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 The OFFICAL BLUESTONE TICKET BOX OFFICE

Get Tickets to The Bluestone and never miss your favorite artist again. Tickets From country and electronic to Indie Rock.  THE Bluestone brings quality entertainment to the stage every time. We’re working hard to bring you the best  concerts and special events in Columbus, Ohio. Keep an eye on our tickets and events calendar and check back often for concert updates. Just click on an event to purchase tickets

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Aug
10
Fri
Dillon Carmichael LIVE August, 10th @ The Bluestone
Aug 10 @ 7:00 pm

Dillon Carmichael LIVE at The Bluestone on August 10th, 2018!

*Opening Artist: TBA

*Doors for the show will open at 7PM

*Tickets are $15 in advance and $20 day of show

Tickets On-Sale July, 6th 2018 at 10AM!

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REMEMBER WHEN COUNTRY SONGS USED TO SAY SOMETHING?

The lyrics of “Made To Be A Country Boy,” the debut single from Dillon Carmichael are ones that, while are simple, definitely have a lot of meaning. What is being a “Country Boy” to him? “It’s something that is in your heart and soul. It’s not something that’s not about material objects. It’s a way of life – not one that is any better than anybody else’s, but I think it’s all about being proud of where you come from – whether it be your city, state, or country.”

The heartfelt sentiments are ones that Carmichael knows all too well, as it describes his own hometown – in the heart of metropolitan Mercer County, Kentucky. “I grew up on the lake which was created as a hydro-electric energy plant in a town called Burgin, Kentucky. The population has grown over the years to a whopping one thousand.” The town – at the intersection of Kentucky State Routes 33 and 152 – lives up to his description. “It’s a lake town, and everyone there works at the power plant. The school is there all in one building – from kindergarten all the way to twelfth grade. There was a baseball team and a softball team, but not enough to field a football team,” he says with a smile.

Music was a part of his growing up experience, as his father and uncles performed in a Southern Gospel Quartet, and his mother also sang around the area. Her brothers – future Country superstars John Michael and Eddie Montgomery – also made a name for themselves performing around the Eastern Kentucky area, as well. Dillon says that as much as it was a part of his surroundings, it was sure to rub off on him. “I knew eventually that it was something I was going to want on my own at some point, and I fell in love with it too.”

In 2012, Dillon – who also cited Vern Gosdin, Waylon Jennings, and Merle Haggard as influences – decided to roll the dice, and haul himself and his belongings down Interstate 65 to move to Nashville. He says it took some getting used to.

“It was difficult being away from home at first. I had never been anywhere outside of my hometown,” he confessed, also admitting that the deep talent pool of Davidson County was a more than a little bit intimidating. “I jumped head-first into writing songs,” he recalled. “I didn’t dabble as much into the live show and being on stage as much as I did the writing at first. I think for my age group, I was always one step ahead of the writing, and one step behind in the performance game. That’s something that I was very overwhelmed by – was how good the singers and guitar players were. In a way, I still am. It’s just about doing the best that you can.”

Over time, he began to hone his writing skills, thanks to those who he collaborated with. “Co-writing was a big turning point for me. I got offered a publishing deal when I was seventeen. They started booking me with writers who already had success before. I started to learn with each appointment, and it changed everything for me. I began to see how they put their melodies together with the lyrics, and how they generated ideas.”

“Made To Be A Country Boy” is the first single from Dillon, and one that teamed him up with Grammy-winning producer Dave Cobb (Chris Stapleton, Strurgill Simpson). He says that Cobb allowed him to approach recording the old-fashioned way, which he prefers. “I prefer having a live band in the studio rather than bringing in just one instrument at a time to record a part. Sometimes, you’ll go back and you will hear something that might not be right the first time. Being in the studio is one of my favorite parts of the creative experience.

Cobb also steered the ship for Dillon’s debut full-length album, and there’s not a better producer anywhere. “Dave is great, and very authentic. He’s a musical genius. He understands so many different types of music, and is also such a great guitar player. It’s important for me to be working with people who are just good and authentic people. I think that translates into the music, as well.”

Another track from the album that Dillon Carmichael is excited for fans to hear is “It’s Simple,” which is a tribute to the little things in life – which all too often are the biggest. “I wrote that with three other guys who were from rural areas, and we were talking about how life was just so simple and how the people there like it. You go to work, come home, grill out with the family, and the lyrics are ‘Love is for making. Kids are for raising. Home is that place in your heart,’ and the concept is that no matter where you go, home is the place in your heart – which for me is always going to be Kentucky. It’s a story about the old man next door who tells you that life is simple, and you shouldn’t overthink it.”

With stardom just around the corner in 2018, just how does Dillon Carmichael quantify success? “The Opry is a big thing to me. That’s always been a goal of mine. I think that success is moving forward. I think that achieving your goals is something that is never ending. I’d like to have a number one on the charts, and, of course, sell a million records. I’d like to play Rupp Arena in Lexington, as well as the FFA National Convention. I grew up going to that, and I remember seeing acts like Craig Morgan play it.” At the end of the day, Dillon Carmichael says he just wants to aim for the stars – and keep aiming. “I think that the biggest mark of success to me, is just achieving your goals – and setting new ones. I don’t think that ever stops.”

 

Aug
24
Fri
SOLD OUT!! Aaron Lewis LIVE August, 24th @ The Bluestone
Aug 24 @ 7:00 pm

Aaron Lewis will be performing at The Bluestone Two Nights, BACK TO BACK!

*August 23rd, 2018 and August 24th, 2018 (SOLD OUT)

*Opening Artist: Travis Marvin

*Doors for the show will open at 7pm each night

*Tickets are $35 in advance and $40 day of show

(Ticket is only valid for admission for the date printed on the ticket)

Tickets are on-sale Friday, May 4th at 10am

PURCHASE THURSDAY, AUGUST 23rd TICKET HERE

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 PURCHASE FRIDAY, AUGUST 24th TICKET HERE

SOLD OUT

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Lewis has been performing solo acoustic shows since he was 17 and still does today. He has written and performed many songs that have never been officially released such as “Angel”, “Something Like Me”, “Bonghits for Breakfast” (originally performed with J-CAT), and “Sleeping at the Wheel”.

