Tickets- Official Box Office

 The OFFICAL BLUESTONE TICKET BOX OFFICE

Get Tickets to The Bluestone and never miss your favorite artist again. Tickets From country and electronic to Indie Rock.  THE Bluestone brings quality entertainment to the stage every time. We’re working hard to bring you the best  concerts and special events in Columbus, Ohio. Keep an eye on our tickets and events calendar and check back often for concert updates. Just click on an event to purchase tickets

https://www.ticketmaster.com/the-bluestone-tickets-columbus/venue/41852

 

Jun
14
Fri
WCOL Country Jam 2014
Jun 14 @ 4:14 pm

CJ_web

COUNTRY JAM 2014:This summer’s Country Jam, the largest country concert in central Ohio, will be a TWO DAY event held at Legend Valley Concert Venue and Campground on June 13th-14th, and will feature: Hank WIlliams Jr, Dierks Bentley, Randy Houser, Josh Thompson, Jerrod Niemann, Chris Young, Jon Pardi, Frankie Ballard, Brothers Osborne, Chris Stapleton, Lindsay Ell, and Austin Webb! Camping is included with purchase of a two-day ticket!

Tickets and more information available HERE!

Interested in being a vendor at Country Jam? Click HERE.

 

WCOL Miller Lite Series Presents: JOSH THOMPSON
Jun 14 @ 4:14 pm

Country music artist, Josh Thompson, will be performing live at The Bluestone on Thursday, October 9th as part of the WCOL Miller Lite Concert Series.  Tickets for admission into the show are $15.00 pre-sale.

Openers: Rick Monroe and Zach Linley and the Rebel Daredevils

Tickets on-sale Friday, August 15th at 12pm

VIP Admission: VIP TABLE PURCHASE DOES NOT INCLUDE ADMISSION TICKETS TO THE SHOW.  Admission tickets must be purchased separately.

  • Loft Lower Tier: $250 (seats four people-no exceptions)
  • Prime view of stage
  • Includes six bottles of Miller or Coors Light
  • VIP waitress
  • Exclusive Private Bar access
  • Buckets (six bottles) available for purchase all night for $24
  • Loft Upper Tier: $200 (seats four people-no exceptions)
  • Includes six bottles of Miller or Coors Light
  • VIP waitress
  • Private Bar Access
  • Buckets (six bottles) available for purchase all night for $24

*All VIP tables located in the loft area

*Table purchases do NOT include admission into venue

BUY TICKETS

Josh Thompson - Approved ImageRS

Feb
28
Sat
Brothers Osborne – The Bluestone
Feb 28 @ 7:00 pm

 Brothers Osborne will be performing live at The Bluestone in Columbus, Ohio on Saturday, February 28th.

 Opening Artist: TBD

 Doors open at 7pm

 All Ages Event

BUY TICKETS

Image and video hosting by TinyPic

 TICKETS: $15 ADVANCED | $17 DAY OF SHOW

For John and TJ Osborne, getting into music was unavoidable. Growing up in the water town of Deale, Maryland, their close-nit-family of seven spent most nights not in front of the television, but writing and playing songs. The Brothers’ father had a shed behind their home that he used for small performances for friends and family. John and TJ could be caught listening in on their father’s playing or fetching beers for pocket change. Later their father would convert that shed into a home studio where their parents would write and record songs.

As the brothers aged, they formed a band with their ever eclectic father named “Deuce & a Quarter.” The band played cover songs from Lynyrd Skynyrd to Dwight Yoakem to Merle Haggard to Bob Seger. They performed at local venues in the town, but it was here that the Brothers got the taste for performing live.

John (guitar) moved to Nashville first to play in other bands. Two years later, TJ (vocals/guitar) moved to Nashville. It was then they formed Brothers Osborne and began playing as many writer rounds as they could. In April 2011, Warner Chappell/King Pen Music offered them a publishing deal. A year later, Capitol Records offered them a record deal. The Brothers Osborne are currently in the studio finishing their debut album, an album they describe as “aggressive, bold and fragile at times.” More to come from Brothers Osborne in 2015.

 

VIP Opportunities Available: 

VIP TABLE PURCHASE DOES NOT INCLUDE ADMISSION TICKETS TO THE SHOW.  

Admission tickets must be purchased separately.

