Madeon will perform live at The Bluestone 04|29|15 Presented by the Prime Social Group.

Supporting Artist: Fareoh and CJ the DJ ( Doors OPEN at 9PM )

Hailing from Nantes in France, 17 year old Madeon came to the attention of the world for his unique blend of Pop/House/Electro via his “Shuriken” and “For You” tracks as well as his amazing remix of Pendulum’s “The Island” single. His most recent remixes on the Deadmau5 “Raise Your Weapon” and Martin Solveig “The Night Out” singles have been a huge success with support from the likes of Pete Tong, Alan Braxe, Skrillex, Rob Swire etc… His debut single “Icarus” was a hit with both DJs (charting at #2 on the global Beatport chart) and radio (charting in the UK top 40). Madeon’s Pop Culture live mashup video has been viewed over 10 million times.

THE M MACHINE

Hyper-creative and sophisticated in craft, San Francisco-based electronic act The M Machine bring a rare mix of genre-bending ingenuity and refined musicianship to every element of their musical output. With their most recent EP—the five-song ‘Just Like’, released on Skrillex’s OWSLA label in November 2014—vocalist/composer/producers Ben Swardlick and Eric Luttrell deliver a deeply melodic and infectiously upbeat take on underground house. Not only a dramatic departure from their darkly charged earlier work, ‘Just Like’ finds The M Machine abandoning all EDM convention and creating a vocal-propelled, indie-minded breed of dance music that hinges on pure emotion and unbridled energy.

 FAREOH

The Charlie Daniels Band will be performing live at The Bluestone on Thursday, April 30th, at 7pm.

Opener: Cliff Cody and Wyatt McCubbin will be opening the show!

Tickets are $40 Pre-Sale and $45 day of show.

 CMA and Grammy award-winning country band, The Charlie Daniels Band, will perform live at The Bluestone on Thursday, April 30th, 2015.  Charlie Daniels Concert Tickets are available online at www.liveatthebluestone.com for just $40.00 in advance and $45.00 day of show.  Doors for the show will open at 7pm, this is an all ages event.

Charlie Daniels, born and raised in North Carolina, began playing the fiddle and guitar in several bands throughout his young adult life.  At the age of 21 he decided to pursue a professional career in music.  Daniels assembled his first rock and roll group named, The Jaguars.  There was very little success with The Jaguars but Daniels continued to write songs including,   One of “It Hurts Me”, which was recorded by Elvis Presley in 1963. In the late 60’s Daniels opted out of The Jaguars and after much practice, became one of the best fiddlers in Nashville, TN.  He would focus his fiddle playing on the current day hits, including a lot of top songs from Bob Dylan, his popularity soared.

Mid 70’s was the year for his new band, The Charlie Daniels Band.  After a run with the Southern Rock style, Charlie then decided to lean more towards a country music band, ultimately it was a career changing choice.  Shortly after this decision, the single, “The Devil Went Down to Georgia”, was released.  It went straight to the number one spot and crossed over on to the pop charts at a number three spot.  This song was named the Country Music Association’s Single of the Year.  After this hit was released, their next album, Million Mile Reflections, became a multi-platinum success.

VIP Admission: VIP Tables do NOT include admission tickets to the show.  Tickets must be purchased separately.

**VIP Tables for this show are sold out**

• Loft Lower Tier: $250 (seats four people-no exceptions)
• Prime view of stage
• Includes six bottles of Miller or Coors Light
• VIP waitress
• Exclusive Private Bar access
• Buckets (six bottles) available for purchase all night for $24

• Loft Upper Tier: $200 (seats four people-no exceptions)
• Includes six bottles of Miller or Coors Light
• VIP waitress
• Private Bar Access
• Buckets (six bottles) available for purchase all night for $24

*All VIP tables located in the loft area

*Table purchases do NOT include admission into venue

Drake White and The Big Fire will be performing live at The Bluestone on Friday, May 5th, 2017

Featured Artist: Drake White

Opening Artist: Dave Kennedy

Opening Artist: Channing Wilson

Doors for the show will open at 7pm

PURCHASE HERE–This Show is SOLD OUT

Drake White Tickets on sale Friday, December 16th at 10am

VIP OPPORTUNITY AVAILABLE

VIP TABLE PURCHASE DOES NOT INCLUDE ADMISSION TICKETS TO THE SHOW.  

