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Click here to subscribe to our text messages.From country music concerts and rock and roll, to corporate events, weddings and private parties, we’re a destination venue for your special event tickets. With cathedral ceilings, soulful acoustics you can only hear in a 115-year old church, and a staff who truly cares about delivering an amazing experience, The Bluestone is one Columbus event venue you simply shouldn t miss.
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Aug
24
Fri
SOLD OUT!! Aaron Lewis LIVE August, 24th @ The Bluestone
Aug 24 @ 7:00 pm

Aaron Lewis will be performing at The Bluestone Two Nights, BACK TO BACK!

*August 23rd, 2018 and August 24th, 2018 (SOLD OUT)

*Opening Artist: Travis Marvin

*Doors for the show will open at 7pm each night

*Tickets are $35 in advance and $40 day of show

(Ticket is only valid for admission for the date printed on the ticket)

Tickets are on-sale Friday, May 4th at 10am

PURCHASE THURSDAY, AUGUST 23rd TICKET HERE

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 PURCHASE FRIDAY, AUGUST 24th TICKET HERE

SOLD OUT

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Lewis has been performing solo acoustic shows since he was 17 and still does today. He has written and performed many songs that have never been officially released such as “Angel”, “Something Like Me”, “Bonghits for Breakfast” (originally performed with J-CAT), and “Sleeping at the Wheel”.

In July 2010, Lewis finished recording a country music EP entitled Town Line that was released March 1, 2011 on Stroudavarious Records. It features seven tracks including three versions of the first single “Country Boy” featuring George Jones, Charlie Daniels, and Chris Young, as well as the songs “Massachusetts”, “Vicious Circles”, “The Story Never Ends”, and a re-recording of “Tangled Up in You” originally from The Illusion of Progress.[5] Lewis said in a July 2011 interview that he was introduced to country music as a child by his grandfather, but his interest was recently rekindled when he toured with fellow rock turned occasional country singer Kid Rock.[6]

Lewis performing at the House of Blues in Cleveland in 2013

Lewis released his first full solo album, The Road, in November 2012. Its debut single, “Endless Summer”, has also made the country charts. Lewis wrote every song on the 10 track collection, except for “Granddaddy’s Gun” which was penned by Dallas Davidson, Rhett Akins and Bobby Pinson, marking the first time Lewis has recorded outside material for an album.[7] In an interview with Broadway’s Electric Barnyard, Lewis said he recorded “Granddaddy’s Gun” as both a compliment to a friend, and because he was pressed for time.[8]

Lewis wrote songs for his second solo album whilst touring in support of The Road, often performing the unreleased material in his live sets.[9][10] The album, dubbed Sinner, was mostly recorded in a single 18 hour session, with many tracks done in one take. Aaron’s daughter Zoe also provides guest vocals on one song.[11] It was released on September 16, 2016, with the lead single, “That Ain’t Country”, released on 17 June. Country artist Willie Nelson is featured on the album’s title track as well.

Sep
28
Fri
Muscadine Bloodline LIVE September, 28th @ The Bluestone
Sep 28 @ 7:00 pm

Muscadine Bloodline LIVE at The Bluestone on September 28th, 2018!

Opening Artist: Brandon Ray and Jordan Fletcher

*Doors for the show will open at 7PM

*Tickets are $10 in advance and $15 day of show

Tickets On-Sale NOW!

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Biography  

Hailing from Mobile, Alabama and based in Nashville, Tennessee, the contemporary country duo Muscadine Bloodline certainly sounds southern but they don’t necessarily seem beholden to either hometown. At times, the pair of Charlie Muncaster and Gary Stanton can recall the plainspoken sound of Texas Red Dirt country; sometimes they kick up a bit of Southern rock, and sometimes they have the polished songcraft synonymous with the Music City. All of this is evident on their eponymous 2017 debut EP.

The EP Muscadine Bloodline followed just a year after Muncaster and Stanton formed the group. The two singer/songwriters grew up in Mobile, but they didn’t meet until they were both actively pursuing musical careers as adults. Stanton crossed Muncaster’s path when the former was looking for an opening act and they soon started jamming, then decided to form a band. They headed to Nashville and quickly released three singles in 2016 — “Southern Boy Cure,” “Porch Swing Angel,” and “Shut Your Mouth” — before cutting the Muscadine Bloodline EP with producer Luke Laird. The EP appeared early in 2017. ~ Stephen Thomas Erlewine, Rovi

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Oct
4
Thu
Corey Smith LIVE October, 4th @ The Bluestone
Oct 4 @ 7:00 pm

Corey Smith LIVE at The Bluestone on October 4th, 2018!