  • Loft Lower Tier (PRIME VIEW!): $250 (seats four people-no exceptions)
  • Prime view of stage!
  • Includes six bottles of Miller or Coors Light
  • VIP waitress
  • Exclusive Private Bar access
  • Buckets (six bottles) available for purchase all night for $24
Loft Upper Tier: $200 (seats four people-no exceptions)
  • Includes six bottles of Miller or Coors Light
  • VIP waitress
  • Private Bar Access
  • Buckets (six bottles) available for purchase all night for $24
  • May be Obstruction in View

*All VIP tables located in the loft area

Eventbrite - Brothers Osborne at The Bluestone

Apr
29
Wed
Madeon – The Bluestone
Apr 29 @ 9:00 pm

Madeon will perform live at The Bluestone 04|29|15 Presented by the Prime Social Group.

Supporting Artist: Fareoh and CJ the DJ ( Doors OPEN at 9PM )

buy-tickets-now-gold

Madeon_CBUS_FB 600

Hailing from Nantes in France, 17 year old Madeon came to the attention of the world for his unique blend of Pop/House/Electro via his “Shuriken” and “For You” tracks as well as his amazing remix of Pendulum’s “The Island” single. His most recent remixes on the Deadmau5 “Raise Your Weapon” and Martin Solveig “The Night Out” singles have been a huge success with support from the likes of Pete Tong, Alan Braxe, Skrillex, Rob Swire etc… His debut single “Icarus” was a hit with both DJs (charting at #2 on the global Beatport chart) and radio (charting in the UK top 40). Madeon’s Pop Culture live mashup video has been viewed over 10 million times.

THE M MACHINE

Hyper-creative and sophisticated in craft, San Francisco-based electronic act The M Machine bring a rare mix of genre-bending ingenuity and refined musicianship to every element of their musical output. With their most recent EP—the five-song ‘Just Like’, released on Skrillex’s OWSLA label in November 2014—vocalist/composer/producers Ben Swardlick and Eric Luttrell deliver a deeply melodic and infectiously upbeat take on underground house. Not only a dramatic departure from their darkly charged earlier work, ‘Just Like’ finds The M Machine abandoning all EDM convention and creating a vocal-propelled, indie-minded breed of dance music that hinges on pure emotion and unbridled energy.

 FAREOH

 Music has been central to Fareoh’s life for as long as he can remember. He learned to play guitar at the age of nine, and loved punk rock, but never committed to any exclusive genre allegiances. “I was always just listening to new stuff,” he says. Born Ian Spurrier, the New York born DJ and producer taught himself the ins and outs of digital production and honed a sound of his own: a combination of progressive and electro, with the songcraft of rock and pop. Blogs are alight with excitement about the complex yet melodic sound of this 20-year old newcomer’s productions: various original tracks and carefully crafted remixes like his single “Feathers” with Archie and his take on mentor Kaskade’s “Lessons in Love”. Fareoh was chosen by Kaskade to open for him on last summer’s Freaks of Nature tour, hitting large-scale venues nationwide. “I want to follow in Kaskade’s footsteps and represent America; represent these young DJs.” For the intensely visual thinker, Egyptian iconography and imagery has an obvious appeal. “I’ve been in love with Egyptian culture since the second grade,” he says. “I used to beg to go to

the museum to see all the different artifacts and hieroglyphs.” An early Internet screen name included the word “Pharaoh,” so Fareoh simply decided to spell it out phonetically. Pharaoh – which translates into “Great House” – originally referred to extraordinary palaces of Egyptian kings. Our contemporary association immediately connotes “Ruler”. Both definitions are apropos in witnessing Fareoh’s reign over a pulsating room of revelers on any given night.

buy-tickets-now-gold

Apr
30
Thu
The Charlie Daniels Band – The Bluestone
Apr 30 @ 7:00 pm

The Charlie Daniels Band will be performing live at The Bluestone on Thursday, April 30th, at 7pm.

Opener: Cliff Cody and Wyatt McCubbin will be opening the show!

Tickets are $40 Pre-Sale and $45 day of show.

 

Charlie-Daneils-columbus ohio

 

 CMA and Grammy award-winning country band, The Charlie Daniels Band, will perform live at The Bluestone on Thursday, April 30th, 2015.  Charlie Daniels Concert Tickets are available online at www.liveatthebluestone.com for just $40.00 in advance and $45.00 day of show.  Doors for the show will open at 7pm, this is an all ages event.

