Tickets- Official Box Office

The Charlie Daniels Band will be performing live at The Bluestone on Thursday, April 30th, at 7pm.

Opener: Cliff Cody and Wyatt McCubbin will be opening the show!

Tickets are $40 Pre-Sale and $45 day of show.

 CMA and Grammy award-winning country band, The Charlie Daniels Band, will perform live at The Bluestone on Thursday, April 30th, 2015.  Charlie Daniels Concert Tickets are available online at www.liveatthebluestone.com for just $40.00 in advance and $45.00 day of show.  Doors for the show will open at 7pm, this is an all ages event.

Charlie Daniels, born and raised in North Carolina, began playing the fiddle and guitar in several bands throughout his young adult life.  At the age of 21 he decided to pursue a professional career in music.  Daniels assembled his first rock and roll group named, The Jaguars.  There was very little success with The Jaguars but Daniels continued to write songs including,   One of “It Hurts Me”, which was recorded by Elvis Presley in 1963. In the late 60’s Daniels opted out of The Jaguars and after much practice, became one of the best fiddlers in Nashville, TN.  He would focus his fiddle playing on the current day hits, including a lot of top songs from Bob Dylan, his popularity soared.

Mid 70’s was the year for his new band, The Charlie Daniels Band.  After a run with the Southern Rock style, Charlie then decided to lean more towards a country music band, ultimately it was a career changing choice.  Shortly after this decision, the single, “The Devil Went Down to Georgia”, was released.  It went straight to the number one spot and crossed over on to the pop charts at a number three spot.  This song was named the Country Music Association’s Single of the Year.  After this hit was released, their next album, Million Mile Reflections, became a multi-platinum success.

VIP Admission: VIP Tables do NOT include admission tickets to the show.  Tickets must be purchased separately.

**VIP Tables for this show are sold out**

• Loft Lower Tier: $250 (seats four people-no exceptions)
• Prime view of stage
• Includes six bottles of Miller or Coors Light
• VIP waitress
• Exclusive Private Bar access
• Buckets (six bottles) available for purchase all night for $24

• Loft Upper Tier: $200 (seats four people-no exceptions)
• Includes six bottles of Miller or Coors Light
• VIP waitress
• Private Bar Access
• Buckets (six bottles) available for purchase all night for $24

*All VIP tables located in the loft area

*Table purchases do NOT include admission into venue

Russell Dickerson will be performing live at The Bluestone on Friday, February 17th, 2017

Doors for the show will open at 7pm

Opening artist: TBA

Tickets are $15

Tickets on-sale Friday, November 4th at 10am

PURCHASE TICKETS HERE

Country Music’s Rising Star,

Tony Jackson will be performing LIVE at The Bluestone on Friday, June 23rd

Doors for the show will open at 7pm

Opening Artist: Wyatt McCubbin

Tickets are $10 in advance and $15 day of show

Tickets will go on-sale Friday, April 21st at 10am

PURCHASE HERE

RESERVED LOFT TABLE SEATING

RESERVED TABLE PURCHASE DOES NOT INCLUDE ADMISSION TICKETS TO THE SHOW.  

Admission tickets must be purchased separately.

• Loft Lower Tier: $250 (seats four people-no exceptions)
• Prime view of stage!
• Includes first bucket of Miller or Coors Light
• Server
• Exclusive Private Bar access

• Loft Upper Tier: $200 (seats four people-no exceptions)
• Includes first bucket of Miller or Coors Light
•  Server
• Private Bar Access
• May be Obstruction in View

*All Reserved tables located in the loft area

ALL SALES ARE FINAL

    Is it premature to see Hall of Fame material in a guy who’s just releasing his first album?

 Not if that guy is Tony Jackson. To put it plainly, Jackson is one of the most gifted singers ever to grace country music. His video “The Grand Tour” ignited an unprecedented 10 million Facebook views and 200,000 shares in just over 3 short weeks!

The respect Jackson has already earned within the music community is evident throughout Tony Jackson, as the new album is titled.  It features songs and/or performances by Rock and Roll Hall of Fame members John Sebastian, Steve Cropper and Dr. John “Mac” Rebennack, Country Music Hall of Famers Vince Gill, Bill Anderson and Conway Twitty and Nashville Songwriters Hall of Fame luminary Norro Wilson.