In July 2010, Lewis finished recording a country music EP entitled Town Line that was released March 1, 2011 on Stroudavarious Records. It features seven tracks including three versions of the first single “Country Boy” featuring George Jones, Charlie Daniels, and Chris Young, as well as the songs “Massachusetts”, “Vicious Circles”, “The Story Never Ends”, and a re-recording of “Tangled Up in You” originally from The Illusion of Progress.[5] Lewis said in a July 2011 interview that he was introduced to country music as a child by his grandfather, but his interest was recently rekindled when he toured with fellow rock turned occasional country singer Kid Rock.[6]

Lewis performing at the House of Blues in Cleveland in 2013

Lewis released his first full solo album, The Road, in November 2012. Its debut single, “Endless Summer”, has also made the country charts. Lewis wrote every song on the 10 track collection, except for “Granddaddy’s Gun” which was penned by Dallas Davidson, Rhett Akins and Bobby Pinson, marking the first time Lewis has recorded outside material for an album.[7] In an interview with Broadway’s Electric Barnyard, Lewis said he recorded “Granddaddy’s Gun” as both a compliment to a friend, and because he was pressed for time.[8]

Lewis wrote songs for his second solo album whilst touring in support of The Road, often performing the unreleased material in his live sets.[9][10] The album, dubbed Sinner, was mostly recorded in a single 18 hour session, with many tracks done in one take. Aaron’s daughter Zoe also provides guest vocals on one song.[11] It was released on September 16, 2016, with the lead single, “That Ain’t Country”, released on 17 June. Country artist Willie Nelson is featured on the album’s title track as well.

Sep
28
Fri
Muscadine Bloodline LIVE September, 28th @ The Bluestone
Sep 28 @ 7:00 pm

Muscadine Bloodline LIVE at The Bluestone on September 28th, 2018!

Opening Artist: Brandon Ray and Jordan Fletcher

*Doors for the show will open at 7PM

*Tickets are $10 in advance and $15 day of show

Tickets On-Sale NOW!

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Biography  

Hailing from Mobile, Alabama and based in Nashville, Tennessee, the contemporary country duo Muscadine Bloodline certainly sounds southern but they don’t necessarily seem beholden to either hometown. At times, the pair of Charlie Muncaster and Gary Stanton can recall the plainspoken sound of Texas Red Dirt country; sometimes they kick up a bit of Southern rock, and sometimes they have the polished songcraft synonymous with the Music City. All of this is evident on their eponymous 2017 debut EP.

The EP Muscadine Bloodline followed just a year after Muncaster and Stanton formed the group. The two singer/songwriters grew up in Mobile, but they didn’t meet until they were both actively pursuing musical careers as adults. Stanton crossed Muncaster’s path when the former was looking for an opening act and they soon started jamming, then decided to form a band. They headed to Nashville and quickly released three singles in 2016 — “Southern Boy Cure,” “Porch Swing Angel,” and “Shut Your Mouth” — before cutting the Muscadine Bloodline EP with producer Luke Laird. The EP appeared early in 2017. ~ Stephen Thomas Erlewine, Rovi

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Oct
4
Thu
Corey Smith LIVE October, 4th @ The Bluestone
Oct 4 @ 7:00 pm

Corey Smith LIVE at The Bluestone on October 4th, 2018!

*Opening Artist: TBA

*Doors for the show will open at 7PM

*Tickets are $15 in advance and $20 day of show

Tickets On-Sale August, 3rd 2018 at 10AM!

tickets The Bluestone - Columbus Ohio

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Corey Smith, the fan-made man, has sold over 1 million concert tickets, 1.5 million digital singles and over 220,000 albums. Corey Smith has amassed an unfailingly devout fan base, not only in his native Southeast region, but all around the nation, simply by telling it the way it is. He has released 10 albums—including 2011’s Top 20 release The Broken Record. Corey Smith has written every word on every album himself and he produced 9 out of 10 of the records. In Summer 2015, Corey Smith teamed up with producer Keith Stegall (Alan Jackson, Zac Brown Band) for his album, “While the Gettin’ Is Good,” which was released on Sugar Hill Records. Smith’s concerts, which were documented on his last live record, Live in Chattanooga, regularly sell out, with audiences singing along to such fan favorites as the coming-of-age anthem “Twenty-One,” the nostalgic time warp “If I Could Do It Again” and the group hug “I Love Everyone.” Corey consistently tours, hitting around 120 dates per year and has begun releasing singles from his upcoming project, the Great Wide Underground.

Oct
10
Wed
Armin Van Buuren LIVE October, 10th @ The Bluestone
Oct 10 @ 8:00 pm

Armin Van Buuren at The Bluestone on Wednesday, October 10th, 2018!

*Doors open at 8PM

*Opening Artist: TBA

Tickets ON SALE: Wednesday, August 8 @ 11AM 

tickets The Bluestone - Columbus Ohio

 

 

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Armin van Buuren is widely regarded as one of the world’s biggest DJs and producers within Electronic Dance Music for a whopping twenty years. His life-long dedication to Electronic Music has earned him a Grammy® nomination for ‘This Is What It Feels Like’ (feat. Trevor Guthrie) and he has been voted “#1 DJ” in the world for an unprecedented five times in the annual DJ Mag Top 100, not to mention the fifteen consecutive top 5 spots to date.

His weekly two-hour radio show, “A State of Trance” (ASOT), is broadcast weekly in more than 84 countries, drawing more than 37 million listeners every week. The ASOT brand has grown into a complete live show experience and touring concept, with stages and events all over the world. The next event series of A State Of Trance, A State Of Trance 800, is to kick off in Utrecht, the Netherlands on February 18th, 2017.

In the same month (February, 2017), Armin van Buuren is to open a brand-new radio studio in the HQ of Armada Music in Amsterdam, from which the A State Of Trance episodes are to be broadcast live.

Throughout the years, Armin has launched several ‘Armin Only’ world tours, including the ones based on (one of) his albums (‘Imagine’ in 2008, ‘Mirage’ in 2010, and ‘Intense’ in 2013). His latest world tour, ‘Armin Only Embrace’, is directly tied to the ‘Embrace’ album, his sixth and latest full-fledged artist album.
In addition, Armin is the co-founder of the Armada Music record label (together with Maykel Piron and David Lewis), which has been acclaimed internationally for releasing top-notch Electronic Music in a variety of genres.

