Tickets- Official Box Office

 The OFFICAL BLUESTONE TICKET BOX OFFICE

Get Tickets to The Bluestone and never miss your favorite artist again. Tickets From country and electronic to Indie Rock.  THE Bluestone brings quality entertainment to the stage every time. We’re working hard to bring you the best  concerts and special events in Columbus, Ohio. Keep an eye on our tickets and events calendar and check back often for concert updates. Just click on an event to purchase tickets

https://www.ticketmaster.com/the-bluestone-tickets-columbus/venue/41852

 

Oct
30
Sat
Fright Night : Svdden Death Saturday 10/30 @ The Bluestone
Oct 30 @ 9:00 pm – Oct 31 @ 2:00 am

Disco Donnie Presents and My Best Friends Party

Fright Night : Svdden Death . Must Die . Eazybaked – Saturday 10/30

**Tickets http://hive.co/l/frightnight1030 **

Perhaps you may recall MBFP’s first BIG event, an infamous party we threw at a waterpark / hotel known as “Headless Horseman’s (G)rave”. We expected maybe 500 people to show up. Turned out about 3,000 people thought the idea of partying in a waterpark was pretty sweet. That night ended up being legendary and pretty much put us on the map. We’ve come a long ways since then and it’s been a few years since we threw our own Halloween Massive.This year we decided to GO BIG. Introducing an all new Halloween Soire in the same Hallowed spirit. Epic production including festival like Lighting, Led Screens and Haze.
FRIGHT NIGHT 2021
Featuring headliners :
SVDDEN DEATH –
Also known as The Prince of Evil, SVDDEN DEATH has been honing his dubstep-centric voice for years now. Few have risen through the trenches and have stirred the bass community as much as Bay Area native Danny Howland, better known as SVDDEN DEATH.
Taking inspirations from Noisia, 16BIT, Skrillex, and other legends in the dubstep community – SVDDEN DEATH has formulated a hybrid of textured rhythms and sub-wrecking basslines to create his own maniacal sound.
Since release of his first EP through the well-known Never Say Die: Black Label SVDDEN DEATH has made his mark in the bass scene. He has patiently polished his presentation and sound, and created a persona that perfectly captures a dark, yet captivating aura. SVDDEN DEATH goes a step above the rest with his aesthetic choices and incredible theatrics.
MUST DIE –
Lee Austin Bates, also known as MUST DIE!, is a Houston-born and Dallas-based dubstep, electronica and drum & bass producer. Bates’ pseudonym is inspired by the 2006 film John Tucker Must Die.
Since he began to gather attention across the bass scene in 2011, he has produced a wealth of original material and remixes, releasing on labels such as Never Say Die, Ultra, Dim Mak, Play Me, Mad Decent, and Atlantic Records. Using his naturally artistic and innovative musical intuition MUST DIE! has quickly risen to recognition with his distinguished level of production. He tours extensively and has supported the likes of Datsik, Excision, and Zomboy to name a few. With a charismatic and outgoing personality alongside his technical proficiency MUST DIE! will continue to grab attention over the coming months.
EAZYBAKED-
Emerging from the hills of Clermont, Florida, EAZYBAKED is a dynamic, multi-talented duo of two old friends looking to bring the bass & 4th dimensional sounds to the streets and shows across the country. EAZYBAKED origninated from two teenagers, Eric Ray and Andrew Principe. Eric, who goes by Eazy, and Andrew, who goes by the alias of Mr.Baked. What they’re bringing to the scene is something that cannot be classified into simple genres. These underground producers are creating an entirely new sound – with support from Happy Colors, Sound Remedy, Hokes, Matayo, Urbindex, Just A Gent, $aturn – you can expect to see alot from these kids in the near future.
Costumes are of course encouraged as this is going to be a WICKED HALLOWEEN PARTY. Full of surprises and fun. Get your tickets now to save money and reserve your spot

Mar
10
Thu
Subtronics The Fractal Tour 3/10/22 @ The Bluestone
Mar 10 @ 8:30 pm – Mar 11 @ 1:00 am

Disco Donnie Presents and My Best Friends Party

March 10 2022 The Bluestone

Subtronics The Fractal Tour  : w/ Boogie T . Level Up. G-Space  and Smith 3/10/22 Columbus

