The OFFICAL BLUESTONE TICKET BOX OFFICE
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COUNTRY JAM 2014:This summer’s Country Jam, the largest country concert in central Ohio, will be a TWO DAY event held at Legend Valley Concert Venue and Campground on June 13th-14th, and will feature: Hank WIlliams Jr, Dierks Bentley, Randy Houser, Josh Thompson, Jerrod Niemann, Chris Young, Jon Pardi, Frankie Ballard, Brothers Osborne, Chris Stapleton, Lindsay Ell, and Austin Webb! Camping is included with purchase of a two-day ticket!
Tickets and more information available HERE!
Interested in being a vendor at Country Jam? Click HERE.
Whiskey Myers will be performing at The Bluestone on Saturday, January 28th
Doors for the show will open at 7pm
Special Guests: The Wans
Tickets are $12 in advance
PURCHASE HERE
-VIP OPPORTUNITY AVAILABLE
-VIP TABLE PURCHASE DOES NOT INCLUDE ADMISSION TICKETS TO THE SHOW.
Admission tickets must be purchased separately.
Loft Lower Tier: $250 (seats four people-no exceptions)
Prime view of the stage!
Includes first bucket of Miller or Coors Light
VIP Server
Exclusive Private Bar access
Loft Upper Tier: $200 (seats four people-no exceptions)
Includes first bucket of Miller or Coors Light
VIP Server
Private Bar Access
May have an obstructed view
*All VIP tables located in the loft area
*all purchases are final
Whiskey Myers makes honest music.
Loud and proud, they sing about what they know with a refreshing
Whiskey Myers’ most recent full-lengt
Drake White and The Big Fire will be performing live at The Bluestone on Friday, May 5th, 2017
Featured Artist: Drake White
Opening Artist: Dave Kennedy
Opening Artist: Channing Wilson
Doors for the show will open at 7pm
PURCHASE HERE–This Show is SOLD OUT
Drake White Tickets on sale Friday, December 16th at 10am
VIP OPPORTUNITY AVAILABLE
VIP TABLE PURCHASE DOES NOT INCLUDE ADMISSION TICKETS TO THE SHOW.
Admission tickets must be purchased separately.
- Loft Lower Tier: $250 (seats four people-no exceptions)
- Prime view of the stage!
- Includes first bucket of Miller or Coors Light
- VIP Server
- Exclusive Private Bar access
- Loft Upper Tier: $200 (seats four people-no exceptions)
- Includes first bucket of Miller or Coors Light
- VIP Server
- Private Bar Access
- May have an obstructed view
- *All VIP tables located in the loft area
*All Sales are final
Every reaction begins with a catalyst, some initial event that sets things on their inexorable course. For Drake White, it goes back to something raw and elemental in his debut album Spark.
“I learned how to play guitar and keep people’s attention around a fire,” explains the Hokes Bluff, Alabama native. “A spark can start a fire that can keep you alive and sustain you. So this is the beginning for me. This is the first strike of the flint.”
The spirit of Spark comes from those simple, early days spent enjoying the outdoors among friends in the warm glow of a fire. And though he’s now a city dweller with all the complications and distractions that entails, White still seeks the freedom and deeper connections he felt when the chorus of nature and the strums of his guitar blended into one harmonious song — the kind of contentment he sings about in the swirling majesty of his single “Livin’ the Dream.” Drake White
“We grew up free. We grew up on 4-wheelers, riding through the backwoods,” he says. “We grew up hunting and fishing and being out in the Appalachian Mountains. People don’t understand how beautiful north Alabama is until you see it in person.”
Drake White
Save for “Livin’ the Dream,” White wrote or co-wrote the remaining 11 tracks on Spark, working with red-hot producers Ross Copperman and Jeremy Stover through the process. He also brought in his own band for a handful of tracks to capture the energy of his live shows.
The first sound on Spark — before the pulse-quickening “Heartbeat” kicks into gear — is the voice of White’s late grandfather speaking from the pulpit. Several of these ghostly transmissions from the past appear on Spark, all extolling the virtues of love, brotherhood and nature. It’s a touch of the surreal that nods at White’s fondness for Pink Floyd’s psychedelic masterpiece The Wall, but also a deeply personal gesture that matches his vision perfectly.