As a performer, Armin headlines more than 150 shows a year at leading festivals and venues around the world, including Electric Daisy Carnival (Las Vegas, New York), Ultra Music Festival (Miami), Tomorrowland (Belgium); Omnia Nightclub (Las Vegas), Ushuaia (Ibiza), and numerous others.

Lastly, Armin has six full-length artist albums to his name: ‘76’ (2003), ‘Shivers’ (2005), ‘Imagine’ (2008), ‘Mirage’ (2010), ‘Intense’ (2013), and ‘Embrace’ (2015).

Nov
2
Fri
Jazz Arts – One Night Only November, 2nd @ The Bluestone
Nov 2 @ 5:30 pm – 10:30 pm

Jazz Arts One Night Only at The Bluestone November, 2nd 2018!

*Doors for the event will open at 5:30PM

Tickets On-Sale NOW!

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One Night Only is Jazz Arts Group’s annual fundraiser. This year we will return to the Bluestone for “Blues at the Bluestone” featuring local favorite Sean Carney and Chicago Bluesman Omar Coleman.

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The Jazz Arts Group of Columbus (JAG) is America’s premier not-for-profit arts organization dedicated to producing, performing and promoting jazz. Our mission is to advance and celebrate the art of jazz through performance and education. The Jazz Arts Group (JAG) divides its resources among two areas: performance and education.

JAG Performances include the Swingin’ With The CJO series at the Southern Theatre, JazZoo! At the Columbus Zoo and Aquarium, a contemporary music series at the Lincoln Theater and other venues, and the PBJ & Jazz family jazz series at the Lincoln Ballroom and Topiary Park.

The Jazz Arts Group believes in the power of music to transform lives and is committed to offering lifelong-learning opportunities for individuals of all ages, interests, backgrounds and abilities. JAG achieves this with our JAG Education & Community programs and through our Jazz Academy activities.

Our Affiliate Musicians program continues to work with area musicians on professional development and performing opportunities for Columbus jazz musicians.

 

Nov
8
Thu
Ashley McBryde LIVE November, 8th @ The Bluestone
Nov 8 @ 7:00 pm

Ashley McBryde live at The Bluestone on November 8th, 2018 as part of her “Girl Going Nowhere Tour” performing live at The Bluestone on November 8th, 2018!

*Opening Artist: Dee White

*Doors will OPEN at 7PM

*Tickets are $15 in advance and $20 day of show

 Tickets On-Sale Friday, May 25th 10AM!

tickets The Bluestone - Columbus Ohio

 

 

Ashley McBryde- Approved Image

 

Ashley McBryde Biography…

“I hear the crowd, I look around, and I can’t find one empty chair. Not bad for a girl going nowhere” sings Ashley McBryde on “Girl Goin’ Nowhere,” the seminal title track from her forthcoming LP. They’re words built from experience: over the course of her life, McBryde’s been finding her own way to fill those seats and sway those hearts since the very first time her teacher told her that her dreams of writing songs in Nashville would never see the light of day. Every time she was brought down, she persevered; trusting her timeless tone and keen, unwavering eye for the truth. It paid off. In April, Eric Church brought her on stage and called her a “whiskey-drinking badass,” confessing that he’s a massive fan. The rest of the world is quickly catching on, too.

Dubbed as one of Rolling Stone’s “Artists You Need To Know,” citing she’s “an Arkansas red-clay badass, with the swagger of Hank Jr. and the songwriting of Miranda Lambert,” McBryde fearlessly lays it all on the line, and it’s that honest all-in approach that has led to NPR critic Ann Powers to ask if McBryde could be “among the first post-Stapleton country stars?” McBryde’s album will showcase an artistic vision that will prove her to be one of the genre’s keenest working storytellers, bringing unwavering honesty back into a pop-preoccupied genre. Pulling tales from every corner of her human experience, McBryde sings with fire and fury, laughing and swigging that brown stuff along the way.

McBryde was raised in Mammoth Spring, Arkansas. At three, she’d secretly pluck her father’s guitar like an upright bass, and after about the 17th time being caught, her father bought her a guitar of her own. When she was twelve, she played her parents and grandparents her very first composition. It was at Arkansas State when, while a member of the marching band, McBryde finally started sharing her voice with others, and finally moved to Nashville in 2007 where steadily worked a circuit of dive bars, biker hangouts, and colorful joints fighting to have her songs heard.

Her first EP, the self-released 2016 Jalopies and Expensive Guitars was just a taste of what McBryde can do, and, on her full-length debut, she will meld her songwriting chops with the vision of producer Jay Joyce, peppering her tales with a touch of guitar-driven rock fury. McBryde isn’t afraid to tell the truth, get raw and real and use the spirits of country, folk and rock when it serves her greater purpose. And that’s to tell the stories that shake us, make us and tell us a little more about what it’s like to be human.

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Nov
10
Sat
Columbus Funk’N Beer Fest. W/ BIG GIGANTIC Nov. 10th @ The Bluestone
Nov 10 @ 7:00 pm

The Columbus Funk’N Beer Festival celebrates Funk music, in all of its various forms, as well as the vibrant microbrewery scene in Central Ohio. The event will be held November 9th and 10th at the historic Bluestone in Columbus, Ohio.

Music Lineup:
Friday 11/9: The Floozies and Turkuaz, with special guests SoDown, Wax Future, & Manimal.

Saturday 11/10: Big Gigantic with special guests Flamingosis, Ghost Gardens, LethalFX, Squirple., Harok, & Shatter

 

Doors for the Show will open at 7pm

Tickets On-Sale NOW!

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The Columbus Funk’N Beer Festival celebrates Funk music, in all of its various forms, as well as the vibrant microbrewery scene in Central Ohio. The event will be held November 9th and 10th at the historic Bluestone in Columbus, Ohio.

Nov
17
Sat
Midland LIVE November, 17th @ The Bluestone
Nov 17 @ 7:00 pm

Midland LIVE at The Bluestone on Saturday, November 17, 2018!

