Tickets- Official Box Office

 The OFFICAL BLUESTONE TICKET BOX OFFICE

Get Tickets to The Bluestone and never miss your favorite artist again. Tickets From country and electronic to Indie Rock.  THE Bluestone brings quality entertainment to the stage every time. We’re working hard to bring you the best  concerts and special events in Columbus, Ohio. Keep an eye on our tickets and events calendar and check back often for concert updates. Just click on an event to purchase tickets

https://www.ticketmaster.com/the-bluestone-tickets-columbus/venue/41852

 

Oct
28
Sat
TRAUMA 2017 @ The Bluestone
Oct 28 @ 9:00 pm

TRAUMA 2017 

HALLOWEEN. FETISH. PARTY 

3 Nights, 3 themes.   Doors open at 9pm Each Night

Ages 18+

TRAUMA Thursday, Oct. 26th “NECROPOLIS”

$25 presale

$30 day of show

 TRAUMA Friday, Oct. 27th “ZOOMORPHIC”

$45 presale

$50 day of show

 TRAUMA Saturday, Oct. 28th “GOLD”

$45 presale

$50 day of show

 TRAUMA 3 Day Pass

Nov
2
Thu
SIRIUSXM Presents: Highway Finds Tour ft: HIGH VALLEY @ The Bluestone
Nov 2 all-day
High Valley at The Bluestone

SIRIUSXM Presents High Valley at The Bluestone

XM Highway Finds Tour ft: HIGH VALLEY

http://www.highvalleymusic.com

on Thursday, November 2nd

Doors for the show will open at 7pm

Opening Artist: Adam Doleac

Tickets $15

Tickets will go on-sale Friday, September 8th at 10am

PURCHASE HERE

 RESERVED LOFT TABLE SEATING

RESERVED TABLE PURCHASE DOES NOT INCLUDE ADMISSION TICKETS TO THE SHOW.  

Admission tickets must be purchased separately.

  • Loft Lower Tier: $250 (seats four people-no exceptions)
  • Prime view of stage!
  • Includes first bucket of Miller or Coors Light
  • Server
  • Exclusive Private Bar access
  • Loft Upper Tier: $200 (seats four people-no exceptions)
  • Includes first bucket of Miller or Coors Light
  •  Server
  • Private Bar Access
  • May be Obstruction in View

*All Reserved tables located in the loft area

ALL SALES ARE FINAL

High Valley keeps in line with traditional country sounds while they explore Americana, rock and pop influences in their major-label debut album, Dear Life. Tracks of inspiration, desires of the heart and their journey as musicians make up the record. The 11-track project experiments with a variety of beats and guitar picking that keep the music interesting while they share their pitch-perfect harmonies.

Production elements blend genres to create foot-tapping beats and melodies that replay through your head all day. High Valley make their own sound that will stand out on country radio while staying in touch with country roots that serve as each tune’s platform.

The Canadian country group’s lead single, “Make You Mine,” has the most interesting sound on the album. It sticks out among the rest and will draw intrigued listeners into explore what other stories the duo has to offer.

“Dear Life,” the title track, shares feelings about making choices while growing up. Its message will resonate with much of their audience and may be representative where they are in their own life. It follows similar patterns as surrounding tracks, including heavy drums that bring the song to life.

“The Only” and “She’s With Me” have comparable themes of adoration. Their obvious pop influences match the song’s tone with complimenting faster-tempo beats. The featured repetitive hooks just about guarantee them stuck in your head all day as you fight the urge to dance along.

Americana influence is heaviest in the No. 8 title, “I Be U Be.” The back-and forth nature of the song has hints of tribal elements as strong imagery describes an ideal love scenario. Just as many other included tracks, “I Be U Be” stays clear of electric guitar solos and focuses on percussion and diction, a factor that might become a signature in their career.

The closing track, “Young Forever” has a similar vibe that compares to Billy Currington’s “We Are Tonight.” The embrace-the-moment trend adds a brightness to the album that contributes to its already high-spirited qualities.

Emotional tracks intertwined with flirty fun songs lead to this diverse album. Dear Life is an exciting piece of art that serves as a solid platform for the bright career they have ahead of them.

http://www.soundslikenashville.com/reviews/album-review-high-valleys-dear-life/

Nov
10
Fri
Prime Social Presents: PEPSI MUSIC FACTORY
Nov 10 @ 5:00 pm

PEPSI MUSIC FACTORY ft. Carnage, Cheat Codes, Cousin Stizz, Cyhi The Prynce, Saint Jhn, Cal Scruby, Cade, Local

AGES: + | ALL SALES FINAL | NO REFUNDS

The Pepsi Music Factory is more than just a musical experience…it’s an immersive experience! The Pepsi Music Factory comes to life for this exclusive, one-of-a-kind event, featuring some of your favorite up and coming artists in hip-hop, electronic, and pop music merged with an interactive environment of light and sound. You, the crowd, will provide the energy needed to keep the factory’s gears moving all night. Get ready to clock-in to one of the most entertaining music experiences to ever come to the Midwest. Go towww.PepsiMusicFactory.com to find out how you can win tickets!
Doors open at 7pm

INFORMATION HERE

Nov
15
Wed
Prime Social Group presents: Louis The Child @ The Bluestone
Nov 15 @ 8:00 pm

Prime Social Group presents: Louis The Child at The Bluestone on Wednesday, November 15th

Ages 18+

Tickets on-sale Friday, August 18th at 10am

PURCHASE HERE

Nov
16
Thu
Josh Abbott Band LIVE @ The Bluestone
Nov 16 @ 7:00 pm

Josh Abbott Band

live at

 The Bluestone Thursday, November 16th

as part of their

“Until my Voice Runs Out tour”

Doors for the show will open at 7pm

Opening Artist: TBD

Tickets are $20 in advance and $25 day of show

PURCHASE HERE

JAB_503x_1

RESERVED LOFT TABLE SEATING

RESERVED TABLE PURCHASE DOES NOT INCLUDE ADMISSION TICKETS TO THE SHOW.  
Admission tickets must be purchased separately
The loft is located on the second level of The Bluestone
  • Loft Lower Tier: $250 (seats four people-no exceptions)
  • Prime view of stage!
  • Includes first bucket of Miller or Coors Light
  • Server
  • Exclusive Private Bar access
  • Loft Upper Tier: $200 (seats four people-no exceptions)
  • Includes first bucket of Miller or Coors Light
  •  Server
  • Private Bar Access
  • May be Obstruction in View

*All Reserved tables located in the loft area

ALL SALES ARE FINAL

When Josh Abbott Band recorded “Ghosts” for its fourth album, Front Row Seat, Abbott expected to redo the vocals. The final chorus had some technical imperfections, and he figured he could improve on the performance once his heart settled down. Producer Dwight Baker, one-half of the Austinbased duo The Wind and The Wave, wouldn’t let Abbott retouch it.

