Tickets- Official Box Office

 Brothers Osborne will be performing live at The Bluestone in Columbus, Ohio on Saturday, February 28th.

 Opening Artist: TBD

 Doors open at 7pm

 All Ages Event

BUY TICKETS

 TICKETS: $15 ADVANCED | $17 DAY OF SHOW

For John and TJ Osborne, getting into music was unavoidable. Growing up in the water town of Deale, Maryland, their close-nit-family of seven spent most nights not in front of the television, but writing and playing songs. The Brothers’ father had a shed behind their home that he used for small performances for friends and family. John and TJ could be caught listening in on their father’s playing or fetching beers for pocket change. Later their father would convert that shed into a home studio where their parents would write and record songs.

As the brothers aged, they formed a band with their ever eclectic father named “Deuce & a Quarter.” The band played cover songs from Lynyrd Skynyrd to Dwight Yoakem to Merle Haggard to Bob Seger. They performed at local venues in the town, but it was here that the Brothers got the taste for performing live.

John (guitar) moved to Nashville first to play in other bands. Two years later, TJ (vocals/guitar) moved to Nashville. It was then they formed Brothers Osborne and began playing as many writer rounds as they could. In April 2011, Warner Chappell/King Pen Music offered them a publishing deal. A year later, Capitol Records offered them a record deal. The Brothers Osborne are currently in the studio finishing their debut album, an album they describe as “aggressive, bold and fragile at times.” More to come from Brothers Osborne in 2015.

David Nail returns to The Bluestone on Saturday, March 26th

Opening Artist: Jameson Rodgers

THIS SHOW IS SOLD OUT!

Doors for the show will open at 7pm

Tickets are $20 in advance and $25 day of show

This is an all ages show

Brian Davis Sept 22 2017

Country Rocker Brian Davis

will be performing LIVE at The Bluestone on Friday, September 22nd

Opening Artist: TBA

Doors for the show will open at 7pm

Tickets are just $15 in advance and $20 day of show

Tickets on-sale Friday, May 5th at 10am

PURCHASE HERE

RESERVED LOFT TABLE SEATING

RESERVED TABLE PURCHASE DOES NOT INCLUDE ADMISSION TICKETS TO THE SHOW.  

Admission tickets must be purchased separately.

• Loft Lower Tier: $250 (seats four people-no exceptions)
• Prime view of stage!
• Includes first bucket of Miller or Coors Light
• Server
• Exclusive Private Bar access

• Loft Upper Tier: $200 (seats four people-no exceptions)
• Includes first bucket of Miller or Coors Light
•  Server
• Private Bar Access
• May be Obstruction in View

*All Reserved tables located in the loft area

ALL SALES ARE FINAL

How does a country boy from tiny Bilboa, North Carolina find himself an apprentice to one of the greatest songwriters in country music? Ever heard of Bilboa? Yes, it’s that small. But you’ve heard of Harlan Howard, right? “I Fall to Pieces?” THAT Harlan Howard.

Brian Davis isn’t one to push himself or his music on someone. It just isn’t his style. Fortunately, what is his style is writing great rockers and party anthems full of hot screaming guitar, booming bass and thumping drums. Sometimes.

On the other hand, his style is also writing emotive ballads laden with picturesque lyrics that twist and turn phrases to carry the listener on a musical journey of their own or Brian’s life. Those…those are best interpreted by Brian’s pure masculine baritone and an acoustic guitar.

So, it’s really not a case of having to force himself on anyone. It’s more like, “If you build it, they will come.” If you write great songs, make great music and sing from your heart, they will come. And they have most definitely come. From playing all over his home state of North Carolina, to opening for pal and frequent co-writer Brantley Gilbert on the Hell On Wheels tour—last year and this year, Brian has taken his brand of rockin’ country music from a regional to a national level. His Tarheel fans are sitting back enjoying knowing that they saw the evolution of one of the hottest new artists in the format, while new fans are digging voraciously into his catalog that is already six albums deep.

Almost as if he could forecast the future when he recorded it, his newest album, Under the Influence, is almost a musical biography of Brian – both his life and the evolution of his music. “I’m really proud of it,” he beams. “We managed to put a lot of things that are extremely important to me on this record and tried to kind of balance it out. We’ve got things all the way from ‘Under the Influence,’ which people would assume, based on previous projects, that we were talking about going out and just getting hammered, but it’s not.”

 DAVID NAIL will be performing LIVE at The Bluestone

on Friday, November 17th, 2017

Doors for the show will open at 7pm

Opening Artist: Jimmie Allen

Tickets are $20 in advance and $25 day of show

Tickets will go on-sale Friday, August 18th at 10am

PURCHASE HERE

RESERVED LOFT TABLE SEATING

RESERVED TABLE PURCHASE DOES NOT INCLUDE ADMISSION TICKETS TO THE SHOW.  

Admission tickets must be purchased separately.