*Opening Artist: Desure

*Doors for the show will open at 7PM

*Tickets are $20 in advance and $25 day of show

Ticket On-Sale July 13th, 2018 at 10AM

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Midland Plain Image

With all the chest-thumping going on in Nashville today, where bluster and swagger have replaced heart and soul, you half expect some of country music’s male stars to be sporting bruises. Which is what makes Midland, a trio of friends based in Dripping Springs, Texas, so undeniably refreshing. Made up of singer Mark Wystrach, lead guitarist Jess Carson and bass player Cameron Duddy, Midland is the embodiment of Seventies California country, all smooth Eagles harmonies and heart-on-your-sleeve lyrics. Their songs are intoxicating, sung with the twang of George Strait.

And it’s impossible to resist.

Now, after endearing themselves to fans with the hit radio single “Drinkin’ Problem” and a self-titled EP, Midland unveil their full-length debut, On the Rocks (Big Machine Records).

A collection of 13 tracks all written or co-written by Midland – the guys took their name from a Dwight Yoakam song – On the Rocks excels at setting a mood, transporting the listener to another place and time. It’s an album made for wide-open skies, endless deserts and wondering where the road is going to take you next.

“Drinkin’ Problem,” written with Shane McAnally and Josh Osborne, who produced the album with Dann Huff, reclaims the drinking song for classic country music, making it less about an endless party and more about self-medicating. “They call it a problem, I call it a solution / just sitting here with all my grand illusions,” sings Wystrach, evoking the best booze ballads of both Gary Stewart and Merle Haggard, two of the trio’s chief influences.

“Make a Little,” a rollicking ditty, is more optimistic, soaring with the brotherly harmonies of Wystrach, Duddy and Carson and a timely message: “There’s just not enough love in the world.” The rapid-fire lyrics embody the clever wordplay that is unique to country music – “we should make a little, generate a little / maybe even make the world a better place a little” – and also nod to Alabama, another country band that helped spark a revolution in the genre.

Midland hearken back to a time when an artist’s personal style – colorful suits, tailored denim and well-worn hats – dovetailed with the music. And they tip their hats to other groundbreaking artists throughout On the Rocks.

The kick-back and get-high ode “Altitude Adjustment” name-checks John Denver, the majestic “Nothin’ New Under the Neon” sounds like vintage Eddie Rabbit, and the glorious “At Least You Cried” channels Dwight Yoakam. By album’s end, the band 2 returns to the Eagles, recalling their famous intro to “Seven Bridges Road,” with the closing “Somewhere on the Wind.”

“On the Rocks is a confluence of our musical tastes and our reverence for classic country,” says Duddy, whose wife, photographer Harper Smith, shoots all of the group’s stylish photos.

“This record is truly a nod to the time period we are influenced by,” says Carson, a Pacific Northwest native, “and is an effort to bring that sound and that pageantry back to the forefront.”

“We write with a very visual storytelling approach. We paint that big picture and go to that place,” says Wystrach. “Where is this story going? Let’s paint it.”

“Electric Rodeo,” with its plaintive piano, sweeping strings and high-in-the-saddle chorus, is a prime example of the “picture” the band talks about creating. And “Check Cashin’ Country,” a solo composition by Carson, stands as the band’s true-life road diary: the tale of a country-rock band trying to find time to sleep as they hustle from gig to gig, barely making enough money to put gas in the tank. It’s the country equivalent of Seger’s “On the Road.”

Midland first came together at Duddy’s wedding in Jackson Hole, Wyoming, where the three members ended up jamming onstage at the rehearsal dinner.

“It was this serendipitous chain of events, and it was the best week ever,” says Wystrach, who, despite his hippie persona, was actually raised on an Arizona cattle ranch. “By the end, we knew the three of us had amazing chemistry.”

“Midland isn’t manufactured,” says Duddy, born in California. “We are three real friends who stumbled upon making music together.”

Whether they intended it or not, Midland are filling a void in country, with songs that run the gamut from lush Urban Cowboy anthems to loose campfire sing-alongs. Putting their own spin on a classic sound, they’re making something old relevant again.

“We are a band,” says Carson, declaratively. “That’s a big part of the spirit of what we do, that group experience and camaraderie.”

Says Wystrach, “We’ve poured our hearts and souls into writing and making these songs and are extremely proud of what we’ve been able to create.”

With On the Rocks, Midland have captured a sound decades in the making that is just right for today.

Nov
19
Mon
SOLD OUT! Louis The Child LIVE November, 19th @ The Bluestone
Nov 19 @ 8:00 pm

Louis The Child LIVE at The Bluestone on November 19, 2018!

*Opening Artist: NoMBe and R.LUM.R

*Doors for the show will open at 8PM

Tickets ON-SALE: Friday, August 10th @ 10:00 AM!

Ages: 18+

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Nov
26
Mon
RAW Artist Columbus presents OVATION @ The Bluestone
Nov 26 @ 7:00 pm

RAW Artist COLUMBUS PRESENTS OVATION

Doors will open at 7pm

This event is ages 18+

Tickets are $22 in advance and $30 at the Door

PURCHASE TICKETS

RAW Natural Born Artist is an independent arts organization for artists, by artists.

RAW is a fun and alternative way for creatives to showcase both to their local community and the world-at-large.

We are not your average art show. We are loud, colorful, creative, and all about our artists. We are RAW.

Columbus OVATION General Flyer

Dec
15
Sat
Sgt. Peppercorn’s Annual Beatles Marathon 2018 @ The Bluestone
Dec 15 @ 12:00 pm
Sgt. Peppercorn's Annual Beatles Marathon 2018 @ The Bluestone  | Columbus | Ohio | United States

Sgt. Peppercorn’s Beatles Marathon is an event like no other.  Experience Sgt. Peppercorn’s Lonely Hearts Club Band perform every Beatles song in chronological order.

215 songs, 1 day, 12+ hours. 

For the Ninth consecutive year, Columbus musicians will play all 215 officially released Beatles songs, in a single performance. Beginning with the album, Please Please Me at 12:30 PM, and ending with Abbey Road some time after midnight, The Beatles Marathon is currently, the only single performance of every Beatles song.