“I went through about five or six sermons of my grandfather and picked out certain little snippets,” he says. “I just think they kind of fit. They’re weird and people are asking what they are. And that was my point: to get people talking about it.”
White has his own message of finding some harmony amid the demands of modern life, one that goes down easy in the uplifting, Zac Brown Band-assisted Southern rock anthem “Back to Free” and the cautionary-but soulful “I Need Real.” It’s a simple message of not letting oneself be swallowed up by technology and seeking out honest, genuine connections with others.
“When I’m at home, my wife and I keep our phones in the bedroom,” says White. “We listen to records. We hardly turn the TV on, unless it’s time for Game of Thrones. Before social networking was a smartphone app, we did it around a fire. That goes way back.”
With his gospel-derived, passionate delivery, White seems to have inherited his grandfather’s ability to touch crowds with a sermon — his divine vocal improvisations at the end of the honky-tonk flavored “Story” will undoubtedly get butts out of seats. White stresses that he isn’t a preacher, but doesn’t see a problem with putting his own methods for surviving the world out there.
“Some of the best songs, like Buffalo Springfield’s “For What It’s Worth” or anything by Bob Marley, have a little bit of preachin’,” he says. “I never want to come across too preachy, but instead I’m saying, ‘Hey man, this is my life, and this is what I do to be happy and I’m figuring it out just like you.’” Drake White
Spark covers an entire spectrum of emotions beyond these statements of character and self-definition. In “Making Me Look Good Again,” White cruises on an R&B-style groove to express his gratitude for his better half, while “Waiting on the Whiskey to Work” finds him embodying a man spun out on love and heartbreak. Then in the tropically-themed “Equator,” he flies south to give his nomadic side a little time to play.
“This record is about balance. It’s me asking, where’s that boy I used to be? Oh yeah, we gotta go get him back,” he says. “We gotta go on a hike or camping or grab my wife and go to some foreign country. I gotta feel alive. I gotta go out there and do that.” Drake White
Long a respected live entertainer with his (appropriately named) band the Big Fire, White’s climb to the limelight hasn’t been a straight or uncomplicated one. Rather than blowing up right away with a big debut single, he’s toiled on the road for years, giving jaw-dropping performances night after night and making believers one show at a time. “There are many different paths.
Country Music’s Rising Star,
Tony Jackson will be performing LIVE at The Bluestone on Friday, June 23rd
Doors for the show will open at 7pm
Opening Artist: Wyatt McCubbin
Tickets are $10 in advance and $15 day of show
Tickets will go on-sale Friday, April 21st at 10am
PURCHASE HERE
RESERVED TABLE PURCHASE DOES NOT INCLUDE ADMISSION TICKETS TO THE SHOW.
Admission tickets must be purchased separately.
- Loft Lower Tier: $250 (seats four people-no exceptions)
- Prime view of stage!
- Includes first bucket of Miller or Coors Light
- Server
- Exclusive Private Bar access
-
Loft Upper Tier: $200 (seats four people-no exceptions)
- Includes first bucket of Miller or Coors Light
- Server
- Private Bar Access
- May be Obstruction in View
*All Reserved tables located in the loft area
ALL SALES ARE FINAL
Is it premature to see Hall of Fame material in a guy who’s just releasing his first album?
Not if that guy is Tony Jackson. To put it plainly, Jackson is one of the most gifted singers ever to grace country music. His video “The Grand Tour” ignited an unprecedented 10 million Facebook views and 200,000 shares in just over 3 short weeks!
The respect Jackson has already earned within the music community is evident throughout Tony Jackson, as the new album is titled. It features songs and/or performances by Rock and Roll Hall of Fame members John Sebastian, Steve Cropper and Dr. John “Mac” Rebennack, Country Music Hall of Famers Vince Gill, Bill Anderson and Conway Twitty and Nashville Songwriters Hall of Fame luminary Norro Wilson.
But it is ease with which Jackson makes every song—even the familiar ones—distinctly his own that sets him apart. Who else would dare to try and then succeed in bringing a fresh layer of emotional urgency to such a classic as George Jones’ “The Grand Tour” or Conway Twitty’s eternal “It’s Only Make Believe”?