• Loft Lower Tier: $250 (seats four people-no exceptions)
• Prime view of stage!
• Includes first bucket of Miller or Coors Light
• Server
• Exclusive Private Bar access

• Loft Upper Tier: $200 (seats four people-no exceptions)
• Includes first bucket of Miller or Coors Light
•  Server
• Private Bar Access
• May be Obstruction in View

*All Reserved tables located in the loft area

ALL SALES ARE FINAL

ABOUT

During the making of his fourth MCA Nashville album, David Nail underwent a transformation – and so did his music. Fighter is the most vulnerable, personal record the Missouri native has ever made, and it signals the beginning of a new phase in his career.”

“Six months ago, people would ask me about the record and I would jokingly say ‘It’s my love-making record,’” Nail explains. “But what it meant to me then and what it means to me now are completely different. … Having been a father for about five months, it definitely changes the dynamic of things.”

Following the birth of he and wife Catherine’s long-hoped-for children (twins born in December 2015), the singer-songwriter found his world turned upside down. The mark he wanted to leave and things he wanted to say had changed, and despite an early version of Fighter being already finished, he decided to record four new songs, completely changing the project’s tone.

In short, Nail decided to get real in a way he never would have allowed himself before. Already known for powerful, emotionally-charged vocals, he took the same approach to choosing Fighter’s 11 tracks (seven of which were written or co-written by Nail himself), celebrating life’s victories but also exposing the knock-downs he’s endured – and it wasn’t always flattering.

“[I was] like, ‘Am I ready to sing this? Am I ready to tell this story?” Nail says. “[But] they come from a genuine place that you can kind of say, ‘Okay, I’ve said that. I’m at peace with that.’ I think that’s what this record is.”

Writing and singing in courageous personal detail, Nail confronted some of his deepest troubles, revealing the clarity he’s achieved about his hometown, the true struggle depression caused in his marriage, the answered-prayer of his children’s birth and the things he never told his own father.

Meanwhile, producer Frank Liddell (who also guided Nail’s first three albums, I’m About to Come Alive, The Sound of a Million Dreams and I’m a Fire) made sure Fighter’s musical tone was just as authentic, backing Nail’s volcanic vocals with a melting pot of Mississippi-delta sounds — a mix of classic-country balladry and sweaty Memphis soul, with touches of in-the-moment modernity sprinkled throughout.

“I grew up listening to all this music that my father listened to,” says Nail. “A lot of it was classic, huge songs and artists from the ‘60s and ‘70s – and even the ‘80s – so I think there’s always part of me that just falls toward that type of sound, rather than fighting it and trying to say ‘Whoa! No-no-no, we need to stay 2016.”

Big-name collaborations abound, with Nail inviting Vince Gill, Brothers Osborne, Lori McKenna and Logan Brill to help tell his story, as well as Bear and Bo Rinehart of NEEDTOBREATE.

“When I’m making a record I selfishly want to push my buttons so I try to approach it as my swan song, it could be the last piece of music I make. I want to fulfill some life goals in the process and one of my biggest influences in the word is Vince Gill so I’m thankful he said yes”

Brothers Osborne kick the project off in star-crossed revelry on “Good at Tonight,” McKenna joins “Home” to quietly uncover Nail’s love/hate relationship with his hometown, Gill adds stunning harmony vocals to the country-soul “I Won’t Let You Go” – a promise to David’s wife Catherine – and the Rineharts help close the album in tender admiration with “Old Man’s Symphony,” an overdue thank-you note to Nail’s dad.

Along the way, he toasts to the passion of youth in the upbeat hit “Night’s On Fire,” pledges romantic relief in the raw Chris Stapleton co-write “Ease Your Pain,” delivers a desperate double entendre in the indie-rocking “Lie With Me” and crafts a loving, rock-a-bye origin story for his new family in “Babies” – an instant classic.

Then there’s the project’s title track, “Fighter,” a heartfelt ‘80s-country throwback ripped from Nail’s real life that holds his wife up as an unshakable supporter – even when he was at his worst.

“’Fighter’ is about as honest as I’ve ever been in a song,” Nail admits. “I mean, when you’re quoting your wife saying things that are not pleasant [about you], you know it was our story. … But it also, I think, tells the story of me.”

Nail and Catherine have had to fight their whole lives, he explains – for his career, for their marriage, to battle back inner demons and to conceive their beautiful kids – but their ultimate success in those battles has led them to a better place. And it also gave the album a mission.

Fighter is more than a bookmark in Nail’s life and career – it’s a period on the final sentence of a difficult chapter. Penned during dark times that have given way to a new sunrise, these are some of the most meaningful and personal songs he’s ever recorded. And now that they exist for all to hear, he can finally move on.

“I feel like I’ve told the main aspects of my career, and my life, up to this point,” he explains. “So I really think whatever we do in the future, we’ll be able to start just completely fresh. It’ll be a new story, a new part of my life.”

-Chris Parton