Tickets On-Sale Thursday, October 25th at 12pm

PURCHASE TICKETS

The Beatles Marathon is arguably the most ambitious musical feat attempted in Columbus each year, and it has also become a beloved community event. For Peppercorn, who’s now known more for the Beatles show than for his band the Whiles, the event isn’t some excuse to play a bunch of covers and make some money. It’s an essential, sacred part of his life.

“You could find better musicians – especially with me,” Peppercorn said. “There are always at least 100 people in the Bluestone who could sing the song I am singing better than me. [But] we are the island of misfit toys, and this show is our home.” -Columbus Alive

 

 

 

Feb
7
Thu
Devin Dawson “Stray Off Course Tour” LIVE @ The Bluestone
Feb 7 @ 7:00 pm

Devin Dawson will be performing LIVE at The Bluestone as part of his “Stray Off Course Tour” on

February 7th, 2019

Doors for the show will open at 7pm

Opening Artist: Jillian Jacqueline

Tickets are $15 in Advance and $20 day of show

Tickets On-Sale Friday, November 9th at 10am

PURCHASE HERE

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Devin Dawson is a country singer and songwriter with a keen ear for clever turns of phrase and a knack for splitting the difference between rootsy and contemporary. A native of Orangevale, California, Dawson spent his formative years soaking in the sounds of Creedence Clearwater Revival, Alan Jackson, Marvin Gaye, and Johnny Cash. In 2012, he packed his bags and headed to Nashville, where he became ensconced in the Music City songwriting machine, penning songs for other artists. After spending a few years honing his chops, he decided to strike out on his own, and enlisted the help of producer Jay Joyce (Eric Church, Little Big Town, Brothers Osborne). He inked a deal with Warner Music Nashville and released his debut single, “All on Me,” which reached the Top 20 on the Hot Country Songs chart. The track was included on his 2018 full-length debut, Dark Horse, which also included collaborations with songwriters Luke Laird, Josh Kerr, Seth Ennis, and others.

Dec
31
Tue
LIVE NYE 2020 Papadosio @ The Bluestone
Dec 31 @ 8:00 pm
LIVE NYE 2020 Papadosio @ The Bluestone

NYE 2020 Papadosio is sending it back to their roots this New Years Eve with TWO NIGHTS at The Bluestone in Columbus, OH with Support TBA!

VIP TWO DAY – $100 (Available August 14th) (Limited Amount)

Early Bird Single Day: – $25 (Available August 16th) (Limited Amount)

Two Day:- $45 (Available August 16th) (Limited Amount)

*VIP Tickets Include*
– Private Soundcheck Viewing
– Private Merch Signing
– Exclusive Balcony Access
– Exclusive Private Bar
– *Limited Edition VIP NYE Wristband*
– *Limited Edition VIP NYE Printed Tickets*
– *Limited Edition VIP NYE Pin*
– Digital DL of the show (Sent about a week after the event)

PURCHASE HERE

Dec
9
Thu
Steel Panther Live December 9, 2021 @ The Bluestone
Dec 9 @ 7:00 pm – 10:45 pm

Steel Panther Live December 9th, 2021 7 PM

The Bluestone
Columbus, Ohio

https://www.ticketmaster.com/event/05005B59EDEA422F

Steel Panther is headed to Columbus, OH to The Bluestone December 9, 2021.

Tickets on sale Friday, October 29 at 10 AM!

  • Website: http://www.steelpantherrocks.com/
  • Facebook: http://www.facebook.com/steelpanther
  • Twitter: http://www.twitter.com/Steel_Panther
  • Instagram: http://www.instagram.com/SteelPanther
  • YouTube: http://www.youtube.com/user/SteelPantherVEVO

About Steel Panther

For the uninitiated, Steel Panther was formed in 2000. Hailing from Los Angeles, the epicenter for rock n’ roll in all its debauchery and glamour, Steel Panther has established themselves as the world’s premier party band, melding hard rock virtuosity with parody and criminally good looks. Steel Panther is a global phenomenon with four full-length albums, touring across the world, platinum-level You Tube status and high-profile television appearances such as Jimmy Kimmel Live, Larry King Now, and FOX NFL Sunday.

Rolling Stone avowed, “There’s a reason Steel Panther have transcended their origins as a cover band playing the Sunset Strip,” while Metal Sucks declared, Steel Panther’s concept is genius…their songwriting is…preposterously snappy –and relatable.

Feb
25
Fri
Easton Corbin February 25, 2022 @ The Bluestone
Feb 25 @ 7:00 pm – 10:45 pm

Easton Corbin

February 25, 2022 7 PM

at The Bluestone

Columbus, Ohio

Bio:

Easton Corbin exudes country. His distinctive baritone has been gracing airwaves for the past decade as his chart topping debut single “A Little More Country Than That” established Corbin as a mainstay on the country charts. Billboard’s 2010 Top New Country Artist would go on to garner another No. 1 hit with the feel-good “Roll With It” as well as seven top 10 singles, further distinguishing himself from other male vocalists as a tried-and-true country traditionalist who weaves timeless story songs together while tipping his hat to the classic country artists who have come before him.

“That’s what I love and that’s what I do,” he says of his passion for traditional country music. “For me, it’s about keeping one foot in the traditional and one foot in the modern and marrying those two. I’m a country singer: That’s one of the things that I take pride in. I try to hone that craft and try to represent that.”

Though 2020 marked the 10th anniversary of “A Little More Country Than That” achieving No. 1 status, Corbin showed no signs of slowing down. With the release of his infectious single “Turn Up,” he launched a year of new releases, including tune “Didn’t Miss A Beat,” which he performed on NBC’s TODAY Show. November brought Corbin’s highly anticipated EP of the same title, which included a “wide array” of songs like “Old Lovers Don’t Make Good Friends” and “Back to Me.” He also partnered with past collaborator and global EDM star Lost Frequencies for new release “One More Night’.

As he continues on with this new chapter as an independent artist, Corbin says “A Little More Country Than That” still reflects who he is as an artist and where he sees his career going.

“That’s really how I grew up,” he says of his career-defining song. “‘A Little More Country Than That’ radiates with me and my band as well because that really is who I am. That’s where I came from, that’s what I am. It’s just as important now as it was then, because that’s the one that started it all for me. That’s definitely a staple of an Easton Corbin show. I think it also defines my audience and who they are.”