Charlie Daniels, born and raised in North Carolina, began playing the fiddle and guitar in several bands throughout his young adult life.  At the age of 21 he decided to pursue a professional career in music.  Daniels assembled his first rock and roll group named, The Jaguars.  There was very little success with The Jaguars but Daniels continued to write songs including,   One of “It Hurts Me”, which was recorded by Elvis Presley in 1963. In the late 60’s Daniels opted out of The Jaguars and after much practice, became one of the best fiddlers in Nashville, TN.  He would focus his fiddle playing on the current day hits, including a lot of top songs from Bob Dylan, his popularity soared.

Mid 70’s was the year for his new band, The Charlie Daniels Band.  After a run with the Southern Rock style, Charlie then decided to lean more towards a country music band, ultimately it was a career changing choice.  Shortly after this decision, the single, “The Devil Went Down to Georgia”, was released.  It went straight to the number one spot and crossed over on to the pop charts at a number three spot.  This song was named the Country Music Association’s Single of the Year.  After this hit was released, their next album, Million Mile Reflections, became a multi-platinum success.

 

VIP Admission: VIP Tables do NOT include admission tickets to the show.  Tickets must be purchased separately.

**VIP Tables for this show are sold out**

  • Loft Lower Tier: $250 (seats four people-no exceptions)
  • Prime view of stage
  • Includes six bottles of Miller or Coors Light
  • VIP waitress
  • Exclusive Private Bar access
  • Buckets (six bottles) available for purchase all night for $24
  • Loft Upper Tier: $200 (seats four people-no exceptions)
  • Includes six bottles of Miller or Coors Light
  • VIP waitress
  • Private Bar Access
  • Buckets (six bottles) available for purchase all night for $24

*All VIP tables located in the loft area

*Table purchases do NOT include admission into venue

Feb
17
Fri
Russell Dickerson Live February 17th @ The Bluestone
Feb 17 @ 7:00 pm

Russell Dickerson will be performing live at The Bluestone on Friday, February 17th, 2017

Doors for the show will open at 7pm
Opening artist: TBA
Tickets are $15
Tickets on-sale Friday, November 4th at 10am

PURCHASE TICKETS HERE

RDtourpromo

TABLE SEATING

VIP TABLE PURCHASE DOES NOT INCLUDE ADMISSION TICKETS TO THE SHOW.  

Admission tickets must be purchased separately.

  • Loft Lower Tier: $250 (seats four people-no exceptions)
  • Prime view of stage!
  • Includes first bucket of Miller or Coors Light
  • VIP Server
  • Exclusive Private Bar access
  • Loft Upper Tier: $200 (seats four people-no exceptions)
  • Includes first bucket of Miller or Coors Light
  • VIP Server
  • Private Bar Access
  • May be Obstruction in View

*All VIP tables located in the loft area

Sincere, endearing, energetic, and always smiling: All words that have been used to describe emerging country music star, Russell Dickerson, by his fans and peers alike. His infectiouspersonality radiates in everything he does, whether he’s writing a song, singing in the studio, or meeting fans. He’s constantlymaking people laugh, and makes new friends everywhere he goes. He asserts, “I just love life. Every day is a great day!” 

Mar
18
Fri
Mammoth WVH & Dirty Honey Live March, 18 2022 @ The Bluestone
Mar 18 @ 6:30 pm – 11:45 pm

Mammoth WVH & Dirty Honey Live March 18th, 2022 6:30 PM

The Bluestone
Columbus, Ohio

https://www.ticketmaster.com/event/05005B5B9DE84DB9

WRKZ presents Mammoth WVH & Dirty Honey in Columbus, OH at The Bluestone March 18th, 2022.

Tickets on sale Friday, November 5th at 10 AM!

About Mammoth WVH

Official Website: www.mammothwvh.com

Official Facebook Page:www.facebook.com/MammothWVH

Official Twitter: www.twitter.com/MammothWVH @MammothWVH

Official Instagram: www.instagram.com/mammothwvh @mammothwvh

Official YouTube Channel:www.youtube.com/MammothWVH

First impressions last a lifetime. Wolfgang Van Halen has prepared a lifetime to make his first impression. The songwriter, vocalist, and multi-instrumentalist worked tirelessly towards the introduction of MAMMOTH [Explorer1], his self-titled 2021 debut album. Playing every instrument and singing each and every note, his music presents a personal and powerful perspective, balancing memorable hooks and tight technicality. As many times as audiences have experienced his talent alongside the likes of Tremonti,Clint Lowery, and of course, Van Halen, they meet Wolf as an individual for the very first time now.