“I was actually crying my eyes out during that last chorus, and that’s why there’s a couple of notes in the beginning of that section that don’t really explode like normal,” Abbott says. “Dwight was like, ‘We’re keeping that. That’s real.’”

Real is the operative word for Front Row Seat, a 16-track song cycle that represents the most ambitious and emotionally challenging project yet for JAB, a highly melodic six-piece ensemble that’s managed to keep a foot in both the Texas music scene and the national country world. The band won four times during the inaugural Texas Regional Radio Awards behind an upbeat brand of country that still leans on classic instrumentation – particularly banjo and fiddle – to effect a raucous, roof-raising attitude.

The band has lobbed three singles onto the Billboard Hot Country Songs chart – including “Oh, Tonight,” the first charted track to feature Grammy-winning Kacey Musgraves – and nabbed a Top 10 album with the 2012 release Small Town Family Dreams and reached No. 12 with the 2014 EP Tuesday Night.

But Front Row Seat steps beyond the band’s honky-tonk inclinations for a more personal journey as the album traverses the emotional course of Abbott’s first marriage and subsequent divorce. It was not his original intention to depict his private life in a public way, but as he wrote the songs for Front Row Seat, beginning before the split actually occurred, he naturally mined his emotional life for a set of songs that were profoundly honest and revealing. It was only as they began recording the material at Baker’s Matchbox Studios outside of Austin, that they realized they had the germ of a tangible plot.

“We started looking at the music we’d done and had a whole bunch of other songs that we really loved and we were like, ‘Man, we could put this together and make a really neat story out of it,” fiddler Preston Wait recalls. “Especially with the song ‘Front Row Seat,’ we basically just made it kind of like you’re watching a movie and it’s your front row seat to this life.”

Owing to that silver-screen character, JAB employed screenwriting technique by assembling the project with the five elements of plot structure: the exposition, or beginning; an inciting incident; the climax; a falling action (in this case, a breakup); and the resolution.

The story begins with “While I’m Young,” in which a college-aged Abbott lives a typically carefree existence, spending much of his discretionary income in bars and living for the moment, an ideal that’s captured authoritatively in the anthemic “Live It While You Got It.” As the album progresses, he meets a woman who commands his attention for more than one evening, finding himself by track 7, “Crazy Things,” mulling what it is that would make a woman who’s dang-near perfect fall for someone so flawed.

By the time the album concludes, his once-ideal relationship has turned sour, and the two are no longer one. The fracture becomes apparent through the resignation of “Born To Break Your Heart,” and he discovers in “Ghosts” that all the memories that once lived with such passion and revelry continue to haunt his memory, taunting him with whispers of a past he can never reclaim. As Front Row Seat closes with “Anonymity,” Abbott sings a spare dirge with acoustic guitar and fiddle, fantasizing that he could return to the start of the relationship and live it out right.

Nov
17
Fri
David Nail LIVE Nov. 17 @ The Bluestone
Nov 17 @ 7:00 pm

 DAVID NAIL will be performing LIVE at The Bluestone

on Friday, November 17th, 2017

Doors for the show will open at 7pm

Opening Artist: Jimmie Allen

Tickets are $20 in advance and $25 day of show

Tickets will go on-sale Friday, August 18th at 10am

PURCHASE HERE

DNail17_503x-2

 

RESERVED LOFT TABLE SEATING

RESERVED TABLE PURCHASE DOES NOT INCLUDE ADMISSION TICKETS TO THE SHOW.  

Admission tickets must be purchased separately.

  • Loft Lower Tier: $250 (seats four people-no exceptions)
  • Prime view of stage!
  • Includes first bucket of Miller or Coors Light
  • Server
  • Exclusive Private Bar access
  • Loft Upper Tier: $200 (seats four people-no exceptions)
  • Includes first bucket of Miller or Coors Light
  •  Server
  • Private Bar Access
  • May be Obstruction in View

*All Reserved tables located in the loft area

ALL SALES ARE FINAL

ABOUT

During the making of his fourth MCA Nashville album, David Nail underwent a transformation – and so did his music. Fighter is the most vulnerable, personal record the Missouri native has ever made, and it signals the beginning of a new phase in his career.”

“Six months ago, people would ask me about the record and I would jokingly say ‘It’s my love-making record,’” Nail explains. “But what it meant to me then and what it means to me now are completely different. … Having been a father for about five months, it definitely changes the dynamic of things.”

Following the birth of he and wife Catherine’s long-hoped-for children (twins born in December 2015), the singer-songwriter found his world turned upside down. The mark he wanted to leave and things he wanted to say had changed, and despite an early version of Fighter being already finished, he decided to record four new songs, completely changing the project’s tone.

In short, Nail decided to get real in a way he never would have allowed himself before. Already known for powerful, emotionally-charged vocals, he took the same approach to choosing Fighter’s 11 tracks (seven of which were written or co-written by Nail himself), celebrating life’s victories but also exposing the knock-downs he’s endured – and it wasn’t always flattering.

“[I was] like, ‘Am I ready to sing this? Am I ready to tell this story?” Nail says. “[But] they come from a genuine place that you can kind of say, ‘Okay, I’ve said that. I’m at peace with that.’ I think that’s what this record is.”

Writing and singing in courageous personal detail, Nail confronted some of his deepest troubles, revealing the clarity he’s achieved about his hometown, the true struggle depression caused in his marriage, the answered-prayer of his children’s birth and the things he never told his own father.