The Florida native was surrounded by music as a child. A Merle Haggard or Hank Williams record was always being spun at his grandparents’ house and a guitar was often lying around begging to be played. “My earliest memories are of me as a kid with a guitar, singing and playing along with the radio,” Corbin recalls. “I knew from an early age I wanted to be a country singer.”

After a decade in the spotlight, Corbin is more confident than ever. “I know what I want to say and what I don’t want to say, and I know what I would say and what I wouldn’t say,” he explains. “I think the new music highlights the fact that we’ve been honing these songs and trying to cut the best songs and writing the best songs we can. I think the Didn’t Miss A Beat project is a great representation of that.”

In the meantime, country fans can turn up a little Easton Corbin.

Mar
3
Thu
Jon Langston March 3, 2022 @ The Bluestone
Mar 3 @ 7:00 pm – 10:45 pm

Jon Langston

March 3, 2022 7 PM

at The Bluestone

Columbus, Ohio

Bio: Jon Langston grew up in Loganville, GA, listening to music by his heroes Alan Jackson and the Eagles. He played football, eventually earning a Division 1 college football scholarship. Jon always thought football would a part of his life, but after his sixth concussion left him blind for fifteen minutes, his football career ended abruptly. So, he picked up his guitar which he hadn’t touched since the eighth grade and re-taught himself how to play. Playing open mic nights and working on his songwriting eventually lead to the 2013 release of self-penned, “Forever Girl,” the first song he ever wrote. That release kicked off his music career which has culminated in sold out shows across the country and over 500 million career streams. Jon opened for Luke Bryan on his Farm Tour in 2017, which was a full circle moment having attended as a spectator of the Farm Tour only a few years before in Athens, GA. He was invited to perform on the tour again in 2018 and joined Luke in support of his Sunset Repeat Tour in 2019. Jon signed a publishing deal with Sony ATV, management with KP Entertainment, and is the first artist signed under Luke Bryan’s new Label 32 Bridge Entertainment with EMI Records Nashville. Jon released his highly-anticipated EP, Now You Know, featuring six original songs all written by Jon. Jon’s debut major label single, “When It Comes To Loving You” reached No. 1 on the all-genre iTunes Chart and his single “Now You Know reached the Top 30 on the radio charts. Jon released a pair of new songs, “Happy Ever After” and “Try Missing You,” both of which highlight Langston’s songwriting and his classic country influences.

COVID-19: The Bluestone does not require COVID Vaccinations to enter our venue. We follow all local guidelines and cleaning procedures. The current Columbus “Mask Mandate” for an indoor event does not apply to anyone who is “ACTIVELY EATING OR DRINKING.” We kindly ask that you enter the building with a mask on. You can keep it on or remove it as long as you are actively EATING OR DRINKING! This will be a full capacity show, and it is an “ENTER AT YOUR OWN RISK EVENT.”

Mar
18
Fri
Mammoth WVH & Dirty Honey Live March, 18 2022 @ The Bluestone
Mar 18 @ 6:30 pm – 11:45 pm

Mammoth WVH & Dirty Honey Live March 18th, 2022 6:30 PM

The Bluestone
Columbus, Ohio

https://www.ticketmaster.com/event/05005B5B9DE84DB9

WRKZ presents Mammoth WVH & Dirty Honey in Columbus, OH at The Bluestone March 18th, 2022.

Tickets on sale Friday, November 5th at 10 AM!

About Mammoth WVH

Official Website: www.mammothwvh.com

Official Facebook Page:www.facebook.com/MammothWVH

Official Twitter: www.twitter.com/MammothWVH @MammothWVH

Official Instagram: www.instagram.com/mammothwvh @mammothwvh

Official YouTube Channel:www.youtube.com/MammothWVH

First impressions last a lifetime. Wolfgang Van Halen has prepared a lifetime to make his first impression. The songwriter, vocalist, and multi-instrumentalist worked tirelessly towards the introduction of MAMMOTH [Explorer1], his self-titled 2021 debut album. Playing every instrument and singing each and every note, his music presents a personal and powerful perspective, balancing memorable hooks and tight technicality. As many times as audiences have experienced his talent alongside the likes of Tremonti,Clint Lowery, and of course, Van Halen, they meet Wolf as an individual for the very first time now.

“You only have one chance to make a first impression, and I wanted to do so to the best of my abilities,” he affirms. “Throughout the whole process, I was finding who I am musically and by the end, I got a pretty good handle on a sound I can claim for myself.”

His father often played guitar against his mother’s pregnant belly, and Wolf absorbed those vibrations from the womb. At the age of 10, his Pop gave him a drum kit for his birthday. To this day, Wolf considers himself “a drummer before anything else.” As he developed as a musician, he learned how to play guitar in order to perform “316” —which his father penned for him —at a 6th-grade talent show.

It may come as a surprise, but outside of his father teaching him one drumbeat from an AC/DC song, Wolfgang taught himself every instrument. “My dad wasn’t the best teacher,” he laughs. “I would ask him to play something, and then he would just proceed to be Eddie Van Halen. He would look at me and say, ‘Do that.’ to which I would laugh and sarcastically reply, ‘Sure thing, no problem.’”

In the summer of 2006 when he was 15 years old, Wolf grabbed a bass and began noodling. While at the legendary 5150 Studios, his impromptu woodshedding inspired Eddie and Uncle Alex. Endless family jam sessions followed. By summer’s end, Wolfgang phoned David Lee Roth’s manager and by winter Roth showed up for rehearsal. They rocked “On Fire,” and “That’s how the 2007 tour began,” says Wolf.

Not only did Wolf canvas the world with Van Halen while in high school, but he also held down the low end on 2012’s A Different Kind of Truth—which debuted at #2 on the Billboard Top 200. When not on tour with Van Halen, he cut bass for Tremonti’s critically acclaimed Cauterize [2015] and Dust [2016] in addition to joining the band on the road. In 2019, Wolf handled drums and also played bass on half of the 10 songs for Clint Lowery’s solo debut, God Bless The Renegades.