On the first-time and lesser known songs, Jackson mints his own classics. With its sweeping steel guitar flourishes and ambient barroom clatter, he transforms John Sebastian and Phil Galdston’s “Last Call” into the sweetest, most affectionate separation ballad imaginable. With reverence and a twinkle in his eye, he enlists Sebastian and Vince Gill in revivifying (after 50 years) the Lovin’ Spoonful’s 1966 romp, “Nashville Cats.” “When asked if we should recut the song,” Sebastian begins, “I said absolutely but we have to get Vince Gill, Paul Franklin and today’s real Nashville Cats in on the session and fortunately it was preserved on video,” he beams.
After capturing perfectly, the excitement of new love in Bill Anderson’s “I Didn’t Wake Up This Morning,” he moves on to a memory-stirring homage to Merle Haggard, Hank Williams Jr. and Willie Nelson in “They Lived It Up,” a lyrical scrapbook from Anderson and Bobby Tomberlin.
Jackson shines as a keen-eyed songwriter in his own right with such memorable excursions as “Drink By Drink,” “Old Porch Swing” and “She’s Taking Me Home.”
From start to finish, Tony Jackson stands out as a “discovery” album, the kind you listen to with such delight that you have to recommend it to friends. And hundreds of thousands have done just that.
Jackson is currently a headliner on the Old Dominion Barn Dance in Richmond, Virginia, and is almost certainly the only major bank executive ever to abandon a prominent IT job in finance at a Fortune 500 company to embark on a career in country music. But he didn’t grow up a country fan.
The son of a Navy man, he led a base-to-base existence, at one point living with his family in Rota, Spain for three years. His early musical background was sketchy at best. “I sang ‘White Christmas’ in the Christmas play in the sixth grade,” he recalls. ‘Everybody seemed to love it, but I was a wreck. My mother forced me to sing in the church choir, but I was kind of buried in the voices along with everybody else.” This was basically his entire musical resume until ten or so years ago when a friend whose band had lost its lead singer asked Jackson to try out for the spot. “I did,” he says, “and I was hooked after that.”
Two weeks after graduating from high school, Jackson joined the Marines. “I told my dad I was joining because I was sick of taking orders,” he says with a wry grin. There was as much getting-ahead as gung-ho in Jackson’s enlistment. “I was a computer and electronics geek as a teenager,” he says. “When I talked to the recruiter, he told me the Marine Corps had just started a computer science school in Quantico, Virginia. Fortunately, I scored high enough on the entrance exam to go to that school.” It was a smart move. When he finished service, a prominent bank in Richmond snapped him up to work in its Information Technology division, initially assigning him the lowly chore of re-setting passwords. “I was way overqualified,” he says, “so I got promoted fast. I was a senior vice president by my early 30s.”
It was while in the Marines that he first started paying serious attention to country music. “My mother listened only to gospel,” he says. “My dad was into jazz, hip hop, R&B, new jack swing—stuff like that. But Armed Forces Radio played everything. When I was living in Spain—when I was 10 to 13—Randy Travis came over there on a USO tour. Some friends and I were out there early when they were setting up the stage, and we actually got to talk to him before we realized he was the guy who’d be performing later. He was really cool to us. In the Marine Corps, when my friends and I played music for each other, we were all homesick. So when you’d listen to these country songs that talked about family and home and heartbreak, it would really grab you.”
Whiskey Myers
live at The Bluestone
Thursday, December 7th, 2017
Doors for the show will open at 7pm
Opening Artist: Goodbye June
Tickets are $15 in advance and $20 day of show
Tickets On-Sale Friday, June 9th at 10am
PURCHASE HERE
RESERVED LOFT TABLE SEATING
RESERVED TABLE PURCHASE DOES NOT INCLUDE ADMISSION TICKETS TO THE SHOW.
Admission tickets must be purchased separately.
- Loft Lower Tier: $250 (seats four people-no exceptions)
- Prime view of stage!
- Includes first bucket of Miller or Coors Light
- Server
- Exclusive Private Bar access
Loft Upper Tier: $200 (seats four people-no exceptions)
Includes first bucket of Miller or Coors Light
- Server
- Private Bar Access
- May be Obstruction in View
*All Reserved tables located in the loft area
ALL SALES ARE FINAL
It would be an understatement to say that a lot has happened since Whiskey Myers was last in the recording studio. Over two whirlwind years, the gritty Texas band hit #1 on the iTunes Country Chart with their breakout third album ‘Early Morning Shakes,’ earned raves everywhere from Rolling Stone to USA Today, and toured the US and UK relentlessly, slaying massive festival crowds and sharing stages with Lynyrd Skynyrd, Hank Williams Jr., Jamey Johnson, and more along the way. You’d be forgiven, then, for expecting things to work a little differently this time around when the band reunited with acclaimed producer Dave Cobb for their stellar new album, ‘Mud.’ But as it turns out, success doesn’t change a Southern gentleman, and they don’t come any more Southern than Whiskey Myers.