Meanwhile, producer Frank Liddell (who also guided Nail’s first three albums, I’m About to Come Alive, The Sound of a Million Dreams and I’m a Fire) made sure Fighter’s musical tone was just as authentic, backing Nail’s volcanic vocals with a melting pot of Mississippi-delta sounds — a mix of classic-country balladry and sweaty Memphis soul, with touches of in-the-moment modernity sprinkled throughout.

“I grew up listening to all this music that my father listened to,” says Nail. “A lot of it was classic, huge songs and artists from the ‘60s and ‘70s – and even the ‘80s – so I think there’s always part of me that just falls toward that type of sound, rather than fighting it and trying to say ‘Whoa! No-no-no, we need to stay 2016.”

Big-name collaborations abound, with Nail inviting Vince Gill, Brothers Osborne, Lori McKenna and Logan Brill to help tell his story, as well as Bear and Bo Rinehart of NEEDTOBREATE.

“When I’m making a record I selfishly want to push my buttons so I try to approach it as my swan song, it could be the last piece of music I make. I want to fulfill some life goals in the process and one of my biggest influences in the word is Vince Gill so I’m thankful he said yes”

Brothers Osborne kick the project off in star-crossed revelry on “Good at Tonight,” McKenna joins “Home” to quietly uncover Nail’s love/hate relationship with his hometown, Gill adds stunning harmony vocals to the country-soul “I Won’t Let You Go” – a promise to David’s wife Catherine – and the Rineharts help close the album in tender admiration with “Old Man’s Symphony,” an overdue thank-you note to Nail’s dad.

Along the way, he toasts to the passion of youth in the upbeat hit “Night’s On Fire,” pledges romantic relief in the raw Chris Stapleton co-write “Ease Your Pain,” delivers a desperate double entendre in the indie-rocking “Lie With Me” and crafts a loving, rock-a-bye origin story for his new family in “Babies” – an instant classic.

Then there’s the project’s title track, “Fighter,” a heartfelt ‘80s-country throwback ripped from Nail’s real life that holds his wife up as an unshakable supporter – even when he was at his worst.

“’Fighter’ is about as honest as I’ve ever been in a song,” Nail admits. “I mean, when you’re quoting your wife saying things that are not pleasant [about you], you know it was our story. … But it also, I think, tells the story of me.”

Nail and Catherine have had to fight their whole lives, he explains – for his career, for their marriage, to battle back inner demons and to conceive their beautiful kids – but their ultimate success in those battles has led them to a better place. And it also gave the album a mission.

Fighter is more than a bookmark in Nail’s life and career – it’s a period on the final sentence of a difficult chapter. Penned during dark times that have given way to a new sunrise, these are some of the most meaningful and personal songs he’s ever recorded. And now that they exist for all to hear, he can finally move on.

“I feel like I’ve told the main aspects of my career, and my life, up to this point,” he explains. “So I really think whatever we do in the future, we’ll be able to start just completely fresh. It’ll be a new story, a new part of my life.”

-Chris Parton

Dec
7
Thu
Whiskey Myers LIVE @ The Bluestone
Dec 7 @ 7:00 pm

Whiskey Myers

live at The Bluestone

Thursday, December 7th, 2017

Doors for the show will open at 7pm

Opening Artist: Goodbye June

Tickets are $15 in advance and $20 day of show

 Tickets On-Sale Friday, June 9th at 10am

PURCHASE HERE

WM image

RESERVED LOFT TABLE SEATING

RESERVED TABLE PURCHASE DOES NOT INCLUDE ADMISSION TICKETS TO THE SHOW.  

Admission tickets must be purchased separately.

  • Loft Lower Tier: $250 (seats four people-no exceptions)
  • Prime view of stage!
  • Includes first bucket of Miller or Coors Light
  • Server
  • Exclusive Private Bar access
    Loft Upper Tier: $200 (seats four people-no exceptions)

    Includes first bucket of Miller or Coors Light

  • Server
  • Private Bar Access
  • May be Obstruction in View

*All Reserved tables located in the loft area

ALL SALES ARE FINAL

It would be an understatement to say that a lot has happened since Whiskey Myers was last in the recording studio. Over two whirlwind years, the gritty Texas band hit #1 on the iTunes Country Chart with their breakout third album ‘Early Morning Shakes,’ earned raves everywhere from Rolling Stone to USA Today, and toured the US and UK relentlessly, slaying massive festival crowds and sharing stages with Lynyrd Skynyrd, Hank Williams Jr., Jamey Johnson, and more along the way. You’d be forgiven, then, for expecting things to work a little differently this time around when the band reunited with acclaimed producer Dave Cobb for their stellar new album, ‘Mud.’ But as it turns out, success doesn’t change a Southern gentleman, and they don’t come any more Southern than Whiskey Myers.

Fueled by larger-than-life performances honed tight from countless nights on the road, ‘Mud’ finds the band scaling new heights of songwriting and musicianship, with searing guitars, soulful vocals, and indelible hooks. While their approach to the music and humble, hard-working attitudes may not have altered, there have been developments in the Whiskey Myers world, most notably with the arrival of new faces. For the recording sessions, the band’s five founding members—Cody Cannon on lead vocals and guitar, Cody Tate and John Jeffers on guitars, Gary Brown on bass, and Jeff Hogg on drums—fleshed out their sound with the addition of fiddler/keyboard player Jon Knudson and percussionist Tony Kent, who are both now full-time members. “They bring a great energy, and I think it’s really helped our sound and makes the band more versatile,” explains Cannon. “There’s less room onstage now, but sometimes a family grows.”