But it is ease with which Jackson makes every song—even the familiar ones—distinctly his own that sets him apart.  Who else would dare to try and then succeed in bringing a fresh layer of emotional urgency to such a classic as George Jones’ “The Grand Tour” or Conway Twitty’s eternal “It’s Only Make Believe”?

On the first-time and lesser known songs, Jackson mints his own classics.  With its sweeping steel guitar flourishes and ambient barroom clatter, he transforms John Sebastian and Phil Galdston’s “Last Call” into the sweetest, most affectionate separation ballad imaginable.  With reverence and a twinkle in his eye, he enlists Sebastian and Vince Gill in revivifying (after 50 years) the Lovin’ Spoonful’s 1966 romp, “Nashville Cats.”  “When asked if we should recut the song,” Sebastian begins, “I said absolutely but we have to get Vince Gill, Paul Franklin and today’s real Nashville Cats in on the session and fortunately it was preserved on video,” he beams.

After capturing perfectly, the excitement of new love in Bill Anderson’s “I Didn’t Wake Up This Morning,” he moves on to a memory-stirring homage to Merle Haggard, Hank Williams Jr. and Willie Nelson in “They Lived It Up,” a lyrical scrapbook from Anderson and Bobby Tomberlin.

 Jackson shines as a keen-eyed songwriter in his own right with such memorable excursions as “Drink By Drink,” “Old Porch Swing” and “She’s Taking Me Home.”

 From start to finish, Tony Jackson stands out as a “discovery” album, the kind you listen to with such delight that you have to recommend it to friends.  And hundreds of thousands have done just that.

 Jackson is currently a headliner on the Old Dominion Barn Dance in Richmond, Virginia, and is almost certainly the only major bank executive ever to abandon a prominent IT job in finance at a Fortune 500 company to embark on a career in country music.  But he didn’t grow up a country fan.

The son of a Navy man, he led a base-to-base existence, at one point living with his family in Rota, Spain for three years.  His early musical background was sketchy at best.  “I sang ‘White Christmas’ in the Christmas play in the sixth grade,” he recalls.  ‘Everybody seemed to love it, but I was a wreck. My mother forced me to sing in the church choir, but I was kind of buried in the voices along with everybody else.”  This was basically his entire musical resume until ten or so years ago when a friend whose band had lost its lead singer asked Jackson to try out for the spot.  “I did,” he says, “and I was hooked after that.”

 Two weeks after graduating from high school, Jackson joined the Marines.  “I told my dad I was joining because I was sick of taking orders,” he says with a wry grin.  There was as much getting-ahead as gung-ho in Jackson’s enlistment.  “I was a computer and electronics geek as a teenager,” he says.  “When I talked to the recruiter, he told me the Marine Corps had just started a computer science school in Quantico, Virginia.  Fortunately, I scored high enough on the entrance exam to go to that school.” It was a smart move.  When he finished service, a prominent bank in Richmond snapped him up to work in its Information Technology division, initially assigning him the lowly chore of re-setting passwords.  “I was way overqualified,” he says, “so I got promoted fast.  I was a senior vice president by my early 30s.”

 It was while in the Marines that he first started paying serious attention to country music.      “My mother listened only to gospel,” he says.  “My dad was into jazz, hip hop, R&B, new jack swing—stuff like that.  But Armed Forces Radio played everything.  When I was living in Spain—when I was 10 to 13—Randy Travis came over there on a USO tour.  Some friends and I were out there early when they were setting up the stage, and we actually got to talk to him before we realized he was the guy who’d be performing later.  He was really cool to us. In the Marine Corps, when my friends and I played music for each other, we were all homesick.   So when you’d listen to these country songs that talked about family and home and heartbreak, it would really grab you.”