“You only have one chance to make a first impression, and I wanted to do so to the best of my abilities,” he affirms. “Throughout the whole process, I was finding who I am musically and by the end, I got a pretty good handle on a sound I can claim for myself.”

His father often played guitar against his mother’s pregnant belly, and Wolf absorbed those vibrations from the womb. At the age of 10, his Pop gave him a drum kit for his birthday. To this day, Wolf considers himself “a drummer before anything else.” As he developed as a musician, he learned how to play guitar in order to perform “316” —which his father penned for him —at a 6th-grade talent show.

It may come as a surprise, but outside of his father teaching him one drumbeat from an AC/DC song, Wolfgang taught himself every instrument. “My dad wasn’t the best teacher,” he laughs. “I would ask him to play something, and then he would just proceed to be Eddie Van Halen. He would look at me and say, ‘Do that.’ to which I would laugh and sarcastically reply, ‘Sure thing, no problem.’”

In the summer of 2006 when he was 15 years old, Wolf grabbed a bass and began noodling. While at the legendary 5150 Studios, his impromptu woodshedding inspired Eddie and Uncle Alex. Endless family jam sessions followed. By summer’s end, Wolfgang phoned David Lee Roth’s manager and by winter Roth showed up for rehearsal. They rocked “On Fire,” and “That’s how the 2007 tour began,” says Wolf.

Not only did Wolf canvas the world with Van Halen while in high school, but he also held down the low end on 2012’s A Different Kind of Truth—which debuted at #2 on the Billboard Top 200. When not on tour with Van Halen, he cut bass for Tremonti’s critically acclaimed Cauterize [2015] and Dust [2016] in addition to joining the band on the road. In 2019, Wolf handled drums and also played bass on half of the 10 songs for Clint Lowery’s solo debut, God Bless The Renegades.

In the midst of all this, at the beginning of 2015, Wolf broke ground on what would become MAMMOTH with producer Michael “Elvis” Baskette [Alter Bridge, Slash] behind the board. Wolf began to embrace his voice, inspired by everyone from his father, to bands like AC/DC,Foo Fighters, Nine Inch Nails, TOOL, and Jimmy Eat World. “I’ve been singing my whole life, but it wasn’t until MAMMOTH that I really found my voice. Elvis was great, and he helped me gain the confidence to become a lead vocalist.”

“The name Mammoth is really special to me.” says Wolf. “Not only was it the name of Van Halen before it became Van Halen, but my father was also the lead singer. Ever since my dad told me this, I always thought that when I grew up, I’d call my own band Mammoth, because I loved the name so much. I’m so thankful that my father was able to listen to, and enjoy the music I made. I’m really proud of the work I’ve done and nothing made me happier than seeing how proud he was that I was continuing the family legacy.”

About Dirty Honey

Official Website: https://www.dirtyhoney.com/

Official Facebook Page: https://www.facebook.com/DirtyHoneyMusic/

Official Twitter:  https://twitter.com/dirtyhoneyband @DirtyHoneyBand

Official Instagram: https://www.instagram.com/dirtyhoneyband/@dirtyhoneyband

Official YouTube Channel: https://www.youtube.com/channel/UCsxtEOcwpVO9Rnw93Fuv2pQ