Fueled by larger-than-life performances honed tight from countless nights on the road, ‘Mud’ finds the band scaling new heights of songwriting and musicianship, with searing guitars, soulful vocals, and indelible hooks. While their approach to the music and humble, hard-working attitudes may not have altered, there have been developments in the Whiskey Myers world, most notably with the arrival of new faces. For the recording sessions, the band’s five founding members—Cody Cannon on lead vocals and guitar, Cody Tate and John Jeffers on guitars, Gary Brown on bass, and Jeff Hogg on drums—fleshed out their sound with the addition of fiddler/keyboard player Jon Knudson and percussionist Tony Kent, who are both now full-time members. “They bring a great energy, and I think it’s really helped our sound and makes the band more versatile,” explains Cannon. “There’s less room onstage now, but sometimes a family grows.”
Eli Young Band and LOCASH will be performing LIVE at The Bluestone
Friday, February 9th, 2018
Special Guest: Muscadine Bloodline
Doors for the show will open at 7pm
Tickets are $40 in advance and $45 day of show
THIS SHOW IS SOLD OUT
PURCHASE HERE
LOCASH Meet & Greet Upgrade (Ticket to Show Not Included)
- Exclusive meet & greet with LOCASH
- Personal photograph with LOCASH
- Private and intimate acoustic performance by LOCASH
- Q&A session
- Autographed tour poster
- Exclusive LOCASH merchandise item
- Official meet & greet laminate
- Limited availability
To purchase, click here: http://future-beat.com/event.cfm?id=274095&cart
For questions, please contact info@future-beat.com
This is an All Ages Show
Three Great Artist one Night of Music!!
Eli Young Band
Somewhere in the midst of 10,000 towns, along a lonely highway between packing clubs in their native Texas years ago and more recently performing stadiums on one of country music’s hottest tours, the Eli Young Band became more than a band. They became a brotherhood. Camaraderie and creativity fused into an intoxicating cocktail that has propelled the talented foursome to the vanguard of contemporary country music.
With three No. 1 hits under their belt as well as a Grammy nomination and an Academy of Country Music Award for Song of the Year for their hit “Crazy Girl,” the Eli Young Band approached their second Republic Nashville album, 10,000 Towns, with a sense of confidence and purpose. “We were genuinely excited about making this new record,” says bassist Jon Jones. “People talk about the sophomore record being really tough to make and in a lot of ways this felt like our sophomore record even though it’s technically our fifth record as a band.”
“We learned over the progression of those records our strong points in the studio, and we were confident,” adds drummer Chris Thompson, “We knew what we wanted and how to get what we wanted.”
LOCASH
It’s an exciting time to be LOCASH these days. That might very well be one of the biggest understate
Recently signed to Reviver Records, the duo is joining forces with some of the biggest names on the Country Music business landscape.
Musidine Bloodline
Unapologetically Alabama. There’s a new force making major waves in country music. Natives of Mobile Alabama, Gary Stanton and Charlie Muncaster came together to form Muscadine Bloodline in early 2016. With three single releases under their belt and a schedule full of shows spanning from coast to coast, they’ve hit the ground running from day 1. Nashville took notice the first time these two stepped on the stage and it’s no surprise the rest of the music world is quickly catching on. Charlie’s [contemporary] vocals complimented by Gary’s harmonies and masterful guitar licks, MB is a powerfully refreshing mix of talent, passion and unfiltered authenticity. Infamously undaunted by the big stage, their sound intertwines the brash irreverence of early southern rockers with the seductive quality of 90s country love songs. Captivating hooks heard in songs like “Porch Swing Angel” and the aggressively anthemic “Shut Your Mouth” stand as a testament to MB’s wide ranging music-making capability. Every song and every show is a moving experience but at the same time, unmistakably Muscadine Bloodline.
Get your tickets now!
Muscadine Bloodline LIVE at The Bluestone on September 28th, 2018!