 

Dec
8
Fri
Wcol Winter Wonder Jam MICHAEL RAY @ The Bluestone
Dec 8 @ 8:00 pm

Wcol Winter Wonder Jam with

Michael Ray as part of his “Get To you Tour”

Special Guests: Love and Theft, Devin Dawson

Doors for the show will open at 8pm

Tickets just $30 in advance, $35 day of show

Tickets On-Sale November 6th at 10am

PURCHASE HERE

Michael_Ray_503x

Michael Ray Roach (born April 29, 1988), best known as Michael Ray, is an American country music singer and songwriter. He is signed to Warner Music Nashville, for which he has released his debut single, “Kiss You in the Morning“. The song has reached No. 1 on Country Airplay. Before this single’s release, Ray was mentored by John Rich of Big & Rich on the singing competition The Next: Fame Is at Your Doorstep, which he won. He and Rich co-wrote Big & Rich’s 2015 single, “Run Away with You“.[1]

In March 2017, it was reported that Ray would put his acting chops to the test when he revealed that he landed a guest role on CMT’s show, Nashville.[2]

Love and Theft is an American country music group founded by Stephen Barker Liles, Eric Gunderson, and Brian Bandas, all three of whom alternated as lead singers and acoustic guiarists. Signed to Lyric Street Records subsidiary Carolwood Records in 2009, Love and Theft made their chart debut in early 2009 with the single “Runaway,” which reached the Top 10 on Billboard Hot Country Songs. The band’s debut album, World Wide Open, was released on August 25, 2009.

In 2011, following the departure of Bandas, Love and Theft continued as a duo consisting of Gunderson and Liles. The duo moved to RCA Records Nashville that year and released the single “Angel Eyes“, which became their first number 1 single. It and the Top 40 singles “Runnin’ Out of Air” and “If You Ever Get Lonely” all appear on their second, self-titled album.

Devin Dawson is an American country music singer-songwriter.

Devin Dawson first became famous after filming a mashup of Taylor Swift songs, which gained popularity on YouTube.[2][3][4] His debut single “All on Me” is also his first hit song.[2] With the help of producer Jay Joyce, he signed to Warner Bros. Records in 2017.[5] Dawson’s “All on Me” has charted on the Hot Country Songs and Country Airplay charts.

Dawson has also toured with Tim McGraw and Faith Hill.[6]

Dec
30
Sat
Sgt. Peppercorn’s Beatles Marathon
Dec 30 @ 12:00 pm

Sgt. Peppercorn’s Marathon is an event like no other.  Experience Sgt. Peppercorn’s Lonely Hearts Club Band perform every Beatles song in chronological order.

215 songs, 1 day, 12+ hours. 

For the eighth consecutive year, Columbus musicians will play all 215 officially released songs, in a single performance. Beginning with the album, Please Please Me at 12:30 PM, and ending with Abbey Road some time after midnight, The Marathon is currently, the only single performance of every Beatles song.

PURCHASE TICKETS

beatles2017_fb_event (1)

The Eighth Annual Beatles Marathon will take place at the Bluestone, on Saturday December 30. A 12 hour live performance of every Beatles album and every Beatles song in chronological order, The Beatles Marathon begins at 1 in the afternoon, with Please Please Me, and ends with Abbey Road some time around midnight. An assortment of 12 Columbus musicians will, once again, faithfully recreate all 214 official Beatles songs with an attention to detail. Attendees are encouraged to come and go as they please, and trace the evolution of the Beatles throughout the day. This is currently, the only publicized single performance of the entire Beatles catalog in the world. Created by Joe Peppercorn, and directed by Chris Bolognese and Peppercorn, the Beatles Marathon has grown to become a Columbus staple since its ramshackle inception at Andyman’s Treehouse in 2010.

 

Jan
12
Fri
Chris Janson LIVE at The Bluestone @ The Bluestone
Jan 12 @ 7:00 pm

CHRIS JANSON will be performing live at The Bluestone on Friday, January 12th

Doors for the show will open at 7pm

Opening Artist: Jacob Powell

Tickets are $30 in advance and $35 day of show

Tickets will go on-sale Wednesday, December 6th at 10am

PURCHASE HERE

Chris Janson LIVE at The Bluestone

Chris Janson LIVE at The Bluestone

RESERVED LOFT TABLE SEATING

RESERVED TABLE PURCHASE DOES NOT INCLUDE ADMISSION TICKETS TO THE SHOW.  

Admission tickets must be purchased separately.

  • Loft Lower Tier: $250 (seats up to four people-no exceptions)
  • Prime view of stage!
  • Includes first bucket of Miller or Coors Light
  • Server
  • Exclusive Private Bar access
    Loft Upper Tier: $200 (seats up to four people-no exceptions)

    Includes first bucket of Miller or Coors Light

  • Server
  • Private Bar Access
  • May be Obstruction in View

*All Reserved tables located in the loft area

ALL SALES ARE FINAL

Chris Janson Performs LIVE at The Bluestone Friday, January 12th 2018.

Start your New Year off right by coming out to see Chris Janson at the
Bluestone. Doors open at 7:00pm. Tickets are on sale now at www.liveatthebluestone.com!

Chris Janson is a country boy from Perryville, Missouri who now lives in
Nashville, Tennessee. He is best known for his single “Buy Me A Boat” that
reached platinum and was a Top 5 hit on US Country carts. His personal and fun lyrics
draw fans in and will have you singing along all night!

Not only is Chris Janson a singer, but he is also a songwriter who has written songs for
Tim McGraw, Justin Moore, Randy Houser and Tyler Farr. He has even played
harmonica for Lee Brice’s song, “Beer”. Janson is multitalented artist who plays guitar,
bass, piano and drums. He is sure to have everyone clapping and stomping
their boots when he wails on his harmonica.

His latest album, Everybody, features a more vulnerable side of Janson with
tracks like “Drunk Girl” and “Bein’ a Dad”. Janson’s music is real and relatable to
anyone who listens. The latest album “Everybody” has a little something for everybody with his
upbeat favorites like “Fix a Drink”.

Be sure to mark your calendars for January, 12th 2018. It will be a party you won’t
want to miss! Janson is bringing the “Power of Positive Drinkin’” for a fun filled
night at The Bluestone.

 

Jan
27
Sat
SOLD OUT! LANCO Live at The Bluestone @ The Bluestone
Jan 27 @ 7:00 pm

LANCO will be performing live at The Bluestone on Saturday, January 27th

Opening Artist: Adam Hambrick

Doors for the show will open at 7pm

Tickets are $17.75 in advance

Tickets On-Sale Wednesday, December 6th at 10am

THIS SHOW IS SOLD OUT! 

PURCHASE HERE

Special offer! A CD or download of LANCO’s forthcoming album, Hallelujah Nights (available
January 19, 2018) is included with every ticket order for this show. You will receive an email with
instructions on how to redeem this offer approximately 7 days after your ticket purchase.

