Tickets- Official Box Office

William Michael Morgan at The Bluestone on Friday, August 17th, 2018

*Doors open at 7pm

*Opening Artist: Maggie Baugh

*Tickets are $15 in advance and $20 day of show

Tickets On-Sale NOW! 

The New York Times declares “…in the emergent field of gentleman country — an antidote to the bros of the last few years — William Michael Morgan stands tall.” The praise continues with his debut album VINYL, being hailed as a “sturdy, reflective debut album….a throwback to the temperate wisdom of midcareer George Strait.” The record, which opened in the Top 5 on Billboard’s Country Albums Chart, has landed him on countless year-end best album lists, including Rolling Stone, iTunes and Saving Country Music. His breakout mega-hit “I Met A Girl” has earned top song of the year nods from Billboard and NPR. The song topped charts and has garnered over a billion audience impressions, including over 25 million on-demand streams. Morgan recently released the title track as his third single. The tune harkens back to yesteryear with a modern twist.

Ashley McBryde live at The Bluestone on November 8th, 2018 as part of her “Girl Going Nowhere Tour” performing live at The Bluestone on November 8th, 2018!

*Opening Artist: Dee White

*Doors will OPEN at 7PM

*Tickets are $15 in advance and $20 day of show

 Tickets On-Sale Friday, May 25th 10AM!

Ashley McBryde Biography…

“I hear the crowd, I look around, and I can’t find one empty chair. Not bad for a girl going nowhere” sings Ashley McBryde on “Girl Goin’ Nowhere,” the seminal title track from her forthcoming LP. They’re words built from experience: over the course of her life, McBryde’s been finding her own way to fill those seats and sway those hearts since the very first time her teacher told her that her dreams of writing songs in Nashville would never see the light of day. Every time she was brought down, she persevered; trusting her timeless tone and keen, unwavering eye for the truth. It paid off. In April, Eric Church brought her on stage and called her a “whiskey-drinking badass,” confessing that he’s a massive fan. The rest of the world is quickly catching on, too.

Dubbed as one of Rolling Stone’s “Artists You Need To Know,” citing she’s “an Arkansas red-clay badass, with the swagger of Hank Jr. and the songwriting of Miranda Lambert,” McBryde fearlessly lays it all on the line, and it’s that honest all-in approach that has led to NPR critic Ann Powers to ask if McBryde could be “among the first post-Stapleton country stars?” McBryde’s album will showcase an artistic vision that will prove her to be one of the genre’s keenest working storytellers, bringing unwavering honesty back into a pop-preoccupied genre. Pulling tales from every corner of her human experience, McBryde sings with fire and fury, laughing and swigging that brown stuff along the way.

McBryde was raised in Mammoth Spring, Arkansas. At three, she’d secretly pluck her father’s guitar like an upright bass, and after about the 17th time being caught, her father bought her a guitar of her own. When she was twelve, she played her parents and grandparents her very first composition. It was at Arkansas State when, while a member of the marching band, McBryde finally started sharing her voice with others, and finally moved to Nashville in 2007 where steadily worked a circuit of dive bars, biker hangouts, and colorful joints fighting to have her songs heard.

Her first EP, the self-released 2016 Jalopies and Expensive Guitars was just a taste of what McBryde can do, and, on her full-length debut, she will meld her songwriting chops with the vision of producer Jay Joyce, peppering her tales with a touch of guitar-driven rock fury. McBryde isn’t afraid to tell the truth, get raw and real and use the spirits of country, folk and rock when it serves her greater purpose. And that’s to tell the stories that shake us, make us and tell us a little more about what it’s like to be human.