Some musicians take a while to build an audience and connect with fans. For the Los Angeles-based quartet Dirty Honey, success came right out of the gate. Released in March 2019, the band’s debut single, “When I’m Gone,” became the first song by an unsigned artist to reach No. 1 on Billboard’s Mainstream Rock chart. Their second single, “Rolling 7s,” went into the Top 5 and was still headed up when COVID changed everything. That same year, Dirty Honey opened for The Who, Guns ’N Roses, Slash, and Alter Bridge and was the “do-not-miss-band” at major rock festivals such as Welcome to Rockville, Rocklahoma, Louder Than Life, Heavy MTL, and Epicenter. On its first U.S. headline tour in January and February 2020, the band sold out every date.
When it came time to record its self-titled full-length debut album, the band—vocalist Marc LaBelle, guitarist John Notto, bassist Justin Smolian, and drummer Corey Coverstone—wasn’t about to mess with what was already working. Teaming up with producer Nick DiDia (Rage Against the Machine, Pearl Jam), who also produced the band’s 2019 self-titled EP, Dirty Honey again captured the lightning-in-a-bottle dynamics and energy of their live sound.
“As a guitarist, I’m always inspired by the everlasting pursuit of the perfect riff,” says Notto. “I also wanted to extend the artistic statement that we had already made. We weren’t looking to sound different, or prove our growth, necessarily. It was more about, ‘Oh, you thought that was good? Hold my beer.'”
“Because of the pandemic,” added drummer Coverstone, “we had a lot more time to write and prepare, which was great. It meant that we were able to workshop the songs a lot more, and I thinkit really made a difference.”
Dirty Honey’s album indeed builds on the band’s output to date, with airtight song writing that plays up their strengths: sexy, bluesy, nasty rock’n’roll, melodic hard rock, and soulful 70s blues-rock. On “The Wire,”LaBelle reaffirms his status as one of contemporary rock’s best vocalists, while “Another Last Time” is a raunchy, timeless ballad about a toxic relationship that you just can’t stop saying goodbye to. “Tied Up” and the album’s lead single “California Dreamin,’’ both feature smoking guitar solos bookended by massive riffs and hooks.
“‘California Dreaming’ was the last song we wrote,” said bassist Justin Smolian. “We finished it about two weeks before we recorded it, so the song was still so new, and we were trying out different things,so every take was a little different. But there was that one where we just captured it, and it was magic.”
Although each band member started playing music as kids—at the age of eight, Notto’s parents even bought him a red-and-white Stratocaster—each one brings eclectic influences to Dirty Honey’s sound. For example, drummer Coverstone has studied with jazz and L.A. session drummers but loves heavy metal; Notto grew up listening to ’70s funk and R&B as well as rock ‘n’ roll,and bassist Smolian has a bachelor of music in classical guitar and loves Tom Petty and The Beach Boys.
LaBelle meanwhile,takes cues from hissongwriting idols (to name a few, Robert Plant, Steven Tyler, Mick Jagger, Chris Robinson, and the late Chris Cornell) when coming up with lyrics. As a result, the songs on the Dirty Honey albumhint at life’s ebbs and flows—shattering heartbreak, romantic connection, intense soul-searching—while giving listeners space to draw their own conclusions.
“Sometimes,if you just let lyrics pass behind your ears, they sound like cool shit is being said,” LaBelle says. “And then once you dive in, you realize, ‘Oh, that’s really thoughtful.’ But it still doesn’t have a meaning that’s easy to pinpoint. There’s an overarching idea that is really cool, but it’s not necessarily on-the-nose.”
Although the Dirty Honey album may sound effortless, its genesis had a bumpy start. The day before the band members were due to fly to Australia to track the album, Los Angeles entered lockdown due to the COVID-19 pandemic, and traveling was off the table. However, Dirty Honey was still eager to work with DiDia, so they devised a Plan B: recording the full-length in a Los Angeles studio with one of DiDia’s long-time engineers, and the producer beamed into the proceedings via the magic of modern technology.
“He was able to listen to what we were laying down in real-time, through this app,” says LaBelle. It was like he was in the room with us. It was surprisingly seamless the way it all went down.”
Having to switch gears delayed the start of recording slightly, although this extra time ended up being a boon. Dirty Honey rented a rehearsal space and demoed the album’s songs in advance, meaning the tracks were in good shape when DiDia came onboard. Notto mixed and recorded these workshopped tracks himself, which helped him rediscover one of Dirty Honey’s biggest strengths: being well-rehearsed while not overpolishing their work.
“I’ve learned just a little bit more about what people might mean when they say, magic—you know, ‘This one has the magic,'” he says. “We would do two and three different demos of a song, so there would be a few versions. On a few occasions, the version that people kept going back to was the sloppiest, if you look at it from a performance standpoint.”
LaBelle agrees. “It’s just about getting the performance right and not thinking about it too much. I never like to be perfect in the studio. None of the stuff that I really liked as a kid was. I don’t really see myself getting away from that too much in the future just because I think you lose the soul if you do it too many times, if it’s too perfect.”
Notto also admits that the creative process isn’t necessarily always all fun and games. But for him and the rest of Dirty Honey, pushing through those tough times and coming out stronger on the other side is worth it. “When you finally come through on those moments, that’s where the real magiccomes in,” he says. “What makes all of our songs fun to play and listen to is we don’t allow ourselves to stop short of getting the best possible results out of each one of them.”