Tickets- Official Box Office

THIS SHOW IS SOLD OUT

Montgomery Gentry will be performing live

at The Bluestone on Friday, November 18th

Opening Artist: Ray Scott

Doors for the show will open at 7pm

Tickets $40 in Advance

This is an All Ages Show

PURCHASE TICKETS

Tickets on-sale Friday, August 5th at 10am

TABLE SEATING

VIP TABLE PURCHASE DOES NOT INCLUDE ADMISSION TICKETS TO THE SHOW.  

Admission tickets must be purchased separately.

• Loft Lower Tier: $250 (seats four people-no exceptions)
• Prime view of stage!
• Includes first bucket of Miller or Coors Light
• VIP Server
• Exclusive Private Bar access

• Loft Upper Tier: $200 (seats four people-no exceptions)
• Includes first bucket of Miller or Coors Light
• VIP Server
• Private Bar Access
• May be Obstruction in View

*All VIP tables located in the loft area

When the two Kentucky boys—Eddie, is from Lancaster and Troy is from Lexington—first busted onto the national scene in 1999 with the defiant “Hillbilly Shoes” notice was served—country music had never seen a hard driving duo like this.

Despite the millions of albums sold, the sold out shows and the scores of awards, Montgomery Gentry remains in touch with its working class roots. “We are blue collar workers and we lived the songs that we sing,” says Troy. “Because of that, our fans are able to make the connection and when they hear our songs, they know we are singing with passion and we know what we are talking about.”

Make no mistake about it: Montgomery Gentry has secured a place in musical history with a unique blend of country, southern rock and Everly Brothers-like harmonies combined with relatable lyrics.

“We grew up on Charlie Daniels, Waylon Jennings, Willie Nelson, Lynyrd Skynyrd and Merle Haggard,” Eddie says with conviction. “That’s who we are. We cut our teeth in the honky tonks and no matter what you try to do, we have to be us or it just doesn’t sound right.”

A memorial tribute concert honoring the life of Troy Gentry performed by some of his friends

All donations and proceeds will be donated to T.J Martell Charity in honor of Troy Gentry

First Come, First Serve.

FREE SHOW

Doors will open at 7pm

Headlining the show: Halfway to Hazard

Special Guests: Ray Scott and Dillon Carmichael

Donations are appreciated

The T.J. Martell Foundation is the music industry’s leading foundation that funds innovative medical research focused on finding treatments and cures for cancer. The Foundation sources and supports early-stage translational research projects which otherwise might not be funded.

Midland LIVE at The Bluestone on Saturday, November 17, 2018!

*Opening Artist: Desure

*Doors for the show will open at 7PM

*Tickets are $20 in advance and $25 day of show

Ticket On-Sale July 13th, 2018 at 10AM! 

With all the chest-thumping going on in Nashville today, where bluster and swagger have replaced heart and soul, you half expect some of country music’s male stars to be sporting bruises. Which is what makes Midland, a trio of friends based in Dripping Springs, Texas, so undeniably refreshing. Made up of singer Mark Wystrach, lead guitarist Jess Carson and bass player Cameron Duddy, Midland is the embodiment of Seventies California country, all smooth Eagles harmonies and heart-on-your-sleeve lyrics. Their songs are intoxicating, sung with the twang of George Strait.

And it’s impossible to resist.

Now, after endearing themselves to fans with the hit radio single “Drinkin’ Problem” and a self-titled EP, Midland unveil their full-length debut, On the Rocks (Big Machine Records).

A collection of 13 tracks all written or co-written by Midland – the guys took their name from a Dwight Yoakam song – On the Rocks excels at setting a mood, transporting the listener to another place and time. It’s an album made for wide-open skies, endless deserts and wondering where the road is going to take you next.

“Drinkin’ Problem,” written with Shane McAnally and Josh Osborne, who produced the album with Dann Huff, reclaims the drinking song for classic country music, making it less about an endless party and more about self-medicating. “They call it a problem, I call it a solution / just sitting here with all my grand illusions,” sings Wystrach, evoking the best booze ballads of both Gary Stewart and Merle Haggard, two of the trio’s chief influences.

“Make a Little,” a rollicking ditty, is more optimistic, soaring with the brotherly harmonies of Wystrach, Duddy and Carson and a timely message: “There’s just not enough love in the world.” The rapid-fire lyrics embody the clever wordplay that is unique to country music – “we should make a little, generate a little / maybe even make the world a better place a little” – and also nod to Alabama, another country band that helped spark a revolution in the genre.

Midland hearken back to a time when an artist’s personal style – colorful suits, tailored denim and well-worn hats – dovetailed with the music. And they tip their hats to other groundbreaking artists throughout On the Rocks.

The kick-back and get-high ode “Altitude Adjustment” name-checks John Denver, the majestic “Nothin’ New Under the Neon” sounds like vintage Eddie Rabbit, and the glorious “At Least You Cried” channels Dwight Yoakam. By album’s end, the band 2 returns to the Eagles, recalling their famous intro to “Seven Bridges Road,” with the closing “Somewhere on the Wind.”

“On the Rocks is a confluence of our musical tastes and our reverence for classic country,” says Duddy, whose wife, photographer Harper Smith, shoots all of the group’s stylish photos.

“This record is truly a nod to the time period we are influenced by,” says Carson, a Pacific Northwest native, “and is an effort to bring that sound and that pageantry back to the forefront.”

“We write with a very visual storytelling approach. We paint that big picture and go to that place,” says Wystrach. “Where is this story going? Let’s paint it.”

“Electric Rodeo,” with its plaintive piano, sweeping strings and high-in-the-saddle chorus, is a prime example of the “picture” the band talks about creating. And “Check Cashin’ Country,” a solo composition by Carson, stands as the band’s true-life road diary: the tale of a country-rock band trying to find time to sleep as they hustle from gig to gig, barely making enough money to put gas in the tank. It’s the country equivalent of Seger’s “On the Road.”

Midland first came together at Duddy’s wedding in Jackson Hole, Wyoming, where the three members ended up jamming onstage at the rehearsal dinner.

“It was this serendipitous chain of events, and it was the best week ever,” says Wystrach, who, despite his hippie persona, was actually raised on an Arizona cattle ranch. “By the end, we knew the three of us had amazing chemistry.”

“Midland isn’t manufactured,” says Duddy, born in California. “We are three real friends who stumbled upon making music together.”

Whether they intended it or not, Midland are filling a void in country, with songs that run the gamut from lush Urban Cowboy anthems to loose campfire sing-alongs. Putting their own spin on a classic sound, they’re making something old relevant again.

“We are a band,” says Carson, declaratively. “That’s a big part of the spirit of what we do, that group experience and camaraderie.”

Says Wystrach, “We’ve poured our hearts and souls into writing and making these songs and are extremely proud of what we’ve been able to create.”

With On the Rocks, Midland have captured a sound decades in the making that is just right for today.