LANCO LIVE at The Bluestone

LANCO will perform LIVE at The Bluestone January, 27th

RESERVED LOFT TABLE SEATING

RESERVED TABLE PURCHASE DOES NOT INCLUDE ADMISSION TICKETS TO THE SHOW.  

Admission tickets must be purchased separately.

  • Loft Lower Tier: $250 (seats up to four people-no exceptions)
  • Prime view of stage!
  • Includes first bucket of Miller or Coors Light
  • Server
  • Exclusive Private Bar access
    Loft Upper Tier: $200 (seats up to four people-no exceptions)

    Includes first bucket of Miller or Coors Light

  • Server
  • Private Bar Access
  • May be Obstruction in View

*All Reserved tables located in the loft area

ALL SALES ARE FINAL

LANCO live at The Bluestone on Saturday, January 27th

Catch LANCO Saturday, January 27th LIVE at The Bluestone and be a part of the “Greatest Love Story” this town has ever seen! Don’t miss the chance to hear all the songs you love like “Long Live Tonight”, and experience new music from their debut album Hallelujah Nights… Doors open at 7:00pm.. Bring your dancing shoes for a night full of partying with LANCO.

LANCO is a country band comprised of Brandon Lancaster (lead vocals), Chandler Baldwin (bass guitar), Jared Hampton (keyboards), Tripp Howell (drums), and Eric Steedly on the (guitar). The band started in 2013 and gained exposure from their first single “Greatest Love Story”, which hit Number 1 on the Hot Country Song carts.

Their Extended Play was released in April 2016 and includes “Trouble Maker” and “We Do.” Their awaited Hallelujah Nights album is set to debut January 18th and will feature their new single “Born To Love You.”

This breakout modern-country band will bring a fresh, young energy to the Bluestone that you’ll want to see. Each ticket purchased will receive a download of LANCO’s Hallelujah Nights album!

 

 

Feb
1
Thu
Tyler Farr LIVE at The Bluestone @ The Bluestone
Feb 1 @ 7:00 pm

Tyler Farr will be performing live at The Bluestone on February 1st, 2018

Opening Artist: Lewis Brice

Doors for the show will open at 7pm

Tickets are $30 in advance and $35 day of show

Tickets On-Sale Wednesday, December 15th at 10am

PURCHASE HERE

Tyler Farr LIVE at the Bluestone

Tyler Farr will performe LIVE at the Bluestone February, 1st 2018

Ticket Button

“Maybe I’m addicted to pain…What used to be, what’s gone.
There’s definitely some darkness,
but it’s hard to explain, though everybody knows it.
“Probably I’m a hopeless romantic,
but sex can make that complicated, too.
“You know you want to be in love, but that’s a tricky thing to find.”

Tyler Farr’s a thinker, an observer of the human condition, a man in the middle of a surging testosterone country movement in today’s Nashville who insists on digging a little deeper, getting a little realer and owning how hard it can be. On Suffer In Peace, the son of a Garden City, Missouri farmer opens his veins and examines the pain that comes from being truly engaged with living.

From the wracked hangover of what you don’t see coming in love “Withdrawals,” the smoky acoustic “I Don’t Even Want This Beer” or the spare run-from-the-memories title track, the classically-trained vocalist knows that love isn’t just hard, it’s risky. With a resonant tenor that has a powdery bottom and a warm center, Farr heats up difficult emotions and peels back what most men barricade behind bravado.

Tyler Farr is from Garden City, Missouri and attended Missouri State University for voice. He is a real life country success story coming from a farm family and making it in Nashville. He represents all things honky-tonk as a whiskey loving and tractor truck driving redneck who achieved the American music dream.

He is a class act telling the stories of heart break and good times through songs like “C.O.U.N.T.R.Y”, “Our Town”, “Better in Boots” and “Whiskey in My Water”. His first album, Redneck Crazy, debuted in 2013 and featured singles “Hot Mess” and “Hello Goodbye”. His second album, Suffer in Peace, was released in 2015 and included “A Guys Walks Into a Bar” and “Withdrawals”.

Feb
2
Fri
Winter Werk Out Festival at The Bluestone @ The Bluestone
Feb 2 @ 6:30 pm

PURCHASE TICKETS HERE

Join us for the second annual Winter Werk Out ft. two nights of The Werks & Papadosio! Lineup additions TBA soon.

Discounted 2-day Loyalty Tickets are ON SALE NOW!

Hotel Packages (Holiday Inn Downtown Columbus) are available atthewerkoutfestival.com.

Werk Out 2017 Recap –> http://bit.ly/WO_17
Winter Werk Out 2017 –> http://bit.ly/WWO_Live

❄️⚡❄️⚡

The Werks

On their new LP Magic, The Werks transcend their roots while never losing their identity. Poignant songwriting and engaging melody come together on a record that showcases their maturation as a multidimensional group of uniquely creative musicians.

“The Werks fuse shredding guitar with the screaming organ of classic rock, the bas of funk and the modern sounds of synthesizers and dance beats.” – JamBase

Magic: http://bit.ly/Magic_2017
Spotify: http://spoti.fi/2mQIiQN
iTunes: https://bit.ly/Werks_Magic_
Stream on Soundcloud: http://bit.ly/2naUL4g
Live at The Werk Out: http://bit.ly/Werks_Funk

Papadosio

Falling somewhere between rock, jazz and electronic mayhem we find space rock. This is a genre that is not readily defined, and is a state of mind as much as it could be considered a genre. This range of frequencies is where Papadosio tends to spend their time, sometimes dining in deep space, and other times snacking right on your front porch. Papadosio strives to create music that is strangely familiar, and calls all walks of humanity to bask in a unique experience celebrating the one constant in an ever changing world: music.

Join Papadosio in an effort to create, augment, and rejoice in the universal language of music. Most importantly, have a good time.

Feb
3
Sat
Winter Werk Out Festival at The Bluestone @ The Bluestone
Feb 3 @ 6:30 pm

PURCHASE HERE

Join us for the second annual Winter Werk Out ft. two nights of The Werks & Papadosio! Lineup additions TBA soon.

Discounted 2-day Loyalty Tickets are ON SALE NOW!

Hotel Packages (Holiday Inn Downtown Columbus) are available atthewerkoutfestival.com.