*Opening Artist: TBA

*Doors for the show will open at 7PM

*Tickets are $15 in advance and $20 day of show

Tickets On-Sale August, 3rd 2018 at 10AM!

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Corey Smith, the fan-made man, has sold over 1 million concert tickets, 1.5 million digital singles and over 220,000 albums. Corey Smith has amassed an unfailingly devout fan base, not only in his native Southeast region, but all around the nation, simply by telling it the way it is. He has released 10 albums—including 2011’s Top 20 release The Broken Record. Corey Smith has written every word on every album himself and he produced 9 out of 10 of the records. In Summer 2015, Corey Smith teamed up with producer Keith Stegall (Alan Jackson, Zac Brown Band) for his album, “While the Gettin’ Is Good,” which was released on Sugar Hill Records. Smith’s concerts, which were documented on his last live record, Live in Chattanooga, regularly sell out, with audiences singing along to such fan favorites as the coming-of-age anthem “Twenty-One,” the nostalgic time warp “If I Could Do It Again” and the group hug “I Love Everyone.” Corey consistently tours, hitting around 120 dates per year and has begun releasing singles from his upcoming project, the Great Wide Underground.

Nov
8
Thu
Ashley McBryde LIVE November, 8th @ The Bluestone
Nov 8 @ 7:00 pm

Ashley McBryde live at The Bluestone on November 8th, 2018 as part of her “Girl Going Nowhere Tour” performing live at The Bluestone on November 8th, 2018!

*Opening Artist: Dee White

*Doors will OPEN at 7PM

*Tickets are $15 in advance and $20 day of show

 Tickets On-Sale Friday, May 25th 10AM!

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Ashley McBryde- Approved Image

 

Ashley McBryde Biography…

“I hear the crowd, I look around, and I can’t find one empty chair. Not bad for a girl going nowhere” sings Ashley McBryde on “Girl Goin’ Nowhere,” the seminal title track from her forthcoming LP. They’re words built from experience: over the course of her life, McBryde’s been finding her own way to fill those seats and sway those hearts since the very first time her teacher told her that her dreams of writing songs in Nashville would never see the light of day. Every time she was brought down, she persevered; trusting her timeless tone and keen, unwavering eye for the truth. It paid off. In April, Eric Church brought her on stage and called her a “whiskey-drinking badass,” confessing that he’s a massive fan. The rest of the world is quickly catching on, too.

Dubbed as one of Rolling Stone’s “Artists You Need To Know,” citing she’s “an Arkansas red-clay badass, with the swagger of Hank Jr. and the songwriting of Miranda Lambert,” McBryde fearlessly lays it all on the line, and it’s that honest all-in approach that has led to NPR critic Ann Powers to ask if McBryde could be “among the first post-Stapleton country stars?” McBryde’s album will showcase an artistic vision that will prove her to be one of the genre’s keenest working storytellers, bringing unwavering honesty back into a pop-preoccupied genre. Pulling tales from every corner of her human experience, McBryde sings with fire and fury, laughing and swigging that brown stuff along the way.

McBryde was raised in Mammoth Spring, Arkansas. At three, she’d secretly pluck her father’s guitar like an upright bass, and after about the 17th time being caught, her father bought her a guitar of her own. When she was twelve, she played her parents and grandparents her very first composition. It was at Arkansas State when, while a member of the marching band, McBryde finally started sharing her voice with others, and finally moved to Nashville in 2007 where steadily worked a circuit of dive bars, biker hangouts, and colorful joints fighting to have her songs heard.

Her first EP, the self-released 2016 Jalopies and Expensive Guitars was just a taste of what McBryde can do, and, on her full-length debut, she will meld her songwriting chops with the vision of producer Jay Joyce, peppering her tales with a touch of guitar-driven rock fury. McBryde isn’t afraid to tell the truth, get raw and real and use the spirits of country, folk and rock when it serves her greater purpose. And that’s to tell the stories that shake us, make us and tell us a little more about what it’s like to be human.

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Nov
17
Sat
Midland LIVE November, 17th @ The Bluestone
Nov 17 @ 7:00 pm

Midland LIVE at The Bluestone on Saturday, November 17, 2018!

