The OFFICAL BLUESTONE TICKET BOX OFFICE
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Hit country artist Craig Morgan returns to The Bluestone for his Journey: Livin’ Hits tour on March 20th, 2014. Special guests Chad Warrix and Clark Manson will open the show.
TICKET AVAILABILITY
VIP Admission
*Note* VIP Tables are now SOLD OUT
General Admission
- $20 advance
- Standing room only
This event is open to all ages
Thursday, March 20th | Doors 7PM
COUNTRY JAM 2014:This summer’s Country Jam, the largest country concert in central Ohio, will be a TWO DAY event held at Legend Valley Concert Venue and Campground on June 13th-14th, and will feature: Hank WIlliams Jr, Dierks Bentley, Randy Houser, Josh Thompson, Jerrod Niemann, Chris Young, Jon Pardi, Frankie Ballard, Brothers Osborne, Chris Stapleton, Lindsay Ell, and Austin Webb! Camping is included with purchase of a two-day ticket!
Tickets and more information available HERE!
Interested in being a vendor at Country Jam? Click HERE.
Craig Morgan will be performing live at The Bluestone on Thursday, January 12, 2017
Opening Artist: Drew Baldridge
Doors for the show will open at 7pm
Tickets: $25 in advance (day of show price will increase to $30)
Tickets go on-sale Friday, October 14th at 10am
PURCHASE HERE
VIP OPPORTUNITY AVAILABLE
VIP TABLE PURCHASE DOES NOT INCLUDE ADMISSION TICKETS TO THE SHOW.
Admission tickets must be purchased separately.
- Loft Lower Tier: $250 (seats four people-no exceptions)
- Prime view of the stage!
- Includes first bucket of Miller or Coors Light
- VIP Server
- Exclusive Private Bar access
- Loft Upper Tier: $200 (seats four people-no exceptions)
- Includes first bucket of Miller or Coors Light
- VIP Server
- Private Bar Access
- May have an obstructed view
*All VIP tables located in the loft area
*all sales are final
“I have friends who are very artistic people, sometimes oddly so, and I never wanted to be that guy, to be so artistic that I’m odd,” he says smiling. “But it’s good to know that I’ve evolved musically and, with this new record, I’ve created something with longevity.
Indeed, Morgan’s A Whole Lot More To Me, co-produce
Morgan uses the honesty of the concert stage as an analogy for how he assembled what will be his seventh studio album. “It would look funny if you went to one of my concerts and I stood out there in skinny jeans. I’m not 21 years old, and I shouldn’t pretend to be,” he says. “But I also know this music will fit right in on country radio today. I’m singing music that is real and believable
And Craig Morgan knows exactly who he is, a man with many sides. Along with being an entertaine
He’s a busy man with a knack for attention to detail. Carefully choosing each lyric on this album is no exception.
The most obvious bridge to Morgan’s back catalog is the spirituall
“It has a very charismati
Morgan says the song, as well as album tracks like the emotionall
Another standout on the project is “Hearts I Leave Behind,” which features Morgan’s gritty and poignant vocals with the soulful Christian rock band Third Day’s lead singer, Mac Powell.
The hard-touri
“It’s such an emotional song, one that I can see being played at weddings for a long time,” he says. “I feel something in my chest when I hear it. It moves me — and that’s what music is supposed to do.”
Especially
“As a country singer, we sometimes get stereotype
And in Morgan, those folks have no better messenger.
Drake White and The Big Fire will be performing live at The Bluestone on Friday, May 5th, 2017
Featured Artist: Drake White
Opening Artist: Dave Kennedy
Opening Artist: Channing Wilson
Doors for the show will open at 7pm
PURCHASE HERE–This Show is SOLD OUT
Drake White Tickets on sale Friday, December 16th at 10am
VIP OPPORTUNITY AVAILABLE
VIP TABLE PURCHASE DOES NOT INCLUDE ADMISSION TICKETS TO THE SHOW.
Admission tickets must be purchased separately.
- Loft Lower Tier: $250 (seats four people-no exceptions)
- Prime view of the stage!
- Includes first bucket of Miller or Coors Light
- VIP Server
- Exclusive Private Bar access
- Loft Upper Tier: $200 (seats four people-no exceptions)
- Includes first bucket of Miller or Coors Light
- VIP Server
- Private Bar Access
- May have an obstructed view
- *All VIP tables located in the loft area
*All Sales are final
Every reaction begins with a catalyst, some initial event that sets things on their inexorable course. For Drake White, it goes back to something raw and elemental in his debut album Spark.
“I learned how to play guitar and keep people’s attention around a fire,” explains the Hokes Bluff, Alabama native. “A spark can start a fire that can keep you alive and sustain you. So this is the beginning for me. This is the first strike of the flint.”
The spirit of Spark comes from those simple, early days spent enjoying the outdoors among friends in the warm glow of a fire. And though he’s now a city dweller with all the complications and distractions that entails, White still seeks the freedom and deeper connections he felt when the chorus of nature and the strums of his guitar blended into one harmonious song — the kind of contentment he sings about in the swirling majesty of his single “Livin’ the Dream.” Drake White
“We grew up free. We grew up on 4-wheelers, riding through the backwoods,” he says. “We grew up hunting and fishing and being out in the Appalachian Mountains. People don’t understand how beautiful north Alabama is until you see it in person.”
Drake White
Save for “Livin’ the Dream,” White wrote or co-wrote the remaining 11 tracks on Spark, working with red-hot producers Ross Copperman and Jeremy Stover through the process. He also brought in his own band for a handful of tracks to capture the energy of his live shows.
The first sound on Spark — before the pulse-quickening “Heartbeat” kicks into gear — is the voice of White’s late grandfather speaking from the pulpit. Several of these ghostly transmissions from the past appear on Spark, all extolling the virtues of love, brotherhood and nature. It’s a touch of the surreal that nods at White’s fondness for Pink Floyd’s psychedelic masterpiece The Wall, but also a deeply personal gesture that matches his vision perfectly.
“I went through about five or six sermons of my grandfather and picked out certain little snippets,” he says. “I just think they kind of fit. They’re weird and people are asking what they are. And that was my point: to get people talking about it.”
White has his own message of finding some harmony amid the demands of modern life, one that goes down easy in the uplifting, Zac Brown Band-assisted Southern rock anthem “Back to Free” and the cautionary-but soulful “I Need Real.” It’s a simple message of not letting oneself be swallowed up by technology and seeking out honest, genuine connections with others.
“When I’m at home, my wife and I keep our phones in the bedroom,” says White. “We listen to records. We hardly turn the TV on, unless it’s time for Game of Thrones. Before social networking was a smartphone app, we did it around a fire. That goes way back.”
With his gospel-derived, passionate delivery, White seems to have inherited his grandfather’s ability to touch crowds with a sermon — his divine vocal improvisations at the end of the honky-tonk flavored “Story” will undoubtedly get butts out of seats. White stresses that he isn’t a preacher, but doesn’t see a problem with putting his own methods for surviving the world out there.
“Some of the best songs, like Buffalo Springfield’s “For What It’s Worth” or anything by Bob Marley, have a little bit of preachin’,” he says. “I never want to come across too preachy, but instead I’m saying, ‘Hey man, this is my life, and this is what I do to be happy and I’m figuring it out just like you.’” Drake White
Spark covers an entire spectrum of emotions beyond these statements of character and self-definition. In “Making Me Look Good Again,” White cruises on an R&B-style groove to express his gratitude for his better half, while “Waiting on the Whiskey to Work” finds him embodying a man spun out on love and heartbreak. Then in the tropically-themed “Equator,” he flies south to give his nomadic side a little time to play.
“This record is about balance. It’s me asking, where’s that boy I used to be? Oh yeah, we gotta go get him back,” he says. “We gotta go on a hike or camping or grab my wife and go to some foreign country. I gotta feel alive. I gotta go out there and do that.” Drake White
Long a respected live entertainer with his (appropriately named) band the Big Fire, White’s climb to the limelight hasn’t been a straight or uncomplicated one. Rather than blowing up right away with a big debut single, he’s toiled on the road for years, giving jaw-dropping performances night after night and making believers one show at a time. “There are many different paths.