Werk Out 2017 Recap –> http://bit.ly/WO_17
Winter Werk Out 2017 –> http://bit.ly/WWO_Live

❄️⚡❄️⚡

The Werks

On their new LP Magic, The Werks transcend their roots while never losing their identity. Poignant songwriting and engaging melody come together on a record that showcases their maturation as a multidimensional group of uniquely creative musicians.

“The Werks fuse shredding guitar with the screaming organ of classic rock, the bas of funk and the modern sounds of synthesizers and dance beats.” – JamBase

Magic: http://bit.ly/Magic_2017
Spotify: http://spoti.fi/2mQIiQN
iTunes: https://bit.ly/Werks_Magic_
Stream on Soundcloud: http://bit.ly/2naUL4g
Live at The Werk Out: http://bit.ly/Werks_Funk

Papadosio

Falling somewhere between rock, jazz and electronic mayhem we find space rock. This is a genre that is not readily defined, and is a state of mind as much as it could be considered a genre. This range of frequencies is where Papadosio tends to spend their time, sometimes dining in deep space, and other times snacking right on your front porch. Papadosio strives to create music that is strangely familiar, and calls all walks of humanity to bask in a unique experience celebrating the one constant in an ever changing world: music.

Join Papadosio in an effort to create, augment, and rejoice in the universal language of music. Most importantly, have a good time.

 

 

Feb
9
Fri
SOLD OUT -Eli Young Band & LOCASH LIVE at The Bluestone @ The Bluestone
Feb 9 @ 7:00 pm

Eli Young Band and LOCASH will be performing LIVE at The Bluestone

Friday, February 9th, 2018

Special Guest: Muscadine Bloodline

Doors for the show will open at 7pm

Tickets are $40 in advance and $45 day of show

THIS SHOW IS SOLD OUT

PURCHASE HERE

LOCASH Meet & Greet Upgrade (Ticket to Show Not Included)

    • Exclusive meet & greet with LOCASH
    • Personal photograph with LOCASH
    • Private and intimate acoustic performance by LOCASH
    • Q&A session
    • Autographed tour poster
    • Exclusive LOCASH merchandise item
    • Official meet & greet laminate
    • Limited availability

To purchase, click here: http://future-beat.com/event.cfm?id=274095&cart

For questions, please contact info@future-beat.com

 

Eli Young Band

Eli Young Band Will Perform Live at The Bluestone

This is an All Ages Show

 Three Great Artist one Night of Music!!

Eli Young Band

Somewhere in the midst of 10,000 towns, along a lonely highway between packing clubs in their native Texas years ago and more recently performing stadiums on one of country music’s hottest tours, the Eli Young Band became more than a band. They became a brotherhood. Camaraderie and creativity fused into an intoxicating cocktail that has propelled the talented foursome to the vanguard of contemporary country music.

With three No. 1 hits under their belt as well as a Grammy nomination and an Academy of Country Music Award for Song of the Year for their hit “Crazy Girl,” the Eli Young Band approached their second Republic Nashville album, 10,000 Towns, with a sense of confidence and purpose. “We were genuinely excited about making this new record,” says bassist Jon Jones. “People talk about the sophomore record being really tough to make and in a lot of ways this felt like our sophomore record even though it’s technically our fifth record as a band.”

“We learned over the progression of those records our strong points in the studio, and we were confident,” adds drummer Chris Thompson, “We knew what we wanted and how to get what we wanted.”

LOCASH

It’s an exciting time to be LOCASH these days. That might very well be one of the biggest understatements in Nashville. Already in their career, the duo of Preston Brust and Chris Lucas have enjoyed hit singles, sold-out concert appearances here and abroad, and have tasted the top of the chart as two of Nashville’s quickest-rising songwriters. But, to quote the old saying… You Ain’t Seen Nothing Yet.

Recently signed to Reviver Records, the duo is joining forces with some of the biggest names on the Country Music business landscape. Brust says they could feel the team’s energy from the first meeting. “We haven’t felt an energy like this since the day we began our journey. This feels like it has all come together –the right label head, the right promo team, it finally feels like we’ve got all of our ducks in a row for the first time in our lives. We’ve been out there doing the grass roots thing for so long, and to feel it all come together, is so encouraging.

Musidine Bloodline

Unapologetically Alabama.  There’s a new force making major waves in country music. Natives of Mobile Alabama, Gary Stanton and Charlie Muncaster came together to form Muscadine Bloodline in early 2016.  With three single releases under their belt and a schedule full of shows spanning from coast to coast, they’ve hit the ground running from day 1. Nashville took notice the first time these two stepped on the stage and it’s no surprise the rest of the music world is quickly catching on. Charlie’s [contemporary] vocals complimented by Gary’s harmonies and masterful guitar licks, MB is a powerfully refreshing mix of talent, passion and unfiltered authenticity.  Infamously undaunted by the big stage, their sound intertwines the brash irreverence of early southern rockers with the seductive quality of 90s country love songs. Captivating hooks heard in songs like “Porch Swing Angel” and the aggressively anthemic “Shut Your Mouth” stand as a testament to MB’s wide ranging music-making capability. Every song and every show is a moving experience but at the same time, unmistakably Muscadine Bloodline.

Get your tickets now!

Mar
2
Fri
Columbus Brewgrass Festival at The Bluestone @ The Bluestone
Mar 2 @ 6:00 pm

 Columbus BrewGrass Festival will take place at The Bluestone

March 2nd and March 3rd

Doors open at 6pm

Ages 18+

Tickets On-Sale Now

PURCHASE HERE

 

Columbus Brewgrass Festival

 

Mar
3
Sat
Columbus Brewgrass Festival @ The Bluestone
Mar 3 @ 6:00 pm

Columbus Brewgrass Festival will take place at The Bluestone

March 2nd and March 3rd

Doors Open at 6pm

Ages 18+

Tickets On-Sale Now

PURCHASE HERE

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Mar
7
Wed
QUINN XCII at The Bluestone @ The Bluestone
Mar 7 @ 7:00 pm – 11:00 pm

QUINN XCII: The Story of Us Part II Tour w/ Special Guest Chelsea Cutler


QUINN_TSOU_Part-II_Columbus-BLUESTONE-WEB**THIS SHOW HAS BEEN MOVED FROM SKULLY’S TO THE BLUESTONe! PREVIOUSlY PURCHASED TICKETS WILL BE HONORED AT THE DOOR.**

AGES: 16+

PURCHASE TICKETS HERE

>>>MUSIC: https://soundcloud.com/quinnxcii

ABOUT THE ARTIST
2017 has been a breakout year for the newcomer Detroit singer/songwriter, Quinn XCII. With his ability to seamlessly blur the lines between pop, electronic, hip-hop, and soul music, he has quickly paved his own lane with his unique sound.