*Opening Artist: Desure

*Doors for the show will open at 7PM

*Tickets are $20 in advance and $25 day of show

Ticket On-Sale July 13th, 2018 at 10AM

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Midland Plain Image

With all the chest-thumping going on in Nashville today, where bluster and swagger have replaced heart and soul, you half expect some of country music’s male stars to be sporting bruises. Which is what makes Midland, a trio of friends based in Dripping Springs, Texas, so undeniably refreshing. Made up of singer Mark Wystrach, lead guitarist Jess Carson and bass player Cameron Duddy, Midland is the embodiment of Seventies California country, all smooth Eagles harmonies and heart-on-your-sleeve lyrics. Their songs are intoxicating, sung with the twang of George Strait.

And it’s impossible to resist.

Now, after endearing themselves to fans with the hit radio single “Drinkin’ Problem” and a self-titled EP, Midland unveil their full-length debut, On the Rocks (Big Machine Records).

A collection of 13 tracks all written or co-written by Midland – the guys took their name from a Dwight Yoakam song – On the Rocks excels at setting a mood, transporting the listener to another place and time. It’s an album made for wide-open skies, endless deserts and wondering where the road is going to take you next.

“Drinkin’ Problem,” written with Shane McAnally and Josh Osborne, who produced the album with Dann Huff, reclaims the drinking song for classic country music, making it less about an endless party and more about self-medicating. “They call it a problem, I call it a solution / just sitting here with all my grand illusions,” sings Wystrach, evoking the best booze ballads of both Gary Stewart and Merle Haggard, two of the trio’s chief influences.

“Make a Little,” a rollicking ditty, is more optimistic, soaring with the brotherly harmonies of Wystrach, Duddy and Carson and a timely message: “There’s just not enough love in the world.” The rapid-fire lyrics embody the clever wordplay that is unique to country music – “we should make a little, generate a little / maybe even make the world a better place a little” – and also nod to Alabama, another country band that helped spark a revolution in the genre.

Midland hearken back to a time when an artist’s personal style – colorful suits, tailored denim and well-worn hats – dovetailed with the music. And they tip their hats to other groundbreaking artists throughout On the Rocks.

The kick-back and get-high ode “Altitude Adjustment” name-checks John Denver, the majestic “Nothin’ New Under the Neon” sounds like vintage Eddie Rabbit, and the glorious “At Least You Cried” channels Dwight Yoakam. By album’s end, the band 2 returns to the Eagles, recalling their famous intro to “Seven Bridges Road,” with the closing “Somewhere on the Wind.”

“On the Rocks is a confluence of our musical tastes and our reverence for classic country,” says Duddy, whose wife, photographer Harper Smith, shoots all of the group’s stylish photos.

“This record is truly a nod to the time period we are influenced by,” says Carson, a Pacific Northwest native, “and is an effort to bring that sound and that pageantry back to the forefront.”

“We write with a very visual storytelling approach. We paint that big picture and go to that place,” says Wystrach. “Where is this story going? Let’s paint it.”

“Electric Rodeo,” with its plaintive piano, sweeping strings and high-in-the-saddle chorus, is a prime example of the “picture” the band talks about creating. And “Check Cashin’ Country,” a solo composition by Carson, stands as the band’s true-life road diary: the tale of a country-rock band trying to find time to sleep as they hustle from gig to gig, barely making enough money to put gas in the tank. It’s the country equivalent of Seger’s “On the Road.”

Midland first came together at Duddy’s wedding in Jackson Hole, Wyoming, where the three members ended up jamming onstage at the rehearsal dinner.

“It was this serendipitous chain of events, and it was the best week ever,” says Wystrach, who, despite his hippie persona, was actually raised on an Arizona cattle ranch. “By the end, we knew the three of us had amazing chemistry.”

“Midland isn’t manufactured,” says Duddy, born in California. “We are three real friends who stumbled upon making music together.”

Whether they intended it or not, Midland are filling a void in country, with songs that run the gamut from lush Urban Cowboy anthems to loose campfire sing-alongs. Putting their own spin on a classic sound, they’re making something old relevant again.

“We are a band,” says Carson, declaratively. “That’s a big part of the spirit of what we do, that group experience and camaraderie.”

Says Wystrach, “We’ve poured our hearts and souls into writing and making these songs and are extremely proud of what we’ve been able to create.”

With On the Rocks, Midland have captured a sound decades in the making that is just right for today.