In the midst of all this, at the beginning of 2015, Wolf broke ground on what would become MAMMOTH with producer Michael “Elvis” Baskette [Alter Bridge, Slash] behind the board. Wolf began to embrace his voice, inspired by everyone from his father, to bands like AC/DC,Foo Fighters, Nine Inch Nails, TOOL, and Jimmy Eat World. “I’ve been singing my whole life, but it wasn’t until MAMMOTH that I really found my voice. Elvis was great, and he helped me gain the confidence to become a lead vocalist.”

“The name Mammoth is really special to me.” says Wolf. “Not only was it the name of Van Halen before it became Van Halen, but my father was also the lead singer. Ever since my dad told me this, I always thought that when I grew up, I’d call my own band Mammoth, because I loved the name so much. I’m so thankful that my father was able to listen to, and enjoy the music I made. I’m really proud of the work I’ve done and nothing made me happier than seeing how proud he was that I was continuing the family legacy.”

About Dirty Honey

Official Website: https://www.dirtyhoney.com/

Official Facebook Page: https://www.facebook.com/DirtyHoneyMusic/

Official Twitter:  https://twitter.com/dirtyhoneyband @DirtyHoneyBand

Official Instagram: https://www.instagram.com/dirtyhoneyband/@dirtyhoneyband

Official YouTube Channel: https://www.youtube.com/channel/UCsxtEOcwpVO9Rnw93Fuv2pQ

Some musicians take a while to build an audience and connect with fans. For the Los Angeles-based quartet Dirty Honey, success came right out of the gate. Released in March 2019, the band’s debut single, “When I’m Gone,” became the first song by an unsigned artist to reach No. 1 on Billboard’s Mainstream Rock chart. Their second single, “Rolling 7s,” went into the Top 5 and was still headed up when COVID changed everything. That same year, Dirty Honey opened for The Who, Guns ’N Roses, Slash, and Alter Bridge and was the “do-not-miss-band” at major rock festivals such as Welcome to Rockville, Rocklahoma, Louder Than Life, Heavy MTL, and Epicenter. On its first U.S. headline tour in January and February 2020, the band sold out every date.
When it came time to record its self-titled full-length debut album, the band—vocalist Marc LaBelle, guitarist John Notto, bassist Justin Smolian, and drummer Corey Coverstone—wasn’t about to mess with what was already working. Teaming up with producer Nick DiDia (Rage Against the Machine, Pearl Jam), who also produced the band’s 2019 self-titled EP, Dirty Honey again captured the lightning-in-a-bottle dynamics and energy of their live sound.
“As a guitarist, I’m always inspired by the everlasting pursuit of the perfect riff,” says Notto. “I also wanted to extend the artistic statement that we had already made. We weren’t looking to sound different, or prove our growth, necessarily. It was more about, ‘Oh, you thought that was good? Hold my beer.'”
“Because of the pandemic,” added drummer Coverstone, “we had a lot more time to write and prepare, which was great. It meant that we were able to workshop the songs a lot more, and I thinkit really made a difference.”
Dirty Honey’s album indeed builds on the band’s output to date, with airtight song writing that plays up their strengths: sexy, bluesy, nasty rock’n’roll, melodic hard rock, and soulful 70s blues-rock. On “The Wire,”LaBelle reaffirms his status as one of contemporary rock’s best vocalists, while “Another Last Time” is a raunchy, timeless ballad about a toxic relationship that you just can’t stop saying goodbye to. “Tied Up” and the album’s lead single “California Dreamin,’’ both feature smoking guitar solos bookended by massive riffs and hooks.
“‘California Dreaming’ was the last song we wrote,” said bassist Justin Smolian. “We finished it about two weeks before we recorded it, so the song was still so new, and we were trying out different things,so every take was a little different. But there was that one where we just captured it, and it was magic.”
Although each band member started playing music as kids—at the age of eight, Notto’s parents even bought him a red-and-white Stratocaster—each one brings eclectic influences to Dirty Honey’s sound. For example, drummer Coverstone has studied with jazz and L.A. session drummers but loves heavy metal; Notto grew up listening to ’70s funk and R&B as well as rock ‘n’ roll,and bassist Smolian has a bachelor of music in classical guitar and loves Tom Petty and The Beach Boys.
LaBelle meanwhile,takes cues from hissongwriting idols (to name a few, Robert Plant, Steven Tyler, Mick Jagger, Chris Robinson, and the late Chris Cornell) when coming up with lyrics. As a result, the songs on the Dirty Honey albumhint at life’s ebbs and flows—shattering heartbreak, romantic connection, intense soul-searching—while giving listeners space to draw their own conclusions.
“Sometimes,if you just let lyrics pass behind your ears, they sound like cool shit is being said,” LaBelle says. “And then once you dive in, you realize, ‘Oh, that’s really thoughtful.’ But it still doesn’t have a meaning that’s easy to pinpoint. There’s an overarching idea that is really cool, but it’s not necessarily on-the-nose.”
Although the Dirty Honey album may sound effortless, its genesis had a bumpy start. The day before the band members were due to fly to Australia to track the album, Los Angeles entered lockdown due to the COVID-19 pandemic, and traveling was off the table. However, Dirty Honey was still eager to work with DiDia, so they devised a Plan B: recording the full-length in a Los Angeles studio with one of DiDia’s long-time engineers, and the producer beamed into the proceedings via the magic of modern technology.
“He was able to listen to what we were laying down in real-time, through this app,” says LaBelle. It was like he was in the room with us. It was surprisingly seamless the way it all went down.”
Having to switch gears delayed the start of recording slightly, although this extra time ended up being a boon. Dirty Honey rented a rehearsal space and demoed the album’s songs in advance, meaning the tracks were in good shape when DiDia came onboard. Notto mixed and recorded these workshopped tracks himself, which helped him rediscover one of Dirty Honey’s biggest strengths: being well-rehearsed while not overpolishing their work.
“I’ve learned just a little bit more about what people might mean when they say, magic—you know, ‘This one has the magic,'” he says. “We would do two and three different demos of a song, so there would be a few versions. On a few occasions, the version that people kept going back to was the sloppiest, if you look at it from a performance standpoint.”
LaBelle agrees. “It’s just about getting the performance right and not thinking about it too much. I never like to be perfect in the studio. None of the stuff that I really liked as a kid was. I don’t really see myself getting away from that too much in the future just because I think you lose the soul if you do it too many times, if it’s too perfect.”
Notto also admits that the creative process isn’t necessarily always all fun and games. But for him and the rest of Dirty Honey, pushing through those tough times and coming out stronger on the other side is worth it. “When you finally come through on those moments, that’s where the real magiccomes in,” he says. “What makes all of our songs fun to play and listen to is we don’t allow ourselves to stop short of getting the best possible results out of each one of them.”