An early mixtape release turned heads, but it was his debut EP Change of Scenery, released in 2015, that put Quinn XCII on the map, connecting with the blogosphere and snaring millions of online streams. His follow-up EP release, Bloom, cemented his ability to meld styles and write about more varied subject matter. Next it was his featured vocals on “Kings of Summer”, a collaboration with longtime friend and producer ayokay (with whom he also exclusively worked with on his first two EPs), that started to bring him to the mainstream. The song became the sleeper summer hit of 2016, reaching #1 on Spotify’s Global Viral Charts, #1 on HypeMachine, accumulating over 65 million plays on Spotify, and getting regular spins at Top 40 radio around the country.

Quinn XCII’s debut album The Story of Us, was released on September 15 via Columbia Records. The album debuted at #6 on iTunes’ Pop Chart and is led by his standout single “Straightjacket,” which was named SoundCloud’s “Song of the Month” and has accumulated more than 23 million streams on Spotify. After selling out his entire 28-city national headline tour this Fall in support of the album, he will kick off 2018 by touring the album throughout Europe and across North America again this Spring.

Tickets: After completing your purchase on Eventbrite, you will receive an email confirmation with your attached PDF ticket(s). You MUST print and bring your PDF tickets AND VALID PHOTO IDENTIFICATION to be admitted for the event. The name on the tickets do not have to match the ID so long as the barcode is scannable. PSG is not responsible if ticket(s) cannot be scanned and the order is under a different name than the person presenting the ticket.

Change names on your tickets here.

Transfer/Change your ticket type here.

FAQ: http://primesocial.com/faq/

Mar
8
Thu
SOLD OUT! The Cadillac Three LIVE at The Bluestone @ The Bluestone
Mar 8 @ 7:00 pm

The Cadillac Three will be performing live at The Bluestone on March 8th, 2018

Opening Artist: Austin Jenckes

Doors for the show will open at 7pm

Tickets are $25 in advance and $30 day of show

This show is SOLD OUT!

PURCHASE HERE

The Cadillac Three

The Cadillac Three LIVE at The Bluestone

THE CADILLAC THREE

It may be a ballsy move for The Cadillac Three to name their new album LEGACY, but if any country band has the shared history to lay claim to such a weighty title, it’s the longhaired trio of Nashville natives.

Singer-guitarist Jaren Johnston, drummer Neil Mason and lap-steel player Kelby Ray have known one another since they were teens and have been sharing stages together for nearly 15 years. This summer, they’ll headline their hometown’s most famous venue, the Ryman Auditorium, just a few blocks from where Johnston and Ray sat in high-school math class daydreaming about one day playing the legendary hall. Johnston’s connection to the Ryman goes back even further: his father has been a drummer at the Grand Ole Opry since Jaren was a child. And now he has a son of his own, who, like his old man, will be well-versed in all the sounds that make up both Music City and The Cadillac Three, from country and blues to rock & roll.

So, yeah, “legacy” looks good on this band.

“We’re trying to build something and do it our way, which is always harder,” says Johnston. “If you’re going to leave something that people are actually going to remember, you can’t take the easy way. So we took all of our history, mixed it with the energy of The Cadillac Three and put it into a record that makes sense of where we’ve been and where we’re going.”

After nearly a full year on the road in support of 2016’s BURY ME IN MY BOOTS, their first full-length album recorded for Big Machine Records, the group returns with a more mature perspective. Johnston, Mason and Ray have experienced a lot on tour, whether opening arenas across the country on Florida Georgia Line’s Dig Your Roots Tour or headlining their own consistently sold-out string of sweaty club and theater shows in the U.K. and Europe. As they prepare to head back in November for another big run, for The Cadillac Three, the old saying really is true: this band is huge overseas.

“Europe showed us that we should bet on ourselves. It was a big gamble the first time we went over there,” says Mason, “but the shows and the fans have continued to grow.”

“And going overseas reinforced that we wanted to get more music out more quickly,” adds Ray. “They go through singles really quickly over there. They want more, more, more and that encouraged us to go into the studio, knock this album out and keep going.”

All that travel, from city to state, country to continent, could decimate a lesser band, but it only served to creatively inspire the mighty TC3. They wrote many of the 11 songs that make upLEGACY on the road, cut the tracks on rare days off in Nashville and then recorded all of Johnston’s vocals – one of the most “country” voices in the genre – in the back lounge of their bus in between shows, adding a crackling sense of vitality to LEGACY. They also produced the album themselves.

“We knew what we wanted to do with this record. Instead of putting it together in bits and pieces, we started with a batch of songs and then picked a single,” Johnston says. “That’s how this shit should be done.”

That back-to-basics approach to making music yielded the band’s most infectious single to date: the woozy sing-along “Dang If We Didn’t.” Written, as is most of the album, by Johnston and Mason (here, with Jonathan Singleton; other times with songwriters like Laura Veltz and Angelo Petraglia), “Dang If We Didn’t” teases fans with its ambiguous title, before revealing what the guys actually did in the chorus: get drunk last night.

“When you’re a songwriter, you can be critical of song titles,” says Johnston. “But with ‘Dang If We Didn’t,’ I thought it was a little bit mysterious. It makes you wonder, ‘Dang if we didn’t do what?'”

“Eat pizza last night,” quips Mason. “It could be anything.”

“American Slang” rivals “Dang If We Didn’t” in its grandeur. It’s a huge song, akin to Tom Petty’s “Free Fallin'” or The Cadillac Three’s own “Graffiti,” off BURY ME IN MY BOOTS. Lori McKenna (Little Big Town’s “Girl Crush”) began writing the tune with the intention of having The Cadillac Three finish it. “We are vampires on Hollywood Boulevard / angels and sinners of our hometown streets,” go the lyrics, painting a picture of life’s rebels, before a massive country-radio chorus kicks in: “We are the back roads, dirty water shore banks…we are born and raised on American slang.”