Admission tickets must be purchased separately.

• Loft Lower Tier: $250 (seats four people-no exceptions)
• Prime view of the stage!
• Includes first bucket of Miller or Coors Light
• VIP Server
• Exclusive Private Bar access

• Loft Upper Tier: $200 (seats four people-no exceptions)
• Includes first bucket of Miller or Coors Light
• VIP Server
• Private Bar Access
• May have an obstructed view
• *All VIP tables located in the loft area

*All Sales are final

Every reaction begins with a catalyst, some initial event that sets things on their inexorable course. For Drake White, it goes back to something raw and elemental in his debut album Spark.

“I learned how to play guitar and keep people’s attention around a fire,” explains the Hokes Bluff, Alabama native. “A spark can start a fire that can keep you alive and sustain you. So this is the beginning for me. This is the first strike of the flint.”

The spirit of Spark comes from those simple, early days spent enjoying the outdoors among friends in the warm glow of a fire. And though he’s now a city dweller with all the complications and distractions that entails, White still seeks the freedom and deeper connections he felt when the chorus of nature and the strums of his guitar blended into one harmonious song — the kind of contentment he sings about in the swirling majesty of his single “Livin’ the Dream.” Drake White

“We grew up free. We grew up on 4-wheelers, riding through the backwoods,” he says. “We grew up hunting and fishing and being out in the Appalachian Mountains. People don’t understand how beautiful north Alabama is until you see it in person.”

Drake White

Save for “Livin’ the Dream,” White wrote or co-wrote the remaining 11 tracks on Spark, working with red-hot producers Ross Copperman and Jeremy Stover through the process. He also brought in his own band for a handful of tracks to capture the energy of his live shows.

The first sound on Spark — before the pulse-quickening “Heartbeat” kicks into gear — is the voice of White’s late grandfather speaking from the pulpit. Several of these ghostly transmissions from the past appear on Spark, all extolling the virtues of love, brotherhood and nature. It’s a touch of the surreal that nods at White’s fondness for Pink Floyd’s psychedelic masterpiece The Wall, but also a deeply personal gesture that matches his vision perfectly.

“I went through about five or six sermons of my grandfather and picked out certain little snippets,” he says. “I just think they kind of fit. They’re weird and people are asking what they are. And that was my point: to get people talking about it.”

White has his own message of finding some harmony amid the demands of modern life, one that goes down easy in the uplifting, Zac Brown Band-assisted Southern rock anthem “Back to Free” and the cautionary-but soulful “I Need Real.” It’s a simple message of not letting oneself be swallowed up by technology and seeking out honest, genuine connections with others.

“When I’m at home, my wife and I keep our phones in the bedroom,” says White. “We listen to records. We hardly turn the TV on, unless it’s time for Game of Thrones. Before social networking was a smartphone app, we did it around a fire. That goes way back.”

With his gospel-derived, passionate delivery, White seems to have inherited his grandfather’s ability to touch crowds with a sermon — his divine vocal improvisations at the end of the honky-tonk flavored “Story” will undoubtedly get butts out of seats. White stresses that he isn’t a preacher, but doesn’t see a problem with putting his own methods for surviving the world out there.

“Some of the best songs, like Buffalo Springfield’s “For What It’s Worth” or anything by Bob Marley, have a little bit of preachin’,” he says. “I never want to come across too preachy, but instead I’m saying, ‘Hey man, this is my life, and this is what I do to be happy and I’m figuring it out just like you.’” Drake White

Spark covers an entire spectrum of emotions beyond these statements of character and self-definition. In “Making Me Look Good Again,” White cruises on an R&B-style groove to express his gratitude for his better half, while “Waiting on the Whiskey to Work” finds him embodying a man spun out on love and heartbreak. Then in the tropically-themed “Equator,” he flies south to give his nomadic side a little time to play.

“This record is about balance. It’s me asking, where’s that boy I used to be? Oh yeah, we gotta go get him back,” he says. “We gotta go on a hike or camping or grab my wife and go to some foreign country. I gotta feel alive. I gotta go out there and do that.” Drake White

Long a respected live entertainer with his (appropriately named) band the Big Fire, White’s climb to the limelight hasn’t been a straight or uncomplicated one. Rather than blowing up right away with a big debut single, he’s toiled on the road for years, giving jaw-dropping performances night after night and making believers one show at a time. “There are many different paths.