Mar
24
Thu
LANCO March 24, 2022 @ The Bluestone
Mar 24 @ 7:00 pm – 10:45 pm

LANCO

March 24, 2022 7 PM

at The Bluestone

Columbus, Ohio

Bio:

Multi-Platinum selling band LANCO continues to forge new territory after the roots-frontier explorers and live-performance junkies broke out with the 2x Platinum multi-week No. One hit “Greatest Love Story.” Creating a heartland rocker for a new generation, the band followed up with the Billboard Country Albums chart topper HALLELUJAH NIGHTS, marking the first Country group to earn a No. One debut in a decade. Additionally LANCO garnered another PLATINUM certified hit with “Born To Love You”, before the launch of their new anthemic HONKY-TONK HIPPIES EP, which was self-produced by the band, with each track penned by at least two members. The group traveled to the iconic Fame Studios in Muscle Shoals, AL to record the new music, absorbing its heart-pounding and soul-shaking influence. Now set to release five new tracks fit perfectly for the road. New music from the ACM “New Group of the Year” follows multiple nominations from the CMT, CMA, ACM, AMA and iHeartAwards, while Lancaster became the first member of a group to win NSAI’s  “Songwriter/Artist of the Year” award. As LANCO continues to “bring the full-band sound back to Country” (Newsday) the five-man band will build off their deep-rooted connection with fans on their headlining HONY-TONK HIPPIES TOUR.

Mar
25
Fri
Lauren Alaina’s TOP OF THE WORLD TOUR March 25, 2022 @ The Bluestone
Mar 25 @ 7:00 pm – 11:45 pm

Top of the World Tour

LAUREN ALAINA

Presented by maurices

March 25, 2022 7 PM

at The Bluestone

Columbus, Ohio

Tickets $20

Artist Biography

Lauren Alaina | Sitting Pretty on Top of the World

Ten years into her Nashville career, Lauren Alaina is in the upper echelon of country music’s most authentic voices, beloved personalities, and open hearts. She’s earned a reputation as one of the genre’s most compelling storytellers by boldly incorporating her struggles and heartache into her critically acclaimed first two albums. Lauren’s third studio collection, Sitting Pretty on Top of the World, is an artful evolution of immaculately penned, unflinching reflections of the mountains and valleys on her journey.

Sitting Pretty on Top of the World opens with the telltale sound of a needle dropping down on a record, and with that, Lauren sets the tone for some of the most captivating music of her career. Lauren was inspired to lean into the tenets of classic country music for this project and on the albums lead track, “It Was Me,” she offers a timeless country ballad filled with heartsick self-reflection. Lauren’s voice emotionally soars through the aching, introspective lyrics: “It wasn’t you I didn’t love, it was me.”

“The other person isn’t always the bad guy,” Lauren concedes. “On ‘It Was Me,’ I’m taking full ownership of being in the wrong. It was really hard to admit that I was the one at fault and to realize that I didn’t love myself enough to allow someone else to love me.” But the vulnerable “It Was Me,” co-written with Hillary Lindsey, is a song Lauren considers to be one of the best she’s ever written.

Lauren takes pride in the exposed transparency of her songwriting on this project, and though most writing sessions took place via Zoom, Lauren was crafting verses and choruses alongside the likes of award-winning songwriters including Liz Rose, Lori McKenna, Hillary Lindsey, Emily Weisband, David Garcia, Jordan Reynolds, Ben Johnson and Kennedi Lykken. She co-wrote 14 of the album’s 15 songs, much of it inspired from recent life experiences including two impactful break-ups, the loss of her stepfather, and like much of the world, Lauren struggled with despondency as she adapted to life in the pandemic.

The album’s title track “On Top of the World” delves into the dark reality behind polished facades. Writing the song with Jordan Reynolds and Sasha Sloan after the pandemic forced her to stay home for the first time in a decade, Lauren, in a heightened emotional state, revealed how she felt enveloped in loneliness and sadness.

“I’ve been on the road and touring for 10 years and having that taken away so suddenly felt like an abrupt stop to everything I’ve been working for, and that was a really scary thing for me,” she says, “but the whole world stopped for everybody, and I needed to find new ways to connect with people.”

Lauren applies that same honest vulnerability throughout the album from the harrowing ballad “What Do You Think Of?” featuring Danish Pop Star Lukas Graham, to the pensive flow of “I’m Not Sad Anymore,” to the beautiful simplicity of “Good Ole Boy” with its scaled back production that truly allows Lauren’s vocals to shine.

“This whole thing [album] is about loving yourself and being brave and being strong,” Lauren says. “I was faced with all these trials, and I hope people feel themselves in these songs. I think we all live the same stories with different characters. And maybe people realize new beginnings can be good.”

“Getting Good,” a duet with Trisha Yearwood, is the only song Lauren didn’t write on the album. Penned by Weisband, the song is a poignant truth-telling about choosing to be happy. Drawn to the concept, Lauren says, “Life is all about perspective, and you sometimes you have to shift your perspective.”

Lauren punctuates the lovelorn with the playful yet forthright “When the Party’s Over” and with the propulsive yet nostalgic “Run.”  She also teamed up with Emily Weisband and the album’s producer Paul DiGiovanni to write the lighthearted, here-for-the-fun, rebound tune, “Getting Over Him,” featuring country star Jon Pardi. Lauren rounds out the album with the beautifully hopeful “Change My Mind,” which she co-wrote with Seth Ennis and Cameron Bedell.

Then with the familiar crackle of a vinyl record nearing its end, the album comes to a close. A journey from start to finish. Lauren explores life in these unique times and Sitting Pretty on Top of the World is the salve and the soundtrack for anyone traversing their own personal quest for hope and new beginnings.