the first charted track to feature Grammy-winning Kacey Musgraves – and nabbed a Top 10 album with the 2012 release Small Town Family Dreams and reached No. 12 with the 2014 EP Tuesday Night.

But Front Row Seat steps beyond the band’s honky-tonk inclinations for a more personal journey as the album traverses the emotional course of Abbott’s first marriage and subsequent divorce. It was not his original intention to depict his private life in a public way, but as he wrote the songs for Front Row Seat, beginning before the split actually occurred, he naturally mined his emotional life for a set of songs that were profoundly honest and revealing. It was only as they began recording the material at Baker’s Matchbox Studios outside of Austin, that they realized they had the germ of a tangible plot.

“We started looking at the music we’d done and had a whole bunch of other songs that we really loved and we were like, ‘Man, we could put this together and make a really neat story out of it,” fiddler Preston Wait recalls. “Especially with the song ‘Front Row Seat,’ we basically just made it kind of like you’re watching a movie and it’s your front row seat to this life.”

Owing to that silver-screen character, JAB employed screenwriting technique by assembling the project with the five elements of plot structure: the exposition, or beginning; an inciting incident; the climax; a falling action (in this case, a breakup); and the resolution.

The story begins with “While I’m Young,” in which a college-aged Abbott lives a typically carefree existence, spending much of his discretionary income in bars and living for the moment, an ideal that’s captured authoritatively in the anthemic “Live It While You Got It.” As the album progresses, he meets a woman who commands his attention for more than one evening, finding himself by track 7, “Crazy Things,” mulling what it is that would make a woman who’s dang-near perfect fall for someone so flawed.

By the time the album concludes, his once-ideal relationship has turned sour, and the two are no longer one. The fracture becomes apparent through the resignation of “Born To Break Your Heart,” and he discovers in “Ghosts” that all the memories that once lived with such passion and revelry continue to haunt his memory, taunting him with whispers of a past he can never reclaim. As Front Row Seat closes with “Anonymity,” Abbott sings a spare dirge with acoustic guitar and fiddle, fantasizing that he could return to the start of the relationship and live it out right.