Tickets 🎟 Here > hive.co/l/subtronics0310

**Tickets go on sale
FRIDAY, OCTOBER 15TH – 10AM LOCAL
SUBTRONICS –
Jesse Kardon, better known as Subtronics, is a 25-year-old Philadelphia born dubstep producer specializing in all things robotic. His work is heavily influenced by the likes of Rusko, Skism, Tomba and Downlink, and the collective efforts of the underground dubstep community. Taking on a core group of followers over SoundCloud in the first few years, he has grown exponentially in the past few months, gaining support from a plethora of bass music legends. Subtronic’s signature bouncy yet mechanical sound design is matched by his incredibly recognizable flow, setting him apart from the vast sea of up and coming producers around the world.
In 2017 Subtronics released several debut EP’s on some of the biggest labels in bass music. After a solid 2018 tour of near all sellouts he was catapulted to the top of the Bass Music stratosphere. He crushed Lost Lands last year and this. After a killer set this year Subtronics came back to amp up your day with his new five-track EP Wooked On Tronics. With the viral success of “GRIZTRONICS” skyrocketing the producer to the forefront of EDM limelight, it’s fair to say fans were ready for more. The EP includes four original tracks as well as one collaboration with OWSLA artist, Moody Good.
If you are a fan of gritty, wonky, amplified riddim this EP will be right up your alley. The stabs and wobbles will get you headbanging to your heart’s content. The powerhouse tracks will break your eardrums if you aren’t careful, so proceed with caution. Wooked On Tronics is an impressive piece of work, proving again that this artist is at the top of his game.
BOOGIE T-
(NEW ORLEANS)
Born and raised in the swamps of Louisiana, playing and writing music since the tender age of eight, Brock Thornton aka Boogie T. has come along way to bring the low end ruckus. Hailing from the South, the cradle of soul, it is easy to hear this influence in his music. Trap, Dubstep, Riddim, whatever you want to call it, for Boogie T. it has always been about entertaining. Whether playing in bands, acting, DJ’ing or producing, his goal is simple: taking risks and pushing boundaries. And these risks are paying off as in a short amount of time, Boogie T.’s name continues to grow in the electronic music scene.
With releases on Artist Intelligence Agency, Supermart Produce, Damaged Sounds, Blakdout Records and more coming, and recent dates across the country and beyond with Aphrodite, Snails, Trollphace, Funtcase, Midnight Tyrannosaurus, Minnesota, G Jones, LOUDPVCK, Skism, pOgman, Riot Ten and many others, Boogie T. is blazing a path from bayou the to the main stage.
LEVEL UP-
LEVEL UP aka Sonya Broner feels most at home behind the decks. Originally a battle DJ studying under the legendary Rob Swift, LEVEL UP dove into music production after discovering dubstep. Continuously crafting her sound is what makes her feel the happiest and is her truest form of self expression. While at the beginning of her journey, she has already gone on to release music on Deadbeats, GRVDNCR, and Buygore, with much more in the pipeline.
A theatre actress in her youth, her storytelling ability is evident through her music: unfathomably heavy wubs and wobbles, and tricky doubles leave the audience energized and ready for more. She has since gone on a national tour with Subtronics, and graced the stages of Lost Lands, Electric Forest, High Caliber, and more. She just crushed her Summoning Headlining Tour stop in Columbus.
G-Space-
Starting off with keyboards as an infant, he taught himself how to improvise on the piano throughout the years. G-Space has created his own distinct sound that grazes multiple genres, such as; world, funk, jazz, trap, glitch, and bass. He tends to play a set that consists mainly of his originals and the rest is filled with close friends’ music and other artists that he looks up to. G-Space has nested his way into quickly becoming one of the most interesting acts in the scene.
Not only does he play on multiple instruments and create amazing electronic music to match it. He has added a unique visual aspect to his performance. It’s called ‘Tricking’ which by definition, is a style “of extreme sport where the “athletes” do cool, fast, beautiful flips and kicks without any wires or trampolines,” (Defined from Urban Dictionary.) While playing the keytar on stage he is able to do a backflip and other insanely physically demanding and talented tricking skills. Having this special type of performance has been getting him recognized by many, as he has played Imagine Festival, Ultra Festival, and has just recently finished his ‘Euro-Trip Tour’ which spanned across several countries in Europe.
SMITH-
Massive Support lineup

 

Mar
31
Thu
Dillon Carmichael March 31, 2022 @ The Bluestone
Mar 31 @ 7:00 pm – 11:45 pm

Dillon Carmichael

March 31, 2022 7 PM

at The Bluestone

Columbus, Ohio

About Dillon Carmichael:

FOR DILLON CARMICHAEL, THE LAST THREE YEARS HAVE BEEN A WHIRLWIND, TO SAY THE LEAST.

Since unleashing his critically acclaimed 2018 debut, Hell On An Angel, he’s toured with everyone from Lynyrd Skynyrd and Trace Adkins to Dwight Yoakam and Justin Moore, written a song for Travis Tritt’s latest album, racked up millions of streams on Spotify, gone viral on TikTok, and even gotten engaged. And while you might have expected the cancellation of a year’s worth of tour dates to finally slow him down, Carmichael instead used his pandemic downtime to head right back into the studio and record Hot Beer, a brand new collection of high-energy, feel-good country.

“I felt like my catalog could use a little more fun in it,” says Carmichael. “After putting out a record as heavy as Hell On An Angel, I wanted to make something faster, something looser, something that’d leave you with a smile on your face.”