Opening Artist: Brandon Ray and Jordan Fletcher
*Doors for the show will open at 7PM
*Tickets are $10 in advance and $15 day of show
Tickets On-Sale NOW!
Biography
Hailing from Mobile, Alabama and based in Nashville, Tennessee, the contemporary country duo Muscadine Bloodline certainly sounds southern but they don’t necessarily seem beholden to either hometown. At times, the pair of Charlie Muncaster and Gary Stanton can recall the plainspoken sound of Texas Red Dirt country; sometimes they kick up a bit of Southern rock, and sometimes they have the polished songcraft synonymous with the Music City. All of this is evident on their eponymous 2017 debut EP.
The EP Muscadine Bloodline followed just a year after Muncaster and Stanton formed the group. The two singer/songwriters grew up in Mobile, but they didn’t meet until they were both actively pursuing musical careers as adults. Stanton crossed Muncaster’s path when the former was looking for an opening act and they soon started jamming, then decided to form a band. They headed to Nashville and quickly released three singles in 2016 — “Southern Boy Cure,” “Porch Swing Angel,” and “Shut Your Mouth” — before cutting the Muscadine Bloodline EP with producer Luke Laird. The EP appeared early in 2017. ~ Stephen Thomas Erlewine, Rovi
Whiskey Myers will be performing LIVE at The Bluestone on Saturday, December 1st, 2018!
*Opening Artist: Bishop Gunn
*Doors will Open at 7PM
*Tickets are $15 in advance and $20 day of show
Tickets On-Sale Friday, June 22nd at 10am
PURCHASE HERE
It would be an understatement to say that a lot has happened since Whiskey Myers was last in the recording studio. Over two whirlwind years, the gritty Texas band hit #1 on the iTunes Country Chart with their breakout third album ‘Early Morning Shakes,’ earned raves everywhere from Rolling Stone to USA Today, and toured the US and UK relentlessly, slaying massive festival crowds and sharing stages with Lynyrd Skynyrd, Hank Williams Jr., Jamey Johnson, and more along the way. You’d be forgiven, then, for expecting things to work a little differently this time around when the band reunited with acclaimed producer Dave Cobb for their stellar new album, ‘Mud.’ But as it turns out, success doesn’t change a Southern gentleman, and they don’t come any more Southern than Whiskey Myers.
Fueled by larger-than-life performances honed tight from countless nights on the road, ‘Mud’ finds the band scaling new heights of songwriting and musicianship, with searing guitars, soulful vocals, and indelible hooks. While their approach to the music and humble, hard-working attitudes may not have altered, there have been developments in the Whiskey Myers world, most notably with the arrival of new faces. For the recording sessions, the band’s five founding members—Cody Cannon on lead vocals and guitar, Cody Tate and John Jeffers on guitars, Gary Brown on bass, and Jeff Hogg on drums—fleshed out their sound with the addition of fiddler/keyboard player Jon Knudson and percussionist Tony Kent, who are both now full-time members. “They bring a great energy, and I think it’s really helped our sound and makes the band more versatile,” explains Cannon. “There’s less room onstage now, but sometimes a family grows.”
Muscadine Bloodline will be performing LIVE at The Bluestone September 12th, 2019
Doors for the show will open at 7pm
Opening Artist: Tyler Booth
Tickets are $10 in advance and $15 day of show
Tickets will go on-sale Friday, August 2nd at 10am
PURCHASE HERE
There’s a new force making major waves in country music, Muscadine Bloodline. Proud natives of Mobile Alabama, Gary Stanton and Charlie Muncaster started Muscadine Bloodline in early 2016. From the first time they took stage, Nashville started talking… so now, with two Billboard charting critically acclaimed EP’s under their belt, it’s no surprise the rest of the music world is quickly catching on. The duo’s reputation for high-energy live experiences has resulted in a schedule full of shows spanning from coast to coast. Charlie’s contemporary vocals complimented by Gary’s harmonies and masterful guitar licks make MB a powerfully refreshing mix of talent, passion and unfiltered authenticity. Infamously undaunted by the big stage, their sound intertwines the brash irreverence of early southern rockers with the seductive quality of 90s country love songs. Captivating hooks heard in songs like “Movin’ On” and the aggressively anthemic “WD-40” stand as a testament to MB’s wide ranging music-making capability. Every song and every show is a moving experience but at the same time, unmistakably Muscadine Bloodline.