Morgan Wallen will be performing live at The Bluestone on March 22nd, 2018

Opening Artist: Ray Fulcher

Doors for the show will open at 7pm

Tickets are $10 in advance and $15 day of show

Tickets On-Sale Friday, December 15th at 10am

PURCHASE HERE

Morgan Wallen Live at The Bluestone

He’s a passionate singer with a unique sound, who grew up in Appalachia, and you’ll be hearing a lot more of MORGAN WALLEN before 2017 is over. Currently out supporting Florida Georgia Line’s explosive DIG YOUR ROOTS TOUR, followed by select dates on THE SMOOTH TOUR 2017, he is climbing Country radio with his Top 30 “The Way I Talk” on Billboard’s Country Airplay chart and has racked up over 7 million Spotify streams (and counting). Offering up the first real taste of his Big Loud Records EP – also titled THE WAY I TALK – Wallen’s drawling, fun-loving anthem penned by hit-makers Ben Hayslip, Chase McGill and Jessi Alexander, plays off the young star’s dynamic vocal delivery and features a sound straight out of the modern South, combining elements of both country and rock

Back when Wallen moved to Nashville in July 2015, he was not sure what he would find, but convinced that he should at least give his dreams a legitimate shot. Less than a year later, he’d already been signed to Big Loud Records, recorded some initial tracks with producer Joey Moi (Florida Georgia Line, Jake Owen) and hit the road on his first radio promotion tour.

It might appear that Wallen’s on the fast track, but it took him a while to get there. Born in Sneedville, Tennessee (a town that also lays claim as the birthplace of bluegrass pioneer Jimmy Martin), to a hard-rock-lovin’ preacher and contemporary-Christian-devoted teacher, he showed his musical interests early, singing in front of the local congregation at age three and asking for a violin for his fifth birthday. He would soon switch to piano and later add guitar to his arsenal, though he never really imagined it was possible to make a career of it.

“I didn’t think that was realistic because I had no clue about how the music business worked,” Wallen admits. “Even living three hours away, I had no idea about Nashville.”

Instead, he focused his efforts on baseball and he was pretty good at it. Playing shortstop and pitcher for Gibbs High School in Corryton – the same school where Kenny Chesney graduated. Wallen earned an offer to continue playing at a major college.

But fate intervened. While pitching during his senior year, he felt a pop in his right elbow and would undergo a tendon replacement procedure. While he was able to continue playing guitar and piano, it proved to be the end of his baseball career.

“Looking back, I’m glad it happened the way it did, because I really actually loved music more than I ever did baseball,” he shares.

The kind of music almost didn’t matter. Rock, hip-hop, country – he loved it all,

particularly the emotional connection that it created between the musician and the listener. But when he wrote, the music was invariably country.

“Writing music was a way for me to get my feelings out,” he explains. “I don’t really express my feelings very much and I guess it was just a way for me to let some of that go. It’s my safe place.”

During extended time in California, Wallen met Sergio Sanchez, the lead singer and writer for Jive Records’ hard-rock band Atom Smash. While Sanchez initially served as Wallen’s vocal coach, they hit it off and started co-writing regularly back in Knoxville. Sanchez brought the music to the attention of producer Paul Trust and partner Bill Ray, who in turn produced an initial batch of songs. From there, things moved quickly. Wallen’s managers, Dirk Hemsath and Mike Bachta of Working Group Artist Management, set him up to play for William Morris Endeavor’s Kevin Neal, agent for Jason Aldean and Florida Georgia Line. Neal signed him on the spot. Hemsath and Bachta next sent demos to Big Loud Shirt’s Seth England, hoping to land some co-writing opportunities with songwriters at the publishing company. England was so impressed that he brought Wallen in to audition for his partners in Big Loud Records: Craig Wiseman, Clay Hunnicutt, Kevin “Chief” Zaruk and Joey Moi. They signed Wallen to both the label and the publishing company.

Wallen started woodshedding as a songwriter, working with the likes of Wiseman (“Live Like You Were Dying”), Rodney Clawson (“Dirt”), Chris Tompkins (“Drunk On A Plane”), the Warren Brothers (“Highway Don’t Care”), Tommy Cecil (“Home Alone Tonight”) and Matt Dragstrem (“Sippin’ On Fire”). Meanwhile, Big Loud Records proved that it was big-league – while Wallen worked on his own music, the label’s first-ever single, Chris Lane’s “Fix,” shot to #1, an unheard-of start for a brand-new label.

Wallen hopes to build a similar story. His end goal is to continue to be onstage, making that emotional connection with his distinctive sound, as well as releasing his anticipated forthcoming debut album of Big Loud Records.

“We’ve just really been trying to get the focus on the music,” he concludes. “If we don’t have that, then there’s no point in playing.”