Recorded with producers Jon Pardi and Ryan Gore, Dan Huff, and Phil O’Donnell, Hot Beer is all sly humor and raw heart, with tongue-in-cheek lyrics and double entendres lurking around every corner. Carmichael’s rich, velvety baritone is still very much front and center here, but there’s a newfound playfulness to his delivery that manages to offer up a knowing wink even as it breaks your heart. It’s a delicate tightrope for any artist to walk, but if Hot Beer proves anything, it’s that Dillon Carmichael is a songwriter who knows how to take his fun seriously.

“Whether I’m singing a tear jerker or a party tune, the only thing that really matters to me is that it’s a great song,” Carmichael says. “And great songs are honest songs.”

Growing up in the small town of Burgin, KY, Carmichael inherited his passion for honest music through familial osmosis: his father and uncles performed in a Southern Gospel Quartet, his mother sang all over the eastern part of the state, and her brothers (John Michael and Eddie Montgomery) both enjoyed massive chart success. As a kid, Carmichael fell in love with country legends like Waylon Jennings and Vern Gosdin alongside the rock and roll he heard on the radio, and by the time he hit his teens, he was writing his own songs and performing live.

“I didn’t at any point consciously decide I was going to be a musician,” says Carmichael. “It just happened naturally. I found a kind of truth in country music that I couldn’t get anywhere else.”

After finishing high school, Carmichael relocated to Nashville, where he earned a publishing deal at the tender age of 18. It was his first taste of life outside of rural Kentucky, and the discovery of a whole city full of like-minded artists whose lives revolved around making music thrilled him. Buoyed by his early success, Carmichael began collaborating all over town with some of most revered writers in the business, but no Nashville resident had a bigger influence on him than producer Dave Cobb, whose stewardship helped guide Hell On An Angel from a dream to a reality.

“Dave just immediately understood my vision,” says Carmichael. “He helped me zero in on my truth.”

Merging a sonically progressive palette with a tasteful reverence for the past, Hell On An Angel was at once old school and modern, traditional and contemporary, timeless and timely. The New York Times compared Carmichael to Randy Travis and said his voice “moves with the heft and certainty of a tractor-trailer,” while NPR praised his “deep holler,” and Parade raved that “Carmichael defines pure country.” He landed on Artist To Watch lists from Billboard, Rolling Stone, Taste of Country, Pandora, and more, reached #2 at country radio’s Most Added chart with his debut single, “Dancing Away With My Heart,” and electrified festival crowds from Seven Peaks to Faster Horses.

“One of the things I learned getting to play big festivals and arenas and theaters was that it doesn’t matter if there’s 200 people or 20,000 people in the audience,” says Carmichael. “They’re there to hear country music and have a good time. It’s that simple.”

And so Carmichael began plotting his follow-up to Hell On Angel with those good times in mind. Reaching back to the lighthearted 90s country that had always held a special place in his heart, he began cutting a series of lively, uptempo, sometimes hilarious tunes full of mischief and innuendo. Lead single “Hot Beer,” written by Carmichael’s good friend HARDY, rattles off a list of everything the singer would rather do than get back together with his cheating ex (“I’d rather drink a hot beer / Build a fire in the pouring rain / Burn all of my fishing gear / Then set sail in a hurricane”), while the anthemic “Big Truck,” written with David Lee Murphy and Jessi Alexander, questions the true source of his partner’s affection, and the bawdy “Sawin’ Logs” spins a tale of two lovers on very different pages.

“Phil sent me that song last year and it was our summer jam,” says Carmichael. “We rocked out to it all the time, and I posted an acoustic version to TikTok just for fun one day. It ended up getting millions and millions of views and everyone started singing along to it at my shows, so I knew I had to record it.”

Not everything on Hot Beer is quite so irreverent, though. The sweetly sincere “Since You’ve Been In It” celebrates the kind of love that makes everything better; the bittersweet “Somewhere She Ain’t” reckons with the ghosts of a lost love that just won’t fade away; and the grateful “Lucky Man” takes stock of the little things that add up to a beautiful life.

“My uncle Eddie originally recorded ‘Lucky Man’ with Troy Gentry back in 2006,” says Carmichael, “and I thought putting my own spin on it would be a nice nod to my family legacy, as well as a tribute to Troy, who passed away in 2017. I’ve loved that song ever since I heard them sing it for the first time, and I’m honored be able to share my version of it.”

With live music returning and his calendar filling up once more, Dillon Carmichael is indeed a lucky man. And with Hot Beer, it’s clear he’s ready to dive back into the whirlwind and have some serious fun.

COVID-19:

The Bluestone does not require COVID Vaccinations to enter our venue. We follow all local guidelines and cleaning procedures. The current Columbus “Mask Mandate” for an indoor event does not apply to anyone who is “ACTIVELY EATING OR DRINKING.” We kindly ask that you enter the building with a mask on. You can keep it on or remove it as long as you are actively EATING OR DRINKING! This will be a full capacity show, and it is an “ENTER AT YOUR OWN RISK EVENT.”