The constant throughout LEGACY, however, lies in the players: as on all three of The Cadillac Three’s albums, only Johnston, Mason and Ray are the musicians. There’s no guest keyboard player, no second percussionist and certainly no bassist. Ray holds down the low end on his lap steel.

Especially on the standout LEGACY track “Take Me to the Bottom,” which features Johnston reaching high for a breathtaking falsetto. “‘Take Me to the Bottom’ has the best bass sound of anything I’ve ever done,” says Ray, who also keeps things greasy on the intense “Tennessee.” A thrashing love song, it evokes the stomp of ZZ Top – a favorite of TC3 – and features a lyrical shout-out to progressive country hero Sturgill Simpson, a kindred spirit of the band.

No matter the influence, though, the trio stays faithful to their own unique sound throughout LEGACY. “Hank & Jesus” glides along with Tennessee twang; “Demolition Man” is distinguished by the space between the notes; and the swaggering “Cadillacin'” is a band anthem. “We don’t put anything on our albums that we can’t re-create live,” says Mason. “If there is a TC3 rule, it’s that: keep it honest.”

Honesty, or authenticity, is a favorite buzzword around Nashville. But few artists come to it as naturally as The Cadillac Three. These guys couldn’t fake it if they tried. In the album’s title track, they offer a heart-on-the-sleeve testimony to what’s really important at the end of one’s days: love and a family tree.

When Mason and Ray heard “Legacy,” co-written by Johnston, they flipped, and pushed for it to be the title of the record. “We’re far enough along in our careers where doing an album called LEGACY doesn’t feel presumptuous to me,” says Mason.

Not when you run through The Cadillac Three’s milestones. It’s all there, from boundary-pushing albums, Grammy-nominated No. 1 songwriting across genres and fan-favorite singles to sold-out club shows and massive festival gigs alongside Aerosmith.

“With this album, we’re continuing to build this thing we’ve created. We’re touring nonstop, headlining shows in the U.K., playing the Ryman, and putting out a new record,” says Johnston. “Shit, that’s a pretty good legacy so far.”

Mar
17
Sat
Montgomery Gentry FT: Eddie Montgomery LIVE at The Bluestone @ The Bluestone
Mar 17 @ 7:00 pm

Montgomery Gentry featuring Eddie Montgomery will be performing at

The Bluestone on Saturday, March 17th, 2018

Doors open at 7pm

Opening Artist: Ray Scott

Tickets are $30 in advance and $35 day of show

Tickets on-sale Friday, December 8th at 10am

PURCHASE HERE

Montgomery Gentry

Montgomery Gentry LIVE at The Bluestone

 

RESERVED LOFT TABLE SEATING

RESERVED TABLE PURCHASE DOES NOT INCLUDE ADMISSION TICKETS TO THE SHOW.  

Admission tickets must be purchased separately.

  • Loft Lower Tier: $250 (seats four people-no exceptions)
  • Prime view of stage!
  • Includes first bucket of Miller or Coors Light
  • Server
  • Exclusive Private Bar access
    Loft Upper Tier: $200 (seats four people-no exceptions)

    Includes first bucket of Miller or Coors Light

  • Server
  • Private Bar Access
  • May be Obstruction in View

*All Reserved tables located in the loft area

ALL SALES ARE FINAL

Country duo Montgomery Gentry evoked the sound and spirit of Southern rockers like Lynyrd Skynyrd, the Marshall Tucker Band, and Charlie Daniels, painting themselves as rowdy redneck rebels who still held small-town values. Eddie Montgomery and Troy Gentry first played together in Early Tymz, a Lexington, Kentucky band led by Montgomery’s brother, future country star John Michael Montgomery. Both Eddie and Troy had been performing on the local club scene since their teenage years, the former as a drummer in his father’s band. After Early Tymz broke up, a new group called Young Country formed from its ashes, with John Michael billed out front. He eventually went solo, of course, and Montgomery Gentry first formed not long after, initially calling themselves Deuce.

After playing around Lexington for a time, Montgomery Gentry landed a deal with Columbia thanks to a showcase performance. Their debut album, Tattoos & Scars, was released in 1999 and made the country Top Ten on the strength of the Top 20 singles “Hillbilly Shoes” and “Daddy Won’t Sell the Farm,” plus the Top Five smash “Lonely and Gone” and the Charlie Daniels collaboration “All Night Long.” They were named the CMA’s Duo of the Year in 2000, breaking a run of eight consecutive years by Brooks & Dunn. In 2001, the follow-up album Carrying On was released; it also made the country Top Ten and produced the number two smash “She Couldn’t Change Me.” A third album, My Town, was completed quickly and released in 2002, bringing the duo their third Top Five hit in the title track.

The hard-driving You Do Your Thing arrived in 2004, followed by the greatest-hits collection Something to Be Proud Of: The Best of 1999-2005 in November of 2005. Some People Change appeared from Columbia Records in 2006, followed by Back When I Knew It All in early 2008. It all amounted to a pretty successful track record, with a dozen or more of their singles since 1999, plus all of their studio albums, entering the Top Ten charts (as did the greatest-hits collection). The duo’s eighth studio album, Gravel Road, appeared in 2010. The Michael Knox-produced Rebels on the Run, the duo’s first album for new label Average Joe’s Entertainment, appeared in 2011; it debuted at nine on the Billboard country charts. A digital-only EP called Friends and Family showed up in October 2012, and after two years of solid touring the duo signed to Blaster Records and released the full-length Folks Like Us in June 2015.

Amidst plans for the release of Montgomery Gentry’s ninth studio album in 2017, Troy Gentry was killed in a New Jersey helicopter crash on September 8th of that year, shortly before a scheduled concert by the duo. He was 50 years old. Here’s to You, the album completed prior to Gentry’s death, saw release on February 2, 2018. By that point, Eddie Montgomery had laid plans to continue touring and recording under the name Montgomery Gentry. ~ Steve Huey & Steve